View allAll Photos Tagged Simple
SIMPLE MINDS
BIG MUSIC TOUR 2015
Official stage photographer
Le Zénith, Paris / FRANCE
20/11/2015
by Sandie Besso Photography
for any booking, professional & artistic shootings contact me : sandie.besso@gmail.com
Paris / France
This is a photograph from the 34th ABN AMRO Marathon Rotterdam which was held in Rotterdam, The Netherlands on Sunday 13th April 2014 at 10:30 (CET). This photograph is one of a larger set of photographs which were taken at the start, the 17 mile mark, and the finish of the marathon. The official website of the Rotterdam Marathon is at www.marathonrotterdam.org/.
Please note: These are completely unofficial photographs. These photographs or their Flickr set are in no way affiliated with the ABN AMRO Marathon Rotterdam or any of it's partners.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
I decided to throw together an engine using some ideas I had for different ways of doing things.
* Train PF Motor with large wheels - I wanted to see if this looked alright in terms of wheel spacing, etc. AND if it assisted with traction (rather than relying on powered tenders to push engines along) as it would make some builds a little less difficult and allow just the batteries to be kept in the tender. Results: Looks good enough, and whilst traction was good, it worked better with the AA pack and could do with more weight in the boiler.
*Simple pony truck with floating second axle - I decided to have a go at this for two reasons. I wanted the pony truck to have a more natural movement around the track (rather than the whole thing popping out from under a train around bends) and to try and create more clearance for pistons. Result - Movement is great, but pistons still need to either be higher, or floating (so they move out of the way).
Court of the Patriarchs Sunrise! Zion National Park Fine Art Autumn Colors Fall Foliage Landscape Nature Photography! Fuji GFX 100 Zion NP Utah Autumn Landscapes! FUJIFILM FUJINON LM WR Lens! Fuji GFX100 Elliot McGucken Master Fine Art Landscape Nature Photography Medium Format!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
"Ooh la la! Yasmin, Cloe, and Meygan are all decked out in the most simply sweet styles. Peep those pearls, pastels, and fab faux furs! Elements of lace & leather complete their girly glam looks, and now they're ready for another fun day at the mall! ♥"
Did some stylin' on the Black Friday gorlz ^_^ I fixed Yasmin's hair, but I'll probably just leave Cloe and Meygan alone honestly :P I'd just make it worse LOL
tipo mil anoos sem colocar fotos aqui, mais agora comprei uma maquina nova, e ainda não coloquei nenhum foto tirada dela aqui, essa foto ainda é com a minha antiga, juro voltar =DD
HÁ TENHO FACEBOOK: janeas Missio
SIMPLE MINDS
BIG MUSIC TOUR 2015
Official stage photographer
Amphithéâtre 3000, Lyon, France
13/02/2015
by Sandie Besso Photography
for any booking, professional & artistic shootings contact me : sandie.besso@gmail.com
Paris / France
Our Daily Challenge - Keep it Simple
My little boy likes to use these wipe clean flash cards to practice his writing. Unfortunately I didn't wipe them clean before taking the photo!
November 21st - Vic Theater - Chicago, IL
Taken with: Canon 7D & a 24mm f/1.4L ll
Links:
Official Website | Facebook Page | Twitter | Tumblr | The Sound Alarm
Six Simple Twists: The Pleat Pattern Approach to Origami Tessellation Design by DILEONARDO-PARKER BENJAMIN
A snazzy looking light rail train stands at Charlotte's Stonewall station. The stations look nice without being overdesigned.
The Pyramid of Cestius (in Italian, Piramide di Caio Cestio or Piramide Cestia) is an ancient pyramid in Rome, Italy, near the Porta San Paolo and the Protestant Cemetery. It stands at a fork between two ancient roads, the Via Ostiensis and another road that ran west to the Tiber along the approximate line of the modern Via della Marmorata. Due to its incorporation into the city's fortifications, it is today one of the best-preserved ancient buildings in Rome.
