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(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pan America uses a unique anti-crease formula for its wrinkle free shirts and trousers. Each piece is cured and treated properly under high-pressure steam and extreme temperatures, at the same time ensuring that they do not sag or wilt. While automation is use extensively, many of our steps rely on the keen eyes and able hands of a team of skilled workers trained to deliver excellence.
Visit : www.panamerica.in
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Workers are preparing Alpha 5, a 613,000-square-foot former production facility, for eventual demolition by removing and disposing of legacy materials. The project includes dismantling legacy production equipment in contaminated areas.
This privately issued Railway Service badge was issued to employees of the Glasgow & South Western Railway (G&SWR) to denote their exemption status from uniformed military service and thereby, help to retain their skilled workers. ‘Badged’ workers as such, were considered essential for war-work on the Home Front and exempt from being called up for military service. Unofficial war service badges privately issued by companies were permitted for use by the War Office until August 4th 1915 after which unofficial badges no longer had legal status, were banned from use and replaced by official badges approved by the War Office. Can anyone please tell me if the Railway Service badges were exempt and continued in use up till the end of the war?
The G&SWR was a Scottish railway company created in 1850 from a series of amalgamations and which served the Glasgow, Stranraer and Carlisle regions. The G&SWR became part of the London, Midland & Scottish Railway company (LMS) in 1923.
Railway Services badges of similar design were issued by other railway companies during WW1 but differed only in the company name. These badge were worn while on-duty but more importantly, they were also worn with civilian clothes when off-duty.
References:
www.tomtulloch-marshall.co.uk/On_War_Service_Badges.html (Article on the official On War Services badges of WW1 by Tom Tulloch-Marshall, 2001).
en.wikipedia.org/wiki/Glasgow_and_South_Western_Railway (Glasgow & South Western Railway).
tonyjamesnoteworld.biz/wp-content/uploads/2012/03/On_War_... (Good article about official war service badges during the First World War, 1914-1918).
www.flickr.com/photos/77499774@N08/10359406956/ (Railway Service badges were also issued by the different railway companies during WW2 (1939-1945) and for the very same purposes as their equivalent WW1 badges).
Enamels: 3 (red, white & blue).
Finish: Gilt.
Material: Brass.
Fixer: Buttonhole (horseshoe shaped clasp).
Size: 1 1/16” diameter (27mm).
Process: Die stamped.
Imprint: No maker’s name or mark except a hand-stamped employee’s number W 374.
Photo reproduced with kind permission of the seller (roderick-gibson-antiques).
Sold on eBay 23rd September 2014.
Item number 311065097269.
Start price £4 and sold for £23.01 + p&p (9 bids from 8 bidders).
In my opinion, this badge sold very cheaply and the buyer got a bargain! This badge and similar issued by other railway companies often sell in excess of £50 a piece in good condition.
Secretary of the Army Dr. Mark T. Esper participated in the Regan National Defense Forum bipartisan annual event as a speaker in the A Defense Industrial & Innovation Base Workforce for the 21ST Century: Winning The Competition For Highly Skilled Workers Inside & Outside the Pentagon panel alongside California Congressman Ken Calvert, Ms. Marillyn Hewson, Chairman, President & CEO, Lockheed, and Florida Congresswoman Stephanie Murphy in Semi Valley, CA, Dec. 1, 2018. Mr. Mike Hammer from Fox News moderated the discussion. (U.S. Army photo by Staff Sgt. Nicole Mejia)
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
This project aims for safer and better managed cross border labour migration. ILO is providing coordination services for the Republic of Korea Government’s Employment Permit System which recruits low and semi-skilled workers from 15 countries in Asia-Pacific. © ILO/A.DOW
Click here to watch a related video: www.youtube.com/edit?video_id=uo0Qv7Bye3k&video_refer...
Click here to read a related feature story: www.ilo.org/asia/info/public/WCMS_211952/lang--en/index.htm
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
Amid almost national hysteria over the surge in southern and eastern European migration, Congress and President Harding in 1921 imposed severe quotas based, for the first time, on nationality.
As one Immigration Service report explained, there were concerns that "the fundamental racial character" of immigrants should more closely resemble the "racial stocks which were common . . . during Colonial times."
A popular song of the day was "O! Close the Gates."
"Our flag they do not honor,
Our rights they will betray
"O! Close the gates of our nation
Yes, before that awful day.
"O! Close the gates of our nation,
Lock them firm and strong,
"Before that mob from Europe
Shall drag our colors down.
The Quota Act of 1921 ended a century of unrestricted European immigration, during which 30 million entered the open gates of America. By summer 1923, the quota controls had radically reduced the influx of "less desirable" immigrants from Greece, Turkey, Armenia, the Balkans and Russia.
Nativists continued to criticize the nation's ability to assimilate the flood-tide of "human flotsam," and popular tunes such as Neel and Clark's 1923 song O! Close the Gates called for a halt to immigration "before this mob from Europe shall drag our Colors down."
Restrictionists in Congress remained vigilant in their warnings about the "danger of the melting pot," and on May l9, l92l succeeded in pressuring President Warren G. Harding into signing the first Quota Act. This law effectively ended America's open-door policy by setting monthly quotas, limiting admission of each nationality to three percent of its representation in the U.S. Census of 1910.
The Immigration Reform and Control Act of 1986 made it illegal to hire or recruit illegal immigrants, but left the immigration system without a key component - a workable non-immigrant visa system program for lesser-skilled workers to enter the United States.
Following the 1986 amnesty, almost 12 million undocumented workers came across the U.S. border. It was estimated that this undocumented workforce made up about five percent of the U.S. workforce. It was also estimated that about 70 percent of those undocumented workers were from the country of Mexico.
On January 28, 2013, a bi-partisan group of eight Senators announced principles for comprehensive immigration reform (CIR). The Senators involved include: Chuck Schumer of New York, Dick Durbin of Illinois, Bob Menendez of New Jersey, and Michael Bennet of Colorado, and Republicans John McCain of Arizona, Lindsey Graham of South Carolina, Marco Rubio of Florida, and Jeff Flake of Arizona.
The policies envisioned by the Senators include the following provisions:
- A citizenship path for undocumented immigrants already in the United States contingent on certain border security and visa tracking improvements. The plan provides for permanent residence for undocumented immigrants only after legal immigrants waiting for a current priority date receive their permanent residence status and a different citizenship path for agricultural workers through an agricultural worker program.
- Business immigration system reforms, focusing on reducing current visa backlogs and fast tracking permanent residence for U.S. university immigrant graduates with advanced degrees in science, technology, engineering or math also known as the STEM fields.
- An expanded and improved employment verification system for all employers to confirm employee work authorization.
- Improved work visa options for low-skill workers including an agricultural worker program.
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pan America uses a unique anti-crease formula for its wrinkle free shirts and trousers. Each piece is cured and treated properly under high-pressure steam and extreme temperatures, at the same time ensuring that they do not sag or wilt. While automation is use extensively, many of our steps rely on the keen eyes and able hands of a team of skilled workers trained to deliver excellence.
Visit : www.panamerica.in
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Confirmed panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
This project aims for safer and better managed cross border labour migration. ILO is providing coordination services for the Republic of Korea Government’s Employment Permit System which recruits low and semi-skilled workers from 15 countries in Asia-Pacific. © ILO/A.DOW
Click here to watch a related video: www.youtube.com/edit?video_id=uo0Qv7Bye3k&video_refer...
Click here to read a related feature story: www.ilo.org/asia/info/public/WCMS_211952/lang--en/index.htm
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.
The new House of Waterford Crystal
The new, high-tech House of Waterford Crystal has opened its doors in Waterford City, Ireland, allowing visitors to explore the history and craftsmanship of the world’s premier crystal manufacturer. The center, which comprises an actual crystal factory tour, visitor center and opulent retail store, houses the largest collection of Waterford Crystal in the world.
Visitors can interact with the skilled workers as they watch the crystal mix being transformed into glass in a 1200ºC (2192ºF) furnace before being blown and decorated with deep engravings. They can watch the glass being formed into the products they see on sale in luxury stores around the globe and learn about the production techniques through audiovisual displays and chatting to the craftsmen. Many of the most prestigious pieces of Waterford Crystal, which have been presented to celebrities and politicians, are also on display.
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Confirmed panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Using pioneering new technologies in Superfoods and nutrition, CFTRI has developed amazing new products which are on show at CFTRI stall at Pragati Maidan:
· Chia and Quinoa based Chocolates and Laddoos;
· Omega-3 enriched ice-cream;
· Multigrain banana bar
· Fruit juice based carbonated drinks.
New Delhi, 24th November, 2016: CSIR-Central Food Technological Research Institute (CFTRI), the premier national institute for food technology is exhibiting a range of new agri-products now grown in India, called Superfoods that bring health and nutrition best practices to everyday eating and living to the common man. The exhibits by CFTRI at the Trade Fair at Pragati Maidan in New Delhi both impress and surprise with the range and scope of their utility and potency.
The Indian population is presently going through a nutrition transition and there is an increase in incidence of diabetes, impaired heart health and obesity while there is still rampant malnutrition in the nation.
Keeping in mind an effective solution needed to address these concerns, CSIR-CFTRI is working on bringing Superfoods to the Indian population. CFTRI works on various facets of food technology, food processing, advanced nutrition, Superfoods and allied sciences. Superfoods are foods which have superior nutrition profiles which upon regular consumption can help improve health and wellness of the consumer.
CFTRI has developed the agro-technology for growing Superfoods viz. Chia and Quinoa in Indian conditions. Chia is the richest source of omega-3 fats from a vegetarian source and Quinoa has excellent protein quality and low glycemic load carbohydrates. Comprehensively, Chia and Quinoa have potential to improve population health and both blend seamlessly into traditional food preparations.
CSIR-CFTRI also infuses the spirit of entrepreneurship in their students. One of the doctoral students after completing her academic program started her own technology provider start-up company, Oleome Biosolutions Pvt Ltd. In a global first, CSIR-CFTRI in collaboration with Oleome, has developed a 100% vegetarian, Omega-3-enriched Ice cream called “Nutriice” using Chia oil.
CSIR-CFTRI is also in the process of the final phase of testing of diacylglycerol (DAG) oil, a unique cooking oil that has “Anti-Obesity” functionalities. One can consume it as part of daily regular diet and while the oil is available as energy but does not get stored as fat in our bodies. The final phase of human clinical trial is presently under progress.
CFTRI has also designed and developed snacks with advanced nutrition designs to support the nutrition needs of growing children. These have been implemented in the aganwadi levels to complement the existing government mid-day meal and will be scaled up soon. The products, such as Nutri Chikki with spirulina, rice beverage mix, high protein rusk, energy food, nutri sprinkle, seasame paste and fortified mango bars have been well received by the children and the anganwadis alike. Multi-grain Banana bar is a new addition to in this product portfolio.
