View allAll Photos Tagged Sentence
June 1977. Penn Central Baldwin DRS-4-4-1000 8302's life is over in June of 1977. It's death sentence has been spray painted under the cab: "Naporano Iron & Metal Co, Foot of Hawkins St., Newark, New Jersey, Conrail Delivery, 25 Miles Per HR"
When one this sentence into German translate wanted, could one the fact exploit, that the word order and the punctuation already with the German conventions agree.
Thank you.
View On Black · ƒ/3.5 is too wide for this level of magnification, it seems. Lesson learned.
Source: en.wikipedia.org/wiki/Missouri_State_Penitentiary
The Missouri State Penitentiary was a prison in Jefferson City, Missouri, that operated from 1836 to 2004. Part of the Missouri Department of Corrections, it served as the state of Missouri's primary maximum security institution. Before it closed, it was the oldest operating penal facility west of the Mississippi River. It was replaced by the Jefferson City Correctional Center, which opened on September 15, 2004.
Source: www.missouripentours.com/history/
Still owned by State of Missouri, The Missouri State Penitentiary (MSP) opened in 1836 along the banks of the Missouri River in Jefferson City, Missouri, the state capital. The prison housed inmates for 168 years and was the oldest continually operating prison west of the Mississippi until it was decommissioned in 2004. Now the Jefferson City Convention & Visitors Bureau offers a wide variety of tours at the site, once named the “The bloodiest 47 acres in America” by Time Magazine.
In 1831 Jefferson City’s hold on the capital city status was a tenuous one. To ensure that it remained the seat of government, Governor John Miller suggested a prison be built in Jefferson City. Construction began in 1834 and the first inmate arrived in 1836. From then on the prison became famous for being one of the most efficient in the country…and infamous for its notorious inmates and the 1954 riot on its grounds.
A former Union General, the first train robber, 1930s gangsters, world champion athletes, and the assassin that killed Dr. Martin Luther King Jr. all came through the gates of the Missouri State Penitentiary (MSP) as inmates. Some left MSP for successful careers in the arts, sports, and even state government; others chose a life of more crime.
In September of 1937, Governor Lloyd Crow Stark signed a bill calling for execution by lethal gas. No longer would the local sheriff be responsible for carrying out the death penalty for those convicted in his county. The days of public hangings in Missouri were to finally come to an end. Many members of the legislature were strongly opposed to the bill and argued that more death sentences would result. Nevertheless, Missouri was, on the whole, a state that supported the death penalty for serious crimes. The bill was changed to lethal gas instead of the electric chair, and passed. In total, 40 inmates were put to death in the gas chamber between 1937 and 1989 when MSP death row ended and all capital punishment inmates were moved to the new prison at Potosi.
In 1985, officials from the MSP, the Department of Corrections, and the Division of Adult Institutions unearthed an old cell block that predated the Civil War. The discovery happened after a court order was issued to put in a recreation yard for offenders that were on death row. When the construction between Housing Units 2 and 3 began, and the crews started digging, they realized they hit something solid. This finding led to an exploration of six cells built around 1848, which were part of the long-buried Centennial Hall. Based on research, this is now believed to be the oldest existing building on the MSP property.
From the earliest days there was a need to isolate the female convicts that came to the Missouri State Penitentiary. Unfortunately, there was little provision for their incarceration. A number of female federal prisoners were sent to MSP because there were no federal facilities for women at the time. Their crimes were, in many cases, violations of immigration, naturalization or conspiracy laws, which coincided with the heightened fears during WWI.
During the years of 1953 and 1954 there had been a rash of prison riots across the United States. Many feared the Missouri system was ripe for an outbreak as well. The potential for riot became a popular topic of conversation which the Missouri Highway Patrol took very seriously, drafting a plan and training officers how to respond to such an event. The advance preparation would come in handy before long.
Keeping desperate and restless people behind bars will always present challenges to corrections officials. Early in the Missouri State Penitentiary’s history escapes were commonplace. Between a lack of a secure perimeter and prisoners working in the community, many escapes were accomplished without much planning or ingenuity.
In conjunction with the Missouri State Penitentiary tours, the museum residing in the lower-level of the Col. Darwin W. Marmaduke House provides additional historical information about the famous prison that operated for 168 years. The museum houses MSP memorabilia as well as a replica cell that demonstrates the living conditions at the prison. Visitors can view the many displays that provide information on prison industries, contract labor/private industries, life inside the walls and control/counter-control as well as items on loan from former Deputy Warden Mark Schreiber.
Not a life sentence he said....
Bad experience, Bad feelings, Bad memories,
all swept under the carpet, forget, keep busy, move on,
they taught us all.
=
Child hurting, child abused, Child not wanting to except parent is to blame. Shame and name themselves they have been taught hide the truth pretend it didn't happen, dance my dance if you want my warmth back completely controlled by lower natures.
=
NOT A LIFE SENTENCE, escape, as soon as pos from any bad feelings. Escape the prison of self, condemnation, hate, self judgement and criticism ready to hand on to next generation and the next and the next designed for eternity of ancestral trauma handed on 7 generations we are told. IT'S YOUR LOT. The sins of the fathers may have been our shackles, ball and chains, Prison and housing our hearts and minds.
=
NO MORE...STOP...SHAKE IT OFF
learn from it all then step up,
Grow, evolve,
move on be free fly the cup of sorrow has been drained to its dregs
Fly sweet hearts Fly free as you have been designed to do.
"A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly?" - George Orwell [in his essay Politics and the English Language]
Some of you will recall that awhile ago I did page poems with my siblings. Well we had fun and wanted to do more! :)
left to right: 8 year-old, Me, 9 year-old
Here's what they say
8 year-old: She puts red poppies and green poppies near little gentlemen.
Me: Splendid skyline. Advancing and towering. Picture that skyline. Imagine the morning, the sound, and the feeling of being in space. At liberty to have her story, her words, face-to-face.
9 year-old: My father realized that the stairs up had been my alarm clocks. I don't like to nap too long. Don't I struggle. The clock on my wall. Would you go for a walk? Father whenever I visited we go walk out Duck Lane. My mother sat up to put on my shoes. I heard my father make his way back holding the railing, no doubt I was thankful. I couldn't help remembering the breakfast office. We walked slowly on his head. I see a crow in front of the gates.
P.S: I don't pick favorites.....butttttttt......I like my 8 year-old sibling's best.
Stay Safe, Eat Doughnuts (╭☞ ⌐■ ◞ ■ )╭☞
Sentenced to drift far away now,
Nothing is quite what it seems,
Sometimes entangled in your own dreams.
He is often referred to as the Mad Hatter, though this term was never used by Carroll. The phrase "mad as a hatter" pre-dates Carroll's works and the characters the Hatter and the March Hare are initially referred to as "both mad" by the Cheshire Cat, with both first appearing in Alice's Adventures in Wonderland, in the seventh chapter titled "A Mad Tea-Party".
The Hatter explains to Alice that he and the March Hare are always having tea because, when he tried to sing for the Queen of Hearts at her celebration, she sentenced him to death for "murdering the time," but he escapes decapitation. In retaliation, Time (referred to as a "Him") halts himself in respect to the Hatter, keeping him and the March Hare stuck at 6:00 forever. The tea party, when Alice arrives, is characterised by switching places on the table at any given time, making short, personal remarks, asking unanswerable riddles and reciting nonsensical poetry, all of which eventually drive Alice away. He appears again as a witness at the Knave of Hearts' trial, where the Queen appears to recognise him as the singer she sentenced to death, and the King also cautions him not to be nervous "or I'll have you executed on the spot."
(Tenniel's illustrations show a card or label in the Hatter's hatband reading "In this style 10/6". This is the hat's pricetag, indicative of his trade, and giving the price in pre-decimal British money as ten shillings and six pence (or half a guinea). In decimal money, this would be 52½p.)
Day 7.The last of this one week project.
I love the Hatter.I always did.Not only because he is such a unique character,but mostly because he is so sad as a figure.
I can't imagine how anyone cannot be mad when they are sentenced to live every moment of every hour of every day,like it was a new one.
He is stuck at 6 o'clock forever,he is rude because of that and I think he is quite scared too.
I hate the fact that nowadays,whenever I see a photo,or a draw,or even a costume of this brilliantly sad figure,is always a reference to the role by the amazing Johnny Depp.
Have some imagination people,please!
That's it for this favorite project.Here comes the closure.I hope you enjoyed this week as much as I did. :)
Don't forget to check out My Facebook Page
I couldn't help but notice that these beautiful flowers were doomed to spend the rest of their life in their potted prison.
William Charles Ayers (/ɛərz/; born December 26, 1944)[1] is a former leader of the Weather Underground[2] and American elementary education theorist. During the 1960s, Ayers participated in the counterculture movement that opposed US involvement in the Vietnam War. He is known for his 1960s radical activism and his later work in education reform, curriculum and instruction.
In 1969, Ayers co-founded the Weather Underground, a self-described Communist revolutionary group that sought to overthrow imperialism.[3] The Weather Underground conducted a campaign of bombing public buildings (including police stations, the United States Capitol, and the Pentagon) during the 1960s and 1970s in response to U.S. involvement in the Vietnam War.
Ayers is a retired professor in the College of Education at the University of Illinois at Chicago, formerly holding the titles of Distinguished Professor of Education and Senior University Scholar.[4] During the 2008 U.S. presidential campaign, a controversy arose over his contacts with then-candidate Barack Obama. He is married to Bernardine Dohrn, who was also a leader in the Weather Underground.