The pyramid was built about 18 BC–12 BC as a tomb for Gaius Cestius, a magistrate and member of one of the four great religious corporations in Rome, the Septemviri Epulonum. It is of brick-faced concrete covered with slabs of white marble standing on a travertine foundation, measuring 100 Roman feet (29.6 m) square at the base and standing 125 Roman feet (37 m) high.
In the interior is the burial chamber, a simple barrel-vaulted rectangular cavity measuring 5.95 metres long, 4.10 m wide and 4.80 m high. When it was (re)discovered in 1660, the chamber was found to be decorated with frescoes, which were recorded by Pietro Santi Bartoli, but only the scantest traces of these now remain. There was no trace left of any other contents in the tomb, which had been plundered in antiquity. The tomb had been sealed when it was built, with no exterior entrance; it is not possible for visitors to access the interior, except by special permission typically only granted to scholars.
A dedicatory inscription is carved into the east and west flanks of the pyramid, so as to be visible from both sides. It reads:
C · CESTIVS · L · F · POB · EPULO · PR · TR · PL VII · VIR · EPOLONVM Gaius Cestius, son of Lucius, of the gens Pobilia, member of the College of Epulones, praetor, tribune of the plebs, septemvir of the Epulones.
Below the inscription on the east-facing side is a second inscription recording the circumstances of the tomb's construction. This reads:
OPVS · APSOLVTVM · EX · TESTAMENTO · DIEBVS · CCCXXX ARBITRATV PONTI · P · F · CLA · MELAE · HEREDIS · ET · POTHI · L The work was completed, in accordance with the will, in 330 days, by the decision of the heir [Lucius] Pontus Mela, son of Publius of the Claudia, and Pothus, freedman.
Another inscription on the east face is of modern origins, having been carved on the orders of Pope Alexander VII in 1663. Reading INSTAVRATVM · AN · DOMINI · MDCLXIII, it commemorates excavation and restoration work carried out in and around the tomb between 1660–62.
At the time of its construction, the Pyramid of Cestius would have stood in open countryside (tombs being forbidden within the city walls). Rome grew enormously during the imperial period, and, by the third century AD, the pyramid would have been surrounded by buildings. It originally stood in a low-walled enclosure, flanked by statues, columns and other tombs. Two marble bases were found next to the pyramid during excavations in the 1660s, complete with fragments of the bronze statues that originally had stood on their tops. The bases carried an inscription recorded by Bartoli in an engraving of 1697:
M · VALERIVS · MESSALLA · CORVINVS · P · RVTILIVS · LVPVS · L · IVNIVS · SILANVS · L · PONTIVS · MELA · D · MARIVS · NIGER · HEREDES · C · CESTI · ET · L · CESTIVS · QVAE · EX · PARTE · AD · EVM · FRATRIS · HEREDITAS · M · AGRIPPAE · MVNERE · PER · VENIT · EX · EA · PECVNIA · QVAM · PRO · SVIS · PARTIEVS · RECEPER · EX · VENDITIONE · ATTALICOR · QVAE · EIS · PER · EDICTVM · AEDILIS · IN · SEPVLCRVM · C · CESTI · EX · TESTAMENTO · EIVS · INFERRE · NON · LICVIT ·
This identifies Cestius' heirs as Marcus Valerius Messala Corvinus, a famous general; Publius Rutilius Lupus, an orator whose father of the same name had been consul in 90 BC; and Lucius Junius Silanus, a member of the distinguished gens Junia. The heirs had set up the statues and bases using money raised from the sale of valuable cloths (attalici). Cestius had stated in his will that the cloths were to be deposited in the tomb, but this practice had been forbidden by a recent edict passed by the aediles.
Pyramid of Cestius and environs by Giuseppe Vasi (18th century).
