View allAll Photos Tagged Sensor
Sensorkule fra Heimdall Power monteres på kraftlinje i regionalnettet på Jæren hos Lyse Elnett.
Montører fra Lyse monterer sensorkulen for første gang.
Terje Nevland, leder driftssentralen i Lyse Elnett (t.v.) og daglig leder i Heimdall Power, Brage W. Johansen
Con la nueva #NormaAmbiental, los sensores remotos identificarán vehículos ostensiblemente contaminantes.
On May 7th, with Kon-Hyong Kim and Muhammad Hafiz Wan Rosli introducing % implementing the SINUNI - sensor system
I
www.adafruit.com/index.php?main_page=product_info&cPa...
An assortment of the most common sensors used in electronics. 9 sensors and 3 additional components to interface with the 'analog world'. We have some tutorials here, to get you started.
Includes
* Sharp distance sensor with cable - for sensing distance
* Force sensitive resistor - for sensing pressure/force
* Temperature sensor - for measuring from -40 to over +125 degrees C
* Thermistor - another method of sensing temperature
* Hall effect sensor - for sensing a magnet
* Magnet - for use with the hall effect
* Piezo - can be used as a buzzer or a knock sensor
* Ball tilt sensor - for sensing orientation
* Photo cell sensor - for sensing light
* IR sensor - for sensing infrared light pulsing at 38KHz
* IR LED - for use with the IR sensor
refer to a reference sensor dust image first so you know how bad it is and where to wipe, then use torch light to examine.
then blow the sensor with the body facing down then only squeeze two drops of Eclipse to the pec pad and start the sensor clean proper
*Using the camera as a sensor*
The Man With a Movie Camera explores the possibilities of the movie camera in in the early days of cinema. The film aims to take observation beyond what people normally can see by for instance taking extreme camera positions. At the same time the film educates people about the posibilities of filming and editing by showing how the cameraman and editor work.
In the 1920s, Dziga Vertov aimed to support the Soviet Revolution with his radical new ways of filmmaking. In strong opposition to Hollywood’s dream factory, he wanted to build a ‘factory of facts’ as Tsivian relates on the DVD’s extra commentary track. Vertov was inspired by the specific qualities of the camera: “I am kino-eye, I am a mechanical eye. I, a machine, show you the world as only I can see it” he writes in one of his many pamphlets. Vertov believed that the camera could do better, more precise observations than the human eye and that we should exploit every possibility the camera and film editing offer. He was not afraid to change reality with the camera; he considered everything recorded by the camera to be real, as if the camera is a sensor that just relates factual data.
In his film Man with a Movie Camera (1929) Vertov gives a dazzling display of camera techniques that all catch life ‘unawares’. We see for instance a camera mounted on a car, following people in other cars while they drive home. This was not organised beforehand in any way, they ad hoc picked cars leaving the station. The sequence turns into an open game; it is a chase showing us the people in the car but also the observer with his camera on the car next to it. At first the women in the back of the car act as if the camera is not there but then they smile at it and wave. Vertov is not afraid to change the situations he observes. He wants to catch life unawares to see fresh, authentic reactions of people. If these are reactions to the camera that is fine too. In other sequences we see the camera take part in a football game and a motor race, hang out of a train or dangle above a water dam.
Using the camera as a sensor makes you see things in a new way. These techniques can make the familiar strange, a known design technique (e.g. Dunne and Raby’s Design Noir project) that could also be used when filming for design research to develop new perceptions of trivial products or situations.
On DVD in my archive, on VHS PAL available from the RCA library and on DVD from Amazon
Iautomation is mainly reputed for its presence detector sensors that can be used to monitor stairwells, private garages, galleries and washrooms. Not only this, these products can also be used to monitor warehouses as well as high bay storage. Most importantly, you can also use them to detect through walls. To know more please visit: www.iautomation.com.au
Kyle cleaning out the holes that were drilled in the back bumper.
For more information on our backup sensor options, go to www.MobileEdgeOnline.com
This shows where the water coolant temperature sensor is situated. I'm 6'2" and found it quite a stretch to get from the front of the car to here. I ended up lying across the top of the engine for quite a bit of the time. The yellow and green clothes block the air intakes just to ensure I didn't drop anything in them. Note that I took the air boxes off (not shown in this picture) but there is NO need to do this for this job.
This photo and the previous show a macro setup getting close to the maximum I can achieve with bellows, extension rings and a normal camera lens. The equipment is of various vintages.
I bought the extension rings around 1975 for my Praktica and then my Pentax ME Super. These rings waited decades in the period when I stopped using film SLRs and started using digital cameras (non-SLR). Finally, when I bought a Nikon D50, the rings came out to play again.
The lens was purchased second-hand and is ideal in this situation where there's no electronic coupling between lens and camera body, because there's a good old-fashioned aperture ring. I view the image with the lens wide open to frame and focus, then stop down to f/8 or whatever, adjust the exposure on the camera (Manual mode), then fire once using an IR remote to close the mirror (Mirror-Up Mode), then fire again to take the shot.
For a 30-frame focus-stack, this means I have to fire 60 times.