View allAll Photos Tagged Selenium,
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Fuji Neopan 400 in Finol
Fotokemika Varycon in Eco4812
toner MT3 Vario thiourea (yellow) and Mt1 Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Rolleiflex 3.5E
Planar 75mm 3.5
Rolleinar 2
Ilford HP 5
Developed in Kodak HC-110 (B)
Scan from print
Paper: Fomatone MG 131
Lith developer: Rollei Super Lith
Toned in selenium
Leica M6, 50mm, Kodak 400TX, D76, 400 Iso, 20°C.
Printed: ILFORD MG ART 300 24x30,5cm - Selenium toning
Melon yard potting shed, Heligan Gardens, Cornwall. Shen Hao 4x10, 121mm Schneider Super Angulon. 2:40 @ f/32 Ilford FP4+ in Pyrocat HD. Sepia and Selenium split toned contact print on G3 Lodima in Ansco 130.
The same procedure as the previous one with additional Iron toning.
MT3 Vario (bleach 1+75 2 mins, toner setting "B") followed by MT1 Selenium 1+100 2 mins and MT7 Iron Blue 40+40+80+40+2000ml 1 min
Negative shot by Retina IIIS with 35mm Curtagon
Print 30x40 cm, selenium and sepia toned
Personal comment: sharpness is overrated, sometimes
Again a lith print was used as a template for a Kallitype in order to achieve a grainy result.
Bergger Cot-320 MT14 Selenium 1+100 2,5 minutes
Nikon FE
Nikkor 50mm f/2
Kodak Tri-X 400
Developed in HC-110
Scan from print
Paper: Fomaspeed var. 312
Toned in selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
On the way back home I stopped at Rocky Mountain National Park. It was still winter up there last May. I got a few shots before the snowstorm began in earnest and chased me out of the high country. I don't post too many heavily manipulated images, but I liked this monochrome in selenium tone... there wasn't much drama in the color version. Somewhere in my archives I have a slide of Longs Peak in color that looks quite a bit like this...
Longs Peak rises to 14,259 feet (4,346 m) above sea level, the only fourteener in Rocky Mountain National Park.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hasselblad 501 CM
Distagon 50mm CFE
PanF @25
Rodinal
Printed on Fomabrom Variant 111 (Glossy) - FB paper
Developed in Moersch Eco 4812
Selenium Toned (Moersch MT-1)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Forte Polywarmtone PW17
Two trays Lith:
LD20/D
Catechol/G
Kodak Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
I toned the original print in selenium toner diluted @ 1:200 for about 2 minutes. It's not easy to see on screen, but the print has bleached slightly, the contrast has reduced a little, and the tone has become less red. I like the colour.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
In this series the emphasis will be more on architectural shots and combining this with long exposures.
Some may question if this is architecture, I think it is, anyway it is man built.
This one is dedicated to one of my Flickr friends Joshua Wyborn. Although only being 17 he's already shown a high level of depth and maturity in his work that other more experienced B&W photographers can only dream of. His understanding of light, contrasts, tonality, mood and all of the finer skills in B&W photography is amazing for someone his age. My word, the world will hear more of him in the years to come. So check out his work.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
121s (2min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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Scanned print.
Mamiya 645 ProTL w/ M-S 120 mm f4 Macro (1:1).
Rollei RPX 25 in Rodinal 1+100, semistand 1 h.
Printed on Fotokemika Varycon RC, developed in Moersch Eco 4812 and split toned in Thiourea-Selenium.
Se is not only important as a toner in analog photography, it also exhibits light-sensitive properties and thus was used in light meters (surprisingly correct even after >50 years).
From left: Zeiss Ikophot, Walz Corona and Weston Master II.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
TIRAGE DE LECTURE
PAPIER BARYTE MAT FOMA
VIRAGE SÉLÉNIUM
M2 / SUMMICRON 40
ROLLEI RPX 400 A 1600 /D76 STOCK
Voigtländer Bessamatic de luxe (1962-1964)
The Bessamatic is a beautifully made 35 mm SLR with a coupled selenium meter and a leaf shutter.
And by the way, the correct German pronunciation of "Voigtländer" is "Fohkt-lenda". It's easy. No need to force the lower jaw painfully to left and right, quavering something along the lines of "Voyyyygggtlunnder".
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Mamiya RZ67 Pro II with Kodak Plus-X 125 developed in HC-110 b
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Mamiya RZ67 Pro II with Kodak 100TMX developed in Pyrocat-HD
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.