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This almost worked. The idea was to screenprint the outline. Then fill it in with a stencil I had cut, the reprint the outline.
The problems I had were:
1. I freaking took the screen off to clean it because I was worried about the ink drying into it. That automatically introduced some misalignment.
2. Because of issue 1, I was lazy with stenciling the fill layer. ;)
It turned out ok though, it's only misaligned by a few millimeters. So the next batch should be better.
A two-color screenprint, handprinted in gold and brown ink on 100% recycled paper.
For sale in my online shop, Sprout Head - www.sprouthead.etsy.com
This print was inspired by a symbol from The Golden Moth Illumination Deck, and was originally part of the rewards for my Kickstarter campaign. See the original campaign here: www.kickstarter.com/projects/51647073/the-golden-
James Ryan, aka 28th String.
I started work last night on this, which is the first layer of a screenprint of the unknown shoemaker and robber from Washington State whose mugshot I was sent by Mark. I'll work up a few other layers, including one with little flying devils on it, I think, before I take it down to the printmakers workshop.
As part of Glasgow’s Active Ageing Week, a community group from 'Keep Creative', an arts and health GP referral programme, run by Depot Arts in North Glasgow took part in our ‘Growing Bolder’ Printmaking and Archive Project.
The group learned about fine art printmaking techniques and had a tour of the facilities. Here, members of the group are researching prints online.
Bleach discharge (screenprinted, painted, and tritik), handmade cord, piecing with various found fabric, glass vials.
This is stuffed but lays flat against the wall, so it sort of swells out.
The lower picture shows the second-last state of the print, with two orange layers and a blue layer printed. The upper picture shows the black layer printed on top of the others.
I took a picture of the acetate separations when I was working on them. It's here.
Jellyfish screenprint monoprint - coloured in pencil and crayon directly onto screen, then used wallpaper paste to disolve and print pigment onto heavy weight paper.
One of two, but each is unique. Paper is about 10 inches by 14 inches, with a deckle edge.
In this podcast, Bre brings in Matt, the screenprinting expert of etsy.com, to the Weekend Projects podcast.
Have you ever wanted to create your own t-shirt designs? Look no further! Don't forget to go and download the pdf to get all the details and supply lists.
The podcast goes up tomorrow, preview at make.blip.tv
I first cut out my design on red film. I did two colors so I had to cut 2 different layers. This is used to make the print on the actual screen. The pen thing to the left is a precise xacto blade that cuts curves and lines with the little bridge it's on.