Ayers grew up in Glen Ellyn, a suburb of Chicago, Illinois. His parents are Mary (née Andrew) and Thomas G. Ayers, who was later chairman and chief executive officer of Commonwealth Edison (1973 to 1980),[5] and for whom Northwestern's Thomas G. Ayers College of Commerce and Industry was named.[6][7] He attended public schools until his second year in high school, when he transferred to Lake Forest Academy, a small prep school.[8] Ayers earned a Bachelor of Arts in American Studies from the University of Michigan in 1968. (His father, mother and older brother had preceded him there.)[8]
Ayers was affected at a 1965 Ann Arbor teach-in against the Vietnam war, when Students for a Democratic Society (SDS) President Paul Potter, asked his audience, "How will you live your life so that it doesn't make a mockery of your values?" Ayers later wrote in his memoir, Fugitive Days, that his reaction was: "You could not be a moral person with the means to act, and stand still. [...] To stand still was to choose indifference. Indifference was the opposite of moral".[9]
In 1965, Ayers joined a picket line protesting an Ann Arbor, Michigan pizzeria for refusing to seat African Americans. His first arrest came for a sit-in at a local draft board, resulting in 10 days in jail. His first teaching job came shortly afterward at the Children's Community School, a preschool with a very small enrollment operating in a church basement, founded by a group of students in emulation of the Summerhill method of education.[10]
The school was a part of the nationwide "free school movement". Schools in the movement had no grades or report cards; they aimed to encourage cooperation rather than competition, and pupils addressed teachers by their first names. Within a few months, at age 21, Ayers became director of the school. There also he met Diana Oughton, who would become his girlfriend until her death in 1970 after a bomb exploded while being prepared for Weather Underground activities.[8]
Early activism
Further information: Weather Underground
Ayers became involved in the New Left and the Students for a Democratic Society (SDS).[11] He rose to national prominence as an SDS leader in 1968 and 1969 as head of an SDS regional group, the "Jesse James Gang".[12]
The group Ayers headed in Detroit, Michigan, became one of the earliest gatherings of what became the Weathermen. Before the June 1969 SDS convention, Ayers became a prominent leader of the group, which arose as a result of a schism in SDS.[9] "During that time his infatuation with street fighting grew and he developed a language of confrontational militancy that became more and more pronounced over the year [1969]", disaffected former Weathermen member Cathy Wilkerson wrote in 2001. Ayers had previously been a roommate of Terry Robbins, a fellow militant who was killed in 1970 along with Ayers' girlfriend Oughton and one other member in the Greenwich Village townhouse explosion, while constructing anti-personnel bombs (nail bombs) intended for a non-commissioned officer dance at Fort Dix, New Jersey.[13]
In June 1969, the Weathermen took control of the SDS at its national convention, where Ayers was elected Education Secretary.[9] Later in 1969, Ayers participated in planting a bomb at a statue dedicated to police casualties in the 1886 Haymarket affair confrontation between labor supporters and the Chicago police.[14] The blast broke almost 100 windows and blew pieces of the statue onto the nearby Kennedy Expressway.[15] (The statue was rebuilt and unveiled on May 4, 1970, and blown up again by other Weathermen on October 6, 1970.[15][16] Rebuilding it yet again, the city posted a 24-hour police guard to prevent another blast, and in January 1972 it was moved to Chicago police headquarters).[17]
Ayers participated in the Days of Rage riot in Chicago in October 1969, and in December was at the "War Council" meeting in Flint, Michigan. Two major decisions came out of the "War Council". The first was to immediately begin a violent, armed struggle (e.g., bombings and armed robberies) against the state without attempting to organize or mobilize a broad swath of the public. The second was to create underground collectives in major cities throughout the country.[18] Larry Grathwohl, a Federal Bureau of Investigation informant in the Weathermen group from the fall of 1969 to the spring of 1970, stated that "Ayers, along with Bernardine Dohrn, probably had the most authority within the Weathermen".[19]
Involvement with Weather Underground
Further information: List of Weatherman actions
After the Greenwich Village townhouse explosion in 1970, in which Weatherman member Ted Gold, Ayers's close friend Terry Robbins, and Ayers's girlfriend, Diana Oughton, were killed when a nail bomb being assembled in the house exploded, Ayers and several associates evaded pursuit by law enforcement officials. Kathy Boudin and Cathy Wilkerson survived the blast. Ayers was not facing criminal charges at the time, but the federal government later filed charges against him.[8] Ayers participated in the bombings of New York City Police Department headquarters in 1970, the United States Capitol building in 1971, and the Pentagon in 1972, as he noted in his 2001 book, Fugitive Days. Ayers writes:
Although the bomb that rocked the Pentagon was itsy-bitsy—weighing close to two pounds—it caused 'tens of thousands of dollars' of damage. The operation cost under $500, and no one was killed or even hurt.[20]
After the bombing, Ayers became a fugitive. During this time, Ayers and fellow member Bernardine Dohrn married and remained fugitives together, changing identities, jobs and locations.
In 1973, Ayers co-authored the book Prairie Fire with other members of the Weather Underground. The book was dedicated to close to 200 people, including Harriet Tubman, John Brown, "All Who Continue to Fight", and "All Political Prisoners in the U.S."[21] The book dedication includes Sirhan Sirhan, the convicted assassin of Robert F. Kennedy.[22][23]
In 1973, new information came to light about FBI operations targeted against Weather Underground and the New Left, all part of a series of covert and often illegal FBI projects called COINTEL.[24] Due to the illegal tactics of FBI agents involved with the program, including conducting wiretaps and property searches without warrants, government attorneys requested all weapons-related and bomb-related charges be dropped against the Weather Underground, including charges against Ayers.[25][26]
However, state charges against Dohrn remained. Dohrn was still reluctant to turn herself in to authorities. "He was sweet and patient, as he always is, to let me come to my senses on my own," she later said of Ayers.[8] She turned herself in to authorities in 1980. She was fined $1,500 and given three years probation.[27]
Later reflections on underground period
Fugitive Days: A Memoir
In 2001, Ayers published Fugitive Days: A Memoir, which he explained in part as an attempt to answer the questions of Kathy Boudin's son, and his speculation that Diana Oughton died trying to stop the Greenwich Village bomb-makers.[28] Some have questioned the truth, accuracy, and tone of the book. Brent Staples wrote for The New York Times Book Review that "Ayers reminds us often that he can't tell everything without endangering people involved in the story."[29] Historian Jesse Lemisch (himself a former member of SDS) contrasted Ayers' recollections with those of other former members of the Weathermen, and claimed that the book had many errors.[30] Ayers, in the foreword to his book, stated that it was written as his personal memories and impressions over time, not a scholarly research project.[31] Reviewing Ayers' memoir in Slate Magazine, Timothy Noah said he could not recall reading "a memoir quite so self-indulgent and morally clueless as Fugitive Days".[32] Studs Terkel called Ayers' memoir "a deeply moving elegy to all those young dreamers who tried to live decently in an indecent world".[33]
Statements made in 2001
Chicago Magazine reported that "just before the September 11th attacks", Richard Elrod, a city lawyer injured in the Weathermen's Chicago "Days of Rage", received an apology from Ayers and Dohrn for their part in the violence. "[T]hey were remorseful," Elrod says. "They said, 'We're sorry that things turned out this way.' "[34]
Much of the controversy about Ayers during the decade since 2000 stems from an interview he gave to The New York Times on the occasion of the memoir's publication.[35] The reporter quoted him as saying "I don't regret setting bombs" and "I feel we didn't do enough", and, when asked if he would "do it all again", as saying "I don't want to discount the possibility."[31] Ayers protested the interviewer's characterizations in a Letter to the Editor published September 15, 2001: "This is not a question of being misunderstood or 'taken out of context', but of deliberate distortion."[36] In the ensuing years, Ayers has repeatedly avowed that when he said he had "no regrets" and that "we didn't do enough" he was speaking only in reference to his efforts to stop the United States from waging the Vietnam War, efforts which he has described as "...inadequate [as] the war dragged on for a decade".[37] Ayers has maintained that the two statements were not intended to imply a wish they had set more bombs.[37][38] In a November 2008 interview with The New Yorker, Ayers said that he had not meant to imply that he wished he and the Weathermen had committed further violence. Instead, he said, "I wish I had done more, but it doesn't mean I wish we'd bombed more shit." Ayers said that he had never been responsible for violence against other people and was acting to end a war in Vietnam in which "thousands of people were being killed every week". He also stated, "While we did claim several extreme acts, they were acts of extreme radicalism against property," and "We killed no one and hurt no one. Three of our people killed themselves."[39]
The interviewer also quoted some of Ayers' own criticism of the Weathermen in the foreword to the memoir, whereby Ayers reacts to having watched Emile de Antonio's 1976 documentary film about the Weathermen, Underground: "[Ayers] was 'embarrassed by the arrogance, the solipsism, the absolute certainty that we and we alone knew the way. The rigidity and the narcissism.' "[31] "We weren't terrorists," Ayers told an interviewer for the Chicago Tribune in 2001. "The reason we weren't terrorists is because we did not commit random acts of terror against people. Terrorism was what was being practiced in the countryside of Vietnam by the United States."[8]
In a letter to the editor in the Chicago Tribune, Ayers wrote, "I condemn all forms of terrorism—individual, group and official". He also condemned the September 11 terrorist attacks in that letter.[40]
Views on his past expressed since 2001
Ayers was asked in a January 2004 interview, "How do you feel about what you did? Would you do it again under similar circumstances?" He replied:[41] "I've thought about this a lot. Being almost 60, it's impossible to not have lots and lots of regrets about lots and lots of things, but the question of did we do something that was horrendous, awful? [...] I don't think so. I think what we did was to respond to a situation that was unconscionable."
On September 9, 2008, journalist Jake Tapper copied to his ABC News "Political Punch" blog and opined on a four-panel comic strip by Ryan Alexander-Tanner from Bill Ayers' blog site.[42] In the comic strip, the Ayers cartoon character says: "The one thing I don't regret is opposing the war in Vietnam with every ounce of my being... When I say, 'We didn't do enough,' a lot of people rush to think, 'That must mean, "We didn't bomb enough shit." ' But that's not the point at all. It's not a tactical statement, it's an obvious political and ethical statement. In this context, 'we' means 'everyone.' "[42]
After the 2008 presidential election, Ayers published an op-ed piece in the New York Times giving his assessment of his activism. Feminist critic Katha Pollitt criticized Ayers' opinion piece as a "sentimentalized, self-justifying whitewash of his role in the weirdo violent fringe of the 1960s–1970s antiwar left". She says Ayers and his Weathermen cohorts made "the antiwar movement look like the enemy of ordinary people" during the Vietnam War era.[43] Ayers gave this assessment of his actions:
The Weather Underground crossed lines of legality, of propriety and perhaps even of common sense. Our effectiveness can be—and still is being—debated.[44]
He also reiterated his rebuttal to the description of his actions as terrorism despite the use of shrapnel devices:
The Weather Underground went on to take responsibility for placing several small bombs in empty offices... We did carry out symbolic acts of extreme vandalism directed at monuments to war and racism, and the attacks on property, never on people, were meant to respect human life and convey outrage and determination to end the Vietnam war. Peaceful protests had failed to stop the war. So we issued a screaming response. But it was not terrorism; we were not engaged in a campaign to kill and injure people indiscriminately, spreading fear and suffering for political ends.[44]
Academic career
Ayers is a retired professor at the University of Illinois at Chicago, College of Education. His interests include teaching for social justice, urban educational reform, narrative and interpretive research, children in trouble with the law, and related issues.[4]
He began his career in primary education while an undergraduate, teaching at the Children's Community School (CCS), a project founded by a group of students and based on the Summerhill method of education. After leaving the underground, he earned an M.Ed from Bank Street College in Early Childhood Education (1984), an M.Ed from Teachers College, Columbia University in Early Childhood Education (1987) and an Ed. D from Teachers College, Columbia University in Curriculum and Instruction (1987).
