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The aptly named 'Source' at the base of Corps de Garde mountain which is used to supply La Ferme reservoir.
Taken on 03 February 2013 in Maroc/Morocco near Ain-Leuh Middle-Atlas (DSC_5284)
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town
Source: Scan of an original postcard.
Date:1916.
Photographer: Protheroe & Simons.
Repository: Swindon Museum & Art Gallery.
E1984-130
Timavo (Italian), in Slovene known as Timava or Timav, is a 2-kilometers long river in the Province of Trieste. It has four sources near San Giovanni di Duino and outflows in the Gulf of Panzano (part of the Gulf of Trieste) in between Treviso and Monfalcone, Italy.
The river is of karstic nature. The hypothesis that it is solely the continuation of the Reka river (Slovenia) has been refuted in the 20th century. Timavo receives one third of water from Reka and two thirds from the rivers Vipava, Soča and from the meteorite waters from the Kras plateau.
The river was mentioned already by the Roman authors Livy, Strabo and Vergilius, but they wrote about ten sources. In the area of the sources was the Roman settlement Fons Timavi.
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
Source: Digital image.
Image: P...
Date: June 30th 2004.
Photographer: J. Williams.
Copyright: © 2004 SBC.
Repository: Local Studies, Swindon Central Library.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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Pictures from OSCEdays Berlin 2018 (oscedays.berlin) / All pictures are licensed CC0 creativecommons.org/publicdomain/zero/1.0/deed.de
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I was one of two students from the CWU Des Moines campus accepted to present research work done during my time at CWU at the SOURCE conference (though, as branch campus students, we didn't go all the way out to Ellensburg for the full conference). Here's a few shots Prairie took of Annie and I presenting our research projects.
Source to Sea Cleanup on the Connecticut River at Northfield Mount Hermon, September 26, 2015. Photographs by Glenn Minshall.
verdwenen. Herinnert gij U tien jaar geleden den kamp tusschen Jan Gratama en A. W. Weissman over de handvormsteen. Toen werd het tijdperk ingeluid van de prachtige warme — zwaai met Uw linkerhand met uitgestrekte vingers door de lucht — van de diep gloeiende, heerlijk rulle, baksteen — zwaai met Uw rechterhand met uitgestrekte
vingers door de lucht — en de verglaasde steen had afgedaan.
En ziet, na tien jaar in het schijndoodenrijk vertoefd te hebben, herrijst de verglaasde steen weer aan den onderbouw van dit bouwblok en . . . het is een verrassing. Bruin aan de gevels, wit inde portieken, zou het alleen de charme van het nieuwe zijn? De kunstenaars beweren vrij te zijn van mode. Maar is dat wel- zoo?
Setz' dir Perücken auf von Millionen Locken
Setz' deinen Fusz auf ellenhohe Socken
Du bleibst doch immer, was du bist.
J. P. M.
Rea IRVIN • American
* 26 August 1881 in San Francisco, California.
✝︎ 28 May 1972 in Frederiksted, U.S. Virgin Islands.
The New Yorker cover design.
August 25, 1934.
Issue 497 — Volume 10 — Number 28.
About IRVIN ↓
Few artists have had as enduring an influence on one magazine as cartoonist Rea Irvin has had on The New Yorker. As the magazine's first art editor, Irvin created a style that continues to define the publication to this day, witty, urbane, and socially and culturally aware. He is known for his distinctive thin and trembly line, poached eyes, and almost oriental splendor of his drawings.
Born in San Francisco on August 28, 1881, Irvin started his career in illustration as an unpaid cartoonist for The San Francisco Examiner. His only former training consisted of six months' study at the Hopkins Art Institute. At the age of 25, he moved to the East Coast and was soon a regular contributor to Life and Cosmopolitan magazines.
In 1924, Irvin joined an advisory board to help launch The New Yorker. For the cover of the magazine's debut issue the next year, Irvin created Eustice Tilley, a smartly attired dandy with a monocle and top hat. This amusing and worldly, yet somewhat detached, character embodied the spirit of the new publication. Tilley quickly became Irvin's signature piece and has reappeared on the magazine's cover every year since, with one exception — 1994.
Irvin, as a veteran editor of Life magazine, served for twenty-one years as the art director of The New Yorker. It was said that the first issues of the brash, new magazine were so top heavy with art that one observer dubbed it, 'The best magazine in the world for people who can't read.'
Between 1925 and 1958, Irvin's work appeared on 169 covers of The New Yorker. Hundreds of other illustrations by Irvin were also published inside the magazine. In addition to his illustrations, Irvin contributed significantly to The New Yorker's layout and design. He created the magazine's sharp and casually elegant type style, which is still known as "Irvin type," and he added the squiggly column rules that provide a distinct delineation between text and illustrations.
In 1967, Irvin gave his personal collection of 412 works on paper to the Museum of the City of New York. In March 2000, an exhibition of his work, "The Talk of the Town; Rea Irvin of The New Yorker", was shown at the Brandywine River Museum. It presented 83 original illustrations from the Museum of the City of New York's extensive collection of Irvin's original covers, drawings and cartoons. The exhibition featured many of these works, including caricatures of contemporary figures such as Diego Rivera and Pablo Picasso, and parodies of social issues. One example, The Unity of the Allied Nations which appeared on The New Yorker's July 1, 1944 cover, depicts the American Eagle, the Chinese Dragon, the Russian Bear and the British Lion clearly united in the pursuit of victory during World War II. The exhibit introduced visitors to the broad range of Irvin's talent and explored his enduring influence on The New Yorker magazine and American illustration.
Rea Irvin died on May 28, 1972, in Fredericksted, Virgin Islands, at the age of 90.
#Source: Brandywine Museum of Art.
Rain water is the only source of fresh drinking water, hence the bowls. All water and sewer mains are destroyed until further notice.
The River Lemon is one of many running off Dartmoor.
It is not named after any citrus fruit, but after the Celtic word for Ash Tree.
(Our Example is the Nintendo Wii, but this can be for any other source)
Plug the Component Cables into the Input [IN] on the back of the Receiver.
Source: livinghistories.newcastle.edu.au/nodes/view/46147
Mr Xystus Kinula (attended the University of Papua New Guinea and was awarded a Bachelor of Economics degree). He comes from a small village on the island of New Britain.
This photo appeared in the Bulletin, Number 20, 1990. The text was:
"Happy memories for a visitor from Papua New Guinea
Mr Xystus Kinula believed that the University of Newcastle would be a concrete jungle.
Instead, he was pleasantly surprised to find an Australian university is a very natural setting.
Previously, he attended the University of Papua New Guinea and was awarded a Bachelor of Economics.
This year Mr Kinula has been enrolled in the Diploma in Education, which has included eight week practical teaching experience in Newcastle schools.
Mr Kinula comes from a small village on the island of New Britain. His village has no running water, or electricity, and the only mode of transport is by foot. The majority of people in Parolea cannot speak English, so to go away to school, let alone university, is a great feat.
After Mr Kinuula finishes hiss Diploma he hopes to take up a teaching position in the Solomon Islands and one day he hopes to visits Newcastle again. He found the University staff and students to be very warm, friendly and supportive and, although at times his studies were demanding, he has enjoyed the experience tremendously and leaves with many happy memories."
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us or leave a comment
Taken on 08 February 2013 in Maroc/Morocco near Ziz-Gorges Aoufous (DSC_5682)
freewheely.com: Cycling Africa beyond mountains and deserts until Cape Town