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The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo: Ars Electronica / Birgit Cakir

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Concentração espontânea do manifesto Desocupa Salvador durante VISIO. ontem no ICBA - Salvador, BA

 

- - -

 

visioponto.blogspot.com/

 

Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.

 

Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.

 

Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.

 

A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.

 

Equipe:

 

Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady

 

Consultoria em Arte e Tecnologia: Karla Brunet

 

Sound designer: Junix

 

Assessoria artística: Flávia Bomfim e Juliana Bestetti

 

Coordenação de produção: Erica Telles

 

Produção executiva: Jandyra Fernandes

 

Assistencia de produção: Pedro May

 

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

7 KORTE FILMPREMIÈRES OP 8 SEPTEMBER!

- RODE LOPER FOTO'S -

 

NIEUWE FILMERS FILM FESTIVAL met 7 korte filmpremières & uitreiking film award Het Paradepaardje 2017

vr. 8 sept. - 20:00u - Verkadefabriek Den Bosch

 

Vrijdag 8 september vond de vierde editie van het Nieuwe Filmers Film Festival 2017 plaats in de grote zaal van de Verkadefabriek in Den Bosch. Een avondvullend feestelijk programma met premières van zeven korte films gemaakt voor het ONE WEEK FILM project 2017 en interviews met de makers. Na het voorlezen van het juryrapport door de filmvakjury volgde een spetterende uitreiking van de film award Het Paradepaardje 2017 met twee extra prijzen aan de regisseur van de winnende film! Ook reikt de jury prijzen uit in de categorieën: 'beste acteur en actrice', 'beste DOP' [director of photography], 'beste sounddesign', 'beste editor en 'beste productie design'. Het publiek kiest dit jaar ook! De film met de meeste stemmen ontving de Publieksprijs. Afsluitend was er een ‘afterparty’ met DJ Losse Veter en meet en greet met de filmmakers.

Het publiek maakte tijdens deze filmavond kennis met zowel het inspirerende filmwerk alsook met de gedreven filmmakers zelf; de jonge regisseurs, scenarioschrijvers, acteurs e.a.

 

De zeven korte films die in première gingen zijn gemaakt tijdens het One Week Filmproject van 14 t/m 18 augustus. Zeven teams van een nieuwe generatie jonge filmmakers maakten in één week tijd ieder een nieuwe korte film van maximaal 10 minuten, van script tot eind montage en in elk denkbaar genre! Met hun film dingen de teams mee naar de felbegeerde film award Het Paradepaardje 2017 die uitgereikt wordt door een professionele filmvakjury met Ilona van Heeckeren filmprogrammeur o.a. Verkadefabriek, San Fu Maltha Fu Works, filmproducent van grote films als Zwartboek, Alberta, Oorlogswinter, Een echte Vermeer, Tirza e.v.a., Mike Weerts acteur speelde o.a in de films Borgman (Alex van Warmerdam), De Bende van Oss (Andre van Duren), de telefilm Op de Dijk (Mirjam de With) en Of ik gek ben (Frank Lammers).

 

Foto's Suus Waijers en SOLOS

Being Anton is an immersive sound space that takes visitors into the world of Anton Bruckner's thoughts and ideas and those of his contemporaries. Visitors can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024 in the Ars Electronica Center.

 

Photo: Ars Electronica / Birgit Cakir

7 KORTE FILMPREMIÈRES OP 8 SEPTEMBER!

- RODE LOPER FOTO'S -

 

NIEUWE FILMERS FILM FESTIVAL met 7 korte filmpremières & uitreiking film award Het Paradepaardje 2017

vr. 8 sept. - 20:00u - Verkadefabriek Den Bosch

 

Vrijdag 8 september vond de vierde editie van het Nieuwe Filmers Film Festival 2017 plaats in de grote zaal van de Verkadefabriek in Den Bosch. Een avondvullend feestelijk programma met premières van zeven korte films gemaakt voor het ONE WEEK FILM project 2017 en interviews met de makers. Na het voorlezen van het juryrapport door de filmvakjury volgde een spetterende uitreiking van de film award Het Paradepaardje 2017 met twee extra prijzen aan de regisseur van de winnende film! Ook reikt de jury prijzen uit in de categorieën: 'beste acteur en actrice', 'beste DOP' [director of photography], 'beste sounddesign', 'beste editor en 'beste productie design'. Het publiek kiest dit jaar ook! De film met de meeste stemmen ontving de Publieksprijs. Afsluitend was er een ‘afterparty’ met DJ Losse Veter en meet en greet met de filmmakers.