Another exciting area of multidisciplinary research being done at CSIR-CFTRI is on nanotechnology, food technology and nutrition. Nanomaterials are known for their characteristic properties and CSIR-CFTRI is working on the use of nanoparticles for various applications. One of our interesting developments is the design and development of food packaging material with nanoparticles with antimicrobial and antioxidant properties to improve shelf-life of processed foods.
CSIR-CFTRI is also working on “Smart Foods” to answer specific needs of the consumer. These promising and specifically designed innovations are being developed for better sleep, better skin health, improved digestion, better cognitive performance and better stress management. The high science is brought into a simple food product, like a cereal bar which helps one to be more attentive over the day, or a unique dosa mix that helps in working out better at the gym with lower perceived exhaustion and even a special soup to help sleep better at night!
Speaking on the sidelines of the CSIR-CFTRI exhibition at Pragati Maidn, Prof. Ram Rajasekharan, Director, CFTRI said “Our mandate is to find innovative solutions to India agricultural and nutritional challenges. Our aim is to develop products to make Indian agriculture productive, efficient and at a consumer level gradually replace drugs with foods that will promote better health and wellness. We strive to deliver our best in improving food security and nutrition security, also developing a stronger, smarter and healthier India”.
About CSIR-CFTRI:
CSIR − Central Food Technological Research Institute (CFTRI), Mysore (A constituent laboratory of Council of Scientific and Industrial Research, New Delhi) came into existence during 1950 with the great vision of its founders, and a network of inspiring as well as dedicated scientists who had a fascination to pursue in-depth research and development in the areas of food science and technology.
CSIR-CFTRI is today a large and diversified laboratory headed by Prof. Ram Rajasekharan, Director, CSIR-CFTRI. Presently the institute has a great team of scientists, technologists, engineers, technicians, skilled workers, and support staff. There are seventeen research and development departments, including laboratories focusing on lipid science, molecular nutrition, food engineering, food biotechnology, microbiology, biochemistry, food safety etc.
The institute has designed over 300 products, processes, and equipment types. It holds several patents and has a large number of high impact peer reviewed journal articles to its credit. India is the world's second largest food grain, fruit and vegetable producer, and the institute is engaged in research and development in the production and handling of grains, pulses, oilseeds, spices, fruits, vegetables, meat, fish, and poultry.
The institute develops technologies to increase efficiency and reduce postharvest losses, add convenience, increase export, find new sources of food products, integrate human resources in food industries and develops solutions to improve the health and wellness of the population.
CFTRI has a vast portfolio of over 300 products, processes and equipment designs, and close to 4000 licensees have availed themselves of these technologies for commercial exploitation. The achievements have been of considerable industrial value, social importance and national relevance, and coupled with the institute's wide-ranging facilities and services, have created an extensive impact on the Indian food industry and Indian society at large.
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pan America uses a unique anti-crease formula for its wrinkle free shirts and trousers. Each piece is cured and treated properly under high-pressure steam and extreme temperatures, at the same time ensuring that they do not sag or wilt. While automation is use extensively, many of our steps rely on the keen eyes and able hands of a team of skilled workers trained to deliver excellence.
Visit : www.panamerica.in
Ferdinando II de' Medici considered, in 1629, the opportunity to enlarge the town, on project by Giovanni Battista Santi, toward north in an area included among Fortezza Vecchia and Fortezza Nuova, in order to give an adequate space to the maritime and commercial activities. There was the need to build a mercantile district, close to Porto Mediceo, provided with houses and depots to store the merchandise and a system of canals to facilitate their transport. The new rione (district), called Venezia Nuova (it), was built in an area gained to the sea, intersected by canals and linked to the town with bridges, for this reason Venetians skilled workers were recruited.
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pan America uses a unique anti-crease formula for its wrinkle free shirts and trousers. Each piece is cured and treated properly under high-pressure steam and extreme temperatures, at the same time ensuring that they do not sag or wilt. While automation is use extensively, many of our steps rely on the keen eyes and able hands of a team of skilled workers trained to deliver excellence.
Visit : www.panamerica.in
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pan America uses a unique anti-crease formula for its wrinkle free shirts and trousers. Each piece is cured and treated properly under high-pressure steam and extreme temperatures, at the same time ensuring that they do not sag or wilt. While automation is use extensively, many of our steps rely on the keen eyes and able hands of a team of skilled workers trained to deliver excellence.
Visit : www.panamerica.in
Strategies to Identify and Manage Supply Chains
The United States offers access to strong networks of small and medium-sized suppliers. These companies constitute flexible supply chains that enable cross-fertilization of skilled workers, specialized assets, and R&D. Learn about opportunities for connecting with innovative U.S.suppliers, including access to resources, programs, and case studies.
Moderator:
- Dr. Chip White, Schneider National Chair in Transportation and Logistics, Georgia Institute of Technology
Speakers:
- The Honorable Steve Beshear, Governor of Kentucky
- Mr. Reginaldo Ecclissato, Senior Vice President of Supply Chain, Unilever North America
- Ms. Cindi Marsiglio, Vice President of U.S. Manufacturing, Walmart
- Mr. Michael McNamara, Chief Executive Officer, Flextronics
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Using pioneering new technologies in Superfoods and nutrition, CFTRI has developed amazing new products which are on show at CFTRI stall at Pragati Maidan:
· Chia and Quinoa based Chocolates and Laddoos;
· Omega-3 enriched ice-cream;
· Multigrain banana bar
· Fruit juice based carbonated drinks.
New Delhi, 24th November, 2016: CSIR-Central Food Technological Research Institute (CFTRI), the premier national institute for food technology is exhibiting a range of new agri-products now grown in India, called Superfoods that bring health and nutrition best practices to everyday eating and living to the common man. The exhibits by CFTRI at the Trade Fair at Pragati Maidan in New Delhi both impress and surprise with the range and scope of their utility and potency.
The Indian population is presently going through a nutrition transition and there is an increase in incidence of diabetes, impaired heart health and obesity while there is still rampant malnutrition in the nation.
Keeping in mind an effective solution needed to address these concerns, CSIR-CFTRI is working on bringing Superfoods to the Indian population. CFTRI works on various facets of food technology, food processing, advanced nutrition, Superfoods and allied sciences. Superfoods are foods which have superior nutrition profiles which upon regular consumption can help improve health and wellness of the consumer.
CFTRI has developed the agro-technology for growing Superfoods viz. Chia and Quinoa in Indian conditions. Chia is the richest source of omega-3 fats from a vegetarian source and Quinoa has excellent protein quality and low glycemic load carbohydrates. Comprehensively, Chia and Quinoa have potential to improve population health and both blend seamlessly into traditional food preparations.
CSIR-CFTRI also infuses the spirit of entrepreneurship in their students. One of the doctoral students after completing her academic program started her own technology provider start-up company, Oleome Biosolutions Pvt Ltd. In a global first, CSIR-CFTRI in collaboration with Oleome, has developed a 100% vegetarian, Omega-3-enriched Ice cream called “Nutriice” using Chia oil.
CSIR-CFTRI is also in the process of the final phase of testing of diacylglycerol (DAG) oil, a unique cooking oil that has “Anti-Obesity” functionalities. One can consume it as part of daily regular diet and while the oil is available as energy but does not get stored as fat in our bodies. The final phase of human clinical trial is presently under progress.
CFTRI has also designed and developed snacks with advanced nutrition designs to support the nutrition needs of growing children. These have been implemented in the aganwadi levels to complement the existing government mid-day meal and will be scaled up soon. The products, such as Nutri Chikki with spirulina, rice beverage mix, high protein rusk, energy food, nutri sprinkle, seasame paste and fortified mango bars have been well received by the children and the anganwadis alike. Multi-grain Banana bar is a new addition to in this product portfolio.
Another exciting area of multidisciplinary research being done at CSIR-CFTRI is on nanotechnology, food technology and nutrition. Nanomaterials are known for their characteristic properties and CSIR-CFTRI is working on the use of nanoparticles for various applications. One of our interesting developments is the design and development of food packaging material with nanoparticles with antimicrobial and antioxidant properties to improve shelf-life of processed foods.
CSIR-CFTRI is also working on “Smart Foods” to answer specific needs of the consumer. These promising and specifically designed innovations are being developed for better sleep, better skin health, improved digestion, better cognitive performance and better stress management. The high science is brought into a simple food product, like a cereal bar which helps one to be more attentive over the day, or a unique dosa mix that helps in working out better at the gym with lower perceived exhaustion and even a special soup to help sleep better at night!
Speaking on the sidelines of the CSIR-CFTRI exhibition at Pragati Maidn, Prof. Ram Rajasekharan, Director, CFTRI said “Our mandate is to find innovative solutions to India agricultural and nutritional challenges. Our aim is to develop products to make Indian agriculture productive, efficient and at a consumer level gradually replace drugs with foods that will promote better health and wellness. We strive to deliver our best in improving food security and nutrition security, also developing a stronger, smarter and healthier India”.
About CSIR-CFTRI:
CSIR − Central Food Technological Research Institute (CFTRI), Mysore (A constituent laboratory of Council of Scientific and Industrial Research, New Delhi) came into existence during 1950 with the great vision of its founders, and a network of inspiring as well as dedicated scientists who had a fascination to pursue in-depth research and development in the areas of food science and technology.
CSIR-CFTRI is today a large and diversified laboratory headed by Prof. Ram Rajasekharan, Director, CSIR-CFTRI. Presently the institute has a great team of scientists, technologists, engineers, technicians, skilled workers, and support staff. There are seventeen research and development departments, including laboratories focusing on lipid science, molecular nutrition, food engineering, food biotechnology, microbiology, biochemistry, food safety etc.
The institute has designed over 300 products, processes, and equipment types. It holds several patents and has a large number of high impact peer reviewed journal articles to its credit. India is the world's second largest food grain, fruit and vegetable producer, and the institute is engaged in research and development in the production and handling of grains, pulses, oilseeds, spices, fruits, vegetables, meat, fish, and poultry.
The institute develops technologies to increase efficiency and reduce postharvest losses, add convenience, increase export, find new sources of food products, integrate human resources in food industries and develops solutions to improve the health and wellness of the population.
CFTRI has a vast portfolio of over 300 products, processes and equipment designs, and close to 4000 licensees have availed themselves of these technologies for commercial exploitation. The achievements have been of considerable industrial value, social importance and national relevance, and coupled with the institute's wide-ranging facilities and services, have created an extensive impact on the Indian food industry and Indian society at large.
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Mayor Richard J. Daley, a Democrat, was elected in 1955, in the era of machine politics. Starting in the early 1960s due to blockbusting, many white residents, as in most American cities, left the city for the suburbs. Whole neighborhoods were completely changed based on race. Structural changes in industry caused heavy losses of jobs for lower skilled workers. In 1966, James Bevel, Martin Luther King, Jr., and Albert Raby led the Chicago Open Housing Movement, which culminated in agreements between Mayor Richard J. Daley and the movement leaders. Two years later, the city hosted the tumultuous 1968 Democratic National Convention, which featured physical confrontations both inside and outside the convention hall, including full-scale riots, or in some cases police riots, in city streets. Major construction projects, including the Sears Tower (now known as the Willis Tower, which in 1974 became the world's tallest building), University of Illinois at Chicago, McCormick Place, and O'Hare International Airport, were undertaken during Richard J. Daley's tenure. In 1979, Jane Byrne, the city's first female mayor, was elected. She popularized the city further as a movie location and tourist destination.
