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En surfant sur le web, j'ai trouvé deux scripts pour gimp, qui permettent de faire facilement un effet lomo et un effet vintage. Le tout en ajoutant des calques ce qui donne un peu plus de facilité pour les réglages.
ils sont téléchargeable ici
merci à leur auteur alexia_death
Voici le resultat des scripts gimp lomo et vintage.
Donc de gauche a droite et de haut en bas
original / Vintage / Lomo / Vintage + lomo
P.S : un peu pour les feignants mais en tous cas assez pédagogique.
Photos taken for the blog post explaining the shell script written to look up school names Port Elizabeth via Google Maps API and plotting onto Google Maps.
Blog post: blog.christiaan008.com/2016/09/27/plotting-schools-port-e...
Designed by Panos Vassillou, this typeface was designed with connected characters and capitals with calligraphic elements. Bodoni Script Pro is a 3-weight family; each font comes with 725 glyphs, including a large number of alternates, as well as 144 ornaments. www.parachute.gr/fonts.aspx?Sample=1&FontStyleID=&...
Optus RockCorps at Horden Pavilion, Moore Park, Sydney: The Script, Tinie Tempah and Guy Sebastian - 11th April 2013
THE SCRIPT, TINIE TEMPAH AND GUY SEBASTIAN WILL BE ROCKING OUT AT THE HORDERN PAVILION ON THE 11TH OF APRIL.
How did you get 5000 young Aussies to volunteer for groups such as Wesley Mission, the Smith Family, OzHarvest or the Asylum Seeker Centre? Give them a free ticket for a big pop concert.
Optus were right on the money with this promotion, and it looks like it was a huge win - win - win all round, judging by early reports.
Officially, and perhaps in reality also, you couldn't get a ticket for this Thursday night's Hordern Pavilion concert, headlined by Irish band The Script and Guy Sebastian (also featuring Tinie Tempah and The Potbelleez) because all 5000 attendees did four hours' community work in one of about 65 community projects around Sydney, through the Optus RockCorps program.
The artists playing tonight each did four hours' voluntary work. No word if they had been paid for playing.
Energy levels were high and the historic venue was jam packed with volunteers and fans. About a dozen news media covered the event, which will also get considerable air time on Australian pay TV channels such as Foxtel's MTV, V and the like.
Since 2005, 130,000 young people have done an estimated 500,000 voluntary hours under the RockCorps program, in return receiving free tickets to shows by artists such as Rihanna, Lady Gaga, Maroon 5 and Kayne West.
This was a great effort and well done to all involved.
All the performing artists were really friendly to media also, which makes a big difference to the way media workers feel about attending multi-hour concerts such as this one.
Special thanks to Liz, Sophie, Amelia and Nathan who assisted news media greatly.
We are really looking forward to future events from Optus and friends.
Promo...
Don't miss your chance to be part of something special. Get Involved! Give 4 hours. Get Given 1 exclusive concert ticket.
What better place for Optus RockCorps to launch in Australia than the Hordern Pavilion. Located in central Sydney and built in 1972, this is the venue that is renown for the best sound, vibe and most importantly, the best shows (even the artists love playing here!). With 5000 volunteers rockin out to one of the most exclusive gigs of the year, this is going to be something you don't want to miss.
The Script
So much has changed for The Script since they released their first album four years ago. First they broke Britain, then the States, then everywhere from Asia to South Africa. Along the way, they toured with U2, Take That and Paul McCartney, sailed through the second album syndrome that sinks so many bands, played to a 55,000-strong crowd at an historic hometown show in Dublin, amassed almost four million followers on Facebook, 1.5 million on Twitter, wracked up 100 million YouTube views, and saw their singer star on TV talent show The Voice.
Tinie Tempah
For those of you who are not familiar with this super star, Tinie Tempah is a renowned MC, a hip-hop veteran and has a host of number one hits to his name. He is responsible for tracks such as ‘Written in the Stars’,‘Pass Out’ & ‘RIP ft Tinie’. He has sold out arenas and has worked with artists such as Labrinth, Snoop Dog and the Swedish House Mafia (to name a few). One thing we know for certain, Tinie Tempah is going to blow the roof off the house!
