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{Body Basics}
Head: Lelutka - Avaln
Body: Legacy - Perky
Skin: Utopia - Umi
{Apparel}
Hair: MIWAS - Daily Hair&Daily Bangs
Fan: randon.matter - The Countess Fan
Dress: toksik - Descent Dress
Gloves: Eliavah Group Gift
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Viewer: Black Dragon
Windlight: My own
Edit Softwares: Wacom Tablet, Photoshop CC2021 & Paint Tool SAI
West Pier, Brighton, East Sussex, England
And now for something completely different! Slight interlude in the Scottish photos for something taken at the weekend.
The forecast was nothing special but the tides seemed right for shooting something at Shoreham mid morning. I decided I'd get up early and head over to Brighton to shoot the West Pier again.....who knows how much longer it will survive? This time I wanted to capture some posts (old pier supports?) that I'd seen.
Sure enough the sky was pretty grey and nothing much going on with the sea so I thought I'd try a 'Gary Gough Fine Art' type image. I'll leave it to you all to decide if I succeeded!
Had some challenges sorting out the lens distortion effect as I had to get quite close to the posts to make sure I excluded any beach. Another Tog there said he would clone out the beach if necessary but I wanted to avoid that. It's not 100% perfect but I think the distortion is removed as far as my capabilities/the software allow.
If you want to learn about the history of West Pier then pleasse see a shot I took last year of a Supermoon over the pierhttps://www.flickr.com/photos/184798091@N07/51409111073/in/album-72157719746898331/
© All rights reserved Steve Pellatt. Please do not use this image on websites, blogs or any other media without my explicit written permission.
Arte Digital - Digital Art
Image-editing
Texture - Collage
Double Expousure
Effects - 3 D
Software: Windows 3 D; Pixlr
Brasília, Brasil
Art Week Gallery Group
Mannequins
11/02/2021
The Mercant Vessel (MV) 'Cape Don'.
An historic lighthouse tender boat.
Now part of a maritime museum.
At 'The Old Coal Loader', Waverton.
Photographed at sunset yesterday in Sydney.
Tuesday, 18th July 2023.
And here is all about the MV Cape Don:
en.wikipedia.org/wiki/MV_Cape_Don
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
A Smooth 'Chestnut' filter from the Flickjr Photo Editor
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Another target species I am extremely happy to have captured. It was not easy- they are warbler after all and spastic as a toddler on Espresso- but this spot on the branch captured his attention and gave me a chance. Monopod, RAW, processed in Aperture and NIK software. American lifer #443
Also visible are planets Jupiter and Saturn.
Astro-modified Canon EOS 600D and Samyang 24mm f/1.4 lens.
7 x 13-second exposures at f/2 and ISO 6400, stacked in Sequator software; curves and colour balance adjusted, and noise reduction applied in Cyberlink PhotoDirector,
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
There is over 11 hours of imaging time in this image which was captured 31st Dec, 7th Jan and 14th Jan 2016, using the following equipment and software.
TS APO65Q Telescope
Atik 490EX CCD Camera
QHY5L Guide Camera on 90x50 finder scope
Baader Ha, OIII and SII narrow band filters.
Artemis Capture.
PHD2 Guiding.
All processing Pixinsight incl stacking (image integration)
This image is blended from SII, OIII and Ha filters using the PixelMath component in Pixinsight. The mix is to suit my own taste.
The SII has added Ha
The Ha as some OIII added
The OIII is on it's own
Thanks to Kayron at www.lightvortexastronomy.com for the wonderful tutorials.
I am very pleased with the detail of the data but I feel the stars do overpower and I would welcome any constructive criticism as to what I may be doing wrong (over exposure?) or can do to correct this in processing.
Dusty emission in the Tadpole nebula, IC 410, lies about 12,000 light-years away in the northern constellation Auriga. The cloud of glowing gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893. Formed in the interstellar cloud a mere 4 million years ago, bright cluster stars are seen all around the star-forming nebula. Notable near the image center are two relatively dense streamers of material trailing away from the nebula's central regions. Potentially sites of ongoing star formation in IC 410, these cosmic tadpole shapes are about 10 light-years long.
