View allAll Photos Tagged Scenography
Land Rover, wheat field, showtex anthrasite rear projection trees, telephone poles, trees, 2 x Infocus IN 5534 HD projectors
From the construction of the scenography for Krets by Kreutzerkompani.
the astroturf arriving from the grassfactory in Belgium.
PROJETO CENOGRAFIA
Festa de fim de ano da agência de publicidade ALMAP BBDO. Escolha e desenvolvimento de tema: Underground Chic. Instituto Tomie Ohtake, São Paulo, 2005
Gaudemus Muziekweek 2018 - Vincent Martig
(photo Herre Vermeer)
Title: (Non) Humanism & Animism
Subtitle: Absental Dynamics
Performers: But What About
Composition, Concept & Scenography: Aurélie Nyirabikali Lierman
Instrumentation: speaking voice, bass clarinet, frame drum, prepared ukelele, kalimba, berimbau, double windwand bullroarer, melodica, toy instruments, foley, blue tooth speaker, electronic tape
Support for technical realisation: Ruud Kluten (Muziekhuis, Utrecht)
Programma & Venue: Senses Working Overtime (Het Huis, Utrecht)
Performance Data: 07 en 08 september 2018, Gaudeamus Muziekweek 2018 (world premiere)
Commissioned by Gaudeamus with support of FPK (Dutch Funds for the Arts)
We live under constant visual stimulation these days. But for most of us our ears are still our primary sense organ to engage with the world around us: for orientation, to detect possible threats; either create a feeling of safety, comfort and… even belonging. I have always been curious about our emotional responses to sound and our tendency to – regardless of the degree of abstraction – create meaning and eventually a whole (imaginary) narrative around it.
(Non) Humanism & Animism is my new series of sonic researches zooming in on the semiotic power of sound and also acoustics: conceived as a performative installation and an attempt to unfold various sonic perspectives as well as sonic choreographies. In my first ‘episode’ of this series – subtitled Absental Dynamics – all is an exploration into the single perspective of how we humans perceive sound: how we hear and listen. Hence a set up that can accurately represent the human hearing apparatus: every listener receives a set of headphones to listen to binaural sound (3D audio).
Absental Dynamics is the forerunner of a performative installation in which I will integrate a more inclusive view on the act of listening: reflecting on interaction and communication with humans as well as with non humans and other sentient beings (e.g. animals, plants, inanimate objects, spirits).
(Non) Humanism & Animism, got premiered by But What About at Gaudeamus Muziekweek 2018 in Utrecht (NL).
brazil national nextel convetion. Interactive scenography.
Made whit art direction of Luca Ruzza, the coding of David Dalmazzo.
Scenography and stage control design developed for Sónar in Montjuïc de Nit, an event devoted to Barcelona's music festivals.
Escultura: esferovite, 4m altura
Cenografia filme: O dia da Morte de Ricardo Reis de J. Botelho
Ar de filmes, Lisboa 05-2019
Gaudemus Muziekweek 2018 - Aurélie Lierman
(photo Herre Vermeer)
Title: (Non) Humanism & Animism
Subtitle: Absental Dynamics
Performers: But What About
Composition, Concept & Scenography: Aurélie Nyirabikali Lierman
Instrumentation: speaking voice, bass clarinet, frame drum, prepared ukelele, kalimba, berimbau, double windwand bullroarer, melodica, toy instruments, foley, blue tooth speaker, electronic tape
Support for technical realisation: Ruud Kluten (Muziekhuis, Utrecht)
Programma & Venue: Senses Working Overtime (Het Huis, Utrecht)
Performance Data: 07 en 08 september 2018, Gaudeamus Muziekweek 2018 (world premiere)
Commissioned by Gaudeamus with support of FPK (Dutch Funds for the Arts)
We live under constant visual stimulation these days. But for most of us our ears are still our primary sense organ to engage with the world around us: for orientation, to detect possible threats; either create a feeling of safety, comfort and… even belonging. I have always been curious about our emotional responses to sound and our tendency to – regardless of the degree of abstraction – create meaning and eventually a whole (imaginary) narrative around it.
(Non) Humanism & Animism is my new series of sonic researches zooming in on the semiotic power of sound and also acoustics: conceived as a performative installation and an attempt to unfold various sonic perspectives as well as sonic choreographies. In my first ‘episode’ of this series – subtitled Absental Dynamics – all is an exploration into the single perspective of how we humans perceive sound: how we hear and listen. Hence a set up that can accurately represent the human hearing apparatus: every listener receives a set of headphones to listen to binaural sound (3D audio).
Absental Dynamics is the forerunner of a performative installation in which I will integrate a more inclusive view on the act of listening: reflecting on interaction and communication with humans as well as with non humans and other sentient beings (e.g. animals, plants, inanimate objects, spirits).
(Non) Humanism & Animism, got premiered by But What About at Gaudeamus Muziekweek 2018 in Utrecht (NL).
last drop of the set of the opera, by Michel Musseau, scenography Jean-Pierre Larroche,
martingautron.com
Primeiro projeto para festa casal Zogbi. A vida do casal através da linguagem dos quadrinhos com o traço de Roy Lichtenstein (não-executado)