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Notes On Blindness - Mike Brett.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
Full album in free download here archive.org/compress/Holy_Crash_Remix_TKno_BeurK/formats=... More free music on the netlabel profile archive.org/details/le-colibri-necrophile The last news are here ello.co/ed_end
Italie | 2018 | 18m | doc. exp. | HD | Noir & Blanc et Couleur | 4:3 | Stéréo
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Dans la ville de Rome, la lutte pour le droit au logement – conduite surtout par des femmes et des ouvriers du bâtiment – a commencé dans les années '40 mais elle est toujours d’actualité. Elle ne peut donc que s’articuler et s’exposer qu'à travers les archivés du passé et les archives du présent.
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•Meilleur Film au 14° Montreal Underground Film Festival (CANADA)
•Prix du Jury et Prix du Public au 20° Dresdner Schmalfilmtage – International Found Footage Competition (ALLEMAGNE)
•Meilleur Documentaire au Linz International Short Film Festival (AUTRICHE)
•Prix du Jury aux Building Bridges Emerging Filmmaker Awards du 10° Italian Film Festival of Minneapolis-Saint Paul (USA)
•Mention Spéciale au 7° Family Film Project – International Film Festival of Archive, Memory and Ethnography (PORTUGAL)
•Mention Spéciale du Jury International au 3° IsReal, Festival di cinema del reale – Sguardi sul Mediterraneo (ITALIE)
Autres sélections et projections :
•Unarchive / Premio Zavattini (ITALIE)
•25º European Film Festival Palić – Young Spirit of Europe (SERBIE)
•13º Vicoli Corti / Cinema di periferia – film d’ouverture (ITALIE)
•Majazzin House Gallery (ITALIE)
•11º PerSe Visioni / Art Factory: short films exhibition, XI éd. (ITALIE)
•2º History Film Festival / International festival of historical documentary films (CROATIE)
•6º Festival dei Claustri / corti in festival (ITALIE)
•Cinebarrio (ITALIE)
•4º Fuori Visioni / Festival di Arte Contemporanea (ITALIE)
•Storia in corto / Prima rassegna dell’audiovisivo storico (ITALIE)
•25º L'Alternativa / Barcelona Independent Film Festival – Alternativa Official (ESPAGNE)
•20º Genova Film Festival – finaliste documentaires (ITALIE)
•13º Lecce Film Fest / Festival del cinema invisibile – Cinema Italiano (ITALIE)
•Solo de visita / Unscheduled (ITALIE)
•11° Budapest Architecture Film Days – Apocalypse Now (HONGRIE)
•12° Glasgow International Short FIlm Festival / Bill Douglas Award 1: Four Walls (ROYAUME UNI)
•Shifting Scenes I: Urban Conflicts – Short Documentary Films (Pays-Bas)
•15° Lucca Film Festival and Europa Cinema – International Short Film Competition (ITALIE)
•2° Festival Bella storia / Narrazioni di strada – Sezione Documentari (ITALIE)
•Cinédébat, PassaParola: Espace de Culture Italienne de Marseille (FRANCE)
•Zsigmond Vilmos International Film Festival (the best of European Film Festival Palić), Szeged (HONGRIE)
•3° Laterale Film Festival (ITALIE) – Dall’esilio
•47° Huesca International Film Festival (ESPAGNE) – Documentary Short Film Contest
•3° Les Yeux Ouverts / Rencontres Documentaires, Paris (FRANCE)
•13° River Film Festival (ITALIE) – Documentary Competition
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Avec : Gerardo Sperandini, Duilio Del Prete, Tino Schirinzi, Leopoldo Trieste, Edmonda Aldini, Luigi Proietti, Mirko Guidoum Infante et Ysella Infante Vega.
Composition et Montage son/image : Arianna Lodeserto
Étalonnage : Étalo’mobile (Magali Marc)
Mixage et Restauration audio: Akoros - Soundtracks & SoundDesign (Riccardo Cocozza)
Musique : Teleborderline (Enrico Tinelli)
Mastering : Silverlining Studio (Max Ficara)
Production: Desertar-Quai des courts (Arianna Lodeserto)
Co-production : AAMOD (Archivio Audiovisivo del Movimento Operaio e Democratico)
Supervision de projet : Ugo Adilardi et Emanuele Redondi.
Traduction française : Marine De La Loge
Photographie (en affiche) : Annalisa Gonnella
Formats de projection : DCP, .mov, .mp4
Langues : Italien
Sous-titres : Français, Anglais, Catalan, Espagnol, Serbe.
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Client: Radium Audio Ltd
Project: BSkyB Arts HD - The Making of Music & Sound
Director: Andrew Diey
The 4 x Sky Arts HD idents which we create the music & sound for now have their own "making of" to accompanying the idents.