Ayers was elected Vice President for Curriculum Studies by the American Educational Research Association in 2008.[45] Writer Sol Stern, a conservative opponent of liberal education policies, has criticized Ayers as having a virulent "hatred of America", and said, "Calling Bill Ayers a school reformer is a bit like calling Joseph Stalin an agricultural reformer."[46][47] William H. Schubert, a fellow professor at the University of Illinois at Chicago, wrote that his election was "a testimony of [Ayers'] stature and [the] high esteem he holds in the field of education locally, regionally, nationally, and internationally".[48]
He has edited and written many books and articles on education theory, policy and practice, and has appeared on many panels and symposia. On August 5, 2010, Ayers officially announced his intent to retire from the University of Illinois at Chicago.[49]
On September 23, 2010, William Ayers was unanimously denied emeritus status by the University of Illinois, after a speech by the university's board chair Christopher G. Kennedy (son of assassinated U.S. Senator Robert Kennedy), containing the quote "I intend to vote against conferring the honorific title of our university to a man whose body of work includes a book dedicated in part to the man who murdered my father, Robert F. Kennedy."[50] He added, "There is nothing more antithetical to the hopes for a university that is lively and yet civil...than to permanently seal off debate with one's opponents by killing them".[51] Kennedy referred to a 1974 book Prairie Fire: The Politics of Revolutionary Anti-Imperialism, written by Ayers and other Weather Underground members. The book was dedicated to a list of over 200 revolutionary figures, musicians and others, including Sirhan Sirhan, who was convicted of the 1968 assassination of Robert Kennedy and sentenced to life in prison.[52] Ayers denied having ever dedicated a book to Sirhan Sirhan and accused right-wing bloggers of having started a rumor to that effect.[53][54]
In an October 2010 Chicago Sun Times editorial entitled Attacks on Ayers distort our history, former students of Ayers and UIC Alumni, Daniel Schneider and Adam Kuranishi, responded in opposition to the University of Illinois Board of Trustees' decision to deny Ayers emeritus status. They wrote:
"We juxtaposed the image of him painted by the media with the teacher we saw in class; and the two could not be more distinct. The Ayers in the media was frozen in time; he never left the 1960s, never aged out of his 20s, and never grew in perspective. As his students, we see through this representation ... Ayers is still committed to movements for peace and justice. His worldview and tactics are evolved and elaborate, thoughtful and wise, making him unrecognizable to the media's caricature. Should we not expect someone to evolve after 40 years? One may disagree with his activism, but it is impossible to ignore his hard work and contributions to urban education, juvenile justice reform, the University of Illinois and Chicago."[55]
Civic and political life
Ayers worked with Chicago Mayor Richard M. Daley in shaping the city's school reform program,[56] and was one of three co-authors of the Chicago Annenberg Challenge grant proposal that in 1995 won $49.2 million over five years for public school reform.[57] In 1997, Chicago awarded him its Citizen of the Year award for his work on the project.[58] Since 1999, he has served on the board of directors of the Woods Fund of Chicago, an anti-poverty, philanthropic foundation established as the Woods Charitable Fund in 1941.[59] Wall Street Journal columnist Thomas Frank praised Ayers as a "model citizen" and a scholar whose "work is esteemed by colleagues of different political viewpoints".[60]
According to Ayers, his radical past occasionally affects him, as when, by his account, he was asked not to attend a progressive educators' conference in the fall of 2006 on the basis that the organizers did not want to risk an association with his past. On January 18, 2009, on his way to speak about education reform at the Centre for Urban Schooling at the University of Toronto, he was refused admission to Canada when he arrived at the Toronto City Centre Airport although he has traveled to Canada more than a dozen times in the past. According to Ayers, "It seems very arbitrary. The border agent said I had a conviction for a felony from 1969. I have several arrests for misdemeanors, but not for felonies."[61]
Political views
In an interview published in 1995, Ayers characterized his political beliefs at that time and in the 1960s and 1970s: "I am a radical, Leftist, small 'c' communist ... [Laughs] Maybe I'm the last communist who is willing to admit it. [Laughs] We have always been small 'c' communists in the sense that we were never in the Communist party and never Stalinists. The ethics of communism still appeal to me. I don't like Lenin as much as the early Marx. I also like Henry David Thoreau, Mother Jones and Jane Addams [...]".[62]
In 1970, The New York Times called Ayers "a national leader"[63] of the Weatherman organization and "one of the chief theoreticians of the Weathermen".[64] The Weathermen were initially part of the Revolutionary Youth Movement (RYM) within the SDS, splitting from the RYM's Maoists by claiming there was no time to build a vanguard party and that revolutionary war against the United States government and the capitalist system should begin immediately. Their founding document called for the establishment of a "white fighting force" to be allied with the "Black Liberation Movement" and other "anti-colonial" movements[65] to achieve "the destruction of US imperialism and the achievement of a classless world: world communism".[66]
In June 1974, the Weather Underground released a 151-page volume titled Prairie Fire, which stated: "We are a guerrilla organization [...] We are communist women and men underground in the United States [...]"[67] The Weatherman leadership, including Ayers, pushed for a radical reformulation of sexual relations under the slogan "Smash Monogamy".[68][69] Radical bomber and feminist[70] Jane Alpert criticized the Weatherman group in 1974 for still being dominated by men, including Ayers, and referred to his "callous treatment and abandonment of Diana Oughton before her death, and for his generally fickle and high-handed treatment of women".[71]
Larry Grathwohl, an undercover FBI agent who infiltrated The Weather Underground, says Ayers told him where to plant bombs. He says Ayers was bent on overthrowing the government. In response to Grathwohl's claims, Ayers stated, "Now that's being blown into dishonest narratives about hurting people, killing people, planning to kill people. That's just not true. We destroyed government property".[72]
On June 18, 2013, Ayers gave an interview to RealClearPolitics' Morning Commute in which he stated that every president in this century should be tried for war crimes, including President Obama for his use of drone attacks, which Ayers considers an act of terror.[73]
Obama–Ayers controversy
Main article: Bill Ayers 2008 presidential election controversy
During the 2008 U.S. presidential campaign, a controversy arose about Ayers' contacts with then-candidate Barack Obama, a matter that had been public knowledge in Chicago for years.[74] After being raised by the American and British press[74][75][76] the connection was picked up by conservative blogs and newspapers in the United States. The matter was raised in a campaign debate by moderator George Stephanopoulos, and later became an issue for the John McCain presidential campaign. Investigations by The New York Times, CNN, and other news organizations concluded that Obama did not have a close relationship with Ayers.[76][77][78][79]
In an op-ed piece after the election, Ayers denied any close association with Obama, and criticized the Republican campaign for its use of guilt by association tactics.[44]
Personal life
Bill Ayers and wife Bernardine Dohrn speaking to audience members following a forum on education reform at Florida State University in 2009.
Ayers is married to Bernardine Dohrn, a fellow former leader of the Weather Underground. They have two adult children (including Zayd, who was featured in the book A Hope in the Unseen as the college friend of the main character Cedric Jennings) and shared legal guardianship of Chesa Boudin, son of Kathy Boudin and David Gilbert. Boudin and Gilbert were former Weather Underground members who later joined the May 19 Communist Organization and were convicted of felony murder for their roles in that group's Brinks robbery. Chesa Boudin went on to win a Rhodes scholarship[80] and was elected District Attorney of San Francisco in November 2019.[81] Ayers and Dohrn currently live in the Hyde Park neighborhood of Chicago
At the young age of 14, Henry Miller was charged with the theft of clothing and sentenced to 14 days hard labour for his crime.
Age (on discharge): 14
Height: 4.5
Hair: Brown
Eyes: Blue
Place of Birth: Berwick
Married or single: Single
Occupation: Confectioner
These photographs are of convicted criminals in Newcastle between 1871 - 1873.
Reference:TWAS: PR.NC/6/1/1282
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ROSS SMITH MEMORIAL. THE UNVEILING ON SATURDAY
The Ross Smith Memorial in Creswell Gardens perpetuates a nation's admiration for South Australia's "most distinguished son," as the Lieutenant-Governor termed Sir Ross Smith on Saturday.
As the Lieutenant-Governor (Sir George Murray) was unveiling the memorial, the drone of circling aeroplanes recalled the deeds with which Sir Ross Smith won distinction as the first Australian air pilot in Palestine during the war, and carried the thoughts of the spectators back to the 12,000 miles pioneer flight with which the Smith brothers and their mechanics placed the seal of achievement on an audacious ambition.
With the face of Sir Ross Smith's figure to the rising sun, the statue is placed between the pathway to the Adelaide Oval entrance and the bank of the Torrens. To a large crowd of people the Lieutenant-Governor told how Sir Ross Smith had his mind turned to aviation from the time he landed in Egypt, and how he became the most famous pilot and observer in the East. His was the only aeroplane to take part in Lord Allenby's triumphal march into Cairo after the war.
In a letter to his mother during the war he spoke of the joy he would experience in flying straight to Australia to take Mr P Waite for a flight to Mutooroo Station, probably the germ of the famous enterprise.
Dr A A Lendon related Sir Ross Smith's desire, expressed to his mother during his last visit to Adelaide, that a monument to the Third Light Horse should occupy the place chosen for his own. The doctor went on to point out how fitting it was that the Ross Smith memorial should be placed there, and associated that gallant corps with it.