Het publiek maakte tijdens deze filmavond kennis met zowel het inspirerende filmwerk alsook met de gedreven filmmakers zelf; de jonge regisseurs, scenarioschrijvers, acteurs e.a.

 

De zeven korte films die in première gingen zijn gemaakt tijdens het One Week Filmproject van 14 t/m 18 augustus. Zeven teams van een nieuwe generatie jonge filmmakers maakten in één week tijd ieder een nieuwe korte film van maximaal 10 minuten, van script tot eind montage en in elk denkbaar genre! Met hun film dingen de teams mee naar de felbegeerde film award Het Paradepaardje 2017 die uitgereikt wordt door een professionele filmvakjury met Ilona van Heeckeren filmprogrammeur o.a. Verkadefabriek, San Fu Maltha Fu Works, filmproducent van grote films als Zwartboek, Alberta, Oorlogswinter, Een echte Vermeer, Tirza e.v.a., Mike Weerts acteur speelde o.a in de films Borgman (Alex van Warmerdam), De Bende van Oss (Andre van Duren), de telefilm Op de Dijk (Mirjam de With) en Of ik gek ben (Frank Lammers).

 

Foto's Suus Waijers en SOLOS

Bramastra Movie Trailer Sound Design

The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo showing: Gerfried Stocker

 

Photo: Ars Electronica / Birgit Cakir

The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo showing: Doris Lang-Mayerhofer

 

Photo: Ars Electronica / Birgit Cakir

Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.

 

SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.

 

(Photo by Joanne H. Lee/Santa Clara University)

Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.

 

SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.

 

(Photo by Joanne H. Lee/Santa Clara University)

The immersive sound space Being Anton at the Ars Electronica Center in Linz – developed by the Ars Electronica Futurelab – offers visitors the opportunity to experience the sound world of composer Anton Bruckner in a new way. Based on extensive historical research, visitors are immersed in the soundscape of the Industrial Revolution, which is combined with excerpts from Bruckner’s symphonies as well as choral and organ pieces, framed by historical context and insights into the correspondence of the exceptional musician.

 

Photo: Martin Hieslmair

Austin Film Meet: Green Screen Concepts

 

Monday 18 October, 7-9pm

The BLUE Theatre (Behind the Good Will), 916 Springdale Rd, Austin, 78702

Free to Attend. Donations Appreciated.

 

Join us as we discuss basic green screen concepts presented by Brandon Boggs. If you're new to green screening and want to understand the process more fully, this topic is just right for you. Kurt Lawson of Bright Pictures, an accomplished, professional compositor and digital artist, will be on hand to answer your post-production questions.

 

Open to any person with a drive to make, promote or support films, movies & new media projects. Our meetings consist of industry announcements, a special topic or presentation, and an "open mic" session for filmmakers. We invite you to introduce yourself & your project, let us know how we can help or what skills you can offer. Tell us about a recent milestone you've made & network with with a wide range of indie film & media makers & supporters.

THE VALLEY MISSION CARE

by Russel Legaspi

 

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

 

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

 

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

 

The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo showing: Gerfried Stocker

 

Photo: Ars Electronica / Birgit Cakir

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Being Anton is an immersive sound space that takes visitors into the world of Anton Bruckner's thoughts and ideas and those of his contemporaries. Visitors can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024 in the Ars Electronica Center.

 

Photo showing: Arno Deutschbauer

 

Photo: Ars Electronica / Birgit Cakir

Kaeba + Franz Rosati

 

Dromoscope / Sincretismo Elettronico Applicato

Esc Atelier Autogestito

14 01 11 [Rome ]

 

Photos by

Paolo Buatti [ www.paolobuatti.it/ ]

Agnese Gambini [ www.agnesegambini.it/ ]

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.

 

SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.

 

(Photo by Joanne H. Lee/Santa Clara University)

Video available here: vimeo.com/39561074

Being Anton is an immersive sound space that takes visitors into the world of Anton Bruckner's thoughts and ideas and those of his contemporaries. Visitors can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024 in the Ars Electronica Center.