Sky Arts HD Idents here: vimeo.com/15011723
This Making of film was created by our creative director Andrew Diey who wanted to capture the magic that goes into the scoring and designing sound to the off-beat and wonderful visuals.
This is all about how we go about creating a piece of work .. from initial foley stages through to the end mix process in the studio.
How we did it: Filming all aspects of the sound recording process and capturing the performance by Ben who is one of our in-house creative directors. We wanted to be able to share what goes into the sound creation from the musical performances, to the home-brew software [yes we write our own software] and the home-brew boxes which give us a unique spin on how to take our sound design into unusual yet rewarding areas. Magnus also makes an appearance in this film, He is head of production.
Clemens Wirth - AfterFX vimeo.com/clemento
weareseventeen - www.weareseventeen.com/
Radium Films is part of www.radium-audio.com
Radium Staff featured: Ben, Chris, Magnus, Peter, Andrew
Sounds we created include: Fruit, Child Fruit lunge, organic ambience, musical score,Wood, Deck, Music, Sea, Wind, Plastics, Materials, Hall acoustics, Music Score, Violin Theme, Sound Design, Ribbon, Swooshes, Swishes,Liverpool, Music Score, Atmos, Bike, Sound Design, Ribbon, Swooshes, Swishes
Watch this video on Vimeo. Video created by Radium Audio Ltd.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
Radium Audio Music & Sound design showreel for Early 2011.
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Founder Foreword: Andrew Diey Dec 2010:
Radium Audio is a unique creative audio company hidden deep in the East End of London.
Our vision is to provide the highest quality sound & music, being fearless and bold about exploring new areas of creativity in the sonic universe.
All the sounds you hear on this showreel are original and have been crafted
organically from real instruments and from objects we have recorded in our
studios ...
Often our clients really treasure us ... and return to work with us time and
time again ... because we live and breathe sound and music.
What we have learned is this. "People don't just watch. They listen and
watch. People want to experience the brand not just the message... and the
right sound in advertising & branding delivers this.
If you choose to work with us, what you will get will be the most authentic
and original ideas.
Andrew Diey
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Clip 01: Magic Christmas
Clip 02: Cadburys - Trident Gum
Clip 03: Reebok - The Pump
Clip 04: BSkyB - Little Crackers
Clip 05: Nowtel - NOWI
Clip 06: Nokia - Booklete 3G
Clip 07: MUBI
Clip 08: Nike
Clip 09: Singapore Tourist Board - Yoursingapore.com
Clip 10: Universal Channel
Clip 11: Weareseventeen - Strange Arrangements
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Pt 2: Sound Design
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Our sounds come from objects we record.
We created our own software for our sound design.
We are at the beginning of a sound revolution.
Opensource software allows us to realise our creative dreams.
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Clip 01: Vh1 - Behind the Music
Clip 02: The Mill - Motion Graphics Reel
Clip 03: The Mill - Games Reel
Clip 04: Rolex - Daytona
Clip 05: Reebok - ZigTech
Clip 06: NCIS - LL Cool J
Clip 07: Nissan - The Digger
Clip 08: Weareseventeen - Strange Arrangements Detail
Clip 09: Ferrari - California
Clip 10: Nowtel - NOWI
Contact: carleen@radium-audio.com
Tel: + 44 (0)208 985 9958
Watch this video on Vimeo. Video created by Radium Audio Ltd.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Art Outside
Friday - Sunday, October 22-24
at Apache Pass
Full access to the Art Outside festival Included in the MGFest Austin All Arts Access Badge, or you can buy tickets for Art Outside only.
Art Outside is a 3-Day camping festival at the beautiful Apache Pass festival grounds near Rockdale, Texas. The site features hundreds of acres of grassy camping areas and lush pecan trees scattered throughout.
Featuring Over 300 Artists including: Random Rab, Gift Culture, Artificial Life Preserver, Psymbolic--visuals, Win Win Creative, VJ Mason Dixon, Michael Christian, Art of Such-N-Such, Life-Size Mousetrap, Ricochet, Elemental Uprising, 999 Eyes Freakshow, Agent Red, Blockhead, God-des and She, Spoonfed Tribe, Community Art Makers, The Art Department, George Krause, Minor Mishap, Gyronauts, T-Bird and the Breaks, Heyoka, Brownout!, Govinda, Anahata Sound, plus many more!
MGFest's Art Outside Screening includes: Max Hattler, N.A.S.A., Eric Gunther for OK Go, Roger Ruzanka & The Flashbulb, Jon Satrom, Alan Sondheim, and more.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
This video is an website intro and a id for the interior designer Jorge Varela.
VIDEO www.vimeo.com/16694805
website launch soon.
client / Jorge Varela
sound- design / Olivier Girardot
video / Me
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
photo credit: Erich Woodrum (www.afropop.org)
Artist Aurelio Martinez, leading voice of the Garifuna Community, was Honduras' first Senator of African descent. Aurelio was selected by the Rolex Mentor Protege Initiative as a protege of Youssou N'Dour. He served as co-host of this MusicWorks NYC Studio Reception.