Sir George Murray was also filling the position of Lieutenant-Governor when Sir Ross Smith reached Adelaide after the flight, and at the time the aviator was killed while preparing for a flight around the world and his performance of the ceremony on Saturday was a natural completion of such notable coincidences. The time of the ceremony was an inconvenient one, but the crowd which assembled testified to the place Sir Ross Smith occupied in public esteem. At the conclusion of the ceremony there was a general movement inward to inspect the statuary, admiration of which was openly expressed. A guard of honour was provided by Queen's School, the present pupils of which were thus linked with a former scholar, whose name has become imperishable. [Ref: Register 12-12-1927]
Sir Ross Macpherson Smith KBE, MC & Bar, DFC & Two Bars, AFC was an Australian aviator. He and his brother, Sir Keith Macpherson Smith, were the first pilots to fly from England to Australia, in 1919.
The brothers were born on 20 December 1890 in Adelaide, and on 4 December 1892 at Semaphore, Adelaide, sons of Scottish-born Andrew Bell Smith, station manager, and his wife Jessie, née Macpherson, born in Western Australia. In 1897 Andrew Smith became the manager of the Mutooroo Pastoral Co. and Mutooroo station, a property of some 3000 sq. miles (7700 km²). Both Keith and Ross were educated at Queen's School, Adelaide (as boarders), and for two years at Warriston School, Moffat, Scotland, their father's birthplace.
Ross Smith had served in the cadets and the militia before he left Australia as a sergeant in the 3rd Light Horse Regiment in October 1914: he was at Gallipoli the following year. He was later commissioned and was at the battle of Romani (in the Sinai) in August 1916. The next year he volunteered for the Australian Flying Corps.
Flying with No 1 Squadron AFC, Smith took part in attacks, aerial photography missions, and bombing raids on Turkish forces. On one occasion he landed in the face of the enemy to rescue a downed comrade. During his extensive war service he was twice awarded the Military Cross, received the Distinguished Flying Cross three times, as well as the Air Force Cross.
A gifted flyer, Smith became experienced in flying his squadron’s twin-engined Handley Page 0/400 bomber: on occasion Lawrence of Arabia was his passenger. While still with the flying corps, he made pioneering flights from Cairo to Calcutta, and from Calcutta to Timor.
On 12 November 1919, assisted by his brother Keith and two mechanics, Wally Shiers and Jim Bennett, he set out to fly from England to Australia in a large Vickers Vimy bomber. It was an epic 28 day flight, completed at an average speed of 137 kilometres per hour, but not without mishap. On their arrival, the pioneering flyers were welcomed home as national heroes. The brothers were knighted. Their mechanics were commissioned and awarded Bars to their Air Force Medals. The £10,000 reward offered by the South Australian Government was divided into four equal shares.
In April 1922, while preparing for a record breaking around the world flight, Smith and Bennett were killed in a crash. Keith Smith witnessed the death of his brother, who was not yet 30. Their famous Vimy aircraft was displayed at the Australian War Memorial, but is now in the Smiths’ home town of Adelaide.
Flight of 1919
In a Vickers Vimy (a type similiar to the 0/400 bomber), supplied by the manufacturer, and with Keith as assistant pilot and navigator and accompanied by two mechanics, the attempt began from Hounslow, England, on 12 November 1919. Flying conditions were very poor and most hazardous until they reached Basra on 22 November. From Basra to Delhi, a distance of 1600 miles (2575 km), they spent 25½ hours in the air out of 54. A poor landing-area at Singora and torrential rain almost brought disaster on 3 December. Disaster again almost came at Sourabaya where the aircraft was bogged and had to take off from an improvised airstrip made of bamboo mats. By 9 December, however, they were at Timor, only 350 miles (563 km) from Darwin. The crossing was made next day and at 3.50 p.m. on 10 December they landed in Darwin. The distance covered in this epic flight was 11,340 miles (18,250 km). It took just under 28 days with an actual flying time of 135 hours at an average speed of 85 mph (137 kmph).
SIR ROSS SMITH'S ARRIVAL
According to the latest official information Sir Ross Smith and his party are expected to arrive in Adelaide on Thursday afternoon next, assuming that the overhaul of the aeroplane proves to be satisfactory. After the aviators have flown over the metropolitan area, including Malvern, Hawthorn, Unley, Henley Beach, Port Adelaide, Woodville, Norwood, and Goodwood, they will soar above Gilberton and Prospect, and thence proceed to the Northfield aerodrome, escorted by whatever aeroplanes may be able to meet them.
At the aerodrome they will be met by their parents and the official party, including the members of the Welcome Committee—the Premier (Hon A H Peake), who is Chairman, the Lord Mayor of Adelaide (Mr F B Moulden), the District Commandant (Brig-Gen Antill CB CMG), the Director of the Tourist Bureau (Mr V H Ryan), the secretary of the committee, and the secretary of the Aero Club (Captain Matthews).
The Premier has asked that the time of the arrival of the aviators shall be as nearly as possible 2.30pm.
The District Commandant, with the aid of the police and members of the Australian Army Reserve, will keep the enclosure at Northfield clear.
After the greeting and formal introductions there the party will proceed to the city. From St Peter’s Cathedral they will be escorted by mounted police, and on arriving at Parliament House, where the Returned Soldiers' Association Band will be in attendance, addresses of welcome will be delivered by the Lieutenant-Governor (Sir George Murray) and the Premier.
In the evening Sir Ross and Sir Keith Smith will be entertained by their old comrades of the 3rd Light Horse at the Town Hall: on the following day there will be a civic reception by the Lord Mayor. The Welcome Committee desires particularly to warn the public against the danger of crowding the enclosure at Northfield, and points out that the machine will not come to a full stop immediately it reaches the ground. [Ref: Journal (Adelaide) 13-3-1920]
SIR ROSS SMITH IN ADELAIDE
Sir Ross and Sir Keith Smith were given a civic reception this morning. The Lord Mayor (Mr F B Moulden) said that in the Smith family there were three sons, and all enlisted: in the Shiers family six sons, and five enlisted, while the other mechanic, Sergeant Bennett, was an only son. The Lord Mayor handed to Sir Ross Smith an address of welcome and congratulations from the inhabitants of the Northern Territory. [Ref: Argus (Melbourne) 25-3-1920]
ROUND of FESTIVITIES
Sir Ross and Sir Keith Smith spent a quiet morning, although the telephone to their home has been ringing almost continuously with messages of congratulation from friends and strangers.
They spent yesterday afternoon inspecting the Vickers-Vimy at Northfield, where a military picket of 12 men is posted to protect the machine.
This afternoon the aviators are being entertained by the Commonwealth Club. A tremendous crowd was present, and the reception to the guests lasted for several minutes. Tonight their friends are giving them a private dance in a large city hall.
Mr F B Moulden, the Lord Mayor is arranging a party in their honour at the Town Hall on Monday.
On Saturday afternoon Sir Ross Smith will lay the foundation stone of the War Chapel at St Peter's Church, Glenelg.
Sir Keith Smith goes to the races on that day. [Ref: Herald (Melbourne) 25-3-1920]
THE ROSS SMITH SEASON
The Adelaide Town Hall has been too limited in capacity for intending patrons, many of whom have been unable to gain admission to hear the story and see the films of “The Great Flight”.
The programme is divided into two sections, the first being from Darwin to Adelaide, photographed from the Vickers-Vimy by Captain Frank Hurley. In the second half Sir Ross Smith relates his experiences in racy vein between the 'story' with screen illustrations.
No one returning to Adelaide has ever been given a more enthusiastic ovation than Sir Ross Smith received on Monday night. [Ref: Register 10-5-1920]
Sir Ross Smith will make his final appearance in Adelaide at the St Peters Town Hall, on Thursday night prior to leaving on Friday for Tasmania. The story of the flight will be told for the last time in South Australia, and as Sir Keith and Sir Ross will be leaving for England early in August there is no likely return visit of the flight pictures in Adelaide.
The plan of reserve seats [is] at Dorling’s Sweet Shop, next to the Town Hall, St Peters. [Ref: Daily Herald 26-5-1920]
SHY AUSTRALIA FLIERS. Two rather shy-looking young men, bronzed and smiling (states The London Daily Mail of February 24), yesterday received endless congratulations from unknown people, autographed menu cards, and made two speeches— “more dangerous” they said, 'than flying to Australia’.
They were Sir Ross Smith and his brother, Sir Keith Smith— both of Adelaide— who flew to Australia in 1919 and were entertained at luncheon yesterday by the Overseas Club and Patriotic League at The Hyde Park Hotel. Memories of their romantic 11,000 miles journey were recalled when they spoke. With hardly a reference to their difficulties, both of them spoke in the first breath of their two mechanics, and avowed they would never have “got through” without them. When Sir Keith Smith mentioned his father and mother, who were waiting for them in their own home at the end of the journey, applause drowned the rest of the sentence.
Major-Gen Seely, who presided, recalled that the Air Ministry classified the day on which the brothers left England (November 12 1919) as “Class 5” which meant it was totally unfit for flying. [Ref: Register 5-4-1921]
Flight of 1922
The next proposal, to fly round the world in a Vickers Viking amphibian, ended in disaster. Both brothers travelled to England to prepare for the trip and on 13 April 1922, while Ross and his long-serving crew member Bennett were test flying the aircraft at Weybridge near London, it spun into the ground from 1000 feet (305 m), killing both. Keith, who arrived late for the test flight witnessed the accident. The flight was abandoned. The bodies of Sir Ross Smith and Lieutenant Bennett were brought home to Australia.
SIR ROSS SMITH
BODY TAKEN TO ADELAIDE
Wednesday—The Commonwealth liner ‘Largs Bay’ has brought home the bodies of Sir Ross Smith and Lieutenant Bennett. Sir Keith Smith was present at the Outer Harbor to watch the landing of the casket containing his brother's remains. Both bodies were conveyed from London in the forward hold of the vessel, but were kept separate from the cargo.
The casket holding the embalmed body of Sir Ross Smith was encased in a lead coffin, on the outside of which was a wooden case to prevent damage. Both coffins were under the direct care of the ship’s officers.
There was a large gathering on the wharf when the ship's siren gave a salute as the casket was lifted from the hold. As it came into the view of the crowd, draped with the Australian flag, every head was bared, and silence prevailed as it was lowered to the wharf. A band of sailors from the ship bore the coffin to the conveyance which was to take it to St Peter's Cathedral.
The first floral tribute to the dead hero from this State was a bunch of red geraniums, which was put on the coffin as a mark of respect from the sailors at the Outer Harbor. The flags on all the vessels and buildings at the harbor were at half-mast. No ceremony was attached to the conveyance to Adelaide of the coffin. After it had been removed from the case it was transferred to a hearse and was taken to the cathedral.
Although the public had been notified that there would be no admission to the cathedral until three o'clock in the afternoon a number of people had collected in the vicinity.
The Dean of Adelaide met a small official procession at the cathedral gates. Inside the building the precentor (Dr Milne) and Archdeacon Bussell preceded the coffin to a position between the choir stalls, where trestles had been placed to receive it. The coffin is of oak, lead lined and sealed, and bears the following inscription:
"Captain Sir Ross Macpherson Smith, KBE, MC, DFC, AFC died at Brooklands, 13th April, 1923 aged 29 years."
Nearly 30 airmen will participate in the funeral. [Ref: Recorder (Port Pirie) 15-6-1922]
THE LATE SIR ROSS SMITH
FUNERAL IN ADELAÏDE TODAY
THOUSANDS OF PEOPLE ATTEND
Adelaide. Thursday.
General Leane represented Lord Forster, the Governor-General, at the late Sir Ross Smith's funeral in Adelaide today. Thousands of people viewed the body lying in state at the Cathedral yesterday, and thousands watched the funeral procession today The city was deserted. The public offices, business places, and hotels were closed. The Town Hall bells were tolled, and flags were at half-mast. Mr Bickersteth, headmaster at St. Peter's College, delivered a brief address. Seventy Australian airmen participated. An aircraft trailer was used to carry the coffin and another carried the flowers.
The firing party at the graveside consisted of 40 men.
Three military aeroplanes flew over the route as the procession was making its way to the cemetery.
The interment was in the North-road cemetery, the grave being dug in a plot of green lawn close to the entrance of the picturesque little chapel. [Ref: Barrier Miner (Broken Hill) 15-6-1922]
LAID TO REST
SIR ROSS SMITH'S FUNERAL
The remains of Sir Ross Macpherson Smith, aviator and soldier, were laid to rest this afternoon in soil of his beloved homeland. Enormous crowds of sorrowing people assembled in the vicinity of St. Peter's Cathedral and thronged the route to the North Road Anglican Cemetery, desiring to pay a last tribute of respect to the memory of the illustrious airman. At the Cathedral the solemn service of mourning was held, immediately after which the body was borne from the edifice by members of the Royal Australian Flying Corps and placed on an aeroplane trailer at the head of the State Funeral cortege, which was of unprecedented dimensions.
From an early hour this morning a continuous procession of thousands of people filed quietly and sadly past the body as it lay in state in the Cathedral, draped with the British colours and guarded by members of the RAFC with arms reversed.
At the Cathedral the service, which was of a most impressive character, was conducted by Dean Young, and was attended by Mr and Mrs Andrew Smith, parents of Sir Ross Smith, and also by Mr and Mrs John Fordyce, of Melbourne (uncle and aunt of the deceased), and Sir Keith Smith and Lieutenant W Shiers, who flew with Sir Ross and Lieutenant Bennett to Australia in the Vickers Vimy. There was a fine muster of Sir Ross Smith's former comrades in the Third Light Horse, and other branches of the AIF.
We are not unmindful of his comrade, Lieutenant Bennett, who died with him, and whose body is to be laid to rest on Saturday, in Melbourne. [Ref: Daily Telegraph (Sydney) 16-6-1922]
Alice Mullholland was a hawker from Newcastle and was sentenced to 3 months in Newcastle City Gaol after being convicted of stealing some boots.
Age (on discharge): 18
Height: 5.0¼
Hair: Dark Brown
Eyes: Blue
Place of Birth: Newcastle
Status: Single
These photographs are of convicted criminals in Newcastle between 1871 - 1873.
Reference:TWAS: PR.NC/6/1/1261
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.
Urbex Session : Abandoned Morgue
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For those who want to read about my Merlyn fig, start right beneath this sentence, and for those who want to read about why I asked them to read the description, skip to the bottom.
Now, this is more like my usual style of photo. Finally, the [hopefully] awaited Merlyn. Like Great White Shark, Merlyn is also a custom figure of mine. Basically, I just gave him a nice, fancy, Brickwarriors quiver, which is the same one from this loot photo. I first saw the Brickwarriors quiver used by Mike Ryffranck, in his two Hawkeye photos, which can be found here, and here, respectively. The idea for the hood, which yes, has been slit open, came from Shilo Parker's photo, Doga, Disciple of Noah. Credit to those guys for the great ideas! Also, there was someone else who talked to me about sliced hoods, I just can't remember who it was, so credit to them as well. Also, I know that you can't really see the torso that I used, so I will post an image where you can see that later.
So, as with my halt post, I might be slowing down again. Either way, my next posts will be the other ones [besides this one] that I originally announced in my Island Oliver Queen post, including a new Phil Coulson, and Mystique, and maybe some others, like a new sig-fig that I've been working on. Also, I have a video that I made awhile ago that I am considering posting too, and like I said in the Island Oliver Queen post, I have a big Ebay order that I need to organize, but one that eventually will be coming my way, so in any case stay tuned!
Sentenced to carry out 4 months hard labour in Newcastle City Gaol, Thomas Tweedy was found guilty of stealing money on 26 December 1872.
Age (on discharge): 20
Height: 5.4
Hair: Brown
Eyes: Blue
Place of Birth: Newcastle
Status: Single
Occupation: Labourer
Tweedy has four previous convictions listed on his particulars sheet covering the period 1863-1872, including a conviction in 1869 for stealing a toilet cover.
These photographs are of convicted criminals in Newcastle between 1871 - 1873.
Reference:TWAS: PR.NC/6/1/1166
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.
To a find a cooler place in the grass
to brave my fire
a jury heard, a sentence passed
to brave my fire
we lust for the wine you bolt
like all things impure, like all things undead
we beg from these swine
who told you to love and endure
and to live in our stead
the whores of rome and the kings of france
have tried to brave my fire
(Jerome Reuter, "Rome")
Candid street shot, Hoi An Vietnam.
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Candid shots don't give your subject time to compose themselves. So sometimes you get this sort of Mid-sentence look.
If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.
--Bokonon (Vonnegut, Cat's Cradle)
. . . There are words inside her, waiting to be born.
She feels them growing, forming, becoming thoughts that might later work themselves into sentences to be spoken aloud.
Now, they are nothing but jagged letters with sharp edged corners poking at her, making her uncomfortable. She can’t seem to put them together in any way that softens them.
She soon realizes they will always be hard and sharp. They will always be hard to get out.
It might be easier to keep them inside, let them remain a struggling mess of letters and sounds that will hurt no one but her.
Kim Gore cries in Judge Robert Freehill's courtroom at the Orange County Courthouse in Goshen, NY on Friday, July 16, 2010. Gore is the Cuddebackville, NY woman who was convicted in March on aggravated vehicular homicide and second-degree manslaughter resulting from the crash which killed her 3-year-old daughter Sierra Gore in June 2009. She was sentenced by Judge Freehill to 8 1/3 to 25 years on the aggravated vehicular homicide conviction and 5 to 15 years on the manslaughter conviction, to be served concurrently. Gore was high on cocaine at the time of the crash. CHET GORDON/Times Herald-Record
Key sentence: "This species is highly variable in coloration and marking, but is still very distinguishable." from here: roundrockgarden.wordpress.com/b-i-f-s/bordered-patch-butt...
It's a Bordered Patch butterfly (chlosyne lacinia), here feeding on a Whorled Leaf Ragwort plant. :-)
199/365
This photo is from the day we got partnered April 15th 2019. If it is possible, I am even more happy now than I was back then. You as a person Mun, have touched my soul and heart and made me a better person. Thank you from that my sweetheart. You are my daily dose of happiness even when it is at times limited to few sentences in a day ♥
Charles Burns was sentenced to 3 months at Newcastle City Gaol for the crime - false pretences.
Age (on discharge): 19
Height: 5.5
Hair: Dark
Eyes: Hazel
Place of Birth: Liverpool
Status: Single
Occupation: Miner
These photographs are of convicted criminals in Newcastle between 1871 - 1873.
Reference:TWAS: PR.NC/6/1/1253
(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.
To purchase a hi-res copy please email archives@twmuseums.org.uk quoting the title and reference number.
The Burgtheater at Dr.-Karl -Lueger-Ring (from now on, 2013, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European one, as well as the greatest German speaking theater. The original 'old' Burgtheater at Saint Michael's square was utilized from 1748 until the opening of the new building at the ring in October, 1888. The new house in 1945 burnt down completely as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher serving as temporary quarters. The Burgtheater is considered as Austrian National Theatre.
Throughout its history, the theater was bearing different names, first Imperial-Royal Theater next to the Castle, then to 1918 Imperial-Royal Court-Burgtheater and since then Burgtheater (Castle Theater). Especially in Vienna it is often referred to as "The Castle (Die Burg)", the ensemble members are known as Castle actors (Burgschauspieler).
History
St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)
The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.
The 'old' Burgtheater at St. Michael's Square
The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, ruling after the death of her father, which had ordered a general suspension of the theater, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor (Carinthian gate), Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.
In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her royal box directly from the imperial quarters, the Burgtheater structurally being connected with them. At the old venue at Saint Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer premiered .
On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the stage plays should not deal with sad events for not bring the Imperial audience in a bad mood. Many theater plays for this reason had to be changed and provided with a Vienna Final (Happy End), such as Romeo and Juliet or Hamlet. From 1794 on, the theater was bearing the name K.K. Court Theatre next to the castle.
1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.
On 12 October 1888 took place the last performance in the old house. The Burgtheater ensemble moved to the new venue at the Ring. The Old Burgtheater had to give way to the completion of Saint Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.
The "new" K.K. Court Theatre (as the inscription reads today) at the Ring opposite the Town Hall, opened on 14 October 1888 with Grillparzer's Esther and Schiller's Wallenstein's Camp, was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.
However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task after similar commissioned work in the city theaters of Fiume and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase on the side facing the café Landtmann of the Burgtheater (Archduke stairs) reproduced Gustav Klimt the artists of the ancient theater in Taormina on Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor) the London Globe Theatre and the final scene from William Shakespeare's "Romeo and Juliet". Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized himself in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.
The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper's Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus above the Isar. Above the middle section there is a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Above the center house there decorates a statue of Apollo the facade, throning between the Muses of drama and tragedy. Above the main entrances are located friezes with Bacchus and Ariadne. At the exterior facade round about, portrait busts of the poets Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel can be seen. The masks which also can be seen here are indicating the ancient theater, furthermore adorn allegorical representations the side wings: love, hate, humility, lust, selfishness, and heroism. Although the theater since 1919 is bearing the name of Burgtheater, the old inscription KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits have been hung up in the new building and can be seen still today - but these images were originally smaller, they had to be "extended" to make them work better in high space. The points of these "supplements" are visible as fine lines on the canvas.
