View allAll Photos Tagged Script,
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Script for the Holloween Party, Eisenhower Elementary, Boulder, Colorado.
I wish we could have a script like this so we shouldn't misunderstand each other...
PENTAX *istDS, 40mm, f5.6, 1/45s, ISO800.
Original script for "The Goddess Speaks.", a multi-dimensional modern/ classic club performance that opened at Shelter, 564 West Fulton, on July 13, 1990
Introducing Banoffee my latest handmade script font. It's a playful, somewhat kooky typeface that tries its best to look like real handwriting.
It uses OpenType features and has ligatures, terminals, and realistic looking connections. The character set includes western, central and south-eastern European glyphs.
Just a note that the OpenType initial and terminal forms can not be seen in the preview window below. You will need to enable them in your design application.
If the font was a celebrity it would be more Simon Pegg than Simon Cowell as it doesn't have a nasty bone in its body.
Banoffee is perfect for greetings cards, posters and branding or anything where you want that cheerful handmade look.
The font also includes a small collection of ornaments.
Here is some gothic German script from a page written by Johannes Feyerabend in 1583. I don't have the whole book, just a few pages of it, but even these are beautiful!
The Indus Valley Civilization was the first major urban culture of South Asia. It reached its peak from 2600 BC to 1900 BC roughly. Spatially, it is huge, comprising of about 1000 settlements of varying sizes, and geographically includes almost all of modern Pakistan, parts of India as far east as Delhi and as far south as Bombay, and parts of Afghanistan.
The main corpus of writing dated from the Indus Civilization is in the form of some two thousand inscribed seals in good, legible conditions.
More info : Wikipedia/Indus_script
The Script
Radio City Music Hall 10/9/12
© Deadbolt Photos/Keeyahtay Lewis
Do Not Use Without Permission
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
Original script for "The Goddess Speaks.", a multi-dimensional modern/ classic club performance that opened at Shelter, 564 West Fulton, on July 13, 1990
Original script for "The Goddess Speaks.", a multi-dimensional modern/ classic club performance that opened at Shelter, 564 West Fulton, on July 13, 1990
Upright string script (or ‘Schnüerlischrift’ – ‘lace script’, as the Swiss call it) on a brochure for a Dutch public transport pass
Autographed by April Telek (Darla the saloon girl), Jim Michaels (executive producer), Jensen Ackles, Misha Collins, Kevin Parks (1st AD), Russ MovieGod Hamilton (locations manager), Jared Padalecki, and Clif Kosterman
Donated by April Telek
Jeonju (Korean pronunciation: [tɕʌndʑu]) is a city in South Korea, and the capital of North Jeolla Province. It is a city that has a mix of both urban and rural due to the closeness of nearby Wanju County which almost entirely surrounds Jeonju. Nearby Wanju County also has many people living there who work in Jeonju, proper. The name, Jeonju literally means "Perfect Region" (from the hanja 全(전; Jeon) for perfect, 州(주; Ju) for region). It is an important tourist center famous for Korean food, historic buildings, sports activities and innovative festivals.
In May 2012, Jeonju was chosen as a Creative Cities for Gastronomy as part of UNESCO's Creative Cities Network. This honour recognize the city's traditional home cooking handed down through generations over thousands of years, its active public and private food research, a system of nurturing talented chefs, and its hosting of distinctive local food festivals.