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Prins Eugen (1865 - 1947)
Forest Dusk (1923) - a sketch for the scenography of Hugo Alfven's ballet "The Mountain King"
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”Second to the arts, I think flowers are my greatest joy,” Prince Eugen wrote in a letter in 1901.
A visit to the beautiful park and garden at Waldemarsudde is a treat for many senses and offers more than a century old garden history. The design of the garden determined by Prince Eugen, is still managed according to the Prince’s instructions and directions. The park is also rich in sculptures, all of them bought by Prince Eugen, often with specific sites in mind.
Prince Eugen was an art collector of note, with special emphasis on Nordic and French art. The Collections number around 7,000 works and comprise painting, sculpture and crafts objects. The Painting Collection includes works by Ernst Josephson, Anders Zorn, Julia Beck, Isaac Grünewald, Sigrid Hjertén and Sven X:et Erixson. International artists such as Edvard Munch and Auguste Rodin are also represented. Throughout the year, a selection of Prince Eugen’s own art and works from the Collections, are on display.
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Prince Eugen's Waldemarsudde (Swedish for Cape Waldemar), is a museum located on Djurgården in central Stockholm. The name is composed of Waldemar, an Old German noble male name, and udde, meaning cape. It is derived from a historical name of the island Djurgården, Valmundsö.
It was the former home of the Swedish Prince Eugen, who discovered the place in 1892, when he rented a house there for a few days. Seven years later he bought the premises and had a new house designed by the architect Ferdinand Boberg, who also designed Rosenbad (the Prime Minister's Office and the Government Chancellery), and erected 1903–1904.
Prince Eugen had been educated as a painter in Paris and after his death the house was converted to a museum of his own and others paintings. The prince died in 1947 and is buried by the beach close to the house.
The complex consists of a castle-like main building—the Mansion—completed in 1905, and the Gallery Building, added in 1913. The estate also includes the original manor-house building, known as the Old House and an old linseed mill, both dating back to the 1780s. The estate is set in parkland which features centuries-old oak trees and reflects the prince's interest for gardening and flower arrangement. The Art Nouveau interior, including the cocklestoves, by Boberg are designed in a Gustavian style and makes good use of both the panoramic view of the inlet to Stockholm and the light resulting from the elevated location of the building.
en.wikipedia.org/wiki/Waldemarsudde
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Evento realizado pelo grupo Raia Drogasil com premiação a gerentes das drogarias Raia e Drogasil de todo Brasil, realizado no Espaço das Américas, produzido pela SRCom e cenografia da P&G Cenografia.
ARCTIQUE
Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem
Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles
Scenography and stage control design developed for Sónar in Montjuïc de Nit, an event devoted to Barcelona's music festivals.
The Princess of the Stars
Jerrard Smith (Canada)
Set & Costume Design
The Princess of the Stars by R. Murray Schafer marked my introduction to theatre design, and the success of the Qirst production in 1981 led to a continued collaboration with Schafer, including the 1983 production of RA at the Ontario Science Center and the 1985 remount of The Princess of the Stars at the Banff Centre. This collaboration has continued to the present day and has allowed me to develop a portfolio of designs for sitespecific theatre. As a result of working on RA, I met Robert Desrosiers and designed for Desrosiers Dance Theatre for two years leading up to the commission of Blue Snake by the National Ballet. I was asked to design sets and costumes for this work which went on to have a touring life and in addition, introduced me to the larger dance community where I had the pleasure of designing a number of works with various companies and choreographers. — Jerrard Smith
Images posted with permission by editors
Arctique
Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem
Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles
Scenography for Dracula (Bram Stoker), located in the Jail of Segovia. This scene is for the forest, made with different kind of cloths which play with the light and transparencies.
Escenografía principal para la obra de Drácula de Bram Stoker, ubicada en la Carcel de Segovia.
Representa la escena del bosque, hecha con diferentes tipos de tela (muselina, tul y encaje) que juega con la iluminación y las transparencias.
brazil national nextel convetion. Interactive scenography.
Made whit art direction of Luca Ruzza, the coding of David Dalmazzo.