The Burgtheater was initially well received by Viennese people due to its magnificent appearance and technical innovations such as electric lighting, but soon criticism because of the poor acoustics was increasing. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon it was situated among the "sanctuaries" of Viennese people. In November 1918, the supervision over the theater was transferred from the High Steward of the emperor to the new state of German Austria.
1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. On 8th May 1925, the Burgtheater went into Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza.
The Burgtheater in time of National Socialism
The National Socialist ideas also left traces in the history of the Burgtheater. In 1939 appeared in Adolf Luser Verlag the strongly anti-Semitic characterized book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was on the occasion of the 50th anniversary of the opening of the Burgtheater a Don Carlos production of Karl-Heinz Stroux shown that served Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the sentence in direction of Joseph Goebbels box vociferated: "just give freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 the Merchant of Venice, in which Werner Kraus the Jew Shylock clearly anti-Semitic represented. The same director staged after the war Lessing's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused in pure fear of an assassination.
For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jews ", were quickly imposed stage bans, within a few days, they were on leave, fired or arrested. The Burgtheater ensemble between 1938 and 1945 did not put up significant resistance against the Nazi ideology, the repertoire was heavily censored, only a few joined the Resistance, as Judith Holzmeister (then also at the People's Theatre engaged) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.
The Burgtheater at the end of the war and after the Second World War
In summer 1944, the Burgtheater had to be closed because of the decreed general theater suspension. From 1 April 1945, as the Red Army approached Vienna, camped a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned down on 12th April 1945 completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.
The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to launch Vienna's cultural life as soon as possible again. The council summoned on 23 April (a state government did not yet exist) a meeting of all Viennese cultural workers into the Town Hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This venue chose the newly appointed director Raoul Aslan, who championed particularly active.
The first performance after the Second World War was on 30 April 1945 Sappho by Franz Grillparzer directed by Adolf Rott from 1943 with Maria Eis in the title role. Also other productions from the Nazi era were resumed. With Paul Hoerbiger, a few days ago as Nazi prisoner still in mortal danger, was shown the play of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre could be played (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott from the year 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took place performances. Aslan the Ronacher in the summer had rebuilt because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the enlarged stage.
The first new productions are associated with the name of Lothar Müthel: Everyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel in Nazi times seemed to have been fallen into oblivion.
Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years in exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations on the 175th anniversary of the theater took place.
1948, a competition for the reconstruction was tendered: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, according to which the house was to be rebuilt into a modern gallery theater. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative but also cost effective. The character of the lodges theater was largely taken into account and maintained, the central royal box but has been replaced by two balconies, and with a new slanted ceiling construction in the audience was the acoustics, the shortcoming of the house, improved significantly.
On 14 October 1955 was happening under Adolf Rott the reopening of the restored house at the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this play, which the beginning of Habsburg rule in Austria makes a subject of discussion and Ottokar of Horneck's eulogy on Austria (... it's a good country / Well worth that a prince bow to it! / where have you yet seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .
In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.
Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts of Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard was as a successor of Klingenberg mentioned, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.
Benning, the first ensemble representative of the Burgtheater which was appointed director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel to the then politically separated East and took the the public taste more into consideration.
Directorate Claus Peymann 1986-1999
Under the by short-term Minister of Education Helmut Zilk brought to Vienna Claus Peymann, director from 1986 to 1999, there was further modernization of the programme and staging styles. Moreover Peymann was never at a loss for critical contributions in the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program within sections of the audience met with rejection. The greatest theater scandal in Vienna since 1945 occurred in 1988 concerning the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama which was fiercly fought by conservative politicians and zealots. The play deals with the Vergangenheitsbewältigung (process of coming to terms with the past) and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard after the premiere dared to face on the stage applause and boos.
Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann, to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his plays precisely in his homeland not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard play Before retirement by the first performance director Peymann. The plays by Bernhard are since then continued on the programme of the Burgtheater and they are regularly newly produced.
In 1993, the rehearsal stage of the Castle theater was opened in the arsenal (architect Gustav Peichl). Since 1999, the Burgtheater has the operation form of a limited corporation.
Directorate Klaus Bachler 1999-2009
Peymann was followed in 1999 by Klaus Bachler as director. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.
Were among the unusual "events" of the directorate Bachler
* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )
* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available)
* John Irving's reading from his book at the Burgtheater Until I find you (2006)
* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of him under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).
* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat (December 2008). Outpatient care is enough.
Jubilee Year 2005
In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer's King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg) received the Nestroy Theatre Award for Best Actor for his role in this play. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.
Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves with a as natural as possible facial expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto of this season served a quotation from Lessing's Minna von Barnhelm: "It's so sad to be happy alone."
The Burgtheater on the Mozart Year 2006
Also the Mozart Year 2006 was at the Burgtheater was remembered. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera on the occasion of the Vienna Festival in May 2006 a new production (directed by Karin Beier) of this opera on stage.
Directorate Matthias Hartmann since 2009
From September 2009 to 2014, Matthias Hartmann was Artistic Director of the Burgtheater. A native of Osnabrück, he directed the stage houses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Bösch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer, came actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came permanently to the Burg. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the Castle, the New York group Nature Theater of Oklahoma show their great episode drama Live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .
Since 2014, Karin Bergmann is the commander in chief.
Veit Stoss (also: Veit Stoß and Stuoss; Polish: Wit Stwosz; Latin: Vitus Stoss; before 1450 – about 20 September 1533) was a leading German sculptor, mostly working with wood, whose career covered the transition between the late Gothic and the Northern Renaissance. His style emphasized pathos and emotion, helped by his virtuoso carving of billowing drapery; it has been called "late Gothic Baroque". He had a large workshop, and in addition to his own works there are a number by pupils. He is best known for the altarpiece in St. Mary's Basilica in Kraków, Poland.
Life
According to the contracts and other official documents written in the fifteenth and sixteenth centuries, Stoss was born in a place pronounced as Horb or Horbn. Most researchers identify this place with Horb am Neckar near Stuttgart in Germany. However, there are artistic traces indicating that Stoss's early education could take place in the modern Switzerland. Moreover, his brother was certainly born in Aarau in northern Switzerland, which suggests that the artist's family lived in the region and that Stoss was rather born in the town of Horben, located 30 km southeast of Aarau. His exact date of birth is unknown though it must have been shortly before 1450. Nothing about his life is known for certain before 1473 when he moved to Nuremberg in Franconia and married Barbara Hertz. Their eldest son Andreas was born there before 1477, when Stoss moved to Kraków, the royal capital of Poland, where he was commissioned to produce the enormous polychrome wooden Altar of Veit Stoss (Ołtarz Wita Stwosza) at St Mary's Church in Kraków. His son Stanisław who was born in Kraków the next year was also a sculptor.
In Kraków
Veit lived and worked in Kraków for almost twenty years, from 1477–1496. His name is usually polonized as Wit Stwosz. The altar in Kraków was completed in 1489, and was the largest triptych of its time. Like Stoss' other large works, it required a large workshop including specialized painters and gilders. Other important works from Stoss' period in Poland were the tomb of Casimir IV in Wawel Cathedral, the marble tomb of Zbigniew Oleśnicki in Gniezno, and the altar of Saint Stanislaus. The Polish court was more aware of Italian styles than Nuremberg patrons of that time, and some of Stoss' Polish work used Renaissance classical ornament.
During World War II, on the order of Hans Frank – the Governor-General of that region of occupied Poland – the dismantled Altar was shipped to Nazi Germany around 1941. It was rediscovered in 1945 in Bavaria, hidden in the basement of the heavily bombed Nuremberg Castle. The High Altar underwent major restoration work in Poland and was put back in its place at the Basilica ten years later.
Nuremberg
In 1496, Stoss returned to Nuremberg with his wife and eight children. He reacquired his citizenship for three gulden and resumed his work there as a sculptor. Between 1500 and 1503 he carved an altar, now lost, for the parish church of Schwaz, Tyrol of the "Assumption of Mary". In 1503, he was arrested for forging the seal and signature of a fraudulent contractor and was sentenced to be branded on both of his cheeks and prohibited from leaving Nuremberg without the explicit permission of the city council. He was pardoned in 1506 by Emperor Maximilian and restored of his civil rights.
Despite the prohibition he went to Münnerstadt in 1504, to paint and gild the altarpiece that Tilman Riemenschneider had left in plain wood ten years earlier, presumably according to his contract (unlike Stoss, his workshop did not include painters and gilders). Leaving wood sculpture unpainted was a new taste at the time, and "perhaps the tastes of the city council were somewhat provincial." He also created the altar for Bamberg Cathedral and various other sculptures in Nuremberg, including the Annunciation and Tobias and the Angel. In 1506 he was arrested a second time. In 1507, Emperor Maximilian wrote a letter of pardon. The sole argument was made on the account of his genius. The council of the Imperial free city Nuremberg refused to give him a public notice. But Maximilian's intervention saved him from the dungeons and having his hands chopped off. He was able to resettle in Nuremberg from 1506, but was shunned by the council and received few large commissions from that time onwards. In 1512, the Emperor asked Stoss to help with the planning of his tomb monument, which was eventually placed in the Hofkirche, Innsbruck; it seems Stoss's attempts to cast in brass were unsuccessful.
During the period 1515–1520, Veit Stoss received a commission for sculptures by Raffaele Torrigiani, a rich Florentine merchant. In 1516 he made Tobias and the Angel (now in Germanisches Nationalmuseum, Nuremberg), and a statue of Saint Roch for the Basilica of Santissima Annunziata in Florence. This wooden statue represents the saint in a traditional way: in the garb of a pilgrim, lifting his tunic to demonstrate the plague sore in his thigh. Even Giorgio Vasari, who did not think much of artists north of the Alps, praised it in his Le Vite and called it "a miracle in wood", though misattributing it.
Veit Stoss was buried at St. Johannis cemetery in Nuremberg. His artistic legacy was continued by his son Stanisław.
