View allAll Photos Tagged Selenium,
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
FP4 35mm in eco film developer (N+1), print negative Fixxons 17,5x25cm,
Kallitype onto Hahnemühle Platinum Rag,
developer Sodium acetate, clearing bath Citric acid, ATS alkaline fixer, toner MT16 Selenium
"And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about." — Haruki Murakami
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My work is for sale via My Chilly Bin, Getty Images and at Redbubble and 500px
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© All rights reserved. Use without permission is illegal ©Todos los derechos reservados. El uso sin permiso es ilegal - ©Alle Rechte vorbehalten. Die Verwendung ohne Genehmigung ist illegal - ©2014 - Tom Raven - Toute reproduction, même partielle INTERDITE
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
3 toners: MT3 (thiourea) for the lights, MT1 Selenium for the deep blacks, MT7 Iron Blue for the rest
HP5+ @ 800 - XtolR- Olympus Pen F - Zuiko 38mm - Printed on Adox MCC 110 toned with Moersch MT3a and selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
My darkroom is alive...
Darkroom print on Foma FB 111, selenium toned 1:9 followed by a light sepia (fotospeed). Negative is 6x9 by Royer folder with Angenieux lens. Film: Fomapan 400, developed in Adox Silvermax developer (2nd use) 1:49 for 25 minutes.
Bleach 1:50, toning somewhat complicated because of a lack of re-development. Although I like the tone, I'll try another sepia toner next time (maybe Foma).
Visit my Print Shop
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Downtown Chicago, photographed in May 2015, printed in 2020.
Hasselblad 500C/M, 80mm Planar, Ilford HP5+, Replenished Kodak Xtol, Ilford MGWT fiber semimatte, Replenished Ethol LPD, toned in Moersch MT-3 and Harmann Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Bergger Prestige CM
Developed in SE6 Blue
Selenium / Thiourea
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Crown and Spouse, taken at Cimitero Staglieno Genova about 40 years ago.
printed Dec. 2012 onto Slavich Bromportrait
Two tray Catechol & Sepia
multiple toning
MT1 Selenium 1+10 20 secs
MT3 Vario - bleach 1+60 15 secs, toner setting B
MT7 Iron Blue 5+5+10+5+700ml 45 secs
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
The black churches can make for great photographs, but I've seen a number of them and I was fascinated with the cemetery surrounding this one.
Hasselblad 50mm lens, Acros film, Ilford multigrade warm tone paper with selenium toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
HP5+ Rodinol
This time on Ilford MGFB Gloss Grade 3
in Moersch Eco 4812 Selenium tonę.
Punchier than the Foma version.
Liking Moersch Eco 4812. I think its going to be my go to for normal prints.
Trees at the Gran Paradiso, walking back to the valley in the evening. Looking Near Ceresole Reale, Piemonte.
Taken with a Canon F1n on Ilford FP4. Self-developed in Tetenal Ultrafin.
Printed on Ilford MGIV, developed in AM6006, selenium toned.
'Scanned' with iPhone 5s - surprised how well that worked
Pinhole camera.
Kodak TMax 400 / Xtol
Foma Fomabrom Variant 112 / Ethol LPD / split sepia/selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
My latest booklet “Rive Gauche” is available as a standard edition and a special edition with a selenium-toned silver gelatin print: “Musée d’Orsay, 2022” (pictured above). While all of the photographs in the book are portrait orientation, the special edition print—a ‘bonus’ image from the series—is in fact in landscape orientation, available only in an edition of just 60: www.kityoung.co.uk/rive-gauche-special-edition
"Kit Young’s series Rive Gauche is an ode to Paris that unreservedly encapsulates the feeling of being in that city. Even if you’ve never been, you’ll instantly be transported to a little café, watching passersby scurrying about their day.
Much like his predecessors André Kertész and Louis Stettner, Kit Young is a guest to Paris, invited in, time and again, to effortlessly capture the subtle glints of light and life that the city provides..."
— Michael Hulett, The Hulett Collection
I am so grateful to everyone who has supported this new publication so far ✨🙏✨
Edition of 600
21cm x 15cm / 28 images / 42 pages
Foreword by Michael Hulett, The Hulett Collection
Design by pete gardner
Published by OneThreeFive Press, 2022
ISBN: 978-1-7391159-0-6
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
A super classic, I know, but I love those cliffs
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Ilford Art 300
Developed in Catechol/Sepia
Toned in Selenium / MT3
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