In 1983, Harold Washington became the first black mayor of the city of Chicago. Washington's first term in office saw attention given to poor and previously neglected minority neighborhoods. He was re-elected in 1987 but died of a heart attack a short time later. The balance of Washington's second term was served by 6th ward Alderman Eugene Sawyer. Richard M. Daley, son of Richard J. Daley, was elected in 1989. His accomplishments included improvements to parks and creating incentives for sustainable development. After successfully standing for re-election five times, and becoming Chicago's longest serving mayor, Richard M. Daley announced he would step down at the end of his final term in 2011.
The Postcard
A postally unused postcard bearing a view of the waterfront and skyline of New York City.
The card, which was printed in England, was published by Rotary Photo of London E.C., and distributed by L. Jonas & Co. Inc., Woolworth Building, New York.
The Woolworth Building is in fact the tall building on the left of the photograph.
Irving Underhill
The photography was by Irving Underhill (1872 - 1960). He was one of the most notable commercial photographers in New York City during the first half of the 20th. century.
Irving produced work that was frequently featured on postcards and in numerous publications while he was alive, and his work continues to be exhibited and receive recognition long after his death.
The Woolworth Building
The Woolworth Building is a residential building and early skyscraper at 233 Broadway in the Tribeca neighborhood of Lower Manhattan in NYC.
Designed by Cass Gilbert, it was the tallest building in the world from 1913 to 1930, with a height of 792 feet (241 m). More than a century after its construction, it remains one of the 100 tallest buildings in the U.S..
The Woolworth Building consists of a 30-story base topped by a 30-story tower. Its façade is mostly decorated with architectural terracotta, though the lower portions are limestone, and it features thousands of windows.
The ornate lobby contains various sculptures, mosaics, and architectural touches. The structure was designed with several amenities and attractions, including a now-closed observatory on the 57th. floor and a private swimming pool in the basement.
F. W. Woolworth, the founder of a brand of popular five-and-ten-cent stores, conceived the skyscraper as a headquarters for his company. Woolworth planned the skyscraper jointly with the Irving National Exchange Bank, which also agreed to use the structure as its headquarters.
The Woolworth Building had originally been planned as a 12- to 16-story commercial building, but it underwent several revisions during its planning process. Construction started in 1910, although the building's final height was not decided upon until January 1911. The building officially opened on the 24th. April 1913.
The Woolworth Building has undergone several changes throughout its history. The façade was cleaned in 1932, and the building received an extensive renovation between 1977 and 1981.
The Irving National Exchange Bank moved its headquarters to 1 Wall Street in 1931, but the Woolworth Company (later Venator Group) continued to own the Woolworth Building for most of the 20th. century.
The structure was sold to the Witkoff Group in 1998. The top 30 floors were sold to a developer in 2012 and converted into residences.
Office and commercial tenants use the rest of the building.
-- Architecture of the Woolworth Building
Cass Gilbert designed the Woolworth Building in the neo-Gothic style. The building resembles European Gothic cathedrals; Reverend S. Parkes Cadman dubbed it "The Cathedral of Commerce" in a booklet published in 1916.
F. W. Woolworth, who had devised the idea for the Woolworth Building, had proposed using the Victoria Tower as a model for the building; he reportedly also admired the design of Palace of Westminster.
Gilbert, by contrast, disliked the comparison to religious imagery. The architect ultimately used 15th.- and 16th.-century Gothic ornament on the Woolworth Building, along with a complementary color scheme.
The Woolworth Building was designed to be 420 feet (130 m) high, but was eventually raised to 792 feet (241 m).
The Woolworth Building was 60 stories tall when completed in 1913, though this consisted of 53 usable floors topped by several mechanical floors.
The building's ceiling heights, ranging from 11 to 20 feet (3.4 to 6.1 m), make it the equivalent of an 80-story building. It remained the tallest building in the world until the construction of 40 Wall Street and the Chrysler Building in 1930, both in New York City.
The building is assigned its own ZIP Code; it was one of 41 buildings in Manhattan that had their own ZIP Codes as of 2019.
-- The Form of the Woolworth Building
The building's tower, flush with the main frontage on Broadway, joins an office block base with a narrow interior court for light. The base occupies the entire lot between Park Place to the north, Broadway to the east, and Barclay Street to the south.
The site measures 155 feet (47 m) wide on Broadway and 200 feet (61 m) wide on both Park Place and Barclay Street. The base contains two "wings" extending westward, one each on the Park Place and Barclay Street frontages, which form a rough U-shape when combined with the Broadway frontage.
This ensured that all offices had outside views. The U-shaped base is approximately 30 stories tall. All four elevations of the base are decorated, since the building has frontage on all sides.
The tower rises an additional 30 stories above the eastern side of the base, abutting Broadway. Above the 30th. floor are setbacks on the north and south elevations. There are additional setbacks along the north, south, and west elevations on the 45th. and 50th. floors.
The 30th. through 45th. floors measure 84 by 86 feet (26 by 26 m); the 46th. through 50th. floors, 69 by 71 feet (21 by 22 m); and the 51st. through 53rd. floors, 69 by 61 feet (21 by 19 m).
The tower has a square plan below the 50th.-story setback and an octagonal plan above. Though the structure is physically 60 stories tall, the 53rd. floor is the top floor that can be occupied. Above the 53rd. floor, the tower tapers into a pyramidal roof.
-- The Façade of the Woolworth Building
The lowest four stories are clad in limestone. Above that, the exterior of the Woolworth Building was cast in limestone-colored, glazed architectural terracotta panels.
F. W. Woolworth initially wanted to clad the skyscraper in granite, while Gilbert wanted to use limestone. The decision to use terracotta for the façade was based on both aesthetic and functional concerns.
Terracotta was not only fireproof but also, in Gilbert's mind, a purely ornamental addition clarifying the Woolworth Building's steel construction. Each panel was of a slightly different color, creating a polychrome effect.
The façade appeared to have a uniform tone, but the upper floors were actually darker and more dense. Behind the terracotta panels were brick walls; the terracotta pieces are attached to the brick walls by metal rods and hangers.
The Atlantic Terra Cotta Company provided the original terracotta cladding. The panels were manufactured in shades of blue, green, sienna, and rose. The terracotta panels were partially vitrified, allowing them to bear large loads.
Gilbert also asked that John Donnelly and Eliseo V. Ricci create full-size designs based on Atlantic Terra Cotta's models.
In 1932, Atlantic Terra Cotta carried out a comprehensive cleaning campaign of the Woolworth's façade in order to remove blackening caused by the city's soot and pollution.
The Ehrenkrantz Group restored the building's façade between 1977 and 1981. During the renovation, much of the terracotta was replaced with concrete and Gothic ornament was removed.
The building has several thousand windows: the exact number is disputed, but various sources state that the Woolworth Building has 2,843, 4,400, or 5,000 windows.
Windows were included for lighting and comfort; because the Woolworth Building was built before air conditioning became common, every office is within 10 feet (3.0 m) of a window.
Some of the Woolworth Building's windows are set within arch-shaped openings. Most of the building's spandrels, or triangles between the top corners of the window and the top of the arch, have golden Gothic tracery against a bright blue backdrop.
On the 25th., 39th., and 40th. stories, the spandrels consist of iconography found in the royal coat of arms of the United Kingdom.
Gold-on-blue tracery is also found on the 26th., 27th., and 42nd. floors.
-- The Base of the Woolworth Building
The main entrance on Broadway is a three-story Tudor arch, surrounded on either side by two bays: one narrower than the main arch, the other wider. The five bays form a triumphal arch overhung by a balcony and stone motifs of Gothic design.
The intrados of the arch contains 23 niches. The topmost niche depicts an owl; the lowest niches on both sides depict tree trunks; and the other twenty niches depict animated figures.
The spandrel above the left side of the arch depicts Mercury, classical god of commerce, while that above the right side depicts Ceres, classical goddess of agriculture.
Above all of this is an ogee arch with more niches, as well as two carvings of owls hovering above a "W" monogram. There are salamanders within niches on either side of the main entrance.
Inside the triumphal arch, there is a smaller arch with a revolving door and a Tudor window; it is flanked by standard doors and framed with decorations. There is a pelican above this smaller arch.
-- The Tower Section of the Woolworth Building
At the 45th.- and 50th.-story setbacks, there are turrets at each corner of the tower. The northeast corner turret concealed a smokestack.
There is a pyramidal roof above the 53rd. floor, as well as four ornamental tourelles at the four corners of the tower. The roof was originally gilt but is now green. The pyramidal roof, as well as the smaller roofs below, used 40,000 square feet (3,700 m2) of gold leaf.
The main roof is interspersed with small dormers, which contain windows into the maintenance levels inside. The pyramidal roof is topped by another pyramid with an octagonal base and tall pointed-arch windows. In turn, the octagonal pyramid is capped by a spire.
The three layers of pyramids are about 62 feet (19 m), or five stories tall. An observation deck was located at the 55th. floor, about 730 feet (220 m) above ground level. The deck, which was octagonal in plan, measuring 65 feet (20 m) across, was accessed by a glass-walled elevator.
It was patronized by an estimated 300,000 visitors per year, but was closed as a security measure in 1941 after the Pearl Harbor attack.
Strongly articulated piers, which carry right to the pyramidal cap without intermediate cornices, give the building its upward thrust. This was influenced by Aus's belief that:
"From an engineering point of view,
no structure is beautiful where the
lines of strength are not apparent."
The copper roof is connected to the Woolworth Building's steel superstructure, which serves to ground the roof electrically. The Gothic detailing concentrated at the highly visible crown is over-scaled, and the building's silhouette could be made out from several miles away.
Gilbert's choice of the Gothic style was described as "an expression of the verticality of the tower form", and as Gilbert himself later wrote, the style was "light, graceful, delicate and flame-like".
Gilbert considered several proposals for exterior lighting, including four powerful searchlights atop nearby buildings and a constantly rotating lamp at the apex of the Woolworth Building's roof.
Ultimately, the builders decided to erect nitrogen lamps and reflectors above the 31st. floor, and have the intensity of the lighting increase with height.
-- Structural Features of the Woolworth Building
-- The Substructure
In contrast to other parts of Manhattan, the bedrock beneath the site is relatively deep, descending to between 110 and 115 feet (34 and 35 m) on average. The site also has a high water table, which is as shallow as 15 feet (4.6 m) below ground level.
Due to the geology of the area, the building is supported on 69 massive caissons that descend to the bedrock. The caissons range in depth from 100 to 120 feet (30 to 37 m).
To give the structure a sturdy foundation, the builders used metal tubes 19 feet (5.8 m) in diameter filled with concrete. These tubes were driven into the ground with a pneumatic caisson process to anchor the foundations to the bedrock.