The last part of our visit of the Romanesque churches in Le Puy-en-Velay (central France) now takes us to the one that is possibly the most moving, and certainly the most spectacular of them all: the Saint Michael Chapel, perched on top of the Aiguilhe Rock, an enormous, 82 meters high geological dike made of hard basalt and left standing like a finger sticking out of the plain below by the erosion of all the sediment that once surrounded it.
There is only one way to get there: climb the hard, tall and uneven 268 steps carved out of the basalt, and in doing so, you will be following in the exact footsteps, not only of the millions of Compostela pilgrims that came here over the centuries, but also of innumerable historic figures, among which the Kings of France Charles VII, Louis XI and Charles VIII, who ascended the rock to pray under the humble vaults of the chapel.
According to persistent legends, the first edifice built on top of the rock of Aiguilhe (notice how close the name is to the French word aiguille, i.e., needle) was a Roman temple dedicated to Mercury. No trace of such a sanctuary was ever found by archæologists. The chapel that one can see today was built in two successive phases. First, the initial and very small square chapel, probably with three apses but only two remain today. This was built soon after 950, either by bishop Godescalc (who had been the first French pilgrim of Compostela in 950–51), or more probably by Truannus, dean of the canons of the cathedral chapter, duly authorized by Godescalc. I have not been able to find any definitive evidence pointing to one rather than the other. What is documented, however, is that the finished chapel was consecrated by the said bishop in 961. It was a pre-Romanesque monument.
Secondly, during the late 1000s, the primitive oratory was “surrounded” and augmented by a Romanesque chapel built on the flattened top of the dike. In the process, the probable third apse of the oratory was destroyed to open a way of access between the newly built “nave” and the square space of the oratory, repurposed as “choir”. The best way to understand the layout if to have a look at the floor plan drawn by architect Mallay in the 19th century, here: commons.wikimedia.org/wiki/File:Plan_de_la_chapelle_Saint.... The imposing bell tower was also built at the same time.
A telephoto shot of the chapel emphasizing its stunning and unique natural location. When you see this rock in real life, you understand why men, since the dawn of time, wanted to build something on top of that to honor their god(s)...
Blended layers with Seven Styles watercolor action for Photoshop and [graphic contrast punch] layer blend in Topaz Studio.
This is my first time lapse video. Every 3 seconds one picture was taken. The software LRtimelapse was used to combine all single pictures to this video.
Well after a little teaser from yesterday here is my second minimal shot of a lonely hut in this wonderful field.
Filters used for this
Hitech nd 0.9
Hitech nd grad HE 0.6
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
To Boldizsár Nádi with regards.
Epsons software can´t see this frame but VueScan can! This is my favourite on this forgotten roll from 1970.
Zenit B (USSR, 1969), test roll 1970, Hungary.
Developed 1970 (no enlarging), scanned 2019.
Every now and then I go back to an older image and attempt to rework it using some newer techniques, updated software or just when I'm in a different mindframe. While working on this image I was listening to a piano version of "Let it Be" that I found on youtube. I think the tree came out a little more subtle than previous attempts. Eventually, I'll have to stop redoing the image and just reshoot it with the new 11-16mm Anyway, here is the latest edition and here is the youtube clip.
www.youtube.com/watch?v=U4SkcQGXXl8
also, if you want to view large..i love the textures in the bark.
Explore #65
The Cloisters at Gloucester Cathedral converted to mono with Nik Silver Efex Pro Software to bring out the Gothic architecture.
One of the main filming locations for the Harry Potter films.
Finally a project that doesn't involve software, hardware, computer code or math!
We had to edit this photo in photoshop with blending layers, textures, adjustment layers. I didn't realize until I finished and reread the assignment instructions we were supposed to add text with properties - so I took the lyrics from the song I was listening to while working on the project. Metric- Dreams so Real.
Fun. Okay back to math and programming. <3
View Large? Opinions?
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
"Economics is on the side of humanity now."
– Isaac Asimov, in "The Currents of Space" (1952).
"Many readers judge of the power of a book by the shock it gives their feelings."
– Henry Wadsworth Longfellow, "Kavanagh: A Tale"(1849), Chapter XIII.
"The measure of your quality as a public person, as a citizen, is the gap between what you do and what you say."
– Ramsey Clark