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Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
The Dinning Hall
Sisters Academy - The Boarding School by Sisters Hope
photo: I diana lindhardt
Photographs are free to use with the credits as formulated above displayed visibly.
Sisters Academy is a school in what we term a sensuous society – a world and society where the sensuous and poetic mode of being is at the center of all action and interaction. It is a performance-experiment and movement initiated by Sisters Hope. The project focuses on the educational system and new more sensuous and poetic modes of learning. Read more here .
Sisters Academy Academy #6 - The Boarding School is co-produced with Den Frie Udstillingsbygning in Copenhagen, Denmark. Den Frie is transformed into a boarding school in September/October 2017 – A laboratory to explore what the school of a Sensuous society might be.
Sisters Academy – The Boarding School
Sisters Academy – The Boarding School is a large-scale immersive and durational performance-installation.
The entire building is transformed into a boarding school where the co-participating audience enroll as students at the school. They are provided with a bed, a set of clothes and basic school materials. In this universe they live their everyday life but on rather different conditions as this is not a school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their schoolmates, cooking, doing chores, attending morning and evening gathering they engage with the Sisters Academy staff.
Furthermore the format holds different layers of participation; visiting artists/researchers/teachers, school excursions, concerts and beyond.
For full credit list see here.
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa hair Lorenza Venturini
Stylist, Scenography and Photoshop: Giulia Ravaglia
Akimi
Surely the name intuited its particularity. A mix of Italian blood and blood Japanese, a mix almost rare, almost unique and wonderful.
Akimi is special as its name: it is a girl of strong character because of sorrow has passed but always walks with head high, no one puts his feet on his head, knows how to be respected even by bad luck, maybe if not intimidates know well enough; It is sincere and loyal, not afraid of the opinions of others and is not afraid to speak his mind. Externally proves to be perhaps a little tough but in reality, knowing her well, is one of the most kind and respectful and that there are, it is always ready to listen, to give advice and help; it is sweet, romantic, sensitive and loving, of you can have all these qualities only if you bring respect to her as she brings compared to you ... and all this in addition to being a friend is extraordinary.
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa per capelli Lorenza Venturini
Stylist,Scenography and Photoshop: Giulia Ravaglia
Akimi
Sicuramente dal nome intuite la sua particolarità. Un mix di sangue italiano e sangue giapponese,un mix quasi raro,quasi unico e meraviglioso.
Akimi è particolare come il suo nome: è una ragazza forte e di carattere perchè di dispiaceri ne ha passati ma cammina sempre a testa alta, nessuno le mette i piedi in testa, sa bene come farsi rispettare pure dalla cattiva sorte,forse se non la conosci bene intimorisce abbastanza; è sincera e leale,non ha paura dei giudizi altrui e non ha paura di dire ciò che pensa. Esternamente dimostra di essere forse un pò dura ma in realtà, conoscendola bene, è una delle persone più e gentili e rispettose che ci siano, è sempre pronta ad ascoltarti,a darti consigli ed aiutarti;è dolce,romantica, sensibile e innamorata, di lei puoi avere tutte queste sue qualità se solo tu porti rispetto a lei come lei porta rispetto a te ... ed oltre ad essere tutto questo è un'amica straordinaria.
gibellina july 1985....- sicily -
"snail".......piece of movable theatre machinery
trilogy " l'orestea di gibellina" .........."villa eumenidi"
filippo crivelli - director - .....arnaldo pomodoro - scenography - ......emilio isgrò - text -
best.....http://bighugelabs.com/flickr/onblack.php?id=2398345334&size=large
feel free to visit my web site
© All rights reserved. Use without permission is illegal
Ictus & Collegium Vocale Gent olv. Georges-Elie Octors & Tom De Cock
Einstein on the beach in deSingel Antwerp, Belgium
wed 29 may 2019 - duration 3 hour(s) 30 minutes
‘Einstein on the Beach’ (1976) is a legendary ‘portrait’ opera by Philip Glass. Robert Wilson’s scenography and direction of the première at the Festival d’Avignon are amongst the most groundbreaking ever seen on a stage. The opera contains texts by Christopher Knowles, Samuel M. Johnson and Lucinda Childs. It was Glass’s first and longest opera (five hours). In the album recording, this has been reduced to just over three hours and this sober, semi-staged version by the Dutch installation artist Germaine Kruip is likely to be of a similar length. On stage will be an icon of American music, singer-songwriter Suzanne Vega. She will perform a personal interpretation of the libretto and act as a narrator linking all the different elements of the work.
The Sisters Office.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Peter McKinnon with three of the research assistants on the project. Left to right: Amelia Kerrigan, Laura Andrew, Mckinnon, Amelia Taverner.
