View allAll Photos Tagged Signorelli

The Italian Renaissance gallery at the Clark.

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Small market in Cortona. This was the crafts market located at Pizza Signorelli. The produce market located at the Basilica Santa Margarita only consisted of a few vendors.

Crawford 24/3 As Obv: hd Roma r Rev: wheel, I within spokes. Provenance: JD coll. ex Lanz 88 (23 Nov.1998) lot 8 Leo Benz (1906-1996) coll. ex Kurpfälzische Münzhandlung 15 (12 Dec.1978) lot 198

Crawford 24/4 Semis Obv: bull rearing l, S Rev: wheel, S. Provenance: Bowers and Ruddy Dr. Richard P. Ariagno coll. 9 June 1980 lot 230 ex Christie's (7 Dec.1965) lot 135 Northwick Park Capt. E.G. Spencer Churchill ex Mario Ratto (1 Dec.1932) lot 91 coll. E.H. Schwing coll.

Crawford 24/5 Triens Obv: horse l, oooo Rev: wheel, oooo. Provenance: Ed Waddell Sep.1988

Crawford 24/6 Quadrans Obv: dog l, ooo Rev: wheel, ooo. Provenance: CNG24 (9 Dec.1992) lot 36 Bradbury Thurlow coll. ex Carlo Crippa FPL 4,1968 lot 253

Crawford 24/7 Sextans Obv: tortoise Rev: wheel, oo. Provenance: Kricheldorf 29 (3 Mar.1975) lot 221 ex Santamaria Signorelli coll. Part 1 (25 Oct.1951) lot 41 ex Rodolpho Ratto FPL XXI (1939) lot 22 ex Baranowsky, Joseph Martini & Valerio Traverso colls. (25 Feb.1931) lot 35

Jim Signorelli and his daughter at the Raoul's 40th Anniversary Celebration at Raoul's in SoHo on December 8, 2015. Credit: Rebecca Smeyne for the New York Times.

Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge, 70 kilometres southeast of Siena. Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, "pici" pasta, lentils, and honey, it is known worldwide for its wine. Connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italy's best. The main landmarks include:

•The Palazzo Comunale, designed by Michelozzo in the tradition of the Palazzo della Signoria (Palazzo Vecchio) of Florence.

•Palazzo Tarugi, attributed to Antonio da Sangallo the Elder or Jacopo Barozzi da Vignola. It is entirely in travertine, with a portico which was once open to the public.

•The Cathedral of Santa Maria Assunta, or the Duomo of Montepulciano, constructed between 1594 and 1680, includes a masterpiece from the Sienese School, a massive Assumption of the Virgin triptych painted by Taddeo di Bartolo in 1401.

•The church of Santa Maria delle Grazie (late 16th century). It has a simple Mannerist façade with a three-arcade portico. The interior has a single nave, and houses a precious terracotta altar by Andrea della Robbia.

•The Sanctuary of the Madonna di San Biagio is on the road to Chianciano outside the city. It is a typical 16th century Tuscan edifice, designed by Antonio da Sangallo the Elder on a pre-existing Pieve, between 1518 and 1545. It has a circular (central) plan with a large dome over a terrace and a squared tambour. The exterior, with two bell towers, is built in white travertine.

•Baroque church of Santa Lucia has an altarpiece by Luca Signorelli.

•The walls of the city date to around the 14th century.

 

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Expansion is a multi-media installation at the Políglota project room at Proyecto Ace, Buenos Aires, Argentina. Expansión consists of hybrid mythological creatures and military weaponry based on childhood memories and stories of growing up in the Wichita Mountains of Oklahoma next to Ft Sill military base. With the installation, I explore notions of good and evil, and cycles of death and life. My depictions of beasts, animals, and machines act as metaphors for human behavior and cycles of violence. In addition, collaborated with three young Argentine artists Federico Signorelli (video), Valeria Zamparolo (wall drawings), and Ivan Vianello (digital media) from Cordoba on the installation Expansión.