Because the slope of the bedrock was so sharp, steps had to be carved into the rock before the caissons could be sunk into the ground. The caissons were both round and rectangular, with the rectangular caissons located mainly on the southern and western lot lines.
The caissons are irregularly distributed across the site, being more densely concentrated at the northeastern corner. This is because the building was originally planned to occupy a smaller site at the corner of Broadway and Park Place; when the site was enlarged, the caissons that had already been installed were left in place.
The two basement levels, descending 55 feet (17 m), are constructed of reinforced concrete.
-- The Superstructure
Whereas many earlier buildings had been constructed with load-bearing walls, which by necessity were extremely thick, the Woolworth Building's steel superstructure was relatively thin, which enabled Gilbert to maximize the building's interior area.
Engineers Gunvald Aus and Kort Berle designed the steel frame. Each column carries a load of 24 tons per square foot, supporting the building's overall weight of 233,000 tons.
Where the columns of the superstructure did not match up with the caissons, they were cantilevered above on plate girders between two adjoining caissons. These girders are extremely large; one such girder measures 8 feet (2.4 m) deep, 6.75 feet (2 m) wide, and 23 feet (7.0 m) long.
For the wind bracing, the entire Woolworth Building was considered as a vertical cantilever, and correspondingly large girders and columns were used in the construction.
-- Interior
Upon completion, the Woolworth Building contained seven water systems — one each for the power plant, the hot-water plant, the fire-protection system, the communal restrooms, the offices with restrooms, the basement swimming pool, and the basement restaurant.
Although the water is obtained from the New York City water supply system, much of it is filtered and reused. A dedicated water system, separate from the city's, was proposed during construction, but workers abandoned the plan after unsuccessfully digging 1,500 feet (460 m) into Manhattan's bedrock.
The Woolworth Building was the first structure to have its own power plant, with four Corliss steam engine generators totaling a capacity of 1,500 kilowatt-hours; the plant could support 50,000 people.
The building also had a dedicated heating plant with six boilers producing 2,500 horsepower. The boilers were fed from subterranean coal bunkers capable of holding over 2,000 tons of anthracite coal.
-- Lobby
The ornate, cruciform lobby, known as the "arcade", was characterized by the New York City Landmarks Preservation Commission as:
"One of the most spectacular of
the early 20th. century in New
York City".
It consists of two perpendicular, double-height passageways with barrel-vaulted ceilings. Where the passageways intersect, there is a domed ceiling. The dome contains pendentives that may have been patterned after those of the Mausoleum of Galla Placidia.
Veined marble from the island of Skyros in Greece covers the lobby. Patterned glass mosaics that contain blue, green, and gold tiling with red accents decorate the ceilings.
There are other Gothic-style decorations in the lobby, including on the cornice and the bronze fittings. Twelve plaster brackets, which carry grotesques depicting major figures in the building's construction, are placed where the arcade and the mezzanine intersect.
These ornaments include Gilbert with a model of the building, Aus taking a girder's measurements, and Woolworth holding nickels and dimes. Two ceiling murals by C. Paul Jennewein, titled Labor and Commerce, are located above the mezzanine where it crosses the south and north wings, respectively.
The staircase hall is a two-story room located to the west of the arcade. It consists of the ground level, which contains former storefronts, as well as a mezzanine level above it. The ground floor originally contained 18 storefronts.
A 15-foot-wide (4.6 m) marble staircase leads westward from the arcade to a mezzanine, where the entrance to the Irving National Exchange Bank office was formerly located. The mezzanine contains a stained-glass skylight surrounded by the names of several nations. The skylight contains the dates 1879 and 1913, which respectively signify the years of the Woolworth Company's founding and the building's opening.
The skylight is also surrounded by sculpted grotesques, which depict merchandising activities in the five-and-dime industry.
There is a smaller space west of the staircase hall with a one-story-high ceiling. This room contains a coffered ceiling with a blue-green background. The crossbeams contain Roman portrait heads, while the cornice contains generic sculpted grotesques.
-- Basement
The basement of the Woolworth Building contains an unused bank vault, restaurant, and barbershop. The bank vault was initially intended to be used for safe-deposit boxes, though it was used by the Irving National Exchange Bank in practice.
In 1931, Irving moved some $3 billion of deposits to a vault in its new headquarters at 1 Wall Street, and the Woolworth Building's vault was converted into a storage area for maintenance workers.
There is also a basement storage room, known as the "bone yard", which contains replacement terracotta decorations for the facade.
The basement also contains closed entrances to two New York City Subway stations. There was an entrance to the Park Place station directly adjacent to the building's north elevation, served by the 2 and 3 trains. This entrance was closed after the September 11 attacks in 2001.
Another entrance led to the City Hall station one block north, now served by the R and W trains, but this was closed in 1982 because of concerns over crime.
A private pool, originally intended for F. W. Woolworth, exists in the basement. Proposed as early as 1910, the pool measured 15 by 55 feet (4.6 by 16.8 m) and had a marble perimeter.
The pool was later drained, but was restored in the mid-2010's as part of the conversion of the Woolworth Building's upper floors into residential units.
-- Offices
At the time of construction, the Woolworth Building had over 2,000 offices. Each office had ceilings ranging from 11 to 20 feet (3.4 to 6.1 m) high. Gilbert had designed the interior to maximize the amount of usable office space, and correspondingly, minimize the amount of space taken up by the elevator shafts.
The usable-space consideration affected the placement of the columns in the wings, as the columns in the main tower were positioned around the elevator shafts and facade piers.
Each of the lowest 30 stories had 31 offices, of which ten faced the light court, eight faced Park Place, eight faced Barclay Street, and five faced Broadway. Above the 30th.-story setback, each story had 14 offices.
For reasons that are unknown, floor numbers 42, 48, and 52 are skipped.
Woolworth's private office on the 24th. floor, revetted in green marble in the French Empire style, is preserved in its original condition. His office included a mahogany desk with a leather top measuring 7.5 by 3.75 feet (2.29 by 1.14 m).
That desk contained a hidden console with four buttons to request various members of his staff.
The marble columns in the office are capped by gilded Corinthian capitals. Woolworth's reception room contained objects that were inspired by a visit to the Château de Compiègne shortly after the building opened.
These included a bronze bust of Napoleon, a set of French Empire-style lamps with gold figures, and an inkwell with a depiction of Napoleon on horseback.
The walls of the office contained portraits of Napoleon, and gold-and-scarlet chairs were arranged around the room. At some point, Woolworth replaced the portrait of Napoleon with a portrait of himself.
-- Elevators
The Woolworth Building contains a system of high-speed elevators capable of traveling 650 feet (200 m) or 700 feet (210 m) per minute. The Otis Elevator Company supplied the units, which were innovative in that there were "express" elevators, stopping only at certain floors, and "local" elevators, stopping at every floor between a certain range.
There were 26 Otis electric elevators with gearless traction, as well as an electric-drum shuttle elevator within the tower once construction was complete. Of these, 24 were passenger elevators. Two freight elevators and two emergency staircases were placed at the rear of the building.
The elevator doors in the lobby were designed by Tiffany Studios. The patterns on the doors are arabesque tracery patterns in etched steel set off against a gold-plated background.
-- History of the Woolworth Building
-- Planning
F. W. Woolworth, an entrepreneur who had become successful because of his "Five-and-Dime" (5- and 10-cent stores), began planning a new headquarters for the F. W. Woolworth Company in 1910.
Around the same time, Woolworth's friend Lewis Pierson was having difficulty getting shareholder approval for the merger of his Irving National Bank and the rival New York Exchange Bank.
Woolworth offered to acquire shares in New York Exchange Bank and vote in favor of the merger if Pierson agreed to move the combined banks' headquarters to a new building he was planning as the F. W. Woolworth Company's headquarters.
Having received a commitment from the banks, Woolworth acquired a corner site on Broadway and Park Place in Lower Manhattan, opposite City Hall.
Woolworth and the Irving National Exchange Bank then set up the Broadway-Park Place Company to construct and finance the proposed structure. Initially, the bank was supposed to purchase the company's stock gradually until it owned the entire company, and thus, the Woolworth Building.
Irving would be able to manage the 18 floors of rentable space on a 25-year lease. While negotiations to create the Broadway-Park Place Company were ongoing, Woolworth and his real estate agent Edward J. Hogan purchased several parcels from the Trenor Luther Park estate and other owners.
The entire footprint of the current building, a rectangular lot, had been acquired by the 15th. April 1910, at a total cost of $1.65 million (about $37.7 million in 2022).
-- Original designs
Woolworth commissioned Cass Gilbert to design the new building. Gilbert later mentioned that he had received the commission for the Woolworth Building after getting a phone call from Woolworth one day.
Woolworth wanted his new structure to be of similar design to the Palace of Westminster in London, which was designed in the Gothic style. At the time, Gilbert was well known for constructing modern skyscrapers with historicizing design elements.
Gilbert was originally retained to design a standard 12- to 16-story commercial building for Woolworth, who later said:
"I have no desire to erect a monument
that would cause posterity to remember
me".
However, Woolworth then wanted to surpass the nearby New York World Building, which sat on the other side of City Hall Park and stood 20 stories and 350 feet (110 m).
A drawing by Thomas R. Johnson, dated April 22 1910, shows a 30-story building rising from the site. Because of the change in plans, the organization of the Broadway-Park Place Company was rearranged.
Woolworth would now be the major partner, contributing $1 million of the planned $1.5 million cost. The Irving Bank would pay the balance, and it would take up a 25-year lease for the ground floor, fourth floor, and basement.
By September 1910, Gilbert had designed an even taller structure, with a 40-story tower on Park Place adjacent to a shorter 25-story annex, yielding a 550-foot (170 m)-tall building.
The next month, Gilbert's latest design had evolved into a 45-story tower roughly the height of the nearby Singer Building. After the latest design, Woolworth wrote to Gilbert in November 1910 and asked for the building's height to be increased to 620 feet (190 m), which was 8 feet (2.4 m) taller than the Singer Building, Lower Manhattan's tallest building.
Woolworth was inspired by his travels in Europe, where he would constantly be asked about the Singer Building. He decided that housing his company in an even taller building would provide invaluable advertising for the F. W. Woolworth Company and make it renowned worldwide.
This design, unveiled to the public the same month, was a 45-story tower rising 625 feet (191 m), sitting on a lot by 105 by 197 feet (32 by 60 m). Referring to the revised plans, Woolworth said:
"I do not want a mere building.
I want something that will be an
ornament to the city."
He later said that he wanted visitors to brag that they had visited the world's tallest building.
Louis J. Horowitz, president of the building's main contractor Thompson-Starrett Company, said of Woolworth:
"Beyond a doubt his ego was a thing
of extraordinary size; whoever tried to
find a reason for his tall building and
did not take that fact into account would
reach a false conclusion."
Even after the revised height was unveiled, Woolworth still yearned to make the building even taller, as it was now close to the 700-foot (210 m) height of the Metropolitan Life Insurance Company Tower, then the tallest building in New York City and the world.
