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Structure rectangulaire composée de 12 modules pour une surface totale de projection de 8m par 6m. S’anime de manière synchronisée avec la musique jouée par le DJ.
Crédit photo: Lara BOURREL
7 KORTE FILMPREMIÈRES OP 8 SEPTEMBER!
- RODE LOPER FOTO'S -
NIEUWE FILMERS FILM FESTIVAL met 7 korte filmpremières & uitreiking film award Het Paradepaardje 2017
vr. 8 sept. - 20:00u - Verkadefabriek Den Bosch
Vrijdag 8 september vond de vierde editie van het Nieuwe Filmers Film Festival 2017 plaats in de grote zaal van de Verkadefabriek in Den Bosch. Een avondvullend feestelijk programma met premières van zeven korte films gemaakt voor het ONE WEEK FILM project 2017 en interviews met de makers. Na het voorlezen van het juryrapport door de filmvakjury volgde een spetterende uitreiking van de film award Het Paradepaardje 2017 met twee extra prijzen aan de regisseur van de winnende film! Ook reikt de jury prijzen uit in de categorieën: 'beste acteur en actrice', 'beste DOP' [director of photography], 'beste sounddesign', 'beste editor en 'beste productie design'. Het publiek kiest dit jaar ook! De film met de meeste stemmen ontving de Publieksprijs. Afsluitend was er een ‘afterparty’ met DJ Losse Veter en meet en greet met de filmmakers.
Het publiek maakte tijdens deze filmavond kennis met zowel het inspirerende filmwerk alsook met de gedreven filmmakers zelf; de jonge regisseurs, scenarioschrijvers, acteurs e.a.
De zeven korte films die in première gingen zijn gemaakt tijdens het One Week Filmproject van 14 t/m 18 augustus. Zeven teams van een nieuwe generatie jonge filmmakers maakten in één week tijd ieder een nieuwe korte film van maximaal 10 minuten, van script tot eind montage en in elk denkbaar genre! Met hun film dingen de teams mee naar de felbegeerde film award Het Paradepaardje 2017 die uitgereikt wordt door een professionele filmvakjury met Ilona van Heeckeren filmprogrammeur o.a. Verkadefabriek, San Fu Maltha Fu Works, filmproducent van grote films als Zwartboek, Alberta, Oorlogswinter, Een echte Vermeer, Tirza e.v.a., Mike Weerts acteur speelde o.a in de films Borgman (Alex van Warmerdam), De Bende van Oss (Andre van Duren), de telefilm Op de Dijk (Mirjam de With) en Of ik gek ben (Frank Lammers).
Foto's Suus Waijers en SOLOS
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Gerfried Stocker, Norbert Trawöger
Photo: Ars Electronica / Birgit Cakir
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Mise en lumière du Malaysia Club Val Thorens : intégration LED sur la cabine DJ, show lumière synchronisé, et mapping architectural sur la façade.
Crédit photo: Lara BOURREL
THE ROTARY RECORDS,
recording & sound design
Warren Amerman
732 Elm Street
West Springfield, MA 01089
413.626.6688
rotaryrecords.com
8 SEPTEMBER 2017 Verkadefabriek Den Bosch Grote zaal
KIELZOG winnaar PARADEPAARDJE 2017!
Carilijne Pieters en Jesse de Vries winnen met hun docufilm - KIELZOG - de film award
Het Paradepaardje 2017, tijdens de vierde editie van het NIEUWE FILMERS FILM FESTIVAL 2017 in de Verkadefabriek in Den Bosch.
De jury met Ilona van Heeckeren filmprogrammeur, San Fu Maltha filmproducent en Mike Weerts acteur en producer, was unaniem in haar beslissing en lichtte hun keuze als volgt toe:
KIELZOG - 'een mooi klein document over een schippersfamilie. We vinden het erg knap dat de makers er in geslaagd zijn om in 1 week een docu te maken met een verhaal waarin rekening is gehouden met de gekregen opdrachten. Er is een zeer originele keuze gemaakt. De chemie tussen de makers en hoofdpersonen in de docu is voelbaar. De makers werken mooi observerend en zijn zelf afwezig. De beelden werken mooi symbolisch en zijn in balans met het verhaal wat wordt verteld. Het is duidelijk dat de makers beschikken over talent om serieus door te groeien binnen het maken van documentaire. '
KIELZOG is één van de zeven korte films gemaakt door jonge filmmakers tijdens het ONE WEEK FILM PROJECT van 14 t/m 18 augustus jl. Tijdens het NIEUWE FILMERS FILM FESTIVAL zijn alle films in première gegaan en maakte het publiek kennis met de makers middels Q&A met de makers door gastheer Coen Haver.
Carilijne Pieters en Jesse de Vries ontvingen uit handen van de jury behalve de film award Het Paradepaardje ook twee extra prijzen; een geldprijs van € 500 aangeboden door het Hermes kunst & cultuurfonds en een waardecheque van € 750 ter beschikking gesteld door Budgetcam Cameraverhuur, voor de huur van filmapparatuur.
