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Are you interested in swapping emblems and scripts? Don`t hesitate to contact me from all around the world.
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Available to download in the very near future, Sachiko. Inspired by 16th century "French Ronde" script and named after my sweet and very funny Japanese friend. <3
Just as my script is quite a bit blurry in my head at the moment, so is this photo of it. Lovely metaphor. Ok, not really.
I have spent the greater part of the day trapped in a mad cycle of bad reality television and individually wrapped packets of string cheese and matzoh bread, I believe as part of my semi-unconscious desire to avoid writing. I'm a little bit stuck for inspiration, as my script is feeling to me at the moment like a long series of mostly random words, currently strung together for the sole purpose of making me appear to myself as a writer, rather than actually conveying any actual story or message.
Huh. Rather depressing perspective, actually.
So after any number of shows—like Bravo's new "Step Up & Dance" and the UK version of "Make Me A Supermodel"—I went to the gym only to return to this evening's set of "Little People, Big World" and "Jon & Kate Plus 8," mixed in with a handful of "Daily Show" and "Colbert Reports" from last week, a new "Top Gear," and one great episode of In Treatment I watched with Jules. Throw in a few prepackaged snacks and some unleavened bread, and mmmmm... is that the smell of productivity?
No.
And now I'm thumbing rather desperately through Chris Voglers "The Writer's Journey" and Linda Aronson's "Screenwriting Updated," hoping that the artifice of structure will somehow be able to get me back on track. I know it won't, though, as I've finally chosen to let go of structure for structure's sake. "I *will not* rely on structure out of fear!" I say out loud to myself. I'm looking for the organic heartbeat of my story, but alas, the screenplay seems to be lying rather limply on the floor, gasping for breath, I can barely hear its rhythms now; the audience of my mind is crowded around it, watching the spectacle, milling about, wanting to help but not willing to actually step in...
Help! Oh somebody
help me please! Is there a script
doctor in the house?
Blasphemy freehand script, by Cherri Andrews.
Latin Angel studio, London, U.K.
Cherriandrewstattoo@gmail.com
020 8948 5535
Some people call this "tree graffiti" and even art. It's better described as "Arboreal Script" by some.
Regardless, I like it for it's historical significance. Usually the result of young love, it often last longer than the affection. I've even found some crossed-out!
As you can tell by the dates in the top-right, this basic script was something I kept referring to as I tried to "steer" how much of the film's plot was conveyed in the trailer. I didn't want it to be too 'wordy', as a lot of the horror is dependent on the characters themselves not knowing what is happening most of the time. I feel this script is a good example of that planning coming into effect (much of this dialogue can still be heard in some form or another in the final trailer).
I was asked to shoot LOVESTRUCK (by Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
Script, for the anchors in my office. Some of the things and stuff inside my office that you can usually see.
James Luxford (The Fly, BBC Radio Oxford, EntertainmentWise) and Cassam Looch (Hello! Yahoo Movies, Lime Magazine) review the best films from this year's London Film Festival.
There's gossip from the press conferences and we have clips from Tom Hanks, Gravity and the new Beatles documentary, Good Old Freda.Download from iTunes or listen on demand...
#LondonFilmFestival - The Best #LFF Films from the opening week, reviewed by critic @JLuxfordFilm by Ricklouder on Mixcloud
listen to ‘#LondonFilmFestival - The Best #LFF Films from the opening week, reviewed by critics @JLuxfordFilm & @CassamLooch - @z1radio’ on Audioboo
Up for discussion are Tom Hanks' Captain Phillips, the Coen Brothers' Inside Llewyn Davis and Sandra Bullock's Gravity.
The critics decide on the Oscar opportunities for Tom Hanks, Paul Greengrass and Alfonso Cuaron. There's also a review of the new film from Juno director Jason Reitman, Labor Day, starring Kate Winslet.
In unplanned script points, James and Cassam also manage to potentially libel Elijah Wood, Tobey Maguire and The Disney Corporation?!
The Soundtrack is provided by some of the best films from this year's festival and festivals gone by...
--http://ift.tt/RVapoJwww.ZoneOneRadio.comhttp://ift.tt/RVapoM
Arabic script decorates the interior of a ruined building at Hasankeyf.
Hasankeyf, first settled under the Mari (c. 1800 BCE) and fortified by the Romans under the name of Cepha, stands over a narrow defile in the Tigris river. The city was an important Byzantine bishopric on the Persian frontier. Under the Artukids the Tigris river was repaired and much of the city flourished until the Abbuyids in the 13th century. Mongols sacked the city in 1260 and it never recovered.
Mingle Media TV and our Red Carpet Report host Quinn Marie were invited to cover the launch of Warner Bros. Studio Tour Hollywood’s new 25,000 sq ft expansion, Stage 48: Script to Screen. Based on the studio lot, Stage 48 gives guests unprecedented behind-the-scenes access to a behind-the-scenes look at over 90 years of history in the world of film and TV production.
Stage 48: Script to Screen opens to the public on Thursday, July 16th and is included in the Warner Bros. Studio Tour standard ticket price.
Event Highlights: Guests attending the red carpet preview of Stage 48 got to see sets, props and costumes from some of Warner Bros.’ most beloved movies and TV shows, design their own Batmobiles and movie costumes, step onto original sets, try out green screen technology, and follow the journey through post-production and into the glory of awards season.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
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About Warner Bros. Studio Tour Hollywood
Warner Bros. Studio Tour Hollywood takes guests closer than ever to the legendary entertainment they know and love. Film fans get to see the real sets and soundstages where the greatest names in entertainment made history as they touch, tour and explore the iconic 110-acre film studio that brought “Argo” and “Ocean’s Eleven” to the big screen. From “The Big Bang Theory” to “Friends,” the Studio Tour takes guests behind the camera for a revealing look at how the magic is made. A visit includes a rare look inside many of the lot’s production areas as well as the opportunity to explore the Archive, which currently showcases props and costumes from all seven “Batman” films and all eight “Harry Potter” films. Guests also stop by the Prop Department, which features one of the largest selections of rare antiquities and modern furniture, rugs, drapery, lighting and hand props from Hollywood’s golden era, and the Picture Car Vault, home to some of Batman’s most famous vehicles, including the Tumbler from “The Dark Knight” trilogy and the Bathammer from “Batman and Robin.”
The Studio Tour is located on Warner Bros.’ Burbank lot (3400 W. Riverside Drive, Burbank, CA 91505), with tours departing continuously, seven days a week starting at 8am (extended hours are available during the spring and summer seasons). Regular tickets are $62 per person (eight years old and up), and Deluxe Tours are also available with special reservations. For more information or to book a tour, please visit www.wbstudiotour.com or call 877-492-8687. Groups of 25 or more should emailstudio.tour@warnerbros.com or call 818-977-1943. Advanced bookings are highly recommended.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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Follow our host, Quinn Marie on Twitter at twitter.com/QuinnMarie_
The Incomparable Script Ohio - in this case four of them (one is off the photo to the left) - performed by the Ohio State Marching Band and that Ohio State Marching Band Alumni.