The Garifuna community in the U.S dates back to the 1800's and number an estimated 40,000 strong in New York alone.
More info on the Garifuna people:
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
World music superstar Youssou N'Dour listening to mix of Tributo at MusicWorks NYC studios with recording artists Jay Rodriguez and Aurelio Martinez
David Mollerstedt (Head of Audio, DICE) and Joel Deziel (Audio Specialist, EA Blackbox) spoke about video game audio to a class of Sound Design for Visual Media students at VFS.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
7 sept 2019 >> NIEUWE FILMERS FESTIVAL – Verkadefabriek Den Bosch – feestelijke première avond van de negen korte films gemaakt tijdens het One Week Film Project 2019 met Q&A met de filmmakers. Na het voorlezen van het juryrapport volgde de spetterende prijsuitreiking van de film award Het Paradepaardje 2019 mét de geldprijs t.w.v. 2750,- door de vakjury aan de winnende regisseur en team! Het prijzengeld bestaat uit de Hermes Kunst & Cultuurfondsprijs t.w.v. 500 euro, de BudgetCamera waardecoupon t.w.v. 750 euro én 1500,- vanuit SOLOS Nieuwe Filmers gefinancierd uit het budget van de Van den Udenhout- Chappin Cultuurprijs. Het prijzengeld moet binnen 1 jaar door de winnaar / het winnende team worden besteed aan de realisatie van een nieuwe film [fictie, docu,animatie]! Nieuwe
Filmers biedt hen in de opstart een filmproducent als coach.
De korte films zijn gemaakt tijdens het One Week Film Project 2019. Teams van een nieuwe generatie jonge filmmakers maakten in 5 dagen tijd ieder een nieuwe korte film in elk denkbaar genre!
Het publiek kiest de winnaar van de Publieksprijs. De jury overhandigde de winnende regisseur en het team een cheque t.w.v. 200 euro + 2 kaarten Industry Day Go Short. >> NEWS >> De geldwaarde van de prijs werd zaterdagavond spontaan verhoogd met 500 euro door een spontane gift van Janneke Rijnders en Jos Claassen uit het publiek!! Wauw!
Ook reikte de jury negen categorieprijzen uit voor Beste regie, Beste scenario, Beste Acteur m/v, Beste Sounddesign, Beste Camera DOP (director of photography), Beste Editing, Beste Production Design en Beste Muziek! Afsluitend was er een ‘afterparty’ en meet en greet met de filmmakers in de foyer van de Verkadefabriek.
Extra prijzen voor alle deelnemende teams in het Natraject : – een One Hour Exclusive Date met filmdistributieprofessional Wouter Janssen van Some Shorts t.b.v. distributiemogelijkheden voor hun film. En een besloten ‘masterclass’ door de jury, n.a.v. het juryrapport, als extra exclusief coaching moment, met bespreking per film.
WINNAAR FILMAWARD het PARADEPAARDJE 2019 >> ‘DIEP IN HET ROOD’ regie Mitchell van Vuren, team Filmmakers Collective
DE PUBLIEKSPRIJS >> ‘LEVENSLUCHT’ regie Joris Sluiter, team Super Media Bros
DE NEGEN CATEGORIEPRIJZEN
Best Editing > Gijs Walstra – ‘DIEP IN HET ROOD’
Best Scenario > Mitchell van Vuren – ‘DIEP IN HET ROOD’
Best Acting [V] > Marcelle Arriëns – ‘DIEP IN HET ROOD’
Best Acting M > duo Askr Caminada & Teun Hermsen ‘SOFIES CONDO’
Best Sounddesign > Dimitri Janssen & Madse Krivokutya – ‘TOMMIE’
Best Music [score] > Arthur Antoine Theunissen – ‘RUSHED’
Best Production Design > Tim Tubée – ‘WEERSCHIJN’
Best Camera > Jouke van Til – ‘WEERSCHIJN’
Best Direction > regisseur Kiki Henger- ‘WEERSCHIJN’
De jury
Sytske van der Ster, veelzijdig actrice, bekend van vele films en televisieseries o.a.; The Blue Virgin, Botanica, Heer en Meester, Vrijland, Zuidas, Levenslied, de coassistent.
Net terug van de jurering voor NFF…
Aaron Rookus, award winnende schrijver en regisseur
oa. Zuidas, Van God Los seizoen 4, Woensdagen, Een Goed Leven, I Wish I Could Share the Happiness Of Being Alone With Someone Else. Docent Audiovisuele Media op de HKU.
Jan van den Brink, film programmeur van de Verkadefabriek Den Bosch.
Productie van SOLOS NIEUWE FILMERS 2019
Foto's Jaap Joris Vens
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.