Ook reikte de jury prijzen uit in de categorieën: 'Beste acteur' Gustavo Ruben Valenzuela [Intrus]
'Beste actrice' Caroline Lichtenberg [Onder Dwang] , 'Beste DOP' [director of photography] Carilijne Pieters [Kielzog] , 'Beste sounddesign' Lars Burgwal' {Agent [...] }, 'Beste editor ' Left Handed [Kielzog] en 'Beste productie design' Floor Timmer {Agent [...] }
NIEUW dit jaar was de Publieksprijs. Het publiek koos voor de film INTRUS van regisseur Tim Ewalts en team Phantom.
EXTRA EXTRA prijs! Masterclass Film verzorgd door de juryleden i.s.m. Nieuwe Filmers/ Verkadefabriek. Dit werd tijdens het Film Festival bekend gemaakt. De masterclass is een uitgelezen kans voor de regisseurs met enkele van hun teamleden om hun werk met deze filmprofessionals te bespreken !
Het NF Film Festival werd mede mogelijk gemaakt door de Verkadefabriek, Gemeente
's-Hertogenbosch, Travel Doctor, Gofilex Zeist , Hermes Kunst & Cultuurfonds en Budgetcam Cameraverhuur. NIEUWE FILMERS is onderdeel van SOLOS.
Foto's SOLOS NIEUWE FILMERS en Suus Waijers
Video Production at Sound Stages Dallas of CRM Studios a Video Production Company.
XTO hired CRM Studios Video Production team to handle its 25th anniversary. CRM Studios went to Enchanted Rock to shoot some stunning imagery that XTO used it is "Climb" to the top.
All trademarks are the property of their respective owners. (cc) CRM Studios 1991-2011. All photos provided with a creative commons share-alike license. Use freely for commercial or non-profit use but give attribution to "CRM Studios" a Video Production Dallas Company.
People say and I myself know that I have a lot of energy, I am so happy and comfortable in my own skin when I am in the radio booth where I can create a character and tell stories. Applying the skills I learned from Media Performance 1 and Script Performance, performing in front of the microphone has become a real passion for myself.
David Phillips
Radio Arts and Entertainmnet
2019-2020
AN EXPLORATION OF SOUND AND MUSIC IN GAMES
Leading music and sound practitioners working in the indie and AAA sectors, SØS Gunver Ryberg, Adele Cutting, David Housden and John Broomhall discussed creating powerful and innovative audio for games.
Photo: Pieter Kers | Beeld.nu
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Margot Nazzal
Photo: Ars Electronica / Birgit Cakir
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
We used one of our large digital monitors to display various elements to the audience. Panel members had power points and movies on their laptops and DVDs to play.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Gerfried Stocker
Photo: Ars Electronica / Birgit Cakir
KAFATIRAN
by Dingdong Novenario
cast:
Abner Delina
Ian Lomongo
Marco Viana
Acey Aguilar
director: JK Anicoche
production designer: Leeroy New
technical director: Ninya Bedruz
music and sound design: Teresa Barrozo
stage management: Carlo de Castro
-----
photo by Teresa Barrozo
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Birgit Cakir
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Doris Lang-Mayerhofer
Photo: Ars Electronica / Birgit Cakir
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Being Anton is an immersive sound space that takes visitors into the world of Anton Bruckner's thoughts and ideas and those of his contemporaries. Visitors can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024 in the Ars Electronica Center.
Photo: Ars Electronica / Birgit Cakir
KAFATIRAN
by Dingdong Novenario
cast:
Abner Delina
Ian Lomongo
Marco Viana
Acey Aguilar
director: JK Anicoche
production designer: Leeroy New
technical director: Ninya Bedruz
music and sound design: Teresa Barrozo
stage management: Carlo de Castro
-----
photo by Teresa Barrozo
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Birgit Cakir
Being Anton is an immersive sound space that takes visitors into the world of Anton Bruckner's thoughts and ideas and those of his contemporaries. Visitors can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024 in the Ars Electronica Center.
Photo showing: Arno Deutschbauer
Photo: Ars Electronica / Birgit Cakir
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Meri Amber went to King Sound Studios to program in the drums and a couple of keyboard parts for the songs on her Mini-P working with audio engineer Fabian. www.meriamber.com/blog/2013/03/programming-in-the-drums-f...
Structure rectangulaire composée de 9 modules pour une surface totale de projection de 8m par 6m. S’anime de manière synchronisée avec la musique jouée par le DJ.
Crédit photo: Lara BOURREL
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Margot Nazzal
Photo: Ars Electronica / Birgit Cakir
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
The Ars Electronica Center opened Being Anton on January 31, 2024 with an immersive sound space that takes visitors into the world of thought and spirit of Anton Bruckner and his contemporaries and an interactive musical experience in Deep Space 8K. With the two contributions Being Anton and Playing Anton from the Ars Electronica Futurelab, visitors to the Ars Electronica Center can explore the impressive soundscapes of the Upper Austrian composer in the Bruckner Year 2024.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo showing: Gerfried Stocker, Norbert Trawöger
Photo: Ars Electronica / Birgit Cakir
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)