On the 20th. December 1910, Woolworth sent a team of surveyors to measure the Metropolitan Life Tower's height and come up with a precise measurement, so that he could make his skyscraper 50 feet (15 m) taller.
He then ordered Gilbert to revise the building's design to reach 710 or 712 feet (216 or 217 m), despite ongoing worries over whether the additional height would be worth the increased cost.
In order to fit the larger base that a taller tower necessitated, Woolworth bought the remainder of the frontage on Broadway between Park Place and Barclay Street. He also purchased two lots to the west, one on Park Place and one on Barclay Street; these lots would not be developed, but would retain their low-rise buildings and preserve the proposed tower's views.
Such a tall building would produce the largest income of any building globally.
On the 1st. January 1911, the New York Times reported that Woolworth was planning a 625 feet (191 m) building at a cost of $5 million.
By the 18th. January 1911, Woolworth and Hogan had acquired the final site for the project at a total cost of $4.5 million; (about $103 million in 2022) the lot measured 152 feet (46 m) on Broadway, 192.5 feet (58.7 m) on Barclay Street, and 197.8 feet (60 m) on Park Place.
In a New York Times article two days later, Woolworth said that his building would rise 750 feet (230 m) to its tip. In order to fit the correct architectural proportions, Gilbert redesigned the building to its current 792-foot (241 m) height.
Renderings by the illustrator Hughson Hawley, completed in April 1911, are the first official materials that reflect this final height.
Gilbert had to reconcile both Woolworth's and Pierson's strict requirements for the design of the structure. The architect's notes describe late-night conversations that he had with both men. The current design of the lobby, with its arcade, reflected these conflicting pressures.
Sometimes Gilbert also faced practical conundrums, such as Woolworth's requirement that:
There must be many windows so divided
that all of the offices should be well lighted,
and so that tenants could erect partitions to
fit their needs."
Gilbert wrote that:
"This requirement naturally
prevented any broad wall
space".
Woolworth and Gilbert sometimes clashed during the design process, especially because of the constantly changing designs and the architect's fees. Nevertheless, Gilbert commended Woolworth's devotion to the details and beauty of the building's design, as well as the entrepreneur's enthusiasm for the project.
Such was the scale of the building that Gilbert noted:
"For several years my sense of scale was
destroyed because of the unprecedented
attuning of detail to, for these days, such
an excessive height".
-- Construction of the Woolworth Building
In September 1910, wrecking crews demolished the five and six-story structures which previously occupied the site. Construction officially began on the 4th. November 1910, with excavation by The Foundation Company, using a contract negotiated personally by Frank Woolworth.
The start of construction instantly raised the site's value from $2.25 million to $3.2 million. The contract of over $1 million was described as the largest contract for foundation construction ever awarded in the world.
It took months for Woolworth to decide upon the general construction company. George A. Fuller's Fuller Company was well experienced and had practically invented skyscraper construction.
However Louis Horowitz's Thompson-Starrett Company was local to New York, and despite being newer, Horowitz had worked for Fuller before, and thus had a similar knowledge base.
On the 20th. April 1911, Thompson-Starrett won the contract with a guaranteed construction price of $4,308,500 for the building's frame and structural elements.
The company was paid $300,000 for their oversight and management work, despite Woolworth's attempts to get the company to do the job for free due to the prestige of the project.
On the 12th. June 1911, the Atlantic Terra Cotta Company received a $250,000 contract to manufacture the terracotta.
The next month, Donnelly and Ricci received the $11,500 contract for the terracotta work and some of the interior design work. Gilbert requested Atlantic Terra Cotta use an office next to his while they drew several hundred designs.
The construction process involved hundreds of workers, and daily wages ranged from $1.50 for laborers (equivalent to $44 in 2022) to $4.50 for skilled workers (equivalent to $133 in 2022).
By August 1911, the building's foundations were completed ahead of the target date of the 15th. September; construction of the skyscraper's steel frame began on the 15th. August.
The steel beams and girders used in the framework weighed so much that, to prevent the streets from caving in, a group of surveyors examined them on the route along which the beams would be transported.
The American Bridge Company provided steel for the building from their foundries in Philadelphia and Pittsburgh; manufacturing took over 45 weeks.
The first above-ground steel had been erected by October 1911, and installation of the building's terracotta began on the 1st. February 1912.
The building rose at the rate of 1½ stories a week, and the steelworkers set a speed record for assembling 1,153 tons of steel in six consecutive eight-hour days.
By the 18th. February 1912, work on the steel frame had reached the building's 18th. floor. By the 6th. April 1912, the steel frame had reached the top of the base at the 30th. floor, and work then began on constructing the tower of the Woolworth Building.
Steel reached the 47th. floor by the 30th. May, and the official topping out ceremony took place two weeks ahead of schedule on the 1st. July 1912, as the last rivet was driven into the summit of the tower.
The skyscraper was substantially completed by the end of that year. The final estimated construction cost was US$13.5 million (equivalent to $400,000,000 in 2022), up from the initial estimates of US$5 million for the shorter versions of the skyscraper (equivalent to $148,000,000 in 2022).
Woolworth provided $5 million, while investors provided the remainder, and financing was completed by August 1911.
-- Opening and the 1910's
The building opened on the 24th. April 1913. Woolworth held a grand dinner on the building's 27th. floor for over 900 guests, and at exactly 7:30 p.m. EST, President Woodrow Wilson pushed a button in Washington, D.C., to turn on the building's lights. Additional congratulations were sent via letter from former President William Howard Taft, Governor of New Jersey James Fairman Fielder and United States Secretary of the Navy Josephus Daniels.
The building was declared ready for occupancy on the 1st. May 1913, and Woolworth began advertising the offices for rent beginning at $4.00 per square foot.
To attract tenants, Woolworth hired architecture critic Montgomery Schuyler to write a 56-page brochure outlining the building's features. Schuyler later described the Woolworth Building as the "noblest offspring" of buildings erected with steel skeletons.
On completion, the Woolworth Building topped the record set by the Metropolitan Life Insurance Company Tower as the world's tallest building, a distinction it held until 1930.
Woolworth had purchased all of the Broadway-Park Place Company's shares from the Irving National Exchange Bank by May 1914; his company held no ownership stake in the building.
The building contained offices for as many as 14,000 employees. By the end of 1914, the building was 70% occupied and generating over $1.3 million a year in rents for the F. W. Woolworth Company.
-- The Woolworth Building in the 1920's to 1960's
During the Great War, only one of the Woolworth Building's then-14 elevators was turned on, and many lighting fixtures in hallways and offices were turned off. This resulted in about a 70% energy reduction compared to peacetime requirements.
The building had more than a thousand tenants by the 1920's, who generally occupied suites of one or two rooms. These tenants reportedly collectively employed over 12,000 people in the building.
In 1920, after F. W. Woolworth died, his heirs obtained a $3 million mortgage loan on the Woolworth Building from Prudential Life Insurance Company in order to pay off $8 million in inheritance tax.
By this point, the building was worth $10 million and grossed $1.55 million per year in rental income. The Broadway-Park Place Corporation agreed to sell the building to Woolco Realty Co., a subsidiary of the F. W. Woolworth Company, in January 1924 at an assessed valuation of $11.25 million (about $153 million in 2022).
The company paid $4 million in cash and obtained a five-year, $11 million mortgage from Prudential Life Insurance Company at an annual interest rate of 5.5%. The sale was finalized in April 1924, after which F. W. Woolworth's heirs no longer had any stake in the building.
In 1927, the building's pinnacle was painted green, and the observation tower was re-gilded for over $25,000 (about $340,647 in 2022). The Atlantic Terra Cotta Company cleaned the Woolworth Building's façade in 1932.
Prudential extended its $3.7 million mortgage on the building by ten years in 1939, and the observation deck was closed after the bombing of Pearl Harbor in 1941.
Ten of the building's 24 elevators were temporarily disabled in 1944 because of a shortage of coal. The next year, the building's owners replaced the elevators and closed off the building above the 54th. story.
By 1953, a new chilled water air conditioning system had been installed, bringing individual room temperature control to a third of the building.
The old car-switch-control elevators had been replaced with a new automatic dispatching systems and new elevator cars. The structure was still profitable by then, although it was now only the sixth-tallest building, and tourists no longer frequented the Woolworth Building.
The building's terracotta façade deteriorated easily, and, by 1962, repairs to the terracotta tiles were occurring year-round.
The Woolworth Company had considered selling the building as early as the 1960's, though the planned sale never happened.
-- Restoration and Landmark Status
The National Park Service designated the Woolworth Building as a National Historic Landmark in 1966. The New York City Landmarks Preservation Commission (LPC) considered giving the Woolworth Building official city-landmark status in 1970. The F. W. Woolworth Company called the landmark law "onerous" since it would restrict the company from making modifications to many aspects of the building.
The commission ultimately declined to give the Woolworth Building a designated-landmark status because of the company's opposition to such a measure, as well as the increased costs and scrutiny.
The lobby was cleaned in 1974.
The F. W. Woolworth Company commissioned an appraisal of the building's façade in 1975 and found serious deterioration in the building's terracotta. Many of the blocks of terracotta had loosened or cracked from the constant thermal expansion and contraction caused by New York's climate.
The cracks in the façade had let rain in, which had caused the steel superstructure to rust. By 1976, the Woolworth Company had placed metal netting around the façade in order to prevent terracotta pieces from dislodging and hitting pedestrians.
The issues with the façade were exacerbated by the fact that very few terracotta manufacturers remained in business, making it difficult for the company to procure replacements.
The New York City Industrial and Commercial Incentives Board approved a $8.5 million tax abatement in September 1977, which was to fund a proposed renovation of the Woolworth Building.
The Woolworth Company still occupied half the building; its vice president for construction said:
"We think the building merits
the investment, in part because
F. W. Woolworth had used his
own wealth to fund the building's
construction."
Much of the remaining space was occupied by lawyers who paid rentals of between $7 to $12 per square foot ($75 to $129/m2).
The F. W. Woolworth Company began a five-year restoration of the building's terracotta and limestone façade, as well as replacement of all the building's windows, in 1977.
Initially, the company had considered replacing the entire terracotta façade with concrete; however this was canceled due to its high cost and potential backlash from preservationists.
The renovation, carried out by Turner Construction to plans by the New York architectural firm Ehrenkrantz Group, involved the replacement of roughly one-fifth of the building's terracotta.
Since there were so few remaining terracotta manufacturers, Woolworth's replaced 26,000 of the tiles with concrete lookalikes; many of those tiles had to be custom-cut. The concrete was coated with a surface that was meant to be replaced every five years, like the glazing on the terracotta blocks.
Similarly, the original copper windows were replaced with aluminum frames which allowed them to be opened, whereas the originals were sealed in place.
The company also removed some decorative flying buttresses near the tower's crown and refaced four tourelles in aluminum because of damage.
The building's renovation was completed without fanfare in 1982. The estimated cost of the project had risen from $8 million to over $22 million. Much of the renovation was financed through the city government's tax break, which had increased to $11.4 million.