In popular culture
Veit Stoss is featured in Judith Weir's opera, The Black Spider. He is one of the singing sculptors in Act 3 Scene 2 inside the Wawel Cathedral. He is shown chiseling at the tomb of King Casimir IV. There is a Polish book (1913) and film (1961) Historia żółtej ciżemki (The story of a yellow crakow) about Veit Stoss in Cracow.
Kraków, also seen spelled Cracow or absent Polish diacritics as Krakow, is the second-largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Voivodeship, the city dates back to the seventh century. Kraków was the official capital of Poland until 1596 and has traditionally been one of the leading centres of Polish academic, economic, cultural and artistic life. Cited as one of Europe's most beautiful cities, its Old Town with Wawel Royal Castle was declared a UNESCO World Heritage Site in 1978, one of the world's first sites granted the status.
The city has grown from a Stone Age settlement to Poland's second-most-important city. It began as a hamlet on Wawel Hill and was reported by Ibrahim ibn Yaqub, a 10th-century merchant from Córdoba, as a busy trading centre of Central Europe in 985. With the establishment of new universities and cultural venues at the emergence of the Second Polish Republic in 1918 and throughout the 20th century, Kraków reaffirmed its role as a major national academic and artistic centre. As of 2023, the city has a population of 804,237, with approximately 8 million additional people living within a 100 km (62 mi) radius of its main square.
After the invasion of Poland by Nazi Germany at the start of World War II, the newly defined Distrikt Krakau (Kraków District) became the capital of Germany's General Government. The Jewish population of the city was forced into a walled zone known as the Kraków Ghetto, from where they were sent to Nazi extermination camps such as the nearby Auschwitz, and Nazi concentration camps like Płaszów. However, the city was spared from destruction and major bombing.
In 1978, Karol Wojtyła, archbishop of Kraków, was elevated to the papacy as Pope John Paul II—the first non-Italian pope in 455 years. Also that year, UNESCO approved Kraków's entire Old Town and historic centre and the nearby Wieliczka Salt Mine as Poland's first World Heritage Sites. Kraków is classified as a global city with the ranking of "high sufficiency" by the Globalization and World Cities Research Network. Its extensive cultural heritage across the epochs of Gothic, Renaissance and Baroque architecture includes Wawel Cathedral and Wawel Royal Castle on the banks of the Vistula, St. Mary's Basilica, Saints Peter and Paul Church and the largest medieval market square in Europe, Rynek Główny. Kraków is home to Jagiellonian University, one of the oldest universities in the world and traditionally Poland's most reputable institution of higher learning. The city also hosts a number of institutions of national significance such as the National Museum, Kraków Opera, Juliusz Słowacki Theatre, National Stary Theatre and the Jagiellonian Library. The city is served by John Paul II International Airport, the country's second busiest airport and the most important international airport for the inhabitants of south-eastern Poland.
In 2000, Kraków was named European Capital of Culture. In 2013, Kraków was officially approved as a UNESCO City of Literature. The city hosted World Youth Day in 2016 and the European Games in 2023.
Kraków is one of the largest and oldest cities in Poland, with the urban population of 804,237 (June, 2023). Situated on the Vistula river (Polish: Wisła) in the Lesser Poland region, the city dates back to the 7th century. It was the capital of Poland from 1038 to 1596, the capital of the Grand Duchy of Kraków from 1846 to 1918, and the capital of Kraków Voivodeship from the 14th century to 1999. It is now the capital of the Lesser Poland Voivodeship.
Timeline of Kraków
Historical affiliations
Vistulans, pre X century
Duchy of Bohemia, X century–ca. 960
Duchy of Poland, ca. 960–1025
Kingdom of Poland, 1025–1031
Duchy of Poland, 1031–1320
∟ Seniorate Province, 1138–1227
Duchy of Kraków, 1227–1320
Kingdom of Poland, 1320–1569
Polish–Lithuanian Commonwealth, 1569–1795
Austrian Empire, 1795–1809
∟ Galicia
Duchy of Warsaw, 1809–1815
Free City of Cracow, 1815–1846
Austrian Empire, 1846–1867
Austria-Hungary, 1867–1918
∟ Grand Duchy of Kraków (subdivision of Galicia)
Republic of Poland, 1918–1939
General Government, 1939–1945 (part of German-occupied Europe)
Provisional Government of National Unity, 1945–1947
Polish People's Republic, 1947–1989
Poland, 1989–present
Early history
The earliest known settlement on the present site of Kraków was established on Wawel Hill, and dates back to the 4th century. Legend attributes the town's establishment to the mythical ruler Krakus, who built it above a cave occupied by a ravenous dragon, Smok Wawelski. Many knights unsuccessfully attempted to oust the dragon by force, but instead, Krakus fed it a poisoned lamb, which killed the dragon. The city was free to flourish. Dragon bones, most likely that of mammoth, are displayed at the entrance of the Wawel Cathedral. Before the Polish state had been formed, Kraków was the capital of the tribe of Vistulans, subjugated for a short period by Great Moravia. After Great Moravia was destroyed by the Hungarians, Kraków became part of the kingdom of Bohemia. The first appearance of the city's name in historical records dates back to 966, when a Sephardi Jewish traveller, Abraham ben Jacob, described Kraków as a notable commercial centre under the rule of the then duke of Bohemia (Boleslaus I the Cruel). He also mentioned the baptism of Prince Mieszko I and his status as the first historical ruler of Poland. Towards the end of his reign, Mieszko took Kraków from the Bohemians and incorporated it into the holdings of the Piast dynasty.
By the end of the 10th century, the city was a leading center of trade. Brick buildings were being constructed, including the Royal Wawel Castle with the Rotunda of Sts. Felix and Adauctus, Romanesque churches, a cathedral, and a basilica. Sometime after 1042, Casimir I the Restorer made Kraków the seat of the Polish government. In 1079 on a hillock in nearby Skałka, the Bishop of Kraków, Saint Stanislaus of Szczepanów, was slain by the order of the Polish king Bolesław II the Generous. In 1138, the Testament of Bolesław III Wrymouth came into effect upon his death. It divided Poland into five provinces, with Kraków named as the Seniorate Province, meant to be ruled by the eldest male member of the royal family as the High Duke. Infighting among brothers, however, caused the seniorate system to soon collapse, and a century-long struggle between Bolesław's descendants followed. The fragmentation of Poland lasted until 1320.
Kraków was almost entirely destroyed during the Mongol invasion of Poland in 1241, after the Polish attempt to repulse the invaders had been crushed in the Battle of Chmielnik. Kraków was rebuilt in 1257, in a form which was practically unaltered, and received self-government city rights from the king based on the Magdeburg Law, attracting mostly German-speaking burgers. In 1259, the city was again ravaged by the Mongols, 18 years after the first raid. A third attack, though unsuccessful, followed in 1287. The year 1311 saw the Rebellion of wójt Albert against Polish High Duke Władysław I. It involved the mostly German-speaking burghers of Kraków who, as a result, were massacred. In the aftermath, Kraków was gradually re-Polonized, and Polish burghers rose from a minority to a majority.
Further information: History of Poland in the Middle Ages
Medieval Kraków was surrounded by a 1.9 mile (3 km) defensive wall complete with 46 towers and seven main entrances leading through them (see St. Florian's Gate and Kraków Barbican). The fortifications were erected over the course of two centuries. The town defensive system appeared in Kraków after the city's location, i.e. in the second half of the 13th century (1257). This was when the construction of a uniform fortification line was commenced, but it seems the project could not be completed. Afterwards the walls, however, were extended and reinforced (a permit from Leszek Biały to encircle the city with high defensive walls was granted in 1285). Kraków rose to new prominence in 1364, when Casimir III of Poland founded the Cracow Academy, the second university in central Europe after the University of Prague. There had already been a cathedral school since 1150 functioning under the auspices of the city's bishop. The city continued to grow under the joint Lithuanian-Polish Jagiellon dynasty (1386–1572). As the capital of a powerful state, it became a flourishing center of science and the arts.
Kraków was a member of the Hanseatic League and many craftsmen settled there, established businesses and formed craftsmen's guilds. City Law, including guilds' depictions and descriptions, were recorded in the German language Balthasar Behem Codex. This codex is now featured at the Jagiellonian Library. By the end of the thirteenth century, Kraków had become a predominantly German city. In 1475 delegates of the elector George the Rich of Bavaria came to Kraków to negotiate the marriage of Princess Jadwiga of Poland (Hedwig in German), the daughter of King Casimir IV Jagiellon to George the Rich. Jadwiga traveled for two months to Landshut in Bavaria, where an elaborate marriage celebration, the Landshut Wedding took place. Around 1502 Kraków was already featured in the works of Albrecht Dürer as well as in those of Hartmann Schedel (Nuremberg Chronicle) and Georg Braun (Civitates orbis terrarum).
During the 15th century extremist clergymen advocated violence towards the Jews, who in a gradual process lost their positions. In 1469 Jews were expelled from their old settlement to Spiglarska Street. In 1485 Jewish elders were forced into a renunciation of trade in Kraków, which led many Jews to leave for Kazimierz that did not fall under the restrictions due to its status as a royal town. Following the 1494 fire in Kraków, a wave of anti-Jewish attacks took place. In 1495, King John I Albert expelled the Jews from the city walls of Kraków; they moved to Kazimierz (now a district of Kraków).
Renaissance
The Renaissance, whose influence originated in Italy, arrived in Kraków in the late 15th century, along with numerous Italian artists including Francesco Fiorentino, Bartolommeo Berrecci, Santi Gucci, Mateo Gucci, Bernardo Morando, and Giovanni Baptista di Quadro. The period, which elevated the intellectual pursuits, produced many outstanding artists and scientists such as Nicolaus Copernicus who studied at the local Academy. In 1468 the Italian humanist Filip Callimachus came to Kraków, where he worked as the teacher of the children of Casimir IV Jagiellon. In 1488 the imperial Poet Laureate and humanist Conrad Celtes founded the Sodalitas Litterarum Vistulana ("Literary Society on the Vistula"), a learned society based on the Roman Academies. In 1489, sculptor Veit Stoss (Wit Stwosz) of Nuremberg finished his work on the high altar of St. Mary's Church. He later made a marble sarcophagus for his benefactor Casimir IV Jagiellon. By 1500, Johann Haller had established a printing press in the city. Many works of the Renaissance movement were printed there during that time.
