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This is an other picture of our new campaign for next summer.
I took it last week at the upper terrace which is on the top of our office in Varanasi (Benaras).
Anand who is our favourite model is holding a cushion in white linen with an embroidery made of flowers and swirls and matching with the throw in the background.
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Here is a shot from December 2. It was one of the craziest burns I've seen over San Francisco. There were so many colors and stages to this sunrise that I thought my sensor might have been fried from the overload.
Wishing everyone a Happy New Year, and looking forward to shooting in 2016!
Thanks for looking!
La foto con sensor desnudo se parece al efecto "orange-teal", si nuestro ojo fuera igual que un sensor de cámara de fotos, veríamos el entorno así.
With really warm temperatures, our workshop students' cameras were running a little hotter than normal. No, their cameras were not exploding but I did have a little fun with it in this single exposure image captured in Arches National Park.
How I Got The Shot
This is a 20 second single exposure image where I shot for about 15 seconds with the camera locked on the tripod before releasing the camera for the final 5 seconds. During this last 5 seconds, I moved the camera free-hand using the lighted LCD screens to make the smoke.
2020 Workshops Released
2020 events were just recently released so they all have spots available. Check out the exciting events at NightPhotographyWorkshop.com and be sure to use discount code "EARLYBIRD" for a 20% discount on workshop payments through the end of September. Our feedback is great so claim your spot today!
Google Translation
AGFA first used this mechanical support of the trigger force with the red trigger on the Optima 200 sensor from 1968. The purpose was to avoid camera shake by using a lower trigger force. This red trigger then became the trademark of all AGFA cameras. In fact, people even tried to transfer this symbol into the digital age.
Here I show a few late specimens, some of which were produced in Japan.
German
AGFA setzte diese Mechanische Unterstützung der Auslösekraft mit dem Roten Auslöser erstmals bei der Optima 200 Sensor von 1968 ein. Der Sinn war durch eine geringere Auslösekraft Verwackelungs-Unschärfe zu vermeiden. Dieser Rote Auslöser wurde daraufhin das Markenzeichen aller AGFA Kameras. Tatsächlich versuchte man dieses Symbol sogar in das Digital Zeitalter zu übertragen.
Hier zeige ich ein paar späte Exemplare deren Produktion teilweise schon aus Japan kam.
'HARLEY DAVIDSON WORLD CHESTERFIELD' - TAKEN ON A PANASONIC LUMIX DMC-FX12 COMPACT CCD SENSOR CAMERA. - AUGUST 2024
this is a result of my faulty card reader... a happy accident since I was able to re-import without the digital damage.
I know I risked my camera's sensor burning out because of the direct intense sunlight, but I just couldn't pass this shot up. :O
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For the person who can't have too much electronic gear.
Part of an ongoing series on Boxes ... making useful or decorative containers out of LEGO.
DC's own Sensor Ghost playing in Lost Origins Gallery in Washington, DC's Mount Pleasant neighborhood.
Building instructions and .ldr file available freely here.
What mainly inspired me for this build:
- intergalactic racing pit stop station something by LEGOLIZE IT MAN (2018).
- Bastard of Winterfell by dasnewten (2011).
- UNES Odyssey 21 by Kyle Collard (2013). I don't recall very well but I think this inspired me for the sensor array and the general black aesthetic behind the hull.
This is my tribute to that glorious era in the 2010's when people like dasnewten, Red Spacecat, LEGOLIZE IT MAN, Ryan Olsen, Alexander Safarik, Tim Schwalfenberg, only to name a few (find all the others in my favorites), were building all those amazing microspace ships more or less inspired by Homeworld universe, or with a brick-built hull.
This detects motion in the front yard and there is one in the backyard. The receiver's eyes light up and a selected chime goes off. Each sensor can have its own chime. So cool.
Testing out an infrared sensor I picked off of the auction site, works pretty good. I put a 3.5 mm plug on it and hooked it to the camera axe. Model number is E18-D50NK.
Selasphorus rufus
The first thing to say is that each electronic sensor has a protective filter over it, so we are not actually touching the electronics. That would be a disaster. Most people send the camera off for a service and a clean and that's a very good idea. After all this is an expensive investment and we want to make sure our camera works as well as possible for as long as it can.
But, it is quite easy to clean your sensor at home. All you need is a kit (like the one I've shown). This includes sealed sterile swabs and a little cleaning fluid (they are essential - do not try to clean your sensor with a cloth where you can scratch the dust into the sensor filter). There are also many videos on YouTube showing you how to use these dust cleaning swabs, but provided you get the right size for your camera (mine is full frame) a simple swipe will suffice.
For a DSLR you obviously need to lock your mirror up before the clean, and then lower it immediately afterwards. Then with the other side of the swab give your mirror a quick wipe as well. Do not apply too much pressure. After all, these are only tiny dust particles - you should not have any dirt.
My Leica D-Lux 7 which I used to take these pictures has a fixed lens, so it will never need its micro-four-thirds sensor cleaned.
Introduction to CMOS Image Sensors
evidentscientific.com/en/microscope-resource/knowledge-hu...
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Amazing. I finally cleaned my sensor and I'm overjoyed with the clean skies! This is pretty much right out of the camera, no cloning out dirt spots. Taken in Felicity, CA, just this side of the Arizona boarder.
Sensor X3foveon, cámara sd1 Merrill y lente sigma 15-30 ya veterana.
Todas las fotografías del volcán y su laguna realizadas con está cámara, con archivos que van desde los 45 mb hasta 58 mb.
Shot at FL-Studios. Post-processing done in Capture One 20.
The heresy continues... that Goerz (taking lens) dates back to around 1904. Such gentle rendering. Perfect match for digital!
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Ebony RW45e
SK Makro-Symmar HM 5,6/120
Linhof Quick Release Plate
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