Puesta en escena de Faster Pussycat Kill Kill.
Dirección de Arte:
Juanda Contreras Boada
Daniel Cárdenas Suárez
Daniela Bastidas Toro
Fotografía:
Juanda Contreras Boada
TWO
Company: ICK
Choreography & direction: Emio Greco & Pieter C. Scholten
Light, scenography & sound design: Emio Greco & Pieter C. Scholten
Light design: Henk Danner
Costume design: Clifford Portier
Realization sound collage: Wim Selles
Dancers: Vincent Colomes & Quentin Dehaye
All photographs taken at Nederlandse Dansdagen 2016 (Dutch Dance Festival), Maastricht, 7th October 2016 - 9th October 2016
Every first weekend of October, the festival presents remarkable performances from up-and-coming choreographers as well as from established dance companies in the city of Maastricht.
photo - © Stephen Wright | All rights reserved | For all usage/licensing enquiries please contact www.stephenwrightphotography.com
Character creation, scenography and redesign of the brand for the official June Party of Rede Bandeirantes de Comunicação (BAND TV).
Client: Rede Bandeirantes de Comunicação (BAND)
Year: 2011
Co-Editors Peter McKinnon (left) and Eric Fielding at the launch of their book World Scenography 1975-1990.
Model: Anne Marie Oprescu
Hairstyle, Stylist, Scenography and Photoshop: Giulia Ravaglia
Who would ever be able to imagine the mixture of cultures that are reflected in his features:
a mix of sange greek, French, Croatian and Romanian; features special, sweet and at the same time net
a crystal blue eyes and pale complexion
Female, woman and girl loves fashion, art and languages
It has a character all to interpret: sensitive, a little touchy and so sweetly naive
He likes to stay to himself, in his world, in his art. He has a thousand dreams and a place in his heart already occupied
not betray you ever and is capable of affezzionarsi to you as nobody here, you do not forget easily. is in Italy for years and speaks fluent
It is here to study Italian art and culture, which has always fascinated me as a child;
his family has remained in his home country and understand how it can be complicated
away agi family ties only to chase their dreams,
for this reason I consider it a strong girl, determined and courageous, because it takes a lot of courage
to go halfway around the world alone. For this reason it is to be estimated, and certainly has my estimation
Model: Anne Marie Oprescu
Hairstyle,Stylist,Scenography and Photoshop: Giulia Ravaglia
Chi mai riuscirebbe ad immaginare il misto di culture che si rispecchiano nei suoi lineamenti:
un mix di sange greco,francese,croato e rumeno; lineamenti particolari, dolci e allo stesso tempo netti
occhioni di un azzurro cristallino e carnagione tenue
Femminile, donna e ragazza, ama la moda, l'arte e le lingue
ha un carattere tutto da interpretare: sensibile, un poco permalosa e così dolcemente ingenua
ama stare tra se e se, nel suo mondo, nella sua arte. Ha mille sogni nel cassetto e un posto nel suo cuore già occupato
non ti tradirebbe mai ed è capace di affezzionarsi a te come nussuno, non ti dimentica facilmente. é in Italia da anni ormai e parla perfettamente la lingua
è qui per studiare l'arte e la cultura italiana, che l'ha sempre affascinata fin da bambina;
la sua famiglia è rimasta nel suo paese d'origine e capisco come possa essere complicato
allontanarsi agi affetti familiari solo per inseguire il proprio sogno,
proprio per questo la ritengo una ragazza forte, determina e coraggiosa, perchè ci vuole un bel coraggio
ad andare dall'altra parte del mondo da sole. Per questo motivo è da stimare, e di sicuro ha tutta la mia di stima.
Rho Fiera Expo Milano 2015
Theme: Feeding the World with Solutions
Designed by Studio Arthur Casas and Atelier Marko Brajovic, they aimed to combine architecture and scenography in order to provide visitors with an experience that would transmit Brazilian values and the aspirations of its agriculture and livestock farming according to the theme “Feeding the world with solutions”. More than a temporary building, the sensorial immersion includes leisure, high technology information, interaction and learning.
The inspiring idea of a flexible, smooth and decentralized network is present in every aspect of the building and represents the country’s pluralism. The metaphor of the net is materialized by a tensile structure that creates unexpected places for leisure and rest. Following the tradition of Brazilian modernism and its pavilions, large runways reinforce the connection between the different spaces.
Box containing plants were organized according an orthogonal grid, creating sinuous paths, inspired by the curves of the Amazon River.
Brazilian artists and designers were invited to exhibit works that showcase our inventiveness, side by side with interactive installations that explain the technical revolution in course in Brazilian food industry, largely due to the research of companies such as EMBRAPA.