The LPC again considered the Woolworth Building for landmark designation in early 1982, shortly after the renovation was completed. However upon the request of the building's lawyers, the LPC postponed a public hearing for the proposed landmark designation to April 1982.
That year, the building's entrance to the City Hall subway station was closed because of fears over crime. The LPC granted landmark protection to the building's façade and the interior of its lobby in April 1983.
The Woolworth Company (later Venator Group) continued to own the building for a decade and a half. After struggling financially for years, and with no need for a trophy office building, Venator Group began discussing a sale of the building in 1996.
To raise capital for its other operations, Venator formally placed the Woolworth Building for sale in April 1998.
-- Witkoff Group Ownership
Venator Group agreed to sell the building in June 1998 to Steve Witkoff's Witkoff Group and Lehman Brothers for $155 million (about $261 million in 2022). However before the sale was finalized in December 1998, Witkoff renegotiated the purchase price to $137.5 million (about $231 million in 2022), citing a declining debt market.
Venator shrunk its space in the building from eight floors to four; this was a sharp contrast to the 25 floors the company had occupied just before the sale.
Witkoff also agreed to license the Woolworth name and invest $30 million in renovating the exterior and interior of the building.
After purchasing the building, the Witkoff Group rebranded it in an attempt to attract entertainment and technology companies. In April 2000, the Venator Group officially moved their headquarters to 112 West 34th. Street, and Witkoff indicated that he would sell the upper half of the building as residential condominiums.
That October, the company proposed a two-story addition to the 29th.-floor setbacks on the north and south elevations of the tower, to be designed by Skidmore, Owings & Merrill, who were also leading the renovation of the building. The LPC denied the proposal.
The company unveiled an ambitious plan in November 2000 that would have converted the top 27 floors of the building into 75 condominiums, including a five-story penthouse. The plan would have included a new residential lobby on Park Place, a 100-space garage, a 75-seat underground screening room, and a spa in the basement.
The developers planned to spend $60 to $70 million on the conversion which would be ready for occupancy by August 2002. However the LPC opposed the plan because it would have required exterior changes to the roof.
The commission eventually approved a modified version of the plan. Following the September 11 attacks and the subsequent collapse of the nearby World Trade Center, the proposal was later canceled.
-- Security Increases and New Plan
Prior to the September 11 attacks, the World Trade Center was often photographed in such a way that the Woolworth Building could be seen between the complex's twin towers.
After the attacks occurred only a few blocks away, the Woolworth Building was without electricity, water and a telephone service for a few weeks; its windows were broken, and falling rubble damaged a top turret.
Increased post-attack security restricted access to most of the ornate lobby, previously a tourist attraction. New York Times reporter David W. Dunlap wrote in 2006 that a security guard had asked him to leave within twelve seconds of entering the Woolworth Building.
However, there was renewed interest in restoring public access to the Woolworth Building during planning for its centennial celebrations. The lobby reopened to public tours in 2014, when Woolworth Tours started accommodating groups for 30- to 90-minute tours.
The tours were part of a partnership between Cass Gilbert's great-granddaughter, Helen Post Curry, and Witkoff's vice president for development, Roy A. Suskin.
By 2007, the concrete blocks on the Woolworth Building's façade had deteriorated because of neglect. A lack of regular re-surfacing had led to water and dirt absorption, which had stained the concrete blocks.
Though terracotta's popularity had increased since the 1970's, Suskin had declined to say whether the façade would be modified, if at all.
Around the same time, Witkoff planned to partner with Rubin Schron to create an "office club" on the top 25 floors building to attract high-end tenants like hedge funds and private equity firms. The plan would have restored the 58th. floor observatory as a private amenity for "office club" tenants, in addition to amenities like a private dining room, meeting rooms, and a new dedicated lobby.
The partners planned to complete the project by the end of 2008, but the financial crisis of 2007–2008 derailed the plans, leaving the top floors gutted and vacant.
-- Residential Conversion
On the 31st. July 2012, an investment group led by New York developer Alchemy Properties which included Adam Neumann and Joel Schreiber, bought the top 30 floors of the skyscraper for $68 million (about $86.1 million in 2022) from the Witkoff Group and Cammeby's International.
The firm planned to renovate the space into 33 luxury apartments and convert the penthouse into a five-level living space. The lower 28 floors are still owned by the Witkoff Group and Cammeby's International, who planned to maintain them as office space.
The project was expected to cost approximately $150 million including the $68 million purchase price. The Landmarks Preservation Commission approved the changes to the building in October 2013.
When the sale was first announced in 2012, the developers expected the building's conversion to be complete by 2015. However, construction took longer than expected.
Workers could not attach a construction hoist to the building's façade without damaging it, and they were prohibited from using the elevators because of the active office tenants on the lower floors and the regular public tours of the landmarked lobby.
The renovation included many restorations and changes to the building's interior. Two of the elevator shafts only went to the 29th. floor, allowing extra floor space for the residents above.
A new private lobby was also built for residents, and the coffered ceiling from F. W. Woolworth's personal 40th. floor office was relocated to the entryway. Each unit received space in a wine cellar, along with access to the restored private pool in the basement.
The 29th. floor was converted to an amenity floor named the "Gilbert Lounge" after the structure's architect, while the 30th. floor hosts a fitness facility.
In August 2014, the New York Attorney General's office approved Alchemy's plan to sell 34 condos at the newly branded Woolworth Tower Residences for a combined total of $443.7 million. After a soft launch in late 2014, units at the building were officially listed for sale in mid-2015.
Alchemy initially intended to leverage an in-house sales staff, and hired a director from Corcoran Sunshine to lead the effort. However, the new sales director left at the end of 2015 amid rumors of slow sales. Following his departure, the company hired Sotheby's International Realty to market the units.
The building's penthouse unit, dubbed "The Pinnacle", was listed at $110 million, the highest asking price ever for an apartment in downtown Manhattan. If it had sold at that price, the unit would have surpassed the record $50.9 million penthouse at Ralph Thomas Walker's Walker Tower, and even the $100.5 million record price for a Manhattan penthouse set by Michael Dell at Extell's One57 in 2014.
Due to delays, the conversion was expected to be completed by February or March 2019, about six and a half years after Alchemy bought the property. However by February 2019, only three of the building's 31 condos had been sold, since the developers had refused to discount prices, despite a glut of new luxury apartments in NYC.
The still-vacant penthouse's asking price was reduced to $79 million. By 2021, Alchemy had sold 22 condominiums to tenants such as the entrepreneur Rudra Pandey.
-- Corporate Tenants
On the building's original completion, the F. W. Woolworth Company occupied only one and a half floors. However, as the owner, the Woolworth Company profited from renting space out to others.
The Woolworth Building was almost always fully occupied because of its central location in Lower Manhattan, as well as its direct connections to two subway stations.
The Irving Trust Company occupied the first four floors when the building opened. It had a large banking room on the second floor accessible directly from a grand staircase in the lobby, vaults in the basement, offices on the third-floor mezzanine, and a boardroom on the fourth floor.
In 1931, the company relocated their general, out-of-town, and foreign offices from the Woolworth Building after building their own headquarters at 1 Wall Street.
Columbia Records was one of the Woolworth Building's tenants on opening day and housed a recording studio in the skyscraper. In 1917, Columbia made what are considered the first jazz recordings, by the Original Dixieland Jass Band, in this studio.
Shortly after the building opened, several railroad companies rented space. The Union Pacific Railroad and Delaware, Lackawanna and Western Railroad occupied the ground floor retail space with ticket offices.
The inventor Nikola Tesla also occupied an office in the Woolworth Building beginning in 1914; he was evicted after a year because he could not pay his rent.
Scientific American moved into the building in 1915 before departing for Midtown Manhattan in 1926. The Marconi Wireless Telegraph Company of America was present at the building's opening, occupying the southern half of the 18th. floor.
By the 1920's, the building also hosted Newport News Shipbuilding and Nestlé.
In the 1930's, prosecutor Thomas E. Dewey maintained his offices in the building while investigating racketeering and organized crime in Manhattan. His office took up the entire fourteenth floor, and was heavily guarded.
During World War II, the Kellex Corporation, part of the Manhattan Project to develop nuclear weapons, was based here.
During the early 1960's, public relations expert Howard J. Rubenstein opened an office in the building. In 1975, the city signed a lease for state judge Jacob D. Fuchsberg's offices in the Woolworth Building.
-- Educational Tenants
The structure has a long association with higher education, housing a number of Fordham University schools in the early 20th. century. In 1916, Fordham created "Fordham Downtown" at the Woolworth Building by moving the School of Sociology and Social Service and the School of Law to the building.
The Fordham University Graduate School was founded on the building's 28th. floor in the same year, and a new Teachers' College quickly followed on the seventh floor.
In September 1920, the Business School was also established on the seventh floor, originally as the School of Accounting. By 1929, the school's combined programs at the Woolworth Building had over 3,000 enrolled students.
Between 1916 and 1943 the building was also home at various times to the Fordham College (Manhattan Division), a summer school, and the short-lived School of Irish Studies.
In 1943, the Graduate School relocated to Keating Hall at Fordham's Rose Hill campus in Fordham, Bronx, and the rest of the schools moved to nearby 302 Broadway because of reduced attendance due to World War II.
The New York University School of Professional Studies' Center for Global Affairs leased 94,000 square feet (8,700 m2) on the second, third, and fourth floors in 2002 from defunct dot-com startup FrontLine Capital Group.
The American Institute of Graphic Arts also moved its headquarters to the Woolworth Building.
-- 21st-Century Tenants
By the early 2000's, the Woolworth Building was home to numerous technology tenants. Digital advertising firm Xceed occupied 65,000 square feet (6,000 m2) across four floors as its headquarters. Organic, Inc. took 112,000 square feet (10,400 m2), and advertising agency Fallon Worldwide used two floors.
Xceed terminated its lease in April 2001 during the midst of the Dot-com bubble collapse in order to move to smaller offices in the Starrett–Lehigh Building.
One month after the U.S. Securities and Exchange Commission's (SEC's) Northeast Regional Office at 7 World Trade Center was destroyed in the September 11 attacks, the commission's 334 employees moved into 140,000 square feet (13,000 m2) across five floors of the Woolworth Building. The SEC left for a larger space in Brookfield Place in early 2005.
The General Services Administration took over the commission's space on the 1st. November 2005 and used it as offices for approximately 200 staff of the Administrative Office of the United States Courts and U.S. Probation and Pretrial Services System.
The New York City Police Department pension fund signed a lease for 56,000 square feet (5,200 m2) on the 19th. and 25th. floors in April 2002.
Starbucks opened a 1,500-square-foot (140 m2) location on the ground floor in the spring of 2003. In 2006, Levitz Furniture moved its headquarters to the 23rd. floor from Woodbury, Long Island, after declaring bankruptcy a second time.
In May 2013, SHoP Architects moved the company's headquarters to the entire 11th. floor, occupying 30,500 square feet (2,830 m2) of space. In February 2016, the New York City Law Department leased the entire 32,000 square feet (3,000 m2) fifth floor for the Department's tort office.
