View allAll Photos Tagged Selenium,
Rolleiflex sl 66, Hp5, DDX 1+4
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Rolleiflex sl 66, trix 400, d76
Ilford multigrade fb classic 5k mat
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Holga 120N, Tri-x in efd,
Polychrome prints on a later batch of cd-free Kentona,
on the right somewhat darker and toned:
MT1 Selenium followed by MT3 Vario Toner.
Rolleiflex sl66, Trix400,d76
Ilford multigrade fb classic 1k
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+19 2min
New version.:-)
Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
1st untoned Catechol and Meritol
2nd MT3 Vario (Thiourea) toner
3rd MT3 Vario followed by MT1 Selenium 1+20 2mins
"someone painted the sky"
Rolleiflex sl 66,Kodak Trix 400, Xtol
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
selenium sepia split toning
"river of life"
Rolleiflex sl 66, HP5, D76 1+1
Ilford multigrade fb classic 1k
PQ universal
stop bath water
Alkaline Fixer
Selenium-sepia duotone with dilute bleach bath
Rolleiflex sl 66, Delta 400, DDX 1+4
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min.
Holga 120N, PXP @ISO400, in efd, Kallitype onto Hahnemühle Platinum Rag, Sodium acetate developer, ATS alkaline fixer, toner experiment with a new Selenium formulation
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
Rolleiflex sl 66, Delta 400, DDX
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
selenium sepia split toning
After this developer combination, the mid-tones also increase significantly in density when toned with selenium!
For a combined toning with selenium and iron blue toner, the print must be lighter overall.
MT1 Selenium for the shadows 1+6 1:30 minutes, followed by a watering of at least 20 minutes.
MT7 Iron blue toner 5+5+10+5+500 45 seconds, also the already selenated shadows become cyan.
Lead acetate 2.5% 30 seconds shifts the colour towards blue, the selenium toning in the shades becomes visible again.
Nach dieser Entwicklerkombination legen auch die Mitteltöne deutlich an Dichte zu, wenn mit Selen getont wird!
Für eine kombinierte Tonung mit Selen und Eisenblautoner muß der Print insgesamt heller sein.
MT1 Selen für die Schatten 1+6 1:30 Minuten, gefolgt von einer Wasserung von mindestens 20 Minuten.
MT7 Eisenblautoner 5+5+10+5+500 45 Sekunden, auch die schon selenierten Schatten werden blaugrün.
Bleiacetat 2,5% 30 Sekunden verschiebt die Farbe Richtung Blau, die Selentonung in den Schatten wird wieder erkennbar.
Hasselblad 501CM, Planar 100 with extension tube, yellow filter, Plus-x @250 ASA in efd,
vanDyke on Hahnemühle Platinum Rag,
MT10 Gold toner 1:30 mins for the lights,
followed by MT17 Selenium toner for Kallitypes 1 min.
The loading facilities at Tunstead Works. A selenium toned monochrome image.
The loaded bogie box wagon train was just departing while the train of tankers seemed to be moving in to the loading area.
Training in the bay at Thessaloniki, Greece. Colour shot converted with PT Photo Editor into B&W - selenium tone.
Holga 120N, Rollei RPX100 in Tanol (N+2) 15 mins at 20°C,
kallitype onto Hahnemühle Platinum Rag,
experiment with a different Selenium toner setting
Taken on a recent trip to Donegal
Nikon F5 with 50mm pancake and yellow filter. Foma 100 devd in Rodinal. Paper is ilford MG devd in Moersch 4812. Moersch Selenium, Moersch Siena, sodium sulphite.
APX100 35mm, Finol.
Kallitype onto COT320,
Rochelle salt developer.
Above untoned,
middle MT16 Kalli-Selenium toner 1+100 3 mins,
below Nelson Gold toner 2 mins at 43°C
So plotty that you can see the ink ...
APX400 in Rodinal
2 tray lith (catechol NH4Cl) onto PRW138 + selenium
From my first test film with the Seagull 4A TLR.
I used this negative to try out a few new-to-me papers. None of them responded satisfactory so I ended up going with Fomaspeed again because I know what it looks like ;)
I recently ordered some new chemistry I'm excited to try out, I just thought that this negative wasn't so well suited for that. Matter of fact, I think this negative might work really well as a "boring regular" print on contrasty paper. I might have a try at that too.
Fomaspeed Variant 313 in Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+10
Seagull 4A + Ilford HP5+ (expired '09; EI 200 untested)
Rodinal 1+50; 11:00 @ 20 °C (untested)
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Lithprint su Fomatone MG
1)Lith(SE5 Moersch)20+20+8+1500 H2O
2) 10 Omega+ 10 Catechol+ 1500 H20
3)toned Carbon (Moersch)
4)selenium 20+1000 H20
5)Carbon
6)grazie Antonio :-D
Eos 1n, EF 16-35.
Rollei RPX 100 in Rodinal 1:100.
.
Lithprint on Leonar Leigano with
Moersch Easy Lith . Selenium and gold toning.
Explored - Thank you !
Another shot from Garry beach. Selenium toned because the colour original looked a bit flat and uninteresting.
Rolleiflex sl 66, Delta 400, DDX 1+4
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min.
Sepia toner
Hasselblad 501cm Planar 80mm,
Delta 3200 @ISO1000.