The sharply pointed shape of the pyramid is strongly reminiscent of the pyramids of Nubia, in particular of the kingdom of Meroë, which had been attacked by Rome in 23 BC. The similarity suggests that Cestius had possibly served in that campaign and perhaps intended the pyramid to serve as a commemoration. His pyramid was not the only one in Rome; a larger one—the so-called "pyramid of Romulus"—of similar form but unknown origins stood between the Vatican and the Mausoleum of Hadrian but was demolished in the 16th century.
Some writers have questioned whether the Roman pyramids were modelled on the much less steeply pointed Egyptian pyramids exemplified by the famous pyramids of Giza. However, the relatively shallow Giza-type pyramids were not exclusively used by the Egyptians; steeper pyramids of the Nubian type were favoured by the Ptolemaic dynasty of Egypt that had been brought to an end in the Roman conquest of 30 BC. The pyramid was, in any case, built during a period when Rome was going through a fad for all things Egyptian. The Circus Maximus was adorned by Augustus with an Egyptian obelisk, and pyramids were built elsewhere in the Roman Empire around this time; the Falicon pyramid near Nice in France was suspected by some to have been constructed by Roman legionaries who followed an Egyptian cult, but more recent research has indicated that it was actually built between 1803 and 1812.
During the construction of the Aurelian Walls between 271 and 275, the pyramid was incorporated into the walls to form a triangular bastion. It was one of many structures in the city to be reused to form part of the new walls, probably to reduce the cost and enable the structure to be built more quickly. It still forms part of a well-preserved stretch of the walls, a short distance from the Porta San Paolo.
The origins of the pyramid were forgotten during the Middle Ages. The inhabitants of Rome came to believe that it was the tomb of Remus (Meta Remi) and that its counterpart near the Vatican was the tomb of Romulus, a belief recorded by Petrarch. Its true provenance was clarified by Pope Alexander VII's excavations in the 1660s, which cleared the vegetation that had overgrown the pyramid, uncovered the inscriptions on its faces, tunnelled into the tomb's burial chamber and found the bases of two bronze statues that had stood alongside the pyramid.
The pyramid was an essential sight for many who undertook the Grand Tour in the 18th and 19th centuries. It was much admired by architects, becoming the primary model for pyramids built in the West during this period. Percy Bysshe Shelley described it as "one keen pyramid with wedge sublime" in Adonaïs, his 1821 elegy for John Keats. In turn the English novelist and poet Thomas Hardy saw the pyramid during a visit to the nearby Protestant Cemetery in 1887 and was inspired to write a poem, Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats, in which he wondered: "Who, then was Cestius, / and what is he to me?"
In 2001, the pyramid's entrance and interior underwent restoration. In 2011, further work was announced to clean and restore the pyramid's badly damaged external walls, through which water seepage has endangered the frescoes within. The €1-million project will be sponsored by Japanese businessman Yuzu Yakhi and supervised by Italy's Ministry of Cultural Heritage.
The pyramid is the namesake of the Piramide station of the Rome Metro.
Text from: en.wikipedia.org/wiki/Pyramid_of_Cestius
Image Found on olioboard.com By media-cache-ec0.pinimg.com
Resolution of Design home : 606 x 423 · 134 kB · jpeg
I did this simple design at a birthday party in Albuquerque,New Mexico, we had about 250 teens to do henna on! We had a lot of fun!
"A bodhisattva is a being on the threshold of attaining enlightenment (bodhi) who chooses to delay becoming a Buddha in order to help others on the path to enlightenment. Maitreya, depicted here, is the Buddha of the future. It is believed that he currently resides in Tushita, the fourth heaven where bodhisattvas spend their penultimate lives. When the Buddha's teachings have been forgotten, Maitreya will come to earth and teach them anew. Bodhisattvas are often depicted wearing royal clothing, in contrast to Buddha's simple robes. Maitreya is traditionaly shown carrying a water-pot in his left hand, missing here. The development of the doctrine of the bodhisattvas marks the beginning of the Mahayana school of Buddhism." Stone sculpture about 150-350 AD from one of the stupa courtyards at Jamalgarhi, Khyber Pakhtunkhwa, Pakistan, 1880.72. B. British Museum.