Art and architecture flourished under the watchful eye of King Sigismund I the Old, who ascended to the throne in 1507. He married Bona Sforza of a leading Milan family and using his new Italian connections began the major project (under Florentine architect Berrecci) of remaking the ancient residence of the Polish kings, the Wawel Castle, into a modern Renaissance palace. In 1520, Hans Behem made the largest church bell, named the Sigismund Bell after King Sigismund I. At the same time Hans Dürer, younger brother of Albrecht Dürer, was Sigismund's court painter. Around 1511 Hans von Kulmbach painted a series of panels for the Church of the Pauline Fathers at Skałka and the Church of St. Mary. Sigismund I also brought in Italian chefs who introduced Italian cuisine.
In 1558, a permanent postal connection between Kraków and Venice, the capitals of the Kingdom of Poland and the Republic of Venice respectively, was established and Poczta Polska was founded. In 1572, King Sigismund II died childless, and the throne passed briefly to Henry of Valois, then to Sigismund II's sister Anna Jagiellon and her husband Stephen Báthory, and then to Sigismund III of the Swedish House of Vasa. His reign changed Kraków dramatically, as he moved the government to Warsaw in 1596. A series of wars ensued between Sweden and Poland.
After the partitions of Poland
In the late 18th century, the Polish–Lithuanian Commonwealth was partitioned three times by its expansionist neighbors: Imperial Russia, the Austrian Empire, and the Kingdom of Prussia. After the first two partitions (1772 and 1793), Kraków was still part of the substantially reduced Polish nation. In 1794 Tadeusz Kościuszko initiated a revolt against the partitioning powers, the Kościuszko Uprising, in Kraków's market square. The Polish army, including many peasants, fought against the Russian and Prussian armies, but the larger forces ultimately put down the revolt. The Prussian army specifically took Kraków on 15 June 1794, and looted the Polish royal treasure kept at Wawel Castle. The stolen regalia, valued at 525,259 thalers, was secretly melted down in March 1809, while precious stones and pearls were appropriated in Berlin. Poland was partitioned for the third time in 1795, and Kraków became part of the Austrian province of Galicia.
When Napoleon Bonaparte of the French Empire captured part of what had once been Poland, he established the Duchy of Warsaw (1807) as an independent but subordinate state. West Galicia, including Kraków, was taken from the Austrian Empire and added to the Duchy of Warsaw in 1809 by the Treaty of Schönbrunn, which ended the War of the Fifth Coalition. The Congress of Vienna (1815) restored the partition of Poland, but gave Kraków partial independence as the Free City of Cracow.
The city again became the focus of a struggle for national sovereignty in 1846, during the Kraków Uprising. The uprising failed to spread outside the city to other Polish lands, and was put down. This resulted in the annexation of the city state to the Austrian Empire as the Grand Duchy of Cracow, once again part of the Galician lands of the empire.
In 1850 10% of the city was destroyed in the large fire.
After the Austro-Prussian War of 1866, Austria granted partial autonomy to Galicia, making Polish a language of government and establishing a provincial Diet. As this form of Austrian rule was more benevolent than that exercised by Russia and Prussia, Kraków became a Polish national symbol and a center of culture and art, known frequently as the "Polish Athens" (Polskie Ateny) or "Polish Mecca" to which Poles would flock to revere the symbols and monuments of Kraków's (and Poland's) great past. Several important commemorations took place in Kraków during the period from 1866–1914, including the 500th Anniversary of the Battle of Grunwald in 1910, in which world-renowned pianist Ignacy Paderewski unveiled a monument. Famous painters, poets and writers of this period, living and working in the city include Jan Matejko, Stanisław Ignacy Witkiewicz, Jan Kasprowicz, Juliusz Kossak, Wojciech Kossak, Stanisław Wyspiański and Stanisław Przybyszewski. The latter two were leaders of Polish modernism.
The Fin de siècle Kraków, even under the partitions, was famously the center of Polish national revival and culture, but the city was also becoming a modern metropolis during this period. In 1901 the city installed running water and witnessed the introduction of its first electric streetcars. (Warsaw's first electric streetcars came in 1907.) The most significant political and economic development of the first decade of the 20th century in Kraków was the creation of Greater Kraków (Wielki Kraków), the incorporation of the surrounding suburban communities into a single administrative unit. The incorporation was overseen by Juliusz Leo, the city's energetic mayor from 1904 to his death in 1918 (see also: the Mayors of Kraków).
Thanks to migration from the countryside and the fruits of incorporation from 1910 to 1915, Kraków's population doubled in just fifteen years, from approx. 91,000 to 183,000 in 1915. Russian troops besieged Kraków during the first winter of the First World War, and thousands of residents left the city for Moravia and other safer locales, generally returning in the spring and summer of 1915. During the war Polish Legions led by Józef Piłsudski set out to fight for the liberation of Poland, in alliance with Austrian and German troops. With the fall of Austro-Hungarian Empire, Poles liberated the city and it was included with the newly reborn Polish state (1918). Between the two World Wars Kraków was also a major Jewish cultural and religious center (see: Synagogues of Kraków), with the Zionist movement relatively strong among the city's Jewish population.
World War II
Poland was partitioned again at the onset of the Second World War. The Nazi German forces entered Kraków on September 6, 1939. The residents of the city were saved from German attack by the courageous Mayor Stanisław Klimecki who went to meet the invading Wehrmacht troops. He approached them with the call to stop shooting because the city was defenseless: "Feuer einstellen!" and offered himself as a hostage. He was killed by the Gestapo three years later in the Niepołomice Forest. The German Einsatzgruppen I and zbV entered the city to commit atrocities against Poles. On September 12, the Germans carried out a massacre of 10 Jews. On November 4, Kraków became the capital of the General Government, a colonial authority under the leadership of Hans Frank. The occupation took a heavy toll, particularly on the city's cultural heritage. On November 6, during the infamous Sonderaktion Krakau 184 professors and academics of the Jagiellonian University (including Rector Tadeusz Lehr-Spławiński among others) were arrested at the Collegium Novum during a meeting ordered by the Gestapo chief SS-Obersturmbannführer Bruno Müller. President of Kraków, Klimecki was apprehended at his home the same evening. After two weeks, they were sent to Sachsenhausen concentration camp, and in March 1940 further to Dachau. Those who survived were released only after international protest involving the Vatican. On November 9–10, during the Intelligenzaktion, the Germans carried out further mass arrests of 120 Poles, including teachers, students and judges. The Sicherheitspolizei took over the Montelupich Prison, which became one of the most infamous in German-occupied Poland. Many Poles arrested in Kraków, and various other places in the region, and even more distant cities such as Rzeszów and Przemyśl, were imprisoned there. Over 1,700 Polish prisoners were eventually massacred at Fort 49 of the Kraków Fortress and its adjacent forest, and deportations of Polish prisoners to concentration camps, incl. Ravensbrück and Auschwitz, were also carried out. The prison also contained a cell for kidnapped Polish children under the age of 10, with an average capacity of about 70 children, who were then sent to concentration camps and executed. From September to December 1939, the occupiers also operated a Dulag transit camp for Polish prisoners of war.
Many relics and monuments of national culture were looted and destroyed (yet again), including the bronze statue of Adam Mickiewicz stolen for scrap. The Jewish population was first ghettoized, and later murdered. Two major concentration camps near Kraków included Płaszów and the extermination camp of Auschwitz, to which many local Poles and Polish Jews were sent. Specific events surrounding the Jewish ghetto in Kraków and the nearby concentration camps were famously portrayed in the film Schindler's List, itself based on a book by Thomas Keneally entitled Schindler's Ark. The Polish Red Cross was also aware of over 2,000 Polish Jews from Kraków, who escaped from the Germans to Soviet-occupied eastern Poland, and then were deported by the Soviets to the USSR.
The Polish resistance movement was active in the city. Already in September 1939, the Organizacja Orła Białego resistance organization was founded. Kraków became the seat of one of the six main commands of the Union of Armed Struggle in occupied Poland (alongside Warsaw, Poznań, Toruń, Białystok and Lwów). A local branch of the Żegota underground Polish resistance organization was established to rescue Jews from the Holocaust.
The Germans operated several forced labour camps in the city, and in 1942–1944, they also operated the Stalag 369 prisoner-of-war camp for Dutch, Belgian and French POWs. In 1944, during and following the Warsaw Uprising, the Germans deported many captured Poles frow Warsaw to Kraków.
A common account popularized in the Soviet-controlled communist People's Republic of Poland, held that due to a rapid advance of the Soviet armies, Kraków allegedly escaped planned destruction during the German withdrawal. There are several different versions of that account. According to a version based on self-written Soviet statements, Marshal Ivan Konev claimed to have been informed by the Polish patriots of the German plan, and took an effort to preserve Kraków from destruction by ordering a lightning attack on the city while deliberately not cutting the Germans from the only withdrawal path, and by not aiding the attack with aviation and artillery. The credibility of those accounts has been questioned by Polish historian Andrzej Chwalba who finds no physical evidence of the German master plan for demolition and no written proof showing that Konev ordered the attack with the intention of preserving the city. He portrays Konev's strategy as ordinary – only accidentally resulting in little damage to Kraków – exaggerated later into a myth of "Konev, savior of Kraków" by Soviet propaganda. The Red Army entry into the city was accompanied by a wave of rapes of women and girls resulting in official protests.
Post-war period
After the war, the government of the People's Republic of Poland ordered the construction of the country's largest steel mill in the suburb of Nowa Huta. This was regarded by some as an attempt to diminish the influence of Kraków's intellectual and artistic heritage by industrialization of the city and by attracting to it the new working class. In the 1950s some Greeks, refugees of the Greek Civil War, settled in Nowa Huta.
The city is regarded by many to be the cultural capital of Poland. In 1978, UNESCO placed Kraków on the list of World Heritage Sites. In the same year, on October 16, 1978, Kraków's archbishop, Karol Wojtyła, was elevated to the papacy as John Paul II, the first non-Italian pope in 455 years.
Kraków's population has quadrupled since the end of World War II. After the collapse of the Soviet Empire and the subsequent joining of the European Union, Offshoring of IT work from other nations has become important to the economy of Kraków and Poland in general in recent years. The city is the key center for this kind of business activity. There are about 20 large multinational companies in Kraków, including centers serving IBM, General Electric, Motorola, and Sabre Holdings, along with British and German-based firms.
In recent history, Kraków has co-hosted various international sports competitions, including the 2016 European Men's Handball Championship, 2017 Men's European Volleyball Championship, 2021 Men's European Volleyball Championship and 2023 World Men's Handball Championship.