Joseph Altuzarra's namesake fashion brand, Altuzarra, signed on to occupy the 14th. floor in June 2016. In 2017, the New York Shipping Exchange moved into the 21st floor. In May 2018, architecture and design firm CallisonRTKL signed a lease for the entire 28,100 square feet (2,610 m2) 16th. floor.
-- Impact of the Woolworth Building
Before construction, Woolworth hired New York photographer Irving Underhill to document the building's construction. These photographs were distributed to Woolworth's stores nationwide to generate enthusiasm for the project.
During construction, Underhill, Wurts Brothers, and Tebbs-Hymans each took photographs to document the structure's progression. These photos were often taken from close-up views, or from far away to provide contrast against the surrounding structures.
They were part of a media promotion for the Woolworth Building. Both contemporary and modern figures criticized the photos as:
"Standard solutions at best and
architectural eye candy at worst".
Later critics praised the building. Amei Wallach of Newsday wrote in 1978 that the building resembled:
"A giant cathedral absurdly
stretched in a gigantic fun
mirror. The lobby certainly
looks like a farmboy's dream
of glory".
A writer for The Baltimore Sun wrote in 1984 that:
"The lobby's lighting, ceiling mosaic,
and gold-leaf decorations combine
for a church-like atmosphere, yet the
grotesques provide a touch of
irreverence".
Richard Berenholtz wrote in his 1988 book Manhattan Architecture that:
"At the Woolworth Building, Gilbert
succeeded in uniting the respected
traditions of architecture and
decoration with modern technology".
In a 2001 book about Cass Gilbert, Mary N. Woods wrote that:
"The rich and varied afterlife of
the Woolworth Building enhances
Gilbert's accomplishment".
Dirk Stichweh described the building in 2005 as being:
"The Mozart of skyscrapers".
In 2007, the building ranked 44th. among 150 buildings in the AIA's List of America's Favorite Architecture.
In recognition of Gilbert's role as the building's architect, the Society of Arts and Sciences gave Gilbert its gold medal in 1930, calling it:
"An epochal landmark in the
history of architecture".
On the 40th. anniversary of the building's opening in 1953, one news source called the building:
"A substantial middle-aged lady, with
a good income, unconcern over years—
and lots of friends".
A one-third-scale replica of the Woolworth Building, the Lincoln American Tower in Memphis, Tennessee, was also built in 1924.
-- The Woolworth Building in the Media
The Woolworth Building has had a large impact in architectural spheres, and has been featured in many works of popular culture, including photographs, prints, films, and literature.
One of the earliest films to feature the skyscraper was Manhatta (1921), a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
Since then, the building has made cameo appearances in several films, such as the 1929 film Applause. It was also the setting of several film climaxes, such as in Enchanted (2007), as well as the setting of major organizations, such as in Fantastic Beasts and Where to Find Them (2016).
The television show Ugly Betty used the Woolworth Building as the 'Meade Publications' building, a major location in the series, while one of the vacant condominiums was used in filming the TV series Succession in 2021.
The building has also appeared in literature, such as Langston Hughes's 1926 poem "Negro" and the 2007 novel Peak.
Parliamentary Secretary to the Premier for Intergovernmental Affairs Norm Letnick will join more than 600 business leaders, legislators and government officials in Anchorage, Alaska this week as he represents the Province at the 23rd annual Pacific NorthWest Economic Region (PNWER) summit.
Senator Kevin Ranker (left), PNWER President; Norm Letnick, MLA, BC (center); Matt Morrison, Executive Director, PNWER (right).
Learn more: www.newsroom.gov.bc.ca/2013/07/annual-pnwer-summit-to-hig...
While Hong Kong has been a major sea port since the late 19th century, its importance really grew after World War II, when China became a Communist country and Shanghai's former financial, industrial and commercial might vanished almost overnight.
Many Shanghai bankers, merchants and skilled workers escaped to Hong Kong, including my very own father.
The close relation between Hong Kong and Shanghai since the late 19th century and the post-World War II brain drain from Shanghai to HK also explain why so many Hong Kong-based businesses have the name "Shanghai" in it.
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Using pioneering new technologies in Superfoods and nutrition, CFTRI has developed amazing new products which are on show at CFTRI stall at Pragati Maidan:
· Chia and Quinoa based Chocolates and Laddoos;
· Omega-3 enriched ice-cream;
· Multigrain banana bar
· Fruit juice based carbonated drinks.
New Delhi, 24th November, 2016: CSIR-Central Food Technological Research Institute (CFTRI), the premier national institute for food technology is exhibiting a range of new agri-products now grown in India, called Superfoods that bring health and nutrition best practices to everyday eating and living to the common man. The exhibits by CFTRI at the Trade Fair at Pragati Maidan in New Delhi both impress and surprise with the range and scope of their utility and potency.
The Indian population is presently going through a nutrition transition and there is an increase in incidence of diabetes, impaired heart health and obesity while there is still rampant malnutrition in the nation.
Keeping in mind an effective solution needed to address these concerns, CSIR-CFTRI is working on bringing Superfoods to the Indian population. CFTRI works on various facets of food technology, food processing, advanced nutrition, Superfoods and allied sciences. Superfoods are foods which have superior nutrition profiles which upon regular consumption can help improve health and wellness of the consumer.
CFTRI has developed the agro-technology for growing Superfoods viz. Chia and Quinoa in Indian conditions. Chia is the richest source of omega-3 fats from a vegetarian source and Quinoa has excellent protein quality and low glycemic load carbohydrates. Comprehensively, Chia and Quinoa have potential to improve population health and both blend seamlessly into traditional food preparations.
CSIR-CFTRI also infuses the spirit of entrepreneurship in their students. One of the doctoral students after completing her academic program started her own technology provider start-up company, Oleome Biosolutions Pvt Ltd. In a global first, CSIR-CFTRI in collaboration with Oleome, has developed a 100% vegetarian, Omega-3-enriched Ice cream called “Nutriice” using Chia oil.
CSIR-CFTRI is also in the process of the final phase of testing of diacylglycerol (DAG) oil, a unique cooking oil that has “Anti-Obesity” functionalities. One can consume it as part of daily regular diet and while the oil is available as energy but does not get stored as fat in our bodies. The final phase of human clinical trial is presently under progress.
CFTRI has also designed and developed snacks with advanced nutrition designs to support the nutrition needs of growing children. These have been implemented in the aganwadi levels to complement the existing government mid-day meal and will be scaled up soon. The products, such as Nutri Chikki with spirulina, rice beverage mix, high protein rusk, energy food, nutri sprinkle, seasame paste and fortified mango bars have been well received by the children and the anganwadis alike. Multi-grain Banana bar is a new addition to in this product portfolio.
Another exciting area of multidisciplinary research being done at CSIR-CFTRI is on nanotechnology, food technology and nutrition. Nanomaterials are known for their characteristic properties and CSIR-CFTRI is working on the use of nanoparticles for various applications. One of our interesting developments is the design and development of food packaging material with nanoparticles with antimicrobial and antioxidant properties to improve shelf-life of processed foods.
CSIR-CFTRI is also working on “Smart Foods” to answer specific needs of the consumer. These promising and specifically designed innovations are being developed for better sleep, better skin health, improved digestion, better cognitive performance and better stress management. The high science is brought into a simple food product, like a cereal bar which helps one to be more attentive over the day, or a unique dosa mix that helps in working out better at the gym with lower perceived exhaustion and even a special soup to help sleep better at night!
Speaking on the sidelines of the CSIR-CFTRI exhibition at Pragati Maidn, Prof. Ram Rajasekharan, Director, CFTRI said “Our mandate is to find innovative solutions to India agricultural and nutritional challenges. Our aim is to develop products to make Indian agriculture productive, efficient and at a consumer level gradually replace drugs with foods that will promote better health and wellness. We strive to deliver our best in improving food security and nutrition security, also developing a stronger, smarter and healthier India”.
About CSIR-CFTRI:
CSIR − Central Food Technological Research Institute (CFTRI), Mysore (A constituent laboratory of Council of Scientific and Industrial Research, New Delhi) came into existence during 1950 with the great vision of its founders, and a network of inspiring as well as dedicated scientists who had a fascination to pursue in-depth research and development in the areas of food science and technology.
CSIR-CFTRI is today a large and diversified laboratory headed by Prof. Ram Rajasekharan, Director, CSIR-CFTRI. Presently the institute has a great team of scientists, technologists, engineers, technicians, skilled workers, and support staff. There are seventeen research and development departments, including laboratories focusing on lipid science, molecular nutrition, food engineering, food biotechnology, microbiology, biochemistry, food safety etc.
The institute has designed over 300 products, processes, and equipment types. It holds several patents and has a large number of high impact peer reviewed journal articles to its credit. India is the world's second largest food grain, fruit and vegetable producer, and the institute is engaged in research and development in the production and handling of grains, pulses, oilseeds, spices, fruits, vegetables, meat, fish, and poultry.
The institute develops technologies to increase efficiency and reduce postharvest losses, add convenience, increase export, find new sources of food products, integrate human resources in food industries and develops solutions to improve the health and wellness of the population.
CFTRI has a vast portfolio of over 300 products, processes and equipment designs, and close to 4000 licensees have availed themselves of these technologies for commercial exploitation. The achievements have been of considerable industrial value, social importance and national relevance, and coupled with the institute's wide-ranging facilities and services, have created an extensive impact on the Indian food industry and Indian society at large.
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Mayor Richard J. Daley, a Democrat, was elected in 1955, in the era of machine politics. Starting in the early 1960s due to blockbusting, many white residents, as in most American cities, left the city for the suburbs. Whole neighborhoods were completely changed based on race. Structural changes in industry caused heavy losses of jobs for lower skilled workers. In 1966, James Bevel, Martin Luther King, Jr., and Albert Raby led the Chicago Open Housing Movement, which culminated in agreements between Mayor Richard J. Daley and the movement leaders. Two years later, the city hosted the tumultuous 1968 Democratic National Convention, which featured physical confrontations both inside and outside the convention hall, including full-scale riots, or in some cases police riots, in city streets. Major construction projects, including the Sears Tower (now known as the Willis Tower, which in 1974 became the world's tallest building), University of Illinois at Chicago, McCormick Place, and O'Hare International Airport, were undertaken during Richard J. Daley's tenure. In 1979, Jane Byrne, the city's first female mayor, was elected. She popularized the city further as a movie location and tourist destination.
In 1983, Harold Washington became the first black mayor of the city of Chicago. Washington's first term in office saw attention given to poor and previously neglected minority neighborhoods. He was re-elected in 1987 but died of a heart attack a short time later. The balance of Washington's second term was served by 6th ward Alderman Eugene Sawyer. Richard M. Daley, son of Richard J. Daley, was elected in 1989. His accomplishments included improvements to parks and creating incentives for sustainable development. After successfully standing for re-election five times, and becoming Chicago's longest serving mayor, Richard M. Daley announced he would step down at the end of his final term in 2011.