Lithprint 25x25cm on Select VC (PW14)
1st tray: SE5 Lith A,b,d,water 60+60+60+2000ml 8 minutes,
2nd tray: water 1600ml + Pyrocatechol and Lith B each 40ml + NH4Cl 20% 10ml 2:30 minutes.
MT1 Selenium toner 1+10 2:30 minutes.
Fomatone 532-II in Lith and Pyrocatechol.
Left MT1 Selenium toner 1+20 3 minutes.
Right MT1 Selenium followed by MT10 Gold (11th print in 450ml) 4 minutes.
Tried some Fomaspeed Variant 313 with lith developer yesterday evening. The results really excited me: a nice slight sepia tone, lots of heavy grain and strong blacks. The paper has a nice finish too. It's fairly cheap and looks great in regular developer as well. Over all, very happy with it!
Fomaspeed Variant 313 with Moersch Easy Lith 1+20
Selenium toned in Moersch MT 1 1+20
10s @ f22
Intrepid 4x5 Mk5 + Schneider-Kreuznach Super Angulon 90mm f8 + Fomapan 100
Adox Rodinal (1+25; 4:00) at 20 °C
Expiry date: 2023-06
Exposure index: 64
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Selenium toned van Dyke
Whitehouse Beacon II camera with flipped lens
46mm Ilford HP5+ (127 format)
Olema, California
Rolleiflex sl 66, delta 400, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Rain on the filter which blured and marked the print a bit.
Nikon F100, 24-70, Orange Filter, Foma 100 devd in R09. Ilford MGWT Paper devd in Moersch 4812 and Moersch Selenium.
Fomatone 132
Lith&Catechol
MT1 Selenium toner 1+20 45 seconds
Schleiervermeidung bei Zweibad-Lith
Die beiden speziellen Entwicklerkonzentrate (Siena und Catechol) für farbigere Bildtöne nach Lith sind angesäuert um sie für Jahre haltbar zu machen. Sie benötigen also wie der Lithentwickler ein Alkali, um sie zu aktivieren, wobei dann noch keine sonderlich farbige Entwicklung stattfindet. Erst der Zusatz von Ammoniumchlorid verursacht eine höhere Farbigkeit als die, die schon im Lithentwickler entsteht. Bei der Mischung der drei Komponenten sollte ein pH-Wert zwischen 9.5 und 10 erreicht werden. Bei einer gegebenen Menge von Entwicklerkonzentrat (z.B. Pyrocatechol 20ml auf 800-1000ml Wasser) werden etwa 10-15ml Lith B zur Aktivierung benötigt. Wird auch Ammoniumchlorid zugesetzt, sollte die Menge zunächst nur bei etwa 10ml (oder weniger) liegen wobei der Bedarf an Alkali dann auf 20-30ml steigt. Das Mischungsverhältnis und die Verdünnung mit Wasser ist für jedes Papier leicht durch eigene Versuche zu ermitteln. Bei einem ersten Versuch sollte besonderes Augenmerk auf einen eventuell vorhandenen Schleier beim unbelichteten Bildrand gerichtet werden. Ein leichter Schleier mag tolerabel sein, oder wird nicht unbedingt sofort erkannt. Ist jedoch eine Selen-, Gold- oder Schwefeltonung vorgesehen, kann es zu einer bösen Überraschung kommen, denn diese Toner verstärken gnadenlos jeden noch so schwachen Schleier. Bei einer zu hohen Menge von Ammoniumchlorid und Alkali nimmt der weiße Bildrand eine schwach gelbliche Farbe an. Sollte dies der Fall sein, ist ein Zusatz von Antischleiermittel erforderlich. Von Lith D (1+4 verdünnt) werden dann 0,5 ml bis 3 ml pro Liter Entwickler benötigt um den Schleier zu unterdrücken.
Preventing fogging with two-bath lith process
The two special developer concentrates (Siena and Catechol) for more colourful image tones after lith development are acidified to make them last for years. Like the lith developer, they require an alkali to activate them, although no particularly colourful development takes place at this stage. Only the addition of ammonium chloride causes a higher colour intensity than that already produced in the lith developer. When mixing the three components, a pH value between 9.5 and 10 should be achieved. For a given amount of developer concentrate (e.g. 20 ml of pyrocatechol in 800-1000 ml of water), approximately 10-15 ml of Lith B is required for activation. If ammonium chloride is also added, the amount should initially be only about 10 ml (or less), in which case the alkali requirement increases to 20-30 ml. The mixing ratio and dilution with water can be easily determined for each paper by conducting your own tests. During the first test, particular attention should be paid to any fogging that may be present at the unexposed edge of the image. A slight fogging may be tolerable or may not be immediately noticeable. However, if selenium, gold or sulphur toning is planned, this can lead to an unpleasant surprise, as these toners mercilessly intensify even the slightest fogging. If the amount of ammonium chloride and alkali is too high, the white image edge takes on a faint yellowish colour. If this is the case, an anti-fogging agent must be added. Lith D (diluted 1+4) is then required in quantities of 0.5 ml to 3 ml per litre of developer to eliminate the fogging.
Kallitype toned in Selenium. Original image made with Intrepid MKII 8x10 with Intrepid MK2 8x10 with Fujinon f/6.7 W 250 and Fomapan 100 (ASA 50) developed in Rodinal 1:50.
Digital negative made with Pictorico Transparency Film printed on Epson R3000. Contact printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes.