View allAll Photos Tagged Scenography

wasn't even mine it was borrowed .

 

at the exhibition toilets.

Evento realizado pelo grupo Raia Drogasil com premiação a gerentes das drogarias Raia e Drogasil de todo Brasil, realizado no Espaço das Américas, produzido pela SRCom e cenografia da P&G Cenografia.

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LTGD presenta: "le nuvole" di aristofane

teatro donbosco_caserta

30 aprile 09

 

corrado santamaria

nell'intensa parte di "lo squiibrato" ci domina

ed un cesso

 

www.youtube.com/watch?v=0t4ei1khHPI

Arctique

Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem

Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles

Foto: Marcos Cimardi

Oval Ensemble // Live Light Scenography . Barcelona 2017

Cadeira do palhaço Snello, parte do cenário para a montagem de São Paulo Stories, dirigido por Pamela Howard no Espaço Cenográfico.

2012 / Cité de la Voile, Eric Tabarly

Studio Ad Hoc design

2012 / Cité de la Voile, Eric Tabarly

Studio Ad Hoc design

MONSTERSHOP: Scenography workshop with Chergui Théâtre.

Ville de La Rochelle (France). 2013-2014

June 2015 .:. Mariinsky II

Video Design and 3D Mapping by Roberto Vitalini

www.bashiba.com

Proteses e cenografia para a campanha do festival Neopop 2013

Fotografias e filme

Estudio Yves Callewaert

Lisboa 2013

www.youtube.com/watch?v=UkCWOdVbiB4

ARCTIQUE

Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem

Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles

Oval Ensemble // Live Light Scenography . Barcelona 2017

From the construction of the scenography for Krets by Kreutzerkompani.

Club scenography and live visuals by DEFRAME at FIBER Festival.

Arctique

Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem

Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles

ARCTIQUE

Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem

Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles

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Prins Eugen (1865 - 1947)

 

Forest Dusk (1923) - a sketch for the scenography of Hugo Alfven's ballet "The Mountain King"

 

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”Second to the arts, I think flowers are my greatest joy,” Prince Eugen wrote in a letter in 1901.

 

A visit to the beautiful park and garden at Waldemarsudde is a treat for many senses and offers more than a century old garden history. The design of the garden determined by Prince Eugen, is still managed according to the Prince’s instructions and directions. The park is also rich in sculptures, all of them bought by Prince Eugen, often with specific sites in mind.

 

Prince Eugen was an art collector of note, with special emphasis on Nordic and French art. The Collections number around 7,000 works and comprise painting, sculpture and crafts objects. The Painting Collection includes works by Ernst Josephson, Anders Zorn, Julia Beck, Isaac Grünewald, Sigrid Hjertén and Sven X:et Erixson. International artists such as Edvard Munch and Auguste Rodin are also represented. Throughout the year, a selection of Prince Eugen’s own art and works from the Collections, are on display.

 

waldemarsudde.se/en/

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Prince Eugen's Waldemarsudde (Swedish for Cape Waldemar), is a museum located on Djurgården in central Stockholm. The name is composed of Waldemar, an Old German noble male name, and udde, meaning cape. It is derived from a historical name of the island Djurgården, Valmundsö.

 

It was the former home of the Swedish Prince Eugen, who discovered the place in 1892, when he rented a house there for a few days. Seven years later he bought the premises and had a new house designed by the architect Ferdinand Boberg, who also designed Rosenbad (the Prime Minister's Office and the Government Chancellery), and erected 1903–1904.

 

Prince Eugen had been educated as a painter in Paris and after his death the house was converted to a museum of his own and others paintings. The prince died in 1947 and is buried by the beach close to the house.

 

The complex consists of a castle-like main building—the Mansion—completed in 1905, and the Gallery Building, added in 1913. The estate also includes the original manor-house building, known as the Old House and an old linseed mill, both dating back to the 1780s. The estate is set in parkland which features centuries-old oak trees and reflects the prince's interest for gardening and flower arrangement. The Art Nouveau interior, including the cocklestoves, by Boberg are designed in a Gustavian style and makes good use of both the panoramic view of the inlet to Stockholm and the light resulting from the elevated location of the building.

 

en.wikipedia.org/wiki/Waldemarsudde

 

...

ARCTIQUE

Direction artistique, écriture et mise en scène: Anne-Cécile Vandalem

Première le 23 janvier 2018 au Théâtre National Wallonie-Bruxelles

Scenography and stage control design developed for Sónar in Montjuïc de Nit, an event devoted to Barcelona's music festivals.

 

www.mediainteractivedesign.com

5° FIQ International Comics Festival 2007

Peter Ksander (scenography) at work on the plot.

 

Peter Ksander (scenografo) a lavoro sui piani luce

The Princess of the Stars

Jerrard Smith (Canada)

Set & Costume Design

 

The Princess of the Stars by R. Murray Schafer marked my introduction to theatre design, and the success of the Qirst production in 1981 led to a continued collaboration with Schafer, including the 1983 production of RA at the Ontario Science Center and the 1985 remount of The Princess of the Stars at the Banff Centre. This collaboration has continued to the present day and has allowed me to develop a portfolio of designs for sitespecific theatre. As a result of working on RA, I met Robert Desrosiers and designed for Desrosiers Dance Theatre for two years leading up to the commission of Blue Snake by the National Ballet. I was asked to design sets and costumes for this work which went on to have a touring life and in addition, introduced me to the larger dance community where I had the pleasure of designing a number of works with various companies and choreographers. — Jerrard Smith

 

Images posted with permission by editors

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