View allAll Photos Tagged Sigmafp
Mong Kok, 2023
It could use a tiny bit of rotation to straighten, might update when I get a hold of the original raw.
I wanted to re-create a shot I did on Kodak 5219 film: flic.kr/p/2gjxbja, using the same color and diffusion filters, to see how the SIGMA fp would behave after adjusting everything in post.
In the original shot, I had an 85B filter on the lens to balance the tungsten 500T stock to the intense blue light of the light table.
Shooting this on digital with that filter led to a bronze color cast in the raw file, though I was able to get color separation back in editing. I think the lesson here is to avoid color correction filters with digital capture for more subtle color.
ISO 320 @ F4 with the 45mm lens.
Adjusted in Lightroom before finishing in Affinity Photo.
Why recreate a photo I previously made? (The simple answer is to compare two mediums with the same setup as a technical exercise, of course.)
edited w Luminar3
#Luminar3 #Funleader #LensCap 18mm F8.0 #Full Frame #LMount #Funleader #LensCap 18mm F8.0 #Full Frame #LMount #JustShoot #NoExcuse #F8andBeThere #Sigmafp #pocketable
The lens features 6 elements in 4 groups, multi-coated glass, a 0.8m minimum focusing distance, and 100-degree FOV. The model is constructed from brass with a chrome plating finish and it is ultra-light at 80g (2.8oz).
[Good]
- Native L mount
- Ultra wide Fixed aperture 18mm f8, No accidentally moving the focusing ring or Aperture ring
- Ultra thin lens cap compliment fp's minimalist design
- Compliment Sigma fp minimalism and making the full frame camera truly pocketable
[Bad]
• Usual vignetting + Greenish corners
• No aperture No Bokeh No Sunstars
Ref -
www.dpreview.com/news/3707382415/funleader-lenscap-18mm-f...
Taipei subway station
SIGMA fp & Voigtländer Color Skopar 21mm f3.5
RawTherapee, EXIF accidentally stripped
Aren't digital cameras wonderful. Here's a couple of snapshots taken with my new toy, the Sigma FP. These were taken at ISO 3200. I underexposed by a third of a stop so the only adjustment I had to make was to press the Auto button in Adobe Camera Raw.
Now I am old enough to remember when ISO 400 was considered a fast film. I also recall later on shooting a fair amount with Ilford 3200. Grain like golf balls and in any event I never found it to be a genuine 3200 film. I exposed it at 1600.
How different things are today. I think these results are wonderful. The grain is very fine and the colours accurate. We really are very lucky.
I took this the other day when I was down at Kingholm Quay. It's a small file as I had to crop in quite a bit.
Balcony photo of our string lights on the Sigma fp taken with 50mm art lens at F1.4.
Processed through my film emulation pipeline in Davinci Resolve.