Guy Sebastian
Guy Sebastian is one of Australia's greatest singers and performers and was the first Australian Idol winner in 2003, capturing the hearts of Australians with his uniqueness and incredible vocal talent. His first solo single 'Angels Brought Me Here' debuted at number one and was the fastest selling Australian single in ARIA chart history. The smash hit single also reached Number 1 in four Asian countries and New Zealand proving Guy is a world class talent. Subsequently he was invited to sing as a guest at American Idol in 2004.
As a songwriter Guy has penned songs for some of the biggest artists in the world including Usher. So far in his career three of Guy's albums were nominated for Highest Selling Album. He has received 10 ARIA nominations and won one. Highest Selling Single for "Angels Brought Me Here" in 2004. He has also won numerous, MTV, Nickelodeon Awards. In 2010 he appeared as a judge on Ch 7's hit show X Factor.
News...
Optus adds The Potbelleez to RockCorps...
Telecommunications provider, Optus, has added Australia electronic music act, The Potbelleez, to the lineup of its RockCorps concert which takes place on April 11 at Sydney’s Hordern Pavilion.
Optus RockCorps is an event which “money can’t buy” as tickets are earned through volunteer work. It was launched in Los Angeles by a group of friends who wished to build a community for young people to establish social relationships.
RockCorps intends to encourage individuals to make volunteering a part of youth lifestyle just like sports, music, fashion, and gaming. As such, receiving a ticket requires persons of at least 16 years of age to complete at least four hours of volunteer work at an Optus RockCorps volunteer project.
The Potbelleez joins a line-up consisting The Script, Tinie Tempah, and Guy Sebastian.
“We are super excited to announce we are joining the line-up for the first ever Optus RockCorps concert in Australia,” iKid (Ilan Kidron; vocals and guitar) from The Potbelleez, said.
“We can’t wait to get on stage… and put on a once in a lifetime show to give back to those hardworking volunteers who gave up their time for the community.”
Websites
Optus RockCorps
The Script
Horden Pavilion
Music News Australia
Eva Rinaldi Photography
I always use Flash for my generative artworks. But now I started learning max script, so I can create 3D generative pieces.
This is a first result. The script I wrote is very basic/simple. It just creates random splines and adds some sphere's at the end.
Here's the script:
undo "generative 1" on
(
global directionX=0
global directionY=0
global directionZ=0
global currentPos=0
global posX=0;
global posY=0;
global posZ=0;
global numSteps=90
for a=1 to 20 do
(
posX=0
posY=0
posZ=0
splineThickness=random 0.5 2.0
ss = SplineShape render_renderable:true render_thickness:splineThickness pos:[posX,posY,posZ]
addNewSpline ss
for i=1 to numSteps do (
addKnot ss 1 #smooth #curve [posX,posY,posZ]
directionX+=((random -10.0 10.0)-directionX)/3
directionY+=((random -10.0 10.0)-directionY)/3
directionZ+=((random -10.0 10.0)-directionZ)/3
if i==numSteps do (
sphereRadius=random 1.0 5.0
ball= sphere radius:sphereRadius segs:24
ball.pos = [posX,posY,posZ]
for b=1 to 40 do(
sphereRadius=random 0.05 1
ball= sphere radius:sphereRadius segs:6
ball.pos = [posX + (random (-sphereRadius*50) (sphereRadius*50)),posY+ (random (-sphereRadius*50) (sphereRadius*50)),posZ+ (random (-sphereRadius*50) (sphereRadius*50))]
)
)
posX+=directionX
posY+=directionY
posZ+=directionZ
)
updateShape ss
ss
)
)
The idea of this campaign was conceived in 2007 soon after the very successful Lomo Amigo event. Planning started in November 2007 and thanks to Lomography Hong Kong, we launched this year's big event successfully on 3rd April 2008. The exhibition, workshop, monster hung\t and competition will last until 16th April 2008.
