View allAll Photos Tagged Selenium,
"bird highway"
Rolleiflex sl 66, Delta 400, d76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
selenium sepia split toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Darkroom print on ilford rc cooltone, dodge and burn, selective bleach, agfa brown, selenium.
Holga 120
HP5 120 in D76
Claunch, N.M.
April, 1981
Leica M4-2, 50mm
Agfapan 100 in Rodinal 1:50
Lith print Jan 22, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
One of my first experiments with lith printing. Unpredictable and interesting if tedious process. Untoned prints tended towards a greenish yellow turning more to a coppery brown with toning.
Another from Þingvellir. Mamiya 645, 80mm lens. Delta 400 in Ilfosol-S. Printed on MGWT, toned in MT3 and Selenium
barber time...
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
Rolleiflex sl 66, delta 400, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+24 2min.
Sepia toner 2min.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Contact printing on digital negative film and Fomalux SP111 paper (18x24) , development Fomatol PW, bleached in a dilution of 1+40 . sepia toner in a diluition 1+9 and selenium toner in a diluition 1+20.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyro-48
Printed on Select Sepia VC (PE)
Developed in Eco 4812
Selenium 1+10
MT3 (B)
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Nikon FE
Nikkor 50mm f/2
Kodak Tri-X 400
Developed in HC-110
Scan from print
Paper: Fomaspeed var. 312
Toned in selenium
Just back from a very short break away. For some reason this year whenever I have some leave, the weather just hasn't played ball.
My 1st visit to Porlock Weir, on a very grey and drizzly afternoon, I sat patiently as the tide rolled in, waiting for the rain to ease just enough to try a long exposure shot.
Processed with Nik Silver Efex for monochrome then added a subtle blue Selenium toner effect to the image.
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Cambo Wide 650 (6x12) - with Fuji Acros 100 developed in PMK
Pictorico OHP digital negative
Contact printed on Orwo 118
Two trays lith development
Selenium / Gold
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Mounted Focomat V35 print.
I'm still without a scanner hence the snapshot.
Mounted 9.5x12" selenium-toned silver gelatin print.
I'm spending as much time as possible in the darkroom these days, printing new work.
I hope you're all having fun!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Another photo from my Gran Paradiso walk, it was quite productive - the area is so beautiful.
Some technical stuff: Canon F1N, 135 2.8 (I think). Film was Ilford FP4+, self-developed in Tetenal Ultafin.
Printed on Ilford MG IV, developed in Amaloco AM6006, selenium toned.
Enlarger: Durst M670
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Darkroom print of 35mm negative on Foma 112 RC, slightly toned in sepia and selenium.
Ilford FP4+ in D76 1+1 for 11:00 minutes. Camera: Nikon F-801s with 50mm/1.8 AF-D.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
… or perhaps selenium would be more accurate (it’s kind of a bluey purple).
This wobbly was taken in May at the RHS gardens at Wisley, from under shady trees looking out on a bright sunny day.
The result was quite curious with this rainfall effect. It reminds me of the pixel sort function that you get in some distortion apps like MirrorLab even though it’s a straight ICM. Normally I don’t get a result that is quite so textured. As the shutter was quite fast there would have been only one movement: straight up (or possible down). The Mistress Serendipity was at play again :)
I tried rendering it in monochrome and was surprised at the result. I thought you might lose the sense of trees but they are still there. I’ve recently previewed more of my wobbly takes in black and white, and some of them seem to work quite well. So that’s another thing for me to explore in my 100x project this year.
Thank you for taking the time to look. I hope you enjoy the image. Happy 100 and Donnerstagmonochrom :)
[Hand wobbled in bright daylight.
Developed in Capture One.
Processed in Affinity with heavy sharpening.
Converted to monochrome in Nik Silver Efex with a light selenium toning, playing a lot with brightness and contrast to get a pleasant balance between the rain and the texturing in the foreground grass, while maximising the rain textures...]
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
I realized I needed to work harder on my darkroom skills, if I want to get just a little bit close to the epic landscapes of Don McCullin.
So over the last couple of weeks, I've been teaching myself dodging and burning techniques and more elaborate use of filters for contrast control in the darkroom.
Bottom half is printed grade hard (magenta), sky is burned grade soft (yellow). Toned in selenium 1:19, 3:00 minutes.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
One of my first ever analog photos! Jokingly, I bought the last single use camera they had at some souvenir store on my visit to Bavaria back in 2015. The cashier told me something like "oh but this is still film, you know, no one buys that anymore". I didn't care much, bought it, shot with it, then mostly forgot about it. I had it lying undeveloped in some closet for a few years until I actually had it developed by a local drug store chain. And so, my analog journey started.
It was only recently that I came across the negatives from this camera again while looking through old photos. This one was a stand-out shot to me, it just worked. Originally, it was a color photo but I had the idea of trying it as a lith print in b/w – and so I did.
This was by far the longest photo paper exposure I've had to date. The negative was pretty dense thanks to heavy fog plus it had the brown/orange color masking too.
I've made three different lith prints – including this one. Still have a hard time deciding which is the best but this one hits my original vision the closest, I think.
With its super fuzzy and unsharp look, I kind of wish I had kept the camera itself... makes for very interesting, artsy shots!
Lith print onto Agfa Multicontrast Premium MCP 312 RC with Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+50
Unknown single use camera + unknown plastic lens + unknown C-41 film (how helpful ;))
C-41 lab development
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
contact printing on Fomatone fb classic (18x24). paper (18x24) , development Ilford PQ Universal. Selenium toner in a diluition 1+20.
This print was slightly lighter than the previous example before toning.
Polychrome print on Forte PW15
1st toner SE1 Selenium 1+20 2 mins on the left,
2nd toner MT10 Gold (16th print in 450ml) 2 mins - not a good idea, because the print was already too dark for this toning, the density increases considerably as expected. A wrong decision, but an example to demonstrate what happens and how such results can be corrected.
On the right, an attempt to lighten a print that was far too dark. Because there is still enough untoned silver after the gold toning, it can be bleached with Ferricyanide and then fixed.
Ferricyanide-Bromide bleach 1+100 1:30 mins, ATS Fixer 1+5 15 secs.
Result: reddish Selenium shadows and bluish lights (much bluer than before bleaching).
A drawback is the excessive brightening of the highlights if bleaching is carried out until the lower mid tones are brightened as desired.
Kingsgate Footbridge above the River Wear in Durham City with a Selenium B&W finish. The student Union Building is on the left
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Super Isolette, Tri-x in efd,
Select Sepia VC (PW15),
two tray Lith and Catechol,
untoned on the left,
two toners on the right
1st MT1 Selenium 1+20 one minute,
2nd MT10 Gold two minutes.
Hasselblad 501cm, Sonnar 150mm.
Window light
Ilford HP5 in Xtol, N + 1. 14:15 min.
Printed on Ilford MG and developed in Dektol. Finally toned in thiourea and selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
(... in selenium colour shade...)
in Explore Jan 17, 2009
Sometimes I think I'm creeping or crawling... ever and ever again...
but it makes me happy in a way... so please don't wonder...-
meet me beneath... on the floor...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Darkroom print on Fomabrom 111 with well seasoned WA Print developer, followed by toning in Selenium 1+19
Negative: Adox CHS II, developed in Rodinal 1:25 for 6:00 minutes
Camera: Hasselblad 500 c/m with 2.8/80mm Planar and 3x yellow filter
North Carolina Outer Banks wild horse.
Silver gelatin lith print, 2011. 9x12" on 11x14 Fomabrom 112 in Arista Lith, Moersch MT3, Selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper