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The Goodyear blimp Wingfoot Two has landed at its base in Suffield Township, Ohio, and the ground crew is working to secure it. The blimp has just landed after a trip from Columbus, Ohio, where it had helped cover an Ohio State football game the night before. Note the duck paddling past in Wingfoot Lake and leaving a trail in its wake.
Can't remember the password to your security system? Tape it to the top of your computer. Problem solved.
Trump National Doral Miami
-- The Kaskel Years --
Immigrating from Poland in the 1920's, Alfred L. Kaskel (1901–1968) used his skills to open in the Coney Island neighborhood a small building supplies store which led to early opportunities as a building contractor. Kaskel saved his money and was able to build his first apartment building on Parkside Avenue in Brooklyn. By the age of 30 he was a millionaire. He reinvested the profits and rose to prominence in New York City real estate in the postwar period - as did Donald Trump's father, Fred Trump and Sam Lefrak - by securing low cost government loans to build housing for returning GIs. Kaskel realized the potential for affordable housing in New York City and developed apartments in Forest Hills-Kew Gardens-Rego Park, Queens. In 1945 Kaskel bought the Belmont Plaza Hotel on Lexington and 49th Street - which marked his beginning of a rapid acceleration into the hotel real estate. Kaskel (Carol Management named after his daughter Carole) bought Coney Island's famed Half Moon Hotel for $900,000 in 1947. Kaskel sold the hotel in 1949 for $1,000,000 to the Harbor Hospital of Brooklyn.
By 1958 Kaskel was a part time resident of Miami and built the Carillon, a 620 room palace designed by Norman Giller, the celebrated “father” of Miami Modern (MiMo) architecture at Collins and 68th. The Carillon epitomized resort culture in Miami Beach. In 1959, it was voted Miami Beach’s “Hotel of the Year.” A glamorous night spot, the Carillon became known during the 1960s for its famous guests, lavish parties, cabaret shows, and big-name entertainment. Kaskel enjoyed golf - it led him to the swampland west of the Miami Airport and the Doral Country Club. Alfred and Doris Kaskel purchased 2,400 acres of swampland between NW 36 Street and NW 74 Street and from NW 79 Avenue to NW 117 Avenue for about $49,000 with the intention of building a golf course and hotel. At that time there was no paved road to the property. Kaskel's wife and daughter thought he was crazy to purchase the property and called it "Kaskel's folly". In 1962, the Kaskel's dream came true when they opened a hotel and country club that featured the Blue, Red and Par 3 golf courses. They named it Doral - a combination of Alfred and Doris. The Doral was the most luxurious resort constructed in South Florida since the Miami Biltmore in Coral Gables opened in the 1920's. The Doral Country Club was built for $10 million by Kaskel's family owned real estate firm, Carol Management. The Doral golf concept was to build multiple golf courses with a central country club, dining, meeting facilities and lodge rooms and reserve the fairway views for future house, condo and apartment buildings. In 1963 Kaskel also opened the 420- room Doral-on-Ocean - as the sister hotel to the Doral Country Club. The Doral Beach Hotel was long considered the most elegant and luxurious hotel in the area. It won several Mobil Five Star awards. It was said Kaskel did not have a mortgage on the Carillon Hotel, Doral Beach of the Doral Country Club - all funded by the thousands of apartment houses he owned in New York City.
Kaskel hired Louis Sibbett "Dick" Wilson and his assistants Joe Lee and Bob Hagge (Robert von Hagge) to design Doral's two regulation length golf courses plus a par-3 course. Wilson was the architect for Bay Hill in Orlando and La Costa in Carlsbad, CA. Since much of the land was swamp Mr. Hagge excavated enough land to route fairways through the water infested terrain just as Kaskel had requested. The intention was to use existing water as an ever-present hazard compensating for the very flat landscape. In May, 1963 construction began on the White Course, for the Doral complex, but it needed dirt, and so the lakes were dredged and enlarged on the Blue course from 60 acres to 75 acres. Kaskel hired Bob Hagge to design the White course. As a result of the building of the new White course, the par-3 course was redesigned since they were both located on the same parcel of land. On January 20, 1966 the Doral Country Club White Course opened and in December 1966 the redesigned Par 3 course reopened. Since the Blue Course had been renamed the Blue Monster, the other courses were renamed as well. The Red Course was renamed the Red Tiger, as Jackie Gleason once called the course. The White Course became known as the White Wonder, and the Par-3 Course became known as the Green Course or the Green Hornet. In 1968, Robert von Hagge and Bruce Devlin were hired to build the fifth course at the Doral Country Club - the Gold Course. In January, 1970 the Gold Course opened for business and received the moniker of Bachelor's Gold.
Kaskel put up a large purse to attract a PGA event at Doral in 1962. The tournament was held on the Blue Course and was named the Doral Country Club Open Invitational. Billy Casper was the inaugural winner of the Doral tournament. For that triumph, Casper earned $9,000 of the $50,000 purse. After watching the professionals struggle on the Blue Course, the tournament director Frank Strafaci gave the Blue Course the nickname 'The Blue Monster' which stuck. Doral's Touring Golf Pro for many years was Seve Ballesteros.
By 1978 the Kaskel family had grown the Doral brand to 8 hotels including in NYC: Doral Tuscany (now the St Giles Tuscany), Doral Park Avenue (now the Iberostar), Doral Court (now the St. Giles The Court) and the Doral Inn (originally the Belmont Plaza and the former W Flagship hotel now the Maxwell). In 1987, a spa wing was added to the Doral Country Club's hotel and the facility was renamed as the Doral Golf Resort and Spa. Prior to its renovation, the 800 acre complex was reported to feature "four golf courses; 700 hotel rooms across 10 lodges; more than 86,000-square-foot of meeting space, including a 25,000-square-foot ballroom; a 50,000-square-foot spa with 33 treatment rooms; six food and beverage outlets; extensive retail; and a private members' clubhouse.
--- The next five owners - KSL, CNL, Morgan Stanley, Paulson & Co. and Donald J. Trump ---
In 1994, the Kaskel family (Carol Management) sold the resort to KSL Recreation, a Kohlberg Kravis Roberts affiliate focused on premier golf facilities, for approximately $100 million. KSL Recreation was formed in 1992 (Henry Kravis, Michael Shannon and Larry Lichliter) as a portfolio company of Kohlberg Kravis Roberts & Co. KSL investors include public and private pensions and high net worth individuals. KSL appointed Hans Turnovszky as the new general manager. KSL planned a $30 million renovation. Starwood Capital was another interested buyer. The renovation included the remodel of ground floor restaurants (Terraza and Champions Sports Bar and Grill), all rooms and the 4 golf courses.
By 1995 the 4 courses (Blue Monster, Gold, White and Red) at Doral were frayed around the edges after some years of neglect. The Blue Monster was dropped off Golf Digest's list of the best 100 courses in 1993. In an effort to update the Blue Monster's difficulty in relation to changes in golf technology and skill, KSL contracted Ray Floyd to renovate the course in 1995. Floyd added and enlarged the already numerous bunkers narrowing many landing areas from the tee. The course was challenging under ideal conditions, but in normal tradewinds the alterations proved too penal and very unpopular. In 1999 Jim McLean, the Doral golf instructor, was asked to take the edges off Floyd's modifications.
In 1999 KSL sold 36 acres next to the Doral's golf courses to Marriott Vacation Club International for 240 timeshare villas. The sale marks the first time the Doral's owner, KSL Hotel Corp., relinquished a part of its property, said Joel Paige, KSL president and general manager of the Doral Golf Resort & Spa. KSL has agreed to let Marriott feed off the Doral's amenities by granting timeshare owners the same 40 percent discount and preferred access as guests at KSL's 700-room hotel. That includes the spa, golf courses, tennis courts.
In 2004 CNL acquired KSL for $1.366 billion and debt of $794 million for total acquisition cost of $2.16 billion. The resort portfolio of six included: 692-room Doral Golf Resort & Spa in Miami, Florida, 780-room Grand Wailea Resort & Spa on Maui, Hawaii, 796-room La Quinta Resort & Club and PGA West in La Quinta, California, 738-room Arizona Biltmore Resort & Spa in Phoenix, Arizona, 279-room Claremont Resort & Spa in Berkeley, California, 246-room Lake Lanier Islands Resort near Atlanta, Georgia. CNL placed the Doral resort under the management of Marriott International and renamed the property the Doral Golf Resort and Spa, a Marriott Resort. CNL said it would spend $40 million over the next three years on capital improvements at the Doral.
In 2007, CNL Hotels was acquired by the real estate arm of Morgan Stanley. The Doral was included in the portfolio of 8 resorts acquired by Morgan Stanley Real Estate for a total transaction cost of $6.6 billion. Michael Franco, the managing director of Morgan Stanley Real Estate said the resorts are extremely hard to replicate and will show excellent future growth from increased corporate group travel and leisure traveler markets.
In 2009, Doral's Silver Course was redesigned by Jim McLean and the course was renamed as the Doral Golf Resort & Spa - Jim McLean Signature Course.
In 2011, a group of creditors led by hedge fund giant Paulson & Co. seized control of the Doral and seven other properties from Morgan Stanley real estate funds. Morgan Stanley could not handle a $1 billion bond payment coming due. They quickly placed the Doral under Chapter 11 bankruptcy protection, and began seeking a buyer for the Doral. By selling Doral now the Paulson-led owners can use the cash to pay down debts and avoid making overdue capital expenditures of updating the property.
Donald Trump announced in October 2011 that he would buy Doral for $150 million and invest more than the purchase price to restore the property and make Doral great again. When asked what the renovation budget would be Trump has said "unlimited" which publicly became $250 million. The renovations were financed with $125 million in loans from Deutsche Bank. The Trump Organization's hotel management unit, Trump Hotel Collection, took over Doral's management in June 2012. Donald Trrump's daughter Ivanka took charge of the 700 guest rooms' redesign featuring Ivanka's "stylish palette of elegant neutrals, including ivory, champagne and caramel - accentuated with mahogany veneers and gold leaf Spanish revival details". Ivanka introduced her own brand synonymous with quality, elegance, and sophistication into every aspect; from the imported Austrian crystal chandeliers to the handmade Italian bed linens. The rooms were made over in to luxury suites that include massive marble baths with European styled whirlpools. All existing restaurants were gutted and a classic five-star "gourmet stunner" opened - BLT Prime.
Doral Golf Resort & Spa was renamed Trump National Doral Miami. The Blue Monster course was renovated by Gil Hanse and Jim Wagner and reopened in December 2013. After a Hanse/Wagner renovation, the Silver Fox course reopened in December 2014. The White Course was closed in January, 2015. The Red Tiger course reopened on January 12, 2015 and the Golden Palm course reopened in September 2015 after the Hanse/Wagner renovations.
The Blue Monster played host to the Doral Open on the PGA Tour from 1962 to 2006, and from 2007 to 2016 the WGC-Cadillac Championship made its home there. In 2016, it was announced that the tournament would be moved to Mexico City. In 2017 Rick Smith, best known as Phil Mickelson's former swing coach, replaced Jim McLean as the lead instructor at Trump National Doral Miami. McLean, a fixture at Doral through five owners and 26 years, moved his golf school to the nearby Biltmore Miami Hotel, where ownership has promised significant upgrades to its existing practice facilities. McLean called the move to Coral Gables "bittersweet."
Trump has been the target of dozens of liens from contractors who worked on the renovation project. On May 20, 2016, a Miami-Dade County Circuit Court judge ordered Trump National Doral Miami to be foreclosed and sold on June 28 unless the Trump Organization paid $32,800 to a Miami paint supply company. A 6-foot high portrait of Donald Trump hanging in the Champions Bar became controversial when it was reported to be purchased for $10,000 with funds from the non-profit Trump Foundation. The resort has challenged the local property tax assessments every year. In May 2019 it was reported the resort was in "steep decline" financially, in which its net operating income had fallen by 69 percent – from $13.8 million in 2015 to $4.3 million two years later.
David Feder has served as Vice President and Managing Director of Trump National Doral from 2014 to present. He previously presided over the Boca Resort and Club, Fairmont Turnberry Isle and the Arizona Biltmore. Paige Koerbel managed Doral in 2010 when it was operated by Marriott International and was there during the Trump acquisition. Joel Paige served as KSL's General Manager at Doral from 1995 to 2001. Paige is now the Chief Operating Officer at Kingsmill Resort in Williamsburg, Va.
Photos and text compiled by Dick Johnson
richardlloydjohnson@hotmail.com
Updates - Egypt, July 26, 2013**
Millions of Egyptians protested across Egypt, even before they broke their fast, after General Abd El Fattah El Sisi, Minister of Defense called for people to give a mandate to the Police and Armed Forces to fight terrorism and violence. The call was met with great support from the secular-political front on the same day. The popular support came after the Muslim Brotherhood and Former President, Mohamed Morsi's supporters have been cutting main streets across Cairo, killing many in different cities in the country, found torturing people to death in Rabaa sit-in, and making terrorist attacks in Sinai for a month. The protests that started at midday turned in a celebratory carnival after sunset amid great presence of police and armed forces, especially in the entrances of Tahrir Square and the vicinity of the Presidential Palace in Heliopolis, to secure the protesters.
On the other hand, MB and Morsi supporters marched peacefully in tens of thousands across the country in what they called "The Day of Discernment", army helicopters threw Egyptian flags at them. Yet violence still erupted in Alexandria and Damietta between both sides, while in Shubra, Cairo sectarian violence also took place. In an unusual reaction since June 30, the police have tried to disperse the clashes in Alexandria that left many dead and more than 140 injured. Birdshot and live ammunition as well as rocks and knives were used by both sides. A short while later the police and army were nowhere to be found and left the people again to confront each other. Rage also increased on the Islamist front after news that Morsi was arrested and will be taken to Tora prison have been confirmed. The ousted president is held over allegations of planning with Hamas to attack jails during January 25 Revolution and is to be kept in prison for questioning for the next 15 days.
Later in the day seven checkpoints and buildings, including a hospital, in Sheikh Zowayed, North Sinai were shot again during breakfast time. As the night fell on Cairo, Ezbet El Nakhl metro station saw an armed attack, whoever is responsible for the attack remains unknown.
A few who are against both Islamist and Military rules called for a protest in Sphinx Square in Cairo, what they called "The Third Square", that is against both sides.
Egypt, July 7, 2013**
Millions took to the streets today to continue their revolution. After being terrorized for the past two days by Morsi Supporters, they condemned terrorism and chanted against the U.S. Administration that supports terrorism by calling an uprising of millions a military coup. Egyptians continued their peaceful people's revolution, even if the U.S. calls it a coup.
Egypt, July 5, 2013**
The Islamists took to the streets to fight what they called a “military coup”. Minutes after the peaceful sit-in in Rabaa of tens of thousands listened to speeches by Islamist leaders, including Supreme Guide to the Muslim Brotherhood Mohamed Badei, inciting violence and hatred, violence erupted in Cairo. Morsi supporters moved in a march from Rabaa and were divided into two groups. A part went to the National Radio and Television Building in Maspeero and was pushed back by Special Forces of the army and police. They moved back to Abd El Moneim Reyad, trying to break in into Tahrir Square, where they were fought patriotically by protesters to protect the revolution’s square. This battle reportedly left eight dead. The other group went to Manial where they terrorized the residents and left six dead.
Later at night Islamist leader, Hazem Abu Ismaeel and Deputy Supreme Guide to the Muslim Brotherhood Khairat el Shater were arrested.
P.S. Both Tahrir and Manial were covered, but since going to Rabaa sit-in is too risky, especially for citizen journalists, there is no footage for it.
Egypt, July 3, 2013**
Egyptians revolted for the fourth day, now also in front of the Republican Guards building and mansion where Morsi is reportedly staying. The majority of Egypt today was waiting and counting down for the Armed Forces communique that was around five hours late. The reason behind this delay might be that they were trying to take control of things and getting ready to arrest Islamist and Muslim Brotherhood leaders. When the communique was finally out and declared that Morsi is no longer president people knew that violence will follow soon, nevertheless they still celebrated their victory.
Egypt, July 2, 2013
In a nonsense address to the nation late Tuesday, Morsi vowed to protect his presidency to stay in power and defend constitutional legitimacy with his life. The late night speech came after his statement earlier Tuesday, where he demanded that the SCAF withdraw their ultimatum, saying he wouldn't be dictated to.
On the other hand, many Politicians said that Morsi's speech equivalent to "civil war call" and its rehearsal is running now in front of Cairo University, where clashes erupted between the supporters of the president and the dwellers of Bain Al-Sarayat District.
In a quick response to Morsi's threats for his people, the armed forces spokesman declared on his official facebook page that "the army will sacrifice our blood to defend country".
The reaction of the protesters on Morsi's speech was simple and to the point; they gathered in many governorates and held up their shoes after the speech!
Egypt, July 1, 2013**
Protests continue for the second day after the official call for the revolution in tens of cities and villages across Egypt. While millions of protesters were sure that they will bring Morsi down, others decided to let it be known. Like the case of January 25, some protesters decided to show that they brought the regime down by protesting in front of the ruling group's headquarters. The clashes in the vicinity of the Muslim Brotherhood headquarters left eight dead and many injured when the MB youth shot live bullets at the protesters. Later the headquarters was broken into and set on fire.
Later in the day, the Armed Forces gave its first communique. The military helicopters that were met yesterday with great support from many protesters resulted in a statement declaring that the Armed Forces is on the side of the people. The Armed Forces gave "a final 48 hours for all sides to meet the people's demands, or else it will have to do its national duty of protecting the people." In the case of not meeting the demands before the end of the 48 hours, the Armed Forces will put its own roadmap and oversees its implementation. It was also stated that the Armed Forces will not take part in politics.
The communique was met by both the majority of protesters and people who didn't join with great support that has given the squares of Egypt a celebratory spirit. Secular political groups like the Salvation Front, the National Association for Change and Tamarod Movement also gave a positive reaction, but stated that protesters will ensure that the army stays out of the political life.
The Presidency and the Muslim brotherhood both announced that they will hold press conferences to comment on the communique, but none of them ever happened. Meanwhile the Islamist groups started mobilizing their youth in marches in more than six cities all over the country.
Egypt, June 30, 2013**
The second wave of the revolution has started! June 30 began as a much bigger movement than January 25. After a majority of Egyptians were fed up with Muslim Brotherhood rule they took their decision and lead the politicians to the street.
June 30 made a great start with millions of people revolting in almost all governorates of Egypt. With red cards and whistles, Egypt declared Morsi out. Rules were put for the protesters to never chant for or against the army or the police, but when a military helicopter started flying over Ithadeya many cheered for it. The loudest chant though was "LEAVE", all protesters united on one aim, to topple the Islamist fascist regime.
Meanwhile a few clashes between the regime supporters and revolutionaries took place in Assuyt and Beheira, leaving at least five dead and around 80 injured. In Cairo, the clashes were in front of the Muslim Brotherhood headquarters in Mokkatam where supporters fired bird-shot from the building and where met with Molotov cocktails from the protesters resulting in small fires inside the building.
June 29, 2013**
The Egyptian People did one final warm up before the Red Card comes out. Tamarod Movement (Rebel) held a press conference early Saturday at the Journalists Syndicate, the movement's founder announced that the final count was more than 22 million signatures. He called upon the people to protest on June 30 to continue what they started and topple the first civilian elected president one year after his inauguration for his failure in achieving the main objectives of the January 25 Revolution as well as putting the Muslim Brotherhood in control of the top of power of all country's sides of power. He also asserted that the number of signatures was a reflection of how much the public has turned against Morsi. It is noteworthy that the number of signatures collected is more than 85% of the number of voters in the presidential elections' second round.
Egyptians took their decision and raised the red card against President Mohamed Morsi!
Egypt, June 28, 2013**
As Egypt approaches June 30, the date of the uprising called for by Tamarod (Rebel), a movement that has already collected more than 22 million signatures to ouster President Mohamed Morsi, both excitement and apprehension fill the residents of the capital. In the governorates though, the protests have started earlier than expected. On the day of the governors' reshuffling people took the streets in all governorates that had a new Muslim Brotherhood governor. As the protests became bigger they have also demanded the removal of the regime.
In the past year, the life of the average Egyptian has become harder everyday; prices of essential products never seize to increase, people had to stand in endless lines to find diesel, every house and workplace all over Cairo suffer from water and power cuts. All this lead to rising aggression between a great percentage of the population. Anger was dramatically increased when Egypt ran out of gas and the streets of Cairo turned into one big parking lot.
By the beginning of the week, it has become known that Ann Patterson, U.S. Ambassador to Egypt met with Khairat El Shater, deputy supreme guide of the Muslim Brotherhood. The meeting with a non-governmental-official was never explained by the embassy, but it has become clear that the U.S. Administration still supports the Muslim Brotherhood rule, and President Morsi as part of it. The U.S. Administration that has always claimed to encourage democratic change in developing countries, proved itself wrong after the Arab Spring. It is now understood that the American support is always given to a group whom they believe will give them the most benefit regardless of the group's view on people's freedom. For this reason, a new addition to the revolution's banners was ones against Obama, Patterson and the U.S. Administration in general.
The Defense Minister, Abd El Fattah El Sisi has been very discreet about his stance regarding the Muslim Brotherhood rule. On Sunday he gave a vague speech that has kept people wondering if we'll be facing a coup in the coming days, especially when he mentioned that the army's role is to protect the will of the people. One day after the minister has spoken a National Security Council meeting was announced. The meeting's statement expressed the attendees' respect to peaceful protests and declared that the parliamentary elections will be held in a few months, once the elections law is approved. The presidency has also announced that the president will give a speech on Wednesday to celebrate the first anniversary of his inauguration.
Tamarod met the announcement of the president's speech with calling for a protest to watch him in Tahrir Square. After the whole country waited in front of a television, Morsi spoke for almost three hours saying complete nonsense. The speech that had not once mentioned June 30 or the clashes that were happening in Mansoura a few hours before he spoke, had one aim; to show that the army and police are on the side of the regime. This was proven, from the president's opinion, after both ministers of Defense and Interior were present in the front row listening to his speech, and after mentioning five times that he's the commander-in-chief of the police and armed forces.
Two days before the revolution, the plan was to mobilize all governorates but Greater Cairo's. Today what actually happened was that there were protests in almost every city and village in Egypt. While Alexandria, Dakahleya, Port Said, Dameitta, Monofeya, Gharbeya, Sharqeya and Beni Souief had huge protests, Greater Cairo had four sit-ins for the first time since January 25, 2011. As protesters poured in in Tahrir Square, others stayed in Kitkat in Giza, and others in front of the Ministry of Defense. A warm up has started with two small sit-ins in the vicinity of the Presidential Palace in Heliopolis. The day has faced clashes in many cities between revolutionaries and regime supporters that left two dead, one of which is an American citizen, and 227 injured.
**Text by: Mariam Saleh (mariam-saleh.blogspot.com)
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Lostinsound.org coverage of CoSM Vernal Equinox 3-22-2014
Photos by Kyle Rober
Kylerober7@gmail.com
www.facebook.com/lostinsoundorg
secure.cosm.org/np/clients/cosm/event.jsp?event=1373
www.facebook.com/SacredMirrors
www.facebook.com/events/1413009142275722
Andy Reed @ CoSM 3-22-14 www.mixcloud.com/infinitegeometry/live-cosm-the-chapel-of...
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Event Schedule:
7:30 - Doors Open
8pm - Opening Ceremony with Alex & Allyson
9:30 - Ceremony Ends - Celebration begins
10pm - Dance Music, Live Painters, Fire Performers, etc.
3am - End of the 2014 Vernal Equinox Celebration
With your hosts Alex Grey & Allyson Grey:
Music Lineup
Random Rab
Emerging from his own distinct corner of the West Coast electronic music scene, Random Rab offers a powerful and unique contribution to sonic exploration. Often referred to as “The Master of Emotion” his music is patently beautiful and melodic. With diverse influences ranging from trip-hop, classical and Arabic to bass driven compositions, his songs are considered anthemic and timeless. As a multi-instrumentalist and singer, his tracks are organic, uplifting and stand on their own as a distinct genre. Listeners of all types of music can find something they can relate to in this sound. He has toured extensively across North America, including tours with Bassnectar, Shpongle, Beats Antique and headlined several festivals across the country.
There is no doubt that Rab understands a multitude of musical styles. He has been the front man of a heavy metal band, toured as a classical trumpet player, played bass in a country music band, was a scratch DJ for a jazz fusion project, was the singer for a rock band in Mexico and has collaborated with countless musicians of all styles. From acoustic performances in the Himalayas to rocking packed clubs in New York, Random Rab has found a way to connect with people of all kinds.
With a dedicated fanbase born from the San Francisco underground, Random Rab has become a Burning Man legend known for his sunrise sets that have now become one of his most sought after performances. His current popularity can often be traced to his breakout album, The Elucidation of Sorrow.. This album firmly established him as a recognizable force in the electronic music scene. His 4th album aRose, catapulted him into the state of momentum that is now taking hold internationally. His latest studio effort, Visurreal debuted in the iTunes Top 10 Electronic Charts as well as in the CMJ RPM Top 5 with several #1′s on radio stations across the country.
Sometimes performing solo and at other times featuring collaborative musicians, the live experience is focused on a high quality translation of sound that is simultaneously sexy and psychedelic.
OFFICIAL WEBSITE: randomrab.com/
SOUNDCLOUD: soundcloud.com/random-rab
FACEBOOK: www.facebook.com/randomrabofficial
Govinda
Govinda is the alter-ego of Austin based producer/composer Shane Madden. He began studying violin and composition at the age of eight and went on to study classical violin at the University of Texas where he fell in love with electronic music production. It was in Madden’s pursuit of his gypsy roots that he opened his ears to music from around the world. From experiences learning violin with mysterious masters on his journeys across the globe and his passion for modern design and technology, the current sound of Govinda was born.
Govinda has played with Thievery Corporation, Tipper, Bassnectar, Shpongle, Cheb I Sabbah, STS9 and many more and been featured on over 25 compilations such as Buddha Bar II, Asian Travels II, and Nirvana Lounge selling a combined 400,000 copies. Govinda has played at numerous festivals throughout North America including Coachella, Lightning in a Bottle, Sea of Dreams, SXSW and more.
Govinda's music has been licensed on shows like WB's “Roswell," MTV's “Road Rules,” and Bravo's “Queer Eye for the Straight Guy” as well as many independent films.The Govinda live show immerses the audience with a textured atmosphere of exotic, dubby vibrations interwoven with cosmic visual projections, world class dancers and mesmerizing vocals- all to the magic of his live electronics and violin.
OFFICIAL WEBSITE: govindamusic.com/
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Kalya Scintilla
Traversing the cosmos, gliding across dimensions beyond time and space, Kalya Scintilla brings universal shamanic journeys through his music to planet earth straight from his heart. His music paints sacred soundscapes with world fusion beats from ancient futures hidden amongst our forgotten memories to bring forth lush healing vibrations to activate the dormant codes within us. Infusing his love for nature, tribal healing, sacred geometry, and Hathor wisdom; Kalya is able to birth heart opening crescendos that open doorways into our personal and collective awakening. Audiences across the world have successfully received his musical transmissions enabling his ability to travel and play at festivals across continents. His vision for the future holds his devotional intention to plant more seeds of galactic sound alchemy to be felt and experienced by all.
www.facebook.com/pages/Kalya-Scintilla/121242094567692
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Supersillyus
Supersillyus (aka Rob Uslan) is a musician and producer based in Allston, MA. He has been tickling minds with his brand of psychedelic electronic music since 2008. His extensively layered soundscapes feature instrumentation ranging from tribal drums, swirling synths, to the occasional marimba solo.
Supersillyus' most recent EP Interabang has been downloaded over 5,000 times since it's release October 31, 2013. Over the last several years, Supersillyus has performed his unique brand of psychedelic music with luminaries like Tipper, Hallucinogen, and Ott and showcased at festivals throughout the US and Canada.
www.ektoplazm.com/free-music/supersillyus-interabang
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Infinite Geometry
Infinite Geometry (Andy Reed) has been an audio alchemist for the past 10 years. His main focus has been his visionary art for the past few years (www.facebook.com/infinitegeometryart), but another passion of his has been electronic music.
He is currently based out of Asheville, NC and plays shows occasionally around the southeast US, as well as doing special timeslots in the Vision Lab multi-sensory art dome or early sunrise sets at renegade stages at music festivals.
He first began attending electronic events and raves in NYC at age 14, when living in northern NJ. He quickly drew very fond of the subculture that revolves around these highly intelligent and somewhat alien soundscapes. At age 17, he bought belt-drive Numark turntables and a 6 channel mixer from Radioshack. Everyone needs to start somewhere, right? His gear has been updated a lot since those days, having Technic 1210 M5G turntables and a vast collection of vinyl. Most of his recent music is in digital/mp3 format, but he is known from breaking the mold and dropping those warm vibrant analog sounding beats and bass.
Over time, he grew a deeply fond love of liquid jazzy drum and bass, in which he still plays regularly at shows now and again. As time progressed, so did his love of different genres. Currently, his sets include multi-genres including psybient downtempo, psydub, templestep, IDM, dreambass, post-dubstep, 2step & future garage, minimal atmospheric dnb, funky tribal house, and many others.
soundcloud.com/infinitegeometry
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Jon Ohia
CoSM, NYC
Psylander
CoSM
Space Demon
CoSM
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Live Painting
Alex Grey & Allyson Grey
Joness Jones
Martin Bridge & Carl Bridge
Olga Klimova
www.facebook.com/olga.vici.art
Paul Crisafi
Seth Leibowitz
www.facebook.com/sethleibowitz77
Adam Psybe
Visuals
Deciduous Pupils
As a way to further explore the world of visual arts, Keith Tokarski(Takyon) and Benjamin Cooke(Silent Stream) teamed together in 2012. After performing separately for many years, Takyon and Silent Stream solidified a 2-man visual performance group, Deciduous Pupils. Deciduous Pupils has had the opportunity to perform for a multitude of different talented artists and bands such as Ott , LTJ Bukem , Immortal Technique, Jumbie Art, Abakus, Phutureprimitive, Space Jesus and Lazy Rich…just to name a few. They have performed the visuals for the Disco Biscuits New Year’s run after party, the Silent Disco at Camp Bisco 2013 as well as several other festivals throughout the east coast. With the utmost experience and mastery of their craft, and a focus on creating all original artwork with live improvised performance, Deciduous Pupils is continuing to shock the minds of those around them as they bring the viewers visual perception to a new dimension throughout the East Coast.
vimeo:
Fabric Installation:
WizArt Visions - Olga Klimova
Fire Performance:
-Fayzah-Fire
Fayzah Fire is a multidisciplinary international performer. Her own “World + Street Styles Dance Method©” blends elements of World Dance styles, Popping, Waving, Hip Hop, & Groove theory. She is an accredited Tribal-Fusion dancer, Fire performer, Argentine Tango dancer, innovator of Tango-Bellydance Fusion, and DJ. She also works with healing arts & trance dance, & is influenced by ocean creatures, (both real and fantasy).
More info: DanceSpiral.com
Matalvin's Firewerks
Www.facebook.com/matalvin youtu.be/6K995kVyi94
Freyja
Phantomime
Bellydance:
Sarah Jezebel
CoSM, Chapel of Sacred Mirrors, 46 Deer Hill Road, Wappingers Falls, NY 12590
There's a cured pass of resin underneath this holding the bar above the rubber. This pour will "glue" the rod in place so it won't move during the casting process.
Arose early and a long day of bus travel from Banteay Chhmar to Siem Reap. In the grand scheme of things, it was a comfortable ride watching the traffic unfold.
ISO3200 f5.6 1/1000 250mm LR
Here you can see the four high strength steel hanging bars used to secure each guideway segment to the launching truss. Once the segments have been secured traffic is safe to travel under the launch truss as was done on the Canada Line and Millennium Line.
A Força Aérea Portuguesa realiza, entre os dias 15 e 26 de junho, o exercício multinacional “EATT15”, no âmbito do programa de exercícios de Aeronaves de Transporte Aéreo Tático da Agência Europeia de Defesa.
Este exercício envolve a participação da Força Aérea Portuguesa, do Exército Português e ainda forças da Bélgica, Finlândia, França, Alemanha, Itália, Lituânia, Holanda, Roménia, Suécia e do Reino Unido e ainda como países observadores o Brasil, os Estados Unidos da América e a Polónia, os quais ficarão sediados na Base Aérea Nº11, em Beja, estando as suas ações planeadas para o interior Centro/Norte de Portugal Continental.
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The Portuguese Air Force will conduct, between 15 and 26 June, the multinational exercise "EATT15", under the Tactical Air Transport Aircraft exercise programme of the European Defence Agency. The exercise will be hosted at Air Base 11, in Beja, being the activities planned to take place in the Centre / North of Portugal.
This exercise will involve the Portuguese Armed Forces and forces of Belgium, Finland, France, Germany, Italy, Lithuania, Netherlands, Romania, Sweden and the UK, as well as, observers from Brazil, the United States and Poland.
The EATT15 aims to train and prepare the crews of Air Force tactical aviation squadrons, guaranteeing that the participating forces are ready to carry out the tasks assigned to them in any theatre of operations within the European alliance areas of operation. In addition to the individual training, the exercise will develop a better interoperability among the various participating forces.
Diplomatic Security Service special agents secure the area as the U.S. Secretary of State departs for an event during UNGA 73, September 26, 2018. (U.S. Department of State photo)
Secure, Owen takes a first spin in his "big boy" carseat. He was getting too tall for the infant seat, even though he hadn't hit the weight limit.
BANGABANDHU SHEIKH MUJIBUR RAHMAN
The life of Bangabandhu Sheikh Mujibur Rahman is the saga of a great leader turning peoplepower into an armed struggle that liberated a nation and created the world’s ninth most populous state. The birth of the sovereign state of Bangladesh in December 1971, after a heroic war of nine months against the Pakistani colonial rule, was the triumph of his faith in the destiny of his people. Sheikh Mujib, endearingly called Bangabandhu or friend of Bangladesh, rose from the people, molded their hopes and aspirations into a dream and staked his life in the long battle for making it real. He was a true democrat, and he employed in his struggle for securing justice and fairplay for the Bengalees only democratic and constitutional weapons until the last moment. It is no accident of history that in an age of military coup d’etat and ‘strong men’, Sheikh Mujib attained power through elections and mass movement and that in an age of decline of democracy he firmly established democracy in one of the least developed countries of Asia.
Sheikh Mujib was born on 17 March 1920 in a middle class family at Tungipara in Gopalganj district. Standing 5 feet 11 inches, he was taller than the average Bengalee. Nothing pleased him more than being close to the masses, knowing their joys and sorrows and being part of their travails and triumphs. He spoke their soft language but in articulating their sentiments his voice was powerful and resonant. He had not been educated abroad, nor did he learn the art of hiding feelings behind sophistry; yet he was loved as much by the urban educated as the common masses of the villages. He inspired the intelligentsia and the working class alike. He did not, however, climb to leadership overnight.
Early Political Life: His political life began as an humble worker while he was still a student. He was fortunate to come in early contact with such towering personalities as Hussain Shaheed Suhrawardy and A K Fazlul Huq, both charismatic Chief Ministers of undivided Bengal. Adolescent Mujib grew up under the gathering gloom of stormy politics as the aging British raj in India was falling apart and the Second World War was violently rocking the continents. He witnessed the ravages of the war and the stark realities of the great famine of 1943 in which about five million people lost their lives. The tragic plight of the people under colonial rule turned young Mujib into a rebel.
This was also the time when he saw the legendary revolutionary Netaji Subhas Chandra Bose challenging the British raj. Also about this time he came to know the works of Bernard Shaw, Karl Marx, Rabindranath Tagore and rebel poet Kazi Nazrul Islam. Soon after the partition of India in 1947 it was felt that the creation of Pakistan with its two wings separated by a physical distance of about 1,200 miles was a geographical monstrosity. The economic, political, cultural and linguistic characters of the two wings were also different. Keeping the two wings together under the forced bonds of a single state structure in the name of religious nationalism would merely result in a rigid political control and economic exploitation of the eastern wing by the all-powerful western wing which controlled the country’s capital and its economic and military might.
Early Movement: In 1948 a movement was initiated to make Bengali one of the state languages of Pakistan. This can be termed the first stirrings of the movement for an independent Bangladesh. The demand for cultural freedom gradually led to the demand for national independence. During that language movement Sheikh Mujib was arrested and sent to jail. During the blood-drenched language movement in 1952 he was again arrested and this time he provided inspiring leadership of the movement from inside the jail.
In 1954 Sheikh Mujib was elected a member of the then East Pakistan Assembly. He joined A K Fazlul Huq’s United Front government as the youngest minister. The ruling clique of Pakistan soon dissolved this government and Shiekh Mujib was once again thrown into prison. In 1955 he was elected a member of the Pakistan Constituent Assembly and was again made a minister when the Awami League formed the provincial government in 1956. Soon after General Ayub Khan staged a military coup in Pakistan in 1958, Sheikh Mujib was arrested once again and a number of cases were instituted against him. He was released after 14 months in prison but was re-arrested in February 1962. In fact, he spent the best part of his youth behind the prison bars.
Supreme Test: March 7, 1971 was a day of supreme test in his life. Nearly two million freedom loving people assembled at the Ramna Race Course Maidan, later renamed Suhrawardy Uddyan, on that day to hear their leader’s command for the battle for liberation. The Pakistani military junta was also waiting to trap him and to shoot down the people on the plea of suppressing a revolt against the state. Sheikh Mujib spoke in a thundering voice but in a masterly well-calculated restrained language. His historic declaration in the meeting was: "Our struggle this time is for freedom. Our struggle this time is for independence." To deny the Pakistani military an excuse for a crackdown, he took care to put forward proposals for a solution of the crisis in a constitutional way and kept the door open for negotiations.
The crackdown, however, did come on March 25 when the junta arrested Sheikh Mujib for the last time and whisked him away to West Pakistan for confinement for the entire duration of the liberation war. In the name of suppressing a rebellion the Pakistani military let loose hell on the unarmed civilians throughout Bangladesh and perpetrated a genocide killing no less than three million men, women and children, raping women in hundreds of thousands and destroying property worth billions of taka. Before their ignominious defeat and surrender they, with the help of their local collaborators, killed a large number of intellectuals, university professors, writers, doctors, journalists, engineers and eminent persons of other professions. In pursuing a scorch-earth policy they virtually destroyed the whole of the country’s infrastructure. But they could not destroy the indomitable spirit of the freedom fighters nor could they silence the thundering voice of the leader. Tape recordings of Bangabandhu Sheikh Mujib’s 7th March speech kept on inspiring his followers throughout the war.
Return and Reconstruction: Forced by international pressure and the imperatives of its own domestic predicament, Pakistan was obliged to release Sheikh Mujib from its jail soon after the liberation of Bangladesh and on 10 January 1972 the great leader returned to his beloved land and his admiring nation.
But as he saw the plight of the country his heart bled and he knew that there would be no moment of rest for him. Almost the entire nation including about ten million people returning from their refuge in India had to be rehabilitated, the shattered economy needed to be put back on the rail, the infrastructure had to be rebuilt, millions had to be saved from starvation and law and order had to be restored. Simultaneously, a new constitution had to be framed, a new parliament had to be elected and democratic institutions had to be put in place. Any ordinary mortal would break down under the pressure of such formidable tasks that needed to be addressed on top priority basis. Although simple at heart, Sheikh Mujib was a man of cool nerves and of great strength of mind. Under his charismatic leadership the country soon began moving on to the road to progress and the people found their long-cherished hopes and aspirations being gradually realized.
Assassination: But at this critical juncture, his life was cut short by a group of anti-liberation reactionary forces who in a pre-dawn move on 15 August 1975 not only assassinated him but 23 of his family members and close associates. Even his 10 year old son Russel’s life was not spared by the assassins. The only survivors were his two daughters, Sheikh Hasina - now the country’s Prime Minister - and her younger sister Sheikh Rehana, who were then away on a visit to Germany. In killing the father of the Nation, the conspirators ended a most glorious chapter in the history of Bangladesh but they could not end the great leader’s finest legacy- the rejuvenated Bengali nation. In a fitting tribute to his revered memory, the present government has declared August 15 as the national mourning day. On this day every year the people would be paying homage to the memory of a man who became a legend in his won lifetime. Bangabandhu lives in the heart of his people. Bangladesh and Bangabandhu are one and inseparable. Bangladesh was Bangabandhu Sheikh Mujibur Rahman’s vision and he fought and died for it.
My practical experience, some of new leaders of BNP (retired amla) wants to be leader. They want to show something to Khaleda Zia in strike period. Want to be talk of the day as like Sadek Hossain Khoka. Khoka hold liquid tomato pack with him and blasted in due time while police caught him on the streets. Remember people? Shamsher Mobin Choudhury Beer Bikram Freedom fighter, I salute for his contribution, but I enjoyed his acting on strike period with police SI. He want to be arrested then news will be like this “Beer Bikram Shamsher Mobin Choudhury didn’t relief from the police tortured.
Good attitude but no need to do this simple acting for growing the attraction of Khaleda. Next time he will be foreign Minister if BNP comes to the power.
Kline Creek Farm - DuPage County, IL. Fence post shot with a Nikon N80 on CineStill 400D color film. Scanned with slight adjustments in Photoshop.
Motherboard with lock on it, protection, antivirus, hacking, phishing
When using this image please provide photo credit (link) to: www.bluecoat.com/
ANNUAL REPORT -2011-2012 Presented by Shri. C. Muthiah
Principal
Kendriya Vidyalaya Narimedu,
Madurai-625002
“The end-product of education should be a free creative man,” says Dr. S. Radhakrishnan. Our annual report outlines our efforts to create such individuals who are definitely going to be assets to our country. It gives me great pride today to list out the achievements of our students in different areas in the course of this academic year.
ACADEMIC ACIEVEMENTS:
The Board exam results of the year 2011-12 have been very encouraging. While class X and the Science stream of class XII produced 100% result, the Commerce stream and Humanities stream result was 97%. In 2012 AISSE class X, 12 students have been awarded Certificate of merit by the CBSE for scoring A1 grades in all the five subjects. They are awarded Rs. 5000 each as per KVS norms.
In the AISSCE 2012 class XII, R. Prathima secured 100% in Biology and has figured in the 0.1% Merit list issued by the CBSE.
In addition to this, more than 50% of the students of the Science stream have secured more than 400 marks out of 500 in the AISSCE exam.
In class XII, 5 students from the Science stream and 2 students from the Humanities stream have been declared regional toppers and are awarded Rs. 5000/- by the Kendriya Vidyalaya Sangathan. It gives me great pride here to say that out of the three regional toppers in the humanities stream, the first two rank holders are from our school. In addition to this, Mrs. S.Vanmathy Devi, PGT History has the rare distinction of securing a performance Index of 100% in History in the Humanities stream.
With regard to other classes, our school follows the continuous and comprehensive system of evaluation of students implemented by CBSE. The children of classes III to X are assessed through this method. The evaluation is done through a series of activities and paper pencil tests which make up the formative assessments and the term-end summative assessments. As the evaluation in this system is continuous, the child is made to work consistently throughout the year, which to a great extent, reduces his stress and fear of exams. A child is also able to identify his areas of interest and to improve significantly on them.
In the internal exams, the primary and the secondary sections upto class IX , produced 100% results.
Parent –teacher meetings are conducted regularly to apprise the parents of their wards’ performances in these tests.
Our teachers are taking all efforts to help the slow learners and the gifted children by giving them assignments suited to their needs. Special classes are taken in the mornings and in the evenings, both before and after the school hours and during the breaks.
CO-CURRICULAR ACTIVITIES:
Many inter-house competitions are conducted round the year, to bring out the latent talents of the children. Our school played host to the cluster level CCA competitions for the Primary and 24 students from our vidyalaya won prizes in various competitions.
Apart from this, children are also encouraged to participate in many inter-school competitions which give them an opportunity to showcase their talents.
NCC:
The NCC unit of our vidyalaya was commissioned in the year 2006 and from then on, it has grown from strength to strength. 50 students have enrolled as cadets this year with G.S. Murugan, PRT and commissioned officer, guiding them.25 NCC cadets attended the CATC camp held at Kambam this year from 13th to 22nd of May.
A conference on “Save Energy” was conducted on 30.10.12 in our school by the NCC and 50 cadets participated in this conference.
I take this opportunity to announce with great pride that a girl’s wing of the NCC has been approved and will start functioning from the next academic year.
ADVENTURE ACTIVITIES:
25 boys and 25 girls, along with 5 escort teachers, went on an adventure trip to Ooty and Mettupalayam from 30.5.2012 to 2.6.2012. The children indulged in activities like trekking, Open Air Balloon Flying, Rope and tower climbing and Bungy ejection.
SCOUTS AND GUIDES:
The scouts and guides wing, along with the cubs and the bulbuls wing of this Vidyalaya, is very active and regular classes are conducted every Friday. At present, there are 3 Scout units and 3 Guide units functioning effectively in our school.
A one-day camp was organised in our school on 22.2.2012. 150 scouts, 60 guides and nearly 90 cubs and bulbuls participated in this camp.
3 Scouts and 3 guides were selected to attend the Rajyapuraskar Testing Camp at Neela Kurinchi Southern Railway Campsite at Ketti, the Nilgris.
SOCIAL SCIENCE EXHIBITION:
In order to promote the spirit of national integration, KVS organises the social science exhibition and the National Integration camp every year. This year, our school was selected to play the host for the cluster- level social science exhibition which was conducted on 9.10.12. Our students made an almost clean sweep of the prizes in the competitions held as part of this programme. They stood first in Hindi debate, English Debate, Group song, Skit and Quiz competitions and became eligible for contesting in the regional level competitions held at KV, Ashok Nagar, Chennai. There too, the children showed their prowess by winning the first position in Skit, the second position in Hindi debate and the third position in Group song competitions. The skit went on to represent the Chennai region in the National level exhibition held at Jaipur. 4 projects from our school also got selected for the Nationals.
SCIENCE EXHIBITION:
The vidyalaya-level Science exhibition was conducted on 16.8.2012 and 2 projects from each sub-theme were selected for the Regional level exhibition held at KV, HVF, Avadi on 7th and 8th of September.
NATIONAL CHILDREN’S SCIENCE CONGRESS:
Regional level Children’s science Congress was held at KV, OFT Trichy on 9.11.12. Six teams of 4 members each participated from our school. The projects of two teams headed by Nitish Kumar (IX B) and T. Ramanan (XI A2) were selected to take part in the national level contest. The project of Master Nitish Kumar and his team-mates Master M. Pravin Gulschand, R. Kabilan and s. Navaneetha Krishnan, all of class IX B, has been selected for the Open National congress to be held at Varanasi, later this month. This project was done under the able guidance of Mrs.Jansi Ruth Margaret, TGT Science and Ms I.Selvamathy, PGT(Phy)of our Vidyalaya.
MATHEMATICS DEPARTMENT:
This academic year has been declared as the Year of Mathematics and in connection with this, many activities were conducted in the Vidyalaya. Kumari. Brinda of class VIII A won the first position in the Regional level quiz competition in the Junior level and will be participating in the National level competition, later this month. Master Sreeraj Janardhan of XII A1 won the II position in the senior category and Master Aswanth of class VIII D won the III position in the Junior category at Regional level.
A power point presentation on the topic “Tricks and tips in Maths” prepared by Ms. Selvamathy, PGT Physics won the II position at regional level.
A magazine on mathematics was released in the Vidyalaya and it was selected in the cluster level competition conducted at KV,Thiruparankundram, Madurai.
COMPUTER SCIENCE DEPARTMENT:
Our school has taken a leap into the future by installing 10 smart boards. This technological marvel has certainly made the teaching-learning environment in our school more interesting and more effective.
ACHIEVEMENTS IN SPORTS AND GAMES:
Our annual Sports Day was celebrated on 3.8.12 with great fanfare. Our school also hosted the Cluser level Kho-Kho Meet for both boys and girls, the KVS Chennai regional athletic Meet for Girls and the Cluster level Primary Sports Meet this academic year. Our Primary children emerged the champions in the Primary sports Meet.
The coaching camp for Pre-national athletics for girls was held in our Vidyalaya from 7.10.12 to 13.10.12.
At the Regional level meets, the girls under 19 team won the gold and the under 19 boys team won the silver. The Badminton team won the gold medal in the team event. In shooting, our student Priya Damodharan of class IX A won the gold and created a new record in the event. She was selected to the SGFI games where she has brought laurels to our school by winning the silver medal and a cash award of Rs.3000/- Our school sent the largest contingent of 33 students from our Vidyalaya to the 43rd KVS National sports Meet and these students, among them won Rs. 18,000/ as cash awards for winning various events. 6 of them were selected for the SGFI which will be held this month and the next at various locations.
LIBRARY:
Our school library is well-equipped and fully automated with an extensive and varied collection of books, magazines and dailies. 3 computers with internet connection and an exclusive website for the library are the other added attractions.