This year's focus is to teach toy camera lovers how to accessorize their LCA+, Diana+, Fisheye and how to use different types of films to achieve desired results. So the backdrop is filled up with great information on 4 panels while corresponding 4 islands of cubes are used to showcase the cameras and their effects.
I was a newbie so I know how people got frustrated seeing the difference between their first rolls and lomo's advertised photos. So instead of just selling customers expensive (sort of) toy cameras I felt in debt to give them more information through display and workshop. This event is totally filled up with colors and excitement.
In addition to showcasing, we organized some fun elements to this event. This includes creating 10 monsters each corresponds to a particular lomo camera and put them in 10 different locations in our Festival Walk store. You can go to the store and borrow a camera to hunt down these 10 bast**ds by shooting, developing the film and then send your creative photo entry to us by putting them in a nicely designed envelope. Winners will get Diana+ camera and accessories.
These notorious creatures hide in various places in the store and some are quite difficult to find if you are not as perceptive as a lomographer should be.
The advertisement on Milk Magazine is going to be published on 10th April 2008. The title "Hunt with us! Play with us!" signifies both the monster hunting competition and a friendly workshop to be held at Lomography Hong Kong's beautiful shop. If any of you purchased a Lomo camera within this period, as a newbie you can register in any of our stores to join the workshop.
Oh man you got to see the limited Diana White Edelweiss Edition, the new Lomo mini catalog and event details here. Finally, I've aligned with a great photo lab to get lomo customers half price to develop/print/scan to CD their rolls, but details to be announced later. Happy shooting!
More on Scription blog: moleskine.vox.com/library/post/lomography-neverland---cam...
Tinder clone open source app provides a great business opportunity in the platform of online dating. Alphonic Network Solutions has developed a flexible and powerful dating clone script that will allow businesses and individuals to develop and design a stunning.
Visit us:: www.alphonic.in/blog/dating-clone-scripts/
Available to download in the very near future, Sachiko. Inspired by 16th century "French Ronde" script and named after my sweet and very funny Japanese friend. <3
Dedication page --the first page of Pali Tipitaka in Siam script.
This page indicates that the younger brother of the King of Siam, the Venerable HRH Prince Vajiranana was the editor of this Book.
It is also printed that the Siam-script Pali Tipiaka was published in 1893, specially in commemoration of the Silver Jubilee celebration, the 25 years anniversary of King Chulalongkorn Chulachomklao celebration on the throne
"Pāḷi" is an old Indian dialect of the mass, spoken in the Indian Subcontinent over 3,000 years ago. During the lifetime of the Buddha, Pāḷi was the Dhamma-language of the Buddhist teaching and thus finally became the written medium of Buddhist scripture, the Tipiṭaka.
During an early period, Pāḷi Tipiṭaka was committed to memory and was propagated by Theravāda Buddhist monks orally from generation to generation. It was first written on palm leave some 400 years after the demise of Buddha or in the first century BC.
The first written Pāḷi Tipiṭaka took place in old Sri Lanka when the entire Tipiṭaka was inscribed on palm leaves --in Sinhalese script-- for the first time. Consequently, the Tipiṭaka on palm leave was the conventional depository of the Buddhist Theravāda scripture for over 2000 years.
In 1893, King Chulalongkorn Chulalongkorn of Siam revolutionised the traditional Buddhist depository convention --the King published the Tipiṭaka in Book-form for the first time. In stead of inscribing the sacred Pāḷi texts by hand in old Khmer script, the King ordered a new edition, totaling 39 volumes, to be printed in modern-typeface of the Siam script.
