View allAll Photos Tagged Scenography
The Hallway.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. Second dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 27,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
World Scenography 1975-1990 page 138
Juno and Avos (Yunona i Avos)
Oleg Sheintsis
& Valentina Komolova (USSR/Russia)
Set & Costume Design
Aware of the need to make this rock opera large-scale and spectacular, Oleg Sheintsnis came up with the original idea of dividing the stage into five slanting platforms, like a kind of stage-sized Rubik Cube that, according to director Mark Zakharov, “contained a
multitude of various amusing combinations”. Part of a sail, soaring above the stage, was perceived as a full-size ship that was ceremonially launched on the glass flooring of the platforms lit from underneath. Some
soulless force, engaged in insoluble conflict with the dominant lyrical theme, seemed to be hiding in the cold glitter of the metallic surfaces, the menacingly frozen folds of the drapes, the gesture of the bronze figure
crowning the bow of the ship Director Zakharov has repeatedly stressed that it took flawless taste and superb professional standards to make costumes for Juno and Avos. Indeed, the artist was faced with a complex task of designing a very wide spectrum
of costumes: from historical and ethnic (uniforms of the 19th century Russian naval officers, Spanish garments) to the costume of a universal personality like Woman with Child. Besides, costumes for a rock-opera
had to be eye-catching in movement, since many of the scenes were choreographed. Costume designer Valentina Komolova created a wonderful colour palette, using contrasting combinations of colours (green and white for the Russian officers, black and red for the
Spaniards) and an intricate blend of smokywhite and pale-yellow tinges in the apparel of Conchita. The attire of Woman with Child was a mixture of pastel lilac and grey and pink. Juno and Avos became a cult show in the
former USSR and later in Russia. It has played to packed houses for over quarter of a century.
Images posted with permission by editors
Visionary futuristic scenography, the place is real, photo taken in Taranto, mar grande, subsequently elaborated with "Matte Painting" technique ...
Model: Anne Marie Oprescu
Hairstyle, Stylist, Scenography and Photoshop: Giulia Ravaglia
Who would ever be able to imagine the mixture of cultures that are reflected in his features:
a mix of sange greek, French, Croatian and Romanian; features special, sweet and at the same time net
a crystal blue eyes and pale complexion
Female, woman and girl loves fashion, art and languages
It has a character all to interpret: sensitive, a little touchy and so sweetly naive
He likes to stay to himself, in his world, in his art. He has a thousand dreams and a place in his heart already occupied
not betray you ever and is capable of affezzionarsi to you as nobody here, you do not forget easily. is in Italy for years and speaks fluent
It is here to study Italian art and culture, which has always fascinated me as a child;
his family has remained in his home country and understand how it can be complicated
away agi family ties only to chase their dreams,
for this reason I consider it a strong girl, determined and courageous, because it takes a lot of courage
to go halfway around the world alone. For this reason it is to be estimated, and certainly has my estimation
Model: Anne Marie Oprescu
Hairstyle,Stylist,Scenography and Photoshop: Giulia Ravaglia
Chi mai riuscirebbe ad immaginare il misto di culture che si rispecchiano nei suoi lineamenti:
un mix di sange greco,francese,croato e rumeno; lineamenti particolari, dolci e allo stesso tempo netti
occhioni di un azzurro cristallino e carnagione tenue
Femminile, donna e ragazza, ama la moda, l'arte e le lingue
ha un carattere tutto da interpretare: sensibile, un poco permalosa e così dolcemente ingenua
ama stare tra se e se, nel suo mondo, nella sua arte. Ha mille sogni nel cassetto e un posto nel suo cuore già occupato
non ti tradirebbe mai ed è capace di affezzionarsi a te come nussuno, non ti dimentica facilmente. é in Italia da anni ormai e parla perfettamente la lingua
è qui per studiare l'arte e la cultura italiana, che l'ha sempre affascinata fin da bambina;
la sua famiglia è rimasta nel suo paese d'origine e capisco come possa essere complicato
allontanarsi agi affetti familiari solo per inseguire il proprio sogno,
proprio per questo la ritengo una ragazza forte, determina e coraggiosa, perchè ci vuole un bel coraggio
ad andare dall'altra parte del mondo da sole. Per questo motivo è da stimare, e di sicuro ha tutta la mia di stima.
Helmut Newton retrospective exhibition at the Grand-Palais gallery, Paris. The exhibition is magnificent - whether you like his work or not - and the scenography very good. I didn't use to like his style much but seing this exhibition changed my mind. His work is much more than fashion photography and his representation of women is a tribute to their beauty and power.
It has been a busy photographic weekend for me visiting several other exhibitions at the Maison Européenne de la Photographie:
- Eloge du vertige, photographs from the Itau collection, Brazil
- Youssef Nabil, an interesting portraitist from Egypt who makes hand coloured black and white prints
- Dominique Isserman's photos of model Laetitia Casta in the thermal spa of Vals - sublime
- William Ropp, the sculptor of shadows. Impressive portraits in a very personal style, a must know for anyone interested in portrait photography. Extremely strong emotional portraits.