ALUMNI ASSOCIATION:
The Alumni Association of our school has always been a pillar of strength to us, supporting us both monetarily and otherwise. Mr. Bhimsingh, secretary of the Association along with the other members, has contributed significantly to the growth of the school. Several scholarships have been instituted by the Association to help the needy, meritorious students in their pursuit of excellence. At present, 18 students are the beneficiaries of their benevolence.
The Association also rewards the toppers of class XI and XII. They have set up A.K. Annasamy Memorial Scholarship for two best students in class XII and Visalakshi Kalyanasundaram Memorial Prize for two best students in class XI. 2 prizes for the toppers in Maths in class XII Board Exams have been instituted by H. Balakrishnan, Ex. PGT Maths.
I take this opportunity to thank the Association for their constant support and I sincerely hope that their patronage will continue in the years to come.
Before I end this report, I would fail in my duties if I don’t mention the awards won by our teachers for their meritorious service to the student community. Mrs. Indra Ramaraju, PRT and HM I/c, Sri. M Pannerselvam, TGT PhE and Sri. K. Ramasamy, Librarian have been selected for the prestigious Regional Incentive Awards by the KVS. These teachers will be felicitated on KVS Foundation day ie. Dec. 15th at KV, Meenambakkam, Chennai. Two more teachers, Mrs. V. Gowri, PGT Chemistry and Mrs. Amirtha Anbalagan, PRT have been nominated as the Best Science teachers from our school. They too will be felicitated shortly. This recognition will, I am sure, inspire many more teachers to give their best and thereby benefit both the students and the society.
With this positive note, I end my report.
I wish you all a very pleasant and entertaining evening.
Thank you
-o0o-
Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane.[1] What is actually performed when a relief is cut in from a flat surface of stone (relief sculpture) or wood (relief carving) is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
There are different degrees of relief depending on the degree of projection of the sculpted form from the field, for which the Italian appellations are still sometimes used. The full range includes high relief (alto-rilievo), where more than 50% of the depth is shown and there may be undercut areas, mid-relief (mezzo-rilievo), low-relief (basso-rilievo, or French: bas-relief /ˌbɑːrɪˈliːf/), and shallow-relief or rilievo schiacciato, where the plane is only very slightly lower than the sculpted elements. There is also sunk relief, which was mainly restricted to Ancient Egypt (see below). However the distinction between high relief and low relief is the clearest and most important, and these two are generally the only terms used to discuss most work.
The definition of these terms is somewhat variable, and many works combine areas in more than one of them, sometimes sliding between them in a single figure; accordingly some writers prefer to avoid all distinctions. The opposite of relief sculpture is counter-relief, intaglio, or cavo-rilievo, where the form is cut into the field or background rather than rising from it; this is very rare in monumental sculpture. Hyphens may or may not be used in all these terms, though they are rarely seen in "sunk relief" and are usual in "bas-relief" and "counter-relief". Works in the technique are described as "in relief", and, especially in monumental sculpture, the work itself is "a relief".
Reliefs are common throughout the world on the walls of buildings and a variety of smaller settings, and a sequence of several panels or sections of relief may represent an extended narrative. Relief is more suitable for depicting complicated subjects with many figures and very active poses, such as battles, than free-standing "sculpture in the round". Most ancient architectural reliefs were originally painted, which helped to define forms in low relief. The subject of reliefs is for convenient reference assumed in this article to be usually figures, but sculpture in relief often depicts decorative geometrical or foliage patterns, as in the arabesques of Islamic art, and may be of any subject.
Rock reliefs are those carved into solid rock in the open air (if inside caves, whether natural or man-made, they are more likely to be called "rock-cut"). This type is found in many cultures, in particular those of the Ancient Near East and Buddhist countries. A stela is a single standing stone; many of these carry reliefs.
TYPES
The distinction between high and low relief is somewhat subjective, and the two are very often combined in a single work. In particular, most later "high reliefs" contain sections in low relief, usually in the background. From the Parthenon Frieze onwards, many single figures have heads in high relief, but their lower legs are in low relief; the slightly projecting figures created in this way work well in reliefs that are seen from below (see Moissac portal in gallery). As unfinished examples from various periods show, raised reliefs, whether high or low, were normally "blocked out" by marking the outline of the figure and reducing the background areas to the new background level, work no doubt performed by apprentices (see gallery).
BAS RELIEF OR LOW RELIEF
A bas-relief ("low relief", French pronunciation: [baʁəljɛf], from the Italian basso rilievo) or low relief is a projecting image with a shallow overall depth, for example used on coins, on which all images are in low relief. In the lowest reliefs the relative depth of the elements shown is completely distorted, and if seen from the side the image makes no sense, but from the front the small variations in depth register as a three-dimensional image. Other versions distort depth much less. It is a technique which requires less work, and is therefore cheaper to produce, as less of the background needs to be removed in a carving, or less modelling is required. In the art of Ancient Egypt and other ancient Near Eastern and Asian cultures, and also Meso-America, a very low relief was commonly used for the whole composition. These images would all be painted after carving, which helped to define the forms; today the paint has worn off in the great majority of surviving examples, but minute, invisible remains of paint can usually be discovered through chemical means.
The Ishtar Gate of Babylon, now in Berlin, has low reliefs of large animals formed from moulded bricks, glazed in colour. Plaster, which made the technique far easier, was widely used in Egypt and the Near East from antiquity into Islamic times (latterly for architectural decoration, as at the Alhambra), Rome, and Europe from at least the Renaissance, as well as probably elsewhere. However, it needs very good conditions to survive long in unmaintained buildings – Roman decorative plasterwork is mainly known from Pompeii and other sites buried by ash from Mount Vesuvius. Low relief was relatively rare in Western medieval art, but may be found, for example in wooden figures or scenes on the insides of the folding wings of multi-panel altarpieces.
The revival of low relief, which was seen as a classical style, begins early in the Renaissance; the Tempio Malatestiano in Rimini, a pioneering classicist building, designed by Leon Battista Alberti around 1450, uses low reliefs by Agostino di Duccio inside and on the external walls. Since the Renaissance plaster has been very widely used for indoor ornamental work such as cornices and ceilings, but in the 16th century it was used for large figures (many also using high relief) at the Chateau of Fontainebleau, which were imitated more crudely elsewhere, for example in the Elizabethan Hardwick Hall.
In later Western art, until a 20th-century revival, low relief was used mostly for smaller works or combined with higher relief to convey a sense of distance, or to give depth to the composition, especially for scenes with many figures and a landscape or architectural background, in the same way that lighter colours are used for the same purpose in painting. Thus figures in the foreground are sculpted in high-relief, those in the background in low-relief. Low relief may use any medium or technique of sculpture, stone carving and metal casting being most common. Large architectural compositions all in low relief saw a revival in the 20th century, being popular on buildings in Art Deco and related styles, which borrowed from the ancient low reliefs now available in museums. Some sculptors, including Eric Gill, have adopted the "squashed" depth of low relief in works that are actually free-standing.
Mid-relief, "half-relief" or mezzo-rilievo is somewhat imprecisely defined, and the term is not often used in English, the works usually being described as low relief instead. The typical traditional definition is that only up to half of the subject projects, and no elements are undercut or fully disengaged from the background field. The depth of the elements shown is normally somewhat distorted. Shallow-relief or rilievo stiacciato, used for the background areas of compositions with the main elements in low-relief, was perfected by the Italian Renaissance sculptor Donatello. It is a very shallow relief, which merges into engraving in places, and can be hard to read in photographs.
Mid-relief is probably the most common type of relief found in the Hindu and Buddhist art art of India and Southeast Asia. The low reliefs of 2nd-century BCE to 6th-century CE Ajanta Caves and 5th to 10th-century Ellora Caves in India are rock reliefs. Most of these reliefs are used to narrate sacred scriptures, such as the 1,460 panels of the 9th-century Borobudur temple in Central Java, Indonesia, narrating the Jataka tales or lives of the Buddha. Other examples are low reliefs narrating the Ramayana Hindu epic in Prambanan temple, also in Java, in Cambodia, the temples of Angkor, with scenes including the Samudra manthan or "Churning the Ocean of Milk" at the 12th-century Angkor Wat, and reliefs of apsaras. At Bayon temple in Angkor Thom there are scenes of daily life in the Khmer Empire.