(Via ArchDaily)
Scenography and the Performing Interior
Dover St. Market - Case Study
Illustrations by Sujan Han
Scenography and Interior Design have battled over time to be accepted as serious design disciplines, often categorised as merely decorative. Yet both disciplines have similarities with one another. They are both practice-based within the creative spectrum which have great concerns towards the shaping of space and its relationship with bodies and objects.
With this thesis I aim to find the commonalities and differences between both practices and propose a decoding system to analyse a series of selected case studies and bridge the disconnect between two seemingly apart disciplines that are going through the same path. I also aim to highlight how Interior Design is a discipline that is not enclosed in decoration as a lot of people might think, but rather it combines multiple disciplines in order to tell a narrative and transmit something beyond the visual, a quality shared with Scenography.
anargarcia7@gmail.com
photo: The I of Sisters Academy, diana lindhardt
Scenography:
Majken Karlberg & Rhoda Ting
Light Design:
Sara Trold Clemmensen
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
We are very happy to invite you on artsy fun event,debut album party of amazing Miss ColeMarie Soleil and her Soleil band,featuring Boudoir designs!
Boudoir and Soleil invite you for a day of fashion and music fusion!!!!
Sunday,February 13th
12 noon SLT
Music,sound design and light show by ColeMarie Soleil
Dresses by Precious Restless and Vitabela Dubrovna
Scenography by Vitabela Dubrovna and Natsha Lemton
Furniture by Mo Miasma
Models are Ranini Farella, Annough Lykin,Gamp Lane
Aphrodite Brianna and Ananya Mai
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
Model: Anne Marie Oprescu
Hairstyle, Stylist, Scenography and Photoshop: Giulia Ravaglia
Who would ever be able to imagine the mixture of cultures that are reflected in his features:
a mix of sange greek, French, Croatian and Romanian; features special, sweet and at the same time net
a crystal blue eyes and pale complexion
Female, woman and girl loves fashion, art and languages
It has a character all to interpret: sensitive, a little touchy and so sweetly naive
He likes to stay to himself, in his world, in his art. He has a thousand dreams and a place in his heart already occupied
not betray you ever and is capable of affezzionarsi to you as nobody here, you do not forget easily. is in Italy for years and speaks fluent
It is here to study Italian art and culture, which has always fascinated me as a child;
his family has remained in his home country and understand how it can be complicated
away agi family ties only to chase their dreams,
for this reason I consider it a strong girl, determined and courageous, because it takes a lot of courage
to go halfway around the world alone. For this reason it is to be estimated, and certainly has my estimation
Model: Anne Marie Oprescu
Hairstyle,Stylist,Scenography and Photoshop: Giulia Ravaglia
Chi mai riuscirebbe ad immaginare il misto di culture che si rispecchiano nei suoi lineamenti:
un mix di sange greco,francese,croato e rumeno; lineamenti particolari, dolci e allo stesso tempo netti
occhioni di un azzurro cristallino e carnagione tenue
Femminile, donna e ragazza, ama la moda, l'arte e le lingue
ha un carattere tutto da interpretare: sensibile, un poco permalosa e così dolcemente ingenua
ama stare tra se e se, nel suo mondo, nella sua arte. Ha mille sogni nel cassetto e un posto nel suo cuore già occupato
non ti tradirebbe mai ed è capace di affezzionarsi a te come nussuno, non ti dimentica facilmente. é in Italia da anni ormai e parla perfettamente la lingua
è qui per studiare l'arte e la cultura italiana, che l'ha sempre affascinata fin da bambina;
la sua famiglia è rimasta nel suo paese d'origine e capisco come possa essere complicato
allontanarsi agi affetti familiari solo per inseguire il proprio sogno,
proprio per questo la ritengo una ragazza forte, determina e coraggiosa, perchè ci vuole un bel coraggio
ad andare dall'altra parte del mondo da sole. Per questo motivo è da stimare, e di sicuro ha tutta la mia di stima.
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 25,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
TWO
Company: ICK
Choreography & direction: Emio Greco & Pieter C. Scholten
Light, scenography & sound design: Emio Greco & Pieter C. Scholten
Light design: Henk Danner
Costume design: Clifford Portier
Realization sound collage: Wim Selles
Dancers: Vincent Colomes & Quentin Dehaye
All photographs taken at Nederlandse Dansdagen 2016 (Dutch Dance Festival), Maastricht, 7th October 2016 - 9th October 2016
Every first weekend of October, the festival presents remarkable performances from up-and-coming choreographers as well as from established dance companies in the city of Maastricht.
photo - © Stephen Wright | All rights reserved | For all usage/licensing enquiries please contact www.stephenwrightphotography.com