With the efficiency of printing technology of the day, such as, Western printing machinery and local book-binding in Bangkok, these newly edited sets of Siam-script Tipiṭaka were sent as royal gifts to 260 institutes across five continents in 1896.
in 2007 Dhamma Society completed the digital preservation project of this historic set and published the digital preservation edition in 40 volumes, entitled Chulachomklao Pāḷi Tipiṭaka : A Digital Preservation Edition 2008. A version with English introduction will appear in 2009. See detail at : www.tipitakahall.net
Digital Archives from the Dhamma Society's World Tipiṭaka Project in Roman Script, 1999-2007.
Tipiṭaka International Council B.E.2500 (1956)
World Tipiṭaka Edition in Roman Scrip 1956-2005
Tipiṭaka Studies Reference 2007
พระไตรปิฎกปาฬิ "ฉบับจุลจอมเกล้าบรมธัมมิกมหาราช ร.ศ.112 อักษรสยาม" ชุด 39 เล่ม จัดพิมพ์โดยพระบาทสมเด็จพระจุลจอมเกล้าเจ้าอยู่หัว ในปี พ.ศ. 2436 โดยใช้เวลาดำเนินการปริวรรตจากอักษรขอมและเปลี่ยนเป็นการจัดพิมพ์ด้วยเครื่องพิมพ์บทกระดาษ เป็นฉบับพิมพ์ชุดแรกของโลก
พระไตรปิฎก จปร. อักษรสยาม ได้มีการพระราชทานไปทั่วกรุงสยามและในประเทศต่างๆ ใน 5 ทวีป ทั่วโลก นับเป็นพระธัมมทานที่สำคัญยิ่งในประวัติศาสตร์พระพุทธศาสนาเถรวาท ดังเช่นที่พระเจ้าอโศกบรมธัมมิกมหาราชได้ทรงทำการสังคายานาพระไตรปิฎกในชมพูทวีปและได้ส่งพระธัมมทูตไปเผยแผ่จำนวน 9 สายในอดีต
Just as my script is quite a bit blurry in my head at the moment, so is this photo of it. Lovely metaphor. Ok, not really.
I have spent the greater part of the day trapped in a mad cycle of bad reality television and individually wrapped packets of string cheese and matzoh bread, I believe as part of my semi-unconscious desire to avoid writing. I'm a little bit stuck for inspiration, as my script is feeling to me at the moment like a long series of mostly random words, currently strung together for the sole purpose of making me appear to myself as a writer, rather than actually conveying any actual story or message.
Huh. Rather depressing perspective, actually.
So after any number of shows—like Bravo's new "Step Up & Dance" and the UK version of "Make Me A Supermodel"—I went to the gym only to return to this evening's set of "Little People, Big World" and "Jon & Kate Plus 8," mixed in with a handful of "Daily Show" and "Colbert Reports" from last week, a new "Top Gear," and one great episode of In Treatment I watched with Jules. Throw in a few prepackaged snacks and some unleavened bread, and mmmmm... is that the smell of productivity?
No.
And now I'm thumbing rather desperately through Chris Voglers "The Writer's Journey" and Linda Aronson's "Screenwriting Updated," hoping that the artifice of structure will somehow be able to get me back on track. I know it won't, though, as I've finally chosen to let go of structure for structure's sake. "I *will not* rely on structure out of fear!" I say out loud to myself. I'm looking for the organic heartbeat of my story, but alas, the screenplay seems to be lying rather limply on the floor, gasping for breath, I can barely hear its rhythms now; the audience of my mind is crowded around it, watching the spectacle, milling about, wanting to help but not willing to actually step in...
Help! Oh somebody
help me please! Is there a script
doctor in the house?
Blasphemy freehand script, by Cherri Andrews.
Latin Angel studio, London, U.K.
Cherriandrewstattoo@gmail.com
020 8948 5535
As you can tell by the dates in the top-right, this basic script was something I kept referring to as I tried to "steer" how much of the film's plot was conveyed in the trailer. I didn't want it to be too 'wordy', as a lot of the horror is dependent on the characters themselves not knowing what is happening most of the time. I feel this script is a good example of that planning coming into effect (much of this dialogue can still be heard in some form or another in the final trailer).
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.