HIGH RELIEF
High relief (or altorilievo, from Italian) is where in general more than half the mass of the sculpted figure projects from the background, indeed the most prominent elements of the composition, especially heads and limbs, are often completely undercut, detaching them from the field. The parts of the subject that are seen are normally depicted at their full depth, unlike low relief where the elements seen are "squashed" flatter. High-relief thus uses essentially the same style and techniques as free-standing sculpture, and in the case of a single figure gives largely the same view as a person standing directly in front of a free-standing statue would have. All cultures and periods in which large sculptures were created used this technique in monumental sculpture and architecture.
Most of the many grand figure reliefs in Ancient Greek sculpture used a very "high" version of high-relief, with elements often fully free of the background, and parts of figures crossing over each other to indicate depth. The metopes of the Parthenon have largely lost their fully rounded elements, except for heads, showing the advantages of relief in terms of durability. High relief has remained the dominant form for reliefs with figures in Western sculpture, also being common in Indian temple sculpture. Smaller Greek sculptures such as private tombs, and smaller decorative areas such as friezes on large buildings, more often used low relief.
Hellenistic and Roman sarcophagus reliefs were cut with a drill rather than chisels, enabling and encouraging compositions extremely crowded with figures, like the Ludovisi Battle sarcophagus (250–260 CE). These are also seen in the enormous strips of reliefs that wound round Roman triumphal columns. The sarcophagi in particular exerted a huge influence on later Western sculpture. The European Middle Ages tended to use high relief for all purposes in stone, though like Ancient Roman sculpture their reliefs were typically not as high as in Ancient Greece.[7] Very high relief reemerged in the Renaissance, and was especially used in wall-mounted funerary art and later on Neo-classical pediments and public monuments.
In Hindu-Buddhist art of India and Southeast Asia high relief can also be found, although it is not as common as low reliefs. Most of Hindu-Buddhist sculptures however also can be considered as a high relief, since these sculptures usually connected to a stella as the background to support the statue as well as provides additional elements such as aura or halo in the back of sculpture's head, or floral decoration. The examples of Indian high reliefs can be found in Khajuraho temple, that displaying voluptuous twisting figures that often describes the erotic Kamasutra positions. In 9th-century Prambanan temple, Central Java, the examples are the high reliefs of Lokapala devatas, the guardian of directions deities.
SUNK RELIEF
Sunk or sunken relief is largely restricted to the art of Ancient Egypt where it is very common, becoming after the Amarna period of Ahkenaten the dominant type used, as opposed to low relief. It had been used earlier, but mainly for large reliefs on external walls, and for hieroglyphs and cartouches. The image is made by cutting the relief sculpture itself into a flat surface. In a simpler form the images are usually mostly linear in nature, like hieroglyphs, but in most cases the figure itself is in low relief, but set within a sunken area shaped round the image, so that the relief never rises beyond the original flat surface. In some cases the figures and other elements are in a very low relief that does not rise to the original surface, but others are modeled more fully, with some areas rising to the original surface. This method minimizes the work removing the background, while allowing normal relief modelling.
The technique is most successful with strong sunlight to emphasise the outlines and forms by shadow, as no attempt was made to soften the edge of the sunk area, leaving a face at a right-angle to the surface all around it. Some reliefs, especially funerary monuments with heads or busts from ancient Rome and later Western art, leave a "frame" at the original level around the edge of the relief, or place a head in a hemispherical recess in the block (see Roman example in gallery). Though essentially very similar to Egyptian sunk relief, but with a background space at the lower level around the figure, the term would not normally be used of such works.
COUNTER-RELIEF
Sunk relief technique is not to be confused with "counter-relief" or intaglio as seen on engraved gem seals - where an image is fully modeled in a "negative" manner. The image goes into the surface, so that when impressed on wax it gives an impression in normal relief. However many engraved gems were carved in cameo or normal relief.
A few very late Hellenistic monumental carvings in Egypt use full "negative" modelling as though on a gem seal, perhaps as sculptors trained in the Greek tradition attempted to use traditional Egyptian conventions
SMALL OBJECTS
Small-scale reliefs have been carved in various materials, notably ivory, wood, and wax. Reliefs are often found in decorative arts such as ceramics and metalwork; these are less often described as "reliefs" than as "in relief". Small bronze reliefs are often in the form of "plaques" or plaquettes, which may be set in furniture or framed, or just kept as they are, a popular form for European collectors, especially in the Renaissance.
Various modelling techniques are used, such repoussé ("pushed-back") in metalwork, where a thin metal plate is shaped from behind using various metal or wood punches, producing a relief image. Casting has also been widely used in bronze and other metals. Casting and repoussé are often used in concert in to speed up production and add greater detail to the final relief. In stone, as well as engraved gems, larger hardstone carvings in semi-precious stones have been highly prestigious since ancient times in many Eurasian cultures. Reliefs in wax were produced at least from the Renaissance.
Carved ivory reliefs have been used since ancient times, and because the material, though expensive, cannot usually be reused, they have a relatively high survival rate, and for example consular diptychs represent a large proportion of the survivals of portable secular art from Late Antiquity. In the Gothic period the carving of ivory reliefs became a considerable luxury industry in Paris and other centres. As well as small diptychs and triptychs with densely packed religious scenes, usually from the New Testament, secular objects, usually in a lower relief, were also produced.
These were often round mirror-cases, combs, handles, and other small items, but included a few larger caskets like the Casket with Scenes of Romances (Walters 71264) in Baltimore, Maryland, in the United States. Originally there were very often painted in bright colours. Reliefs can be impressed by stamps onto clay, or the clay pressed into a mould bearing the design, as was usual with the mass-produced terra sigillata of Ancient Roman pottery. Decorative reliefs in plaster or stucco may be much larger; this form of architectural decoration is found in many styles of interiors in the post-Renaissance West, and in Islamic architecture.
WIKIPEDIA
The Astoria-Megler Bridge recedes in the distance as we begin the hour-long leg from Astoria, Oregon's, West Basin marina to the Columbia River Bar. There, it's an overnight run on the Pacific Ocean to Neah Bay on the northwest corner of Washington State.
Here, I'm securing the fenders and the fender lines before heading out onto the open ocean. Even with a good forecast, you bring in all the dock lines and secure everything on deck.
You never know when sea and weather conditions might turn on you, and the last thing you want is a line getting loose and wrapping itself around your prop.
This photo shows my method of securing items that need to remain on deck. I'm sure traditional sailors and perhaps even Eagle Scouts would know all sorts of knots that would hold a line fast to a rail in a raging storm. For my part, I use cable ties. Lots of 'em. Easy on and, with clippers, easy off.
Another maritime tradition bites the dust.
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attached the modified power brick and VGA cable to the case with sugru for a stable but flexible attachment.
you can't see it well, but i've shaved down the power cord's end to fit snugly into the original round hole. i liked that solution better than routing out a square hole in the backplate.
Prime Minister Erna Solberg talking to Chansellor Merkel about Resilient Health Systems to Fight Epidemics and Ensure Healthy Lives, especially after the Ebola outbreak last year. Photo: NorwayUN/Ragnhild H. Simenstad
Worker secures a valve inside a power plant. India is the third largest electricity consumer in Asia and demand has grown at an average of 8% a year since 1995. However, supply falls well below demand, leading to regular blackouts and chronic shortages which undermine the country's economic and social development.
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Air Force One 707, Museum of Flight, Seattle, WA.
On display at the Museum of Flight is a Boeing 707 converted for use as a presidential aircraft back in the 60's and 70's. This image shows the secured communication line located within the president's chambers inside the airplane.
Nikon F5, Nikkor 50mm AF-S f/1.8G lens, Fujichrome Provia 100F color reversal film developed at EI 100 in an Arista Rapid E-6 kit at 105F. 1/6 sec at f/1.8.
Secure the Bag, Mint the Soaps and Throw the Bones is a site of exchange that aims to recontextualize the intricate histories of the brown paper bag and Hispano cuaba soap while inviting the audience to play a game of dominoes. This is based on the artist’s ongoing examination of these items found in private and domestic settings. Nonetheless, their combined racialized, colonial and social complexity reverberates in the customs and dynamics of collective space within a black diasporic subjectivity and imagination. To learn more visit www.recessart.org/francheskaalcantara/
Two brand new Range Rovers loaded by Wavecrest Ltd in a 40' container for export to the Far East.
www.wavecrest.co.uk for more information