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Inspired by classic racing bikes this single speed from Simplified is all modern under the retro looks. Plus, it was hand-built by Tom Teesdale!
Students can learn simplifying radicals from the expert Math tutors available online. Students need to understand the concept of Radicals before learning to simplify redicals. Students can get help with Math problems involving simplify radicals from the online tutors.
The Radical is defined as the square root of a number. A radical is used to refer the irrational number. This radical expression has been denoted in the root symbol "? ". Thus the process to Simplify Radicals involves expressing the numbers in a simpler form or a reduced form. Students can learn to simplify radicals by the solved examples.
Simplifying radicals include the simplification of radicals denominator before performing basic mathematical operation. And given radical should satisfy the conditions and one should remember for positive value of a the value of 1/an will always be taken as positive. Learn how to simplify radicals in this page and learn to simplify radicals.
Garden photo I took over the weekend—just playing around. I've been looking at 19th-century paintings, and everything I've shot looks weird now. ;)
I modified provideofx's image in Topaz Simplify. Use "Simply Size" combined with "Mono Line Fine" under the "Edges" tab to give it that Water color edge look.
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A simplified roofline creates interest with thoughtfully placed gable accents. Tapered columns highlight the front porch and welcome guests to the sidelight framed entry. Inside, the floor plan is equally thoughtful, with a spacious great room, open kitchen with island, and single dining space. The master suite is expansive with dual walk-in closets and a bathroom comfortably suited for two. Additional features include a walk-in pantry, oversized utility room, three-car garage, and an inviting screened porch with cathedral ceiling, skylights, and a fireplace. Two additional bedrooms and a study round-out this classic house design. *Photographed home may have been modified from the original construction documents.* www.dongardner.com/house-plan/1415/the-lucy
WEEK 26
Landscape: Simplify
Simply the scene to make your primary subject stand out.
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CC welcomed
NIKON D600 + 24.0-70.0 mm f/2.8 @ 60 mm, 247.00 sec at f/11, ISO 50
www.rc.au.net/blog/2014/03/23/garie-simplified/
© Rodney Campbell
Time I simplify.
:)
Found at my Etsy store: www.etsy.com/listing/46346228/congratulations-its-a-vinta...
St Margaret, Fleggburgh, Norfolk
As you head eastwards, Norfolk falls away behind you. The landscape simplifies, as though the wind from the grey North Sea has scoured it of anything inessential. In late winter, with the fields ploughed and the caravan parks empty, it can seem a tabula rasa, an empty slate, cleansed and waiting.
The village is called Fleggburgh, but the parish is Burgh St Margaret. It lies a few miles inland from the sprawling resorts of Yarmouth, Caister and Hemsby, but its fate is very much tied to theirs. The area's biggest employer is the leisure industry, and the east Norfolk towns and villages seem empty outside of high summer. And, just as the seaside towns rose to prominence in the late 19th century, so there was a knock-on effect in the hinterland. Outside of Norwich, this is the only part of Norfolk where the population was actually rising in the 1870s and 1880s, and this pretty church underwent a major renewal, an almost complete rebuilding, at the hands of Diocesan architect Herbert Green.
Along with his predecessor Richard Phipson, Green bestrides the landscape of church Victorianisation in East Anglia. The bodies of their work are considerable, and it wasn't just their own plans; anyone else's work would also have to cross their desks for them to cast a cold eye upon it. Their enthusiasms were as different from each others as it is possible to be, I suppose. Phipson was a technician, with an eye for detail. In restorations, his innovations blend fairly seamlessly into the medieval, which sounds good, but often leaves a rather dour, characterless atmosphere. Sometimes he went mad, producing extraordinary spires on a couple of churches in the Stowmarket area, and he could be very impressive on a grand scale, such as the complete rebuilding of St Mary le Tower in Ipswich.
Herbert Green, on the other hand, was a Victorian first and an medievalist second. Sometimes it is hard to see the medieval origins at all behind his rebuildings, scourings and facades. Here at Burgh, he built a 'Perpendicular' nave and a 'Decorated' chancel and tower, which is of course exactly the relationship you find at so many rural medieval churches in East Anglia. It's just that here it isn't real - to all intents and purposes, this is a faux medieval Norfolk parish church.
The harsh blue knapped flints would look even worse if it wasn't for the thatching that softens them. One curiosity - note how high the gables at the east end of the nave and chancel rise above the thatch. That on the nave is even higher than the bell windows of the tower. This must be because they are substantially the medieval originals. But nothing else is, I think. The red-brick arching to the windows helps a bit, but really this is a severe exterior, and knapped flint on such a scale would soon fall out of fashion, to be replaced by the cosiness of the Arts and Crafts movement. We can already see this happening here, for there is a cottage dormer window above the porch to be thankful for. It is here for a reason, because it lights the little gallery tucked into the roof space.
Inside, everything is Herbert Green's, pretty much. There is no tower arch, just a doorway, through which you can access the gallery. The furnishings are all of a piece, and the font is in the style of the 15th century. Green was very fond of Norman fonts, so it is interesting that here he chose a font to match the (imitation) Perpendicular nave rather than the (real) Norman south doorway. The stone reredos is perhaps more in Green's heavy style.
There are a couple of items of interest. A figure brass of 1608 remembers Richard Burton, the minister of this parish; it is remounted in a marble setting on the chancel wall. Opposite it is a moving memorial to George Thompson Fisher, who died in WWI. He was son of the Rector here who had overseen Green's rebuilding, and who was, incidentally, the very last Bishop of Ipswich.
The jewel in the crown of all this is the east window of 1968 by Paul Jefferies, in the uninhibited dynamic style of the time. It features the figures of St Margaret, St Luke and the Blessed Virgin. St Luke's bull looks a cheery sort, and St Margaret dispatches her dragon with aplomb. Mary, who is shown as the Queen of Heaven, is a little less vigorous than the other two figures. Her lack of an accompanying animal throws the composition slightly out of balance, and you wonder why she wasn't placed in the central light.
inspired by flickr virtuoso of food drawings ciuccio, I remembered a recipe I drew for a friend a while ago.....
pen and ink, digital color, 9 x 12, 1990
Right now I've a lot on my mind, and some big decisions to make. But today I was off from work. It's been grey and either drizzly or rainy all day. Despite that the morning started well because the Olympus came out of the rice it's been sitting in for 4 days, and after an initial stickiness of buttons it fired up and I was able to re-programme the menu - it appears to be back in rude health. I hope it lasts and doesn't start to corrode internally from the salt water. And so I put on Penny's lead and we walked our longest route from the front door to the beach (6 miles instead of the usual 1). I took lots of photos again with the Olympus (joy) and couldn't resist posting just this one in celebration. But I'm also posting it because when Penny was playing on the beach there was nothing else to think about. She's always totally absorbed in just splashing about in the waves, chasing after the pebbles I throw; she has no fear of water and waits for the waves to ride. It's a mindfulness meditation of the highest order, just completely absorbing and enjoyed by us both. Thinking came later, only the moment mattered. That's happiness, simplified, and these little moments will do me nicely at times like the present.
Please press L and F11 to view at the larger size.