Expansion is a multi-media installation at the Políglota project room at Proyecto Ace, Buenos Aires, Argentina. Expansión consists of hybrid mythological creatures and military weaponry based on childhood memories and stories of growing up in the Wichita Mountains of Oklahoma next to Ft Sill military base. With the installation, I explore notions of good and evil, and cycles of death and life. My depictions of beasts, animals, and machines act as metaphors for human behavior and cycles of violence. In addition, collaborated with three young Argentine artists Federico Signorelli (video), Valeria Zamparolo (wall drawings), and Ivan Vianello (digital media) from Cordoba on the installation Expansión.

5d Mark II

35L

Natural Light

 

@ Lake Las Vegas Resort and Golf Community

Copyright photo PS

 

"Court of Heaven", ceiling vault north bay.

 

Despite the Devil and other fear-mongering mayhem, we can greatly admire the skilled leap-forward in spatial reality depicted by Signorelli. It's said that Michelangelo spent four years studying these before doing the Sistine chapel in Rome. Similarities would confirm.

 

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Fotos para matéria optativa de fotografia avançada. O tema do ensaio foi "minha moda é ler" e as fotos foram inspiradas no livro Gossip Girl. Crédito coletivo: Adriana Dieuzeide, Eduardo Bravin, Érica Signorelli, Izaias Buson, Priscilla Cabral, Rafael De Angel e Tiago Coutinho

 

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Ator João Signorelli interpretando Gandhi - 4ª edição do evento "águas de São Paulo"

Dia 10 Outubro/2010 - Vale do Anhagabaú, na região central.

Proposta: diálogo com as mais variadas religiões

O ato segue os moldes da "Lavagem das Escadarias do Bonfim", na Bahia.

The Gothic façade of the Duomo of Orvieto is among the great masterpieces of the Late Middle Ages. The three-gable design attributed to Maitani displays influence by the Tuscan Gothic style of the Siena and Florence duomi.

The bas-reliefs on the piers depicting biblical stories are considered among the most famous of all 14th century sculpture. These sculptures from the fourteenth and fifteenth century are anonymous works of at least three or four masters and their workshops. Maitani worked on the reliefs on the first pier from the left, as work on the reliefs began before 1310. The installation of these sculptures on the piers began in 1331.

Poor girl arrived after a month long travel from Germany with two broken off fingers. Otherwise she is fabulous. She needs a makeover. Looking a bit pasty.

U of Arkansas Cooperative Extension Service team poses on the Capitol steps during a stop on its National Bike to Work Day ride on May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)

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Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.

Luca Signorelli (c1440/50-1523) - Adoration of the Shepherds, c1490-1510 : detail

Decoration of this chapel was begun by Fra Angelico in 1447, but the main panels were painted by Luca Signorelli between 1499 and 1504.

 

Watch out for the great balls of fire.

Luca Signorelli, Saint Stephen, late 15th century

The incomparable passage in the Book of Acts in which Saul of Tarsus, a Pharisee persecutor of the early church, instigates and oversees the stoning of Stephen - a young disciple, and historically regarded first Deacon, in the nascent Christian Church. Stephen was the very first Christian Martyr. To honor him his Feast Day is December 26th - as close to the Nativity feast as possible.

Saul’s regret and shock at the way his victim met death bravely, whilst forgiving his murderers, enabled his astonishing conversion on the road to Damascus when the resurrected Christ appeared to him. Thereafter he was Paul, a disciple of Christ. St. Paul, the author of most of the Epistles of the New Testament.

Signorelli has portrayed St. Stephen here with the tonsure and tasseled Dalmatic of a Medieval Deacon.