Friday, 7 June, 2013
14:10 – 15:10 GLOBAL PERSPECTIVE AND VIEWPOINTS
GLOBAL PERSPECTIVE: WHAT’S AHEAD FOR EMERGING MARKETS? Over the last decade, the majority of the growth has occurred in the so-called BRICS: Brazil, Russia, India, China, and South Africa—but growth has slowed. What’s the outlook for these economies and can they sustain growth? Who are the new leaders and how can multinational corporations capitalize on these increasingly important markets? Which factor is most likely to slow progress in emerging markets: a shortage of skilled workers, too much red tape and corruption, or fierce local competition?
Panelists:
John Faraci, Chairman and CEO, International Paper Co.
Joseph Jimenez, Chief Executive Officer, Novartis AG
Peter Sands, Group Chief Executive, Standard Chartered PLC
Michael Smith, Chief Executive Officer, ANZ Bank
Moderator: Rana Foroohar, Assistant Managing Editor, TIME Magazine
Photograph by Stefen Chow/Fortune Global Forum
Pictured (L-R): State House Minority Leader Tim Greimel (D-HD29); former State Senator (Senate Minority Leader) Gretchen Whitmer (D-SD23); State Senator Judy Emmons (R-SD33); Chris Allen, Executive Director of the Detroit Wayne County Health Authority
The Integrated Policy Exercise provides students with a week-long opportunity to work intensively on a policy issue. All students participate as part of a team representing different constituencies with an interest in the problem being studied. Working in groups of 7 to 10, students are assigned a role such as lobbying firm, public official, or economic group. Groups develop policy positions and prepare a political strategy to achieve their goal(s). More on IPE: fordschool.umich.edu/ipe
The Winter 2015 IPE, “Bolstering Detroit's Economic Renewal through Skilled Workers: Implementing Governor Snyder's Visa Plan” took place on January 5, 6, and 9, 2015 at the Ford School’s Joan and Sanford Weill Hall, and at the Detroit Institute of Arts in Detroit, MI. More on the 2015 topic and simulated media coverage: sites.google.com/a/umich.edu/fordschool-ipe-2015/home
(for further pictures and information please go to the end of page and by clicking on the link my modest promises will be fulfilled!)
Parliament building
The original intention was to build two separate buildings for the Imperial Council and the House of Representatives of the by the February Patent 1861 established Reichsrat (Imperial Council). After the Compromise with Hungary, however, this plan was dropped and in the year 1869 the architect Theophil von Hansen by the Ministry of the Interior entrusted with the elaboration of the monumental project for a large parliament building. The first cut of the spade followed in June 1874, the foundation stone bears the date "2nd September 1874". At the same time was worked on the erection of the imperial museums, the Town Hall and the University. Theophil Hansen took - as already mentioned - well thought out and in a very meaningful way the style of the Viennese parliament building from ancient Greece; stem important constitutional terms but also from the Greek antiquity - such as "politics", "democracy" and others. Symbolic meaning had also that from nearly all crown lands of the monarchy materials have been used for the construction of the parliament building. Thus, the structure should symbolize the confluence of all the forces "of the in the in the Reichsrat represented kingdoms and countries" in the Vienna parliament building. With the downfall of the Austro-Hungarian monarchy ended the era of the multinational Parliament in Vienna.
Since November 1918, the building is the seat of the parliamentary bodies of the Republic of Austria, first the National Assembly and later the National Council in the until its destruction in 1945 remained unchanged session hall of the former Imperial Council holding meetings. During the Second World War, the parliament building was severely affected, about half of the building fabric were destroyed. On 7th February 1945 the portico by bombing suffered serious damage. Two columns were totally destroyed, the edge ceiling construction with the richly gilded coffered ceiling and a magnificent frieze painting, which was 121 meters long and 2 meters high and the most ideal and economic roles of the Parliament representing allegorically, were seriously damaged. During reconstruction, the rebuilding did not occur in the originally from Hansen originating features: instead of Pavonazzo marble for the wall plate cover Salzburg marble was used. The frieze painting initially not could be recovered, only in the 90s it should be possible to restore single surviving parts. In addition to destructions in the Chancellery Wing at the Ring Road as well as in the portico especially the Imperial Council tract was severely affected by the effects of war. The meeting room of the Imperial Council was completely burned out, in particular the figural jewelry as well as the ruined marble statues of Lycurgus, Solon, Themistocles, Aristides, Sophocles, Socrates, Pericles and Demosthenes appearing hardly recoverable. In this circumstances, it was decided not to reconstruct the old Imperial Council hall, but a new hall with a businesslike but refined and convenient furnishing for the National Council of the Republic of Austria to build. During the reconstruction of the building in the years 1945 to 1956 efforts were also made the yet by Hansen envisaged technical independence further to develop and to perfect. Thus the parliament building now has an emergency generator, which ensures, any time, adequate electricity supply of the house in case of failure of the city network, and a variety of other technical facilities, which guarantee a high supply autonomy. Not only from basic considerations in the sense of seperation of powers but also from the possibility of an extraordinary emergency, is this a compelling need. National Council and the Federal Council as the elected representative bodies of the Austrian people must at all times - especially in case of disaster - the material conditions for their activity have guaranteed. This purpose serve the mentioned facilities and many others, sometimes very complicated ones and the persons entrusted with their maintenance. To the staff of the Parliamentary Administration therefore belong not only academics, stenographers, administrators, secretaries and officials of the room service as in each parliament, but also the with the maintenance of the infrastructure of the parliament building entrusted technicians and skilled workers.
Analogous to other parliaments was for years, even decades tried to acquire or to rent one or the other object near the Parliament building. Finally one was able in 1981 to start with a basic conversion or expansion of the house Reichsratsstrasse 9 under planning by the architect Prof. Dr. Sepp Stein, in this connection was given the order the parliament building through a tunnel with the house in the Reichsratsstrasse to connect. With this tunnel not only a connection for pedestrians should be established, but also a technical integration of the two houses. In the basement of the building in which in early 1985 could be moved in, confluences the road tunnel; furthermore it serves the accommodation of technical rooms as well as of the storage, preparation and staff rooms for a restauration, a main kitchen and a restaurant for about 130 people are housed on the ground floor. On the first floor are located dining rooms for about 110 people; workrooms for MPs are in the second, offices in the third to the sixth floor housed. Ten years after the house Reichsratsstrasse 9 another building could be purchased, the house Reichsratsstrasse 1, and, again under the planning leadership of architect Prof. Dr. Sepp Stein, adapted for the purposes of the Parliament. This house also through an in the basement joining under road tunnel with the Parliament building was connected. The basement houses storage rooms, the ground floor next to an "info-shop" where information materials concerning the Austrian Parlament can be obtained, the Parliament Post Office and the printery. In the six upper floors are offices and other work spaces for different departments of the Parliamentary Administration. The previously by these departments used rooms in the Parliament building were, after it was moved into the house Reichsratsstrasse in 1994, mostly the parliamentary clubs made available. Already in 1992 by the rental of rooms in a building in the Schenkenstraße for the parliamentary staff of the deputies office premises had been created.
Pallas Athene
Parliament Vienna
The 5.5 meter high monumental statue of Pallas Athena in front of the parliament building in Vienna gives not only the outside appearance of this building a striking sculptural accent, but has almost become a symbolic figure of the Austrian parliamentarism. The Danish architect Theophil Hansen, according to which draft in the years 1874-1884 the parliament building has been built, has designed this as a "work of art (Gesamtkunstwerk)"; thus, his planning also including the figural decoration of the building. The in front of the Parliament ramp to be built monumental fountain should according to Hansen's original planning be crowned of an allegoric representation of the Austria, that is, a symbolization of Austria. In the definitive, in 1878 by Hansen submitted figure program took its place Pallas Athena, the Greek goddess of wisdom. The monumental statue was realized only after Hansen's death, but according to his design by sculptor Carl Kundmann in 1902.
Meeting room of the former House of Representatives
The meeting room of the former House of Representatives is largely preserved faithfully and now serves the meetings of the Federal Assembly as well as ceremonies and commemorative meetings of the National Council and the Federal Council. Architecturally, the hall is modeled on a Greek theater. Before the end wall is the presidium with the lectern and the Government Bench, in the semicircle the seats of the deputies are arranged. The from Carrara marble carved statues on the front wall - between the of Unterberger marble manufactured columns and pilasters - represent Roman statesmen, the by Friedrich Eisenmenger realised frieze painting depicts the emergence of political life, and the pediment group above it should symbolize the daily routine.
Portico
The large portico, in its proportions recreating the Parthenon of the Acropolis of Athens, forms the central chamber of the parliament building and should according to the original intention serve as a meeting place between members of the House of Representatives and of the Imperial Council. Today it functions as a venue, such as for the annual reception of the President of the National Council and the President of the Federal Council for the Diplomatic Corps. When choosing materials for the parliament building, Theophil Hansen strove to use marbles and stones from the crown lands of the monarchy, thus expressing their attachment to their Parliament. For example, consist the 24 monolithic, that is, produced from one-piece, columns, each more than 16 tons of weight, of the great hypostyle hall of Adnet marble, the floor panels of Istrian karst marble. When in the last months of the Second World War the Parliament building was severely affected by bomb hits, also the portico suffered severe damage, and the two columns in the north-west corner of the hall were destroyed, the edge ceiling construction with the richly gilded coffered ceiling and below the ceiling running frieze painting by Eduard Lebiedzki have been severely damaged. The two destroyed columns in 1950 were replaced by two new ones, broken from the same quarry as the originals, but not exhibiting the same pattern. The parts of the Lebiedzki frieze which have been restorable only in the 90s could be restored.
Pictured (L-R): former State Senator (Senate Minority Leader) Gretchen Whitmer (D-SD23); State Senator Judy Emmons (R-SD33); Chris Allen, Executive Director of the Detroit Wayne County Health Authority
The Integrated Policy Exercise provides students with a week-long opportunity to work intensively on a policy issue. All students participate as part of a team representing different constituencies with an interest in the problem being studied. Working in groups of 7 to 10, students are assigned a role such as lobbying firm, public official, or economic group. Groups develop policy positions and prepare a political strategy to achieve their goal(s). More on IPE: fordschool.umich.edu/ipe
The Winter 2015 IPE, “Bolstering Detroit's Economic Renewal through Skilled Workers: Implementing Governor Snyder's Visa Plan” took place on January 5, 6, and 9, 2015 at the Ford School’s Joan and Sanford Weill Hall, and at the Detroit Institute of Arts in Detroit, MI. More on the 2015 topic and simulated media coverage: sites.google.com/a/umich.edu/fordschool-ipe-2015/home
The Machine Shops of the East Broad Top Railroad & Coal Company were very self-sufficient. They made many of their own parts and pieces, as well as built and maintain various pieces of rolling stock. Pretty much all of the machine shop remains original and nearly untouched from its appearance and existence over 100 years ago. Here, two workers craft a piece for their next project, with "Millie" sitting just outside the window peeking in.