 

Photo: Ars Electronica / Birgit Cakir

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

THE ROTARY RECORDS,

recording & sound design

Warren Amerman

732 Elm Street

West Springfield, MA 01089

413.626.6688

rotaryrecords.com

www.facebook.com/pages/Rotary-Records/43242256515?sk=wall

Øe [ Fabio Perletta ]

 

Dromoscope / Sincretismo Elettronico Applicato

Esc Atelier Autogestito

14 01 11 [Rome ]

 

Photos by

Paolo Buatti [ www.paolobuatti.it/ ]

Agnese Gambini [ www.agnesegambini.it/ ]

Øe [ Fabio Perletta ]

 

Dromoscope / Sincretismo Elettronico Applicato

Esc Atelier Autogestito

14 01 11 [Rome ]

 

Photos by

Paolo Buatti [ www.paolobuatti.it/ ]

Agnese Gambini [ www.agnesegambini.it/ ]

Structure rectangulaire composée de 12 modules pour une surface totale de projection de 8m par 6m. S’anime de manière synchronisée avec la musique jouée par le DJ.

 

Crédit photo: Lara BOURREL

7 KORTE FILMPREMIÈRES OP 8 SEPTEMBER!

- RODE LOPER FOTO'S -

 

NIEUWE FILMERS FILM FESTIVAL met 7 korte filmpremières & uitreiking film award Het Paradepaardje 2017

vr. 8 sept. - 20:00u - Verkadefabriek Den Bosch

 

Vrijdag 8 september vond de vierde editie van het Nieuwe Filmers Film Festival 2017 plaats in de grote zaal van de Verkadefabriek in Den Bosch. Een avondvullend feestelijk programma met premières van zeven korte films gemaakt voor het ONE WEEK FILM project 2017 en interviews met de makers. Na het voorlezen van het juryrapport door de filmvakjury volgde een spetterende uitreiking van de film award Het Paradepaardje 2017 met twee extra prijzen aan de regisseur van de winnende film! Ook reikt de jury prijzen uit in de categorieën: 'beste acteur en actrice', 'beste DOP' [director of photography], 'beste sounddesign', 'beste editor en 'beste productie design'. Het publiek kiest dit jaar ook! De film met de meeste stemmen ontving de Publieksprijs. Afsluitend was er een ‘afterparty’ met DJ Losse Veter en meet en greet met de filmmakers.

Het publiek maakte tijdens deze filmavond kennis met zowel het inspirerende filmwerk alsook met de gedreven filmmakers zelf; de jonge regisseurs, scenarioschrijvers, acteurs e.a.

 

De zeven korte films die in première gingen zijn gemaakt tijdens het One Week Filmproject van 14 t/m 18 augustus. Zeven teams van een nieuwe generatie jonge filmmakers maakten in één week tijd ieder een nieuwe korte film van maximaal 10 minuten, van script tot eind montage en in elk denkbaar genre! Met hun film dingen de teams mee naar de felbegeerde film award Het Paradepaardje 2017 die uitgereikt wordt door een professionele filmvakjury met Ilona van Heeckeren filmprogrammeur o.a. Verkadefabriek, San Fu Maltha Fu Works, filmproducent van grote films als Zwartboek, Alberta, Oorlogswinter, Een echte Vermeer, Tirza e.v.a., Mike Weerts acteur speelde o.a in de films Borgman (Alex van Warmerdam), De Bende van Oss (Andre van Duren), de telefilm Op de Dijk (Mirjam de With) en Of ik gek ben (Frank Lammers).

 

Foto's Suus Waijers en SOLOS

The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo showing: Gerfried Stocker, Norbert Trawöger

 

Photo: Ars Electronica / Birgit Cakir

The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.

 

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

 

Photo showing: Doris Lang-Mayerhofer

 

Photo: Ars Electronica / Birgit Cakir

This voice showreel offers a curated journey through Esther Mugambi’s vocal artistry — showcasing her range, versatility, and ability to bring stories to life with nuance and precision.

 

I led the full creative direction and post-production process, carefully selecting voice clips and shaping a seamless audio experience that highlights her tone, character depth, and emotional rhythm. From mixing and pacing to subtle sound design, each detail was crafted to keep the listener engaged while allowing Esther’s voice to speak for itself.

 

This is more than a collection of samples — it’s an audio portrait of a performer whose voice commands attention and carries narrative weight.

 

See more at:

www.youtube.com/@digitalnavigatorz

 

mugambi.com/

  

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