Fotos para matéria optativa de fotografia avançada. O tema do ensaio foi "minha moda é ler" e as fotos foram inspiradas no livro Gossip Girl. Crédito coletivo: Adriana Dieuzeide, Eduardo Bravin, Érica Signorelli, Izaias Buson, Priscilla Cabral, Rafael De Angel e Tiago Coutinho

Abbazia territoriale di Monte Oliveto Maggiore (SI), fondée en 1313 par San Bernardo Tolomei - congrégation Bénédictine - dans le cloître fresques de Luca Signorelli et du Sodome représentant des scènes de la vie de Saint Benoît- dans l'église et la bibliothèque, marqueteries de Fra Giovanni da Verona

- Giovanni Antonio Bazzi, dit Il Sodoma

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Fotos para matéria optativa de fotografia avançada. O tema do ensaio foi "minha moda é ler" e as fotos foram inspiradas no livro Gossip Girl. Crédito coletivo: Adriana Dieuzeide, Eduardo Bravin, Érica Signorelli, Izaias Buson, Priscilla Cabral, Rafael De Angel e Tiago Coutinho

Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge, 70 kilometres southeast of Siena. Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, "pici" pasta, lentils, and honey, it is known worldwide for its wine. Connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italy's best. The main landmarks include:

•The Palazzo Comunale, designed by Michelozzo in the tradition of the Palazzo della Signoria (Palazzo Vecchio) of Florence.

•Palazzo Tarugi, attributed to Antonio da Sangallo the Elder or Jacopo Barozzi da Vignola. It is entirely in travertine, with a portico which was once open to the public.

•The Cathedral of Santa Maria Assunta, or the Duomo of Montepulciano, constructed between 1594 and 1680, includes a masterpiece from the Sienese School, a massive Assumption of the Virgin triptych painted by Taddeo di Bartolo in 1401.

•The church of Santa Maria delle Grazie (late 16th century). It has a simple Mannerist façade with a three-arcade portico. The interior has a single nave, and houses a precious terracotta altar by Andrea della Robbia.

•The Sanctuary of the Madonna di San Biagio is on the road to Chianciano outside the city. It is a typical 16th century Tuscan edifice, designed by Antonio da Sangallo the Elder on a pre-existing Pieve, between 1518 and 1545. It has a circular (central) plan with a large dome over a terrace and a squared tambour. The exterior, with two bell towers, is built in white travertine.

•Baroque church of Santa Lucia has an altarpiece by Luca Signorelli.

•The walls of the city date to around the 14th century.

 

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The Literette photo & Nature Club photo

Fotos para matéria optativa de fotografia avançada. O tema do ensaio foi "minha moda é ler" e as fotos foram inspiradas no livro Gossip Girl. Crédito coletivo: Adriana Dieuzeide, Eduardo Bravin, Érica Signorelli, Izaias Buson, Priscilla Cabral, Rafael De Angel e Tiago Coutinho

This chapel was a fifteenth-century addition to the cathedral. It is almost identical in structure to the Chapel of the Corporal. The construction of this chapel (also known as the Cappella Nuova and Signorelli chapel) was started in 1408 and completed in 1444. It is closed off from the rest of the cathedral by two wrought iron gates. The first one closes off the right arm of the transept. It was signed by the Sienese master Conte di lello Orlandi (1337). The second gate stands at the entrance of the chapel and is of a much later date. It was signed by master Gismondo da Orvieto (1516).

Fra Angelico and Benozzo Gozzoli began the decoration of the vault of the chapel in 1447. They painted only two sections: Christ in Judgment and Angels and Prophets as they were summoned in the same year to the Vatican by Pope Nicholas V to paint the Niccoline Chapel. Work came to a halt until Perugino was approached in 1489. However, he never began. After being abandoned for about 50 years, the decoration of the rest of the vault was awarded to Luca Signorelli on 5 April 1499. He added the scenes with the Choir of the Apostles, of the Doctors, of the Martyrs, Virgins and Patriarchs.

Luca Signorelli (c.1450-1523)

Choir of The Apostles (1499-1502)

Orvieto, Cathedral, Chapel of San Brizio

Fra Angelico started the decoration of the vault in 1447, painting only two sections. Perugino was asked to resume the work in 1489, but he never began. After being abandoned for almost 50 years the decoration of the rest of the vault was awarded to Signorelli on 5 April 1499. He added scenes with the Choir of the Apostles, of the Doctors, of the Martyrs, Virgins and Patriarchs.

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