- and "The tree and the photographer" - l'arbre et le photographe - a collective exhibition at the Ecole nationale supérieur des beaux-arts. Lovely classical and contemporary photographs of the tree as a subject, unfortunately displayed in terribly shameful conditions (neon lighting in a decaying gallery that contrasts with the wealth of national museums such as the Grand-Palais...)
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The Octopus' Tableaux in The Reception.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
153 de secunde/153 seconds
Poem: Svetlana Cârstean
Director: Ioana Paun
Scenography: Cătălin Rulea
Documentation: Laura Ștefănuț, Smaranda Nicolau
Soundtrack: Sillyconductor
Special Composition: Diana Miron
Movement: Andreea David
Performers: Irina Artenii, Andrei Cătălin, Claudia Chiraș, Sorin Dobrin,
Lorena Luchian, Alice Mihalache, Denisse Moise, Cristina Negucioiu, Ana Maria Pop,
Ingrid Robu, Adina Răducan, Amelia Stuparu, Teodora Tudose, Octavian Voina
Producer: Biatrice Cozmolici
Communication: Evantia Barca
Container Voice: Bogdan Dumitrache
Epilogue Text: Collective creation
Associated Artist: Nicoleta Lefter
Poster Photo: Petruț Călinescu
Grafic design: Maria Draghici+
Photo: Răzvan Leucea
..continues Verhelst. “From the very beginning they have chosen the most unconventional way to present their work to the public, and by times it was not appreciated by journalists or buyers" dazeddigital.com/Fashion/article/1150/1/Maison_Martin_Mar...
The Evokers Room.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Mapping & scenography by Bigmap.tv
Cast : Margarita Sanchez & Baptiste Gilliéron.
Photo and copyright
Mario Del Curto
Peter McKinnon (left) welcomes the assembled guests at the book launch for World Scenography 1975-1990.
I've designed the scenography and the light for this concert at the Museum of Modern Art in Aalborg (Denmark)
Boudoir and Soleil for a day of fashion and music fusion !!!!
Music, sound design and light show by ColeMarie Soleil
Dresses by Precious Restless and Vitabela Dubrovna
Scenography by Vitabela Dubrovna and Natsha Lemton
Furniture by Mo Miasma
Models are Ranini Farella, Annough Lykin, Gamp Lane, Ivery Silverfall, Aphrodite Brianna and Ananya Mai
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
Nice, France - One of my favorite car scenes! Love how the Lady and the Porsche are crossing each other!
Frédéric never leaves home and never sees anyone. He has a telecommuting work and when he needs something, it is delivered. His everyday life, immutable, seems written in stone... Until a mysterious girl burst into his life...
The play, between utopia and science fiction, is asking for the place of the other when the technology is building is own reality, between us and the world, when virtuality comes true.
The scenography was designed to show this omnipresence of the virtual, using video mapping, video, sounds and light interactivities to create the space, the flat of Frederic, where the action takes place. It's a living place, a sprawling matrix, stilfling, but probably also an illusion created by humans to rock his eternal solitude.
Written and staged by: Gildas Loupiac
Scenography: Barthélemy Antoine-Loeff and Alexandra Petracchi (iduun)
Sound design: Charles Dubois
Costumes: Marilyne Morel
With: Thomas Lequesne, Géraldine Szajman and Etienne Bodi
From the 7th of september to the 2nd of october (except monday and tuesday) at 20 PM.
FUNAMBULE MONTMARTRE
53 rue des Saules, 75018 Paris
Métro : Lamarck-Caulaincourt (12)
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa hair Lorenza Venturini
Stylist, Scenography and Photoshop: Giulia Ravaglia
Akimi
Surely the name intuited its particularity. A mix of Italian blood and blood Japanese, a mix almost rare, almost unique and wonderful.
Akimi is special as its name: it is a girl of strong character because of sorrow has passed but always walks with head high, no one puts his feet on his head, knows how to be respected even by bad luck, maybe if not intimidates know well enough; It is sincere and loyal, not afraid of the opinions of others and is not afraid to speak his mind. Externally proves to be perhaps a little tough but in reality, knowing her well, is one of the most kind and respectful and that there are, it is always ready to listen, to give advice and help; it is sweet, romantic, sensitive and loving, of you can have all these qualities only if you bring respect to her as she brings compared to you ... and all this in addition to being a friend is extraordinary.
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa per capelli Lorenza Venturini
Stylist,Scenography and Photoshop: Giulia Ravaglia
Akimi
Sicuramente dal nome intuite la sua particolarità. Un mix di sangue italiano e sangue giapponese,un mix quasi raro,quasi unico e meraviglioso.
Akimi è particolare come il suo nome: è una ragazza forte e di carattere perchè di dispiaceri ne ha passati ma cammina sempre a testa alta, nessuno le mette i piedi in testa, sa bene come farsi rispettare pure dalla cattiva sorte,forse se non la conosci bene intimorisce abbastanza; è sincera e leale,non ha paura dei giudizi altrui e non ha paura di dire ciò che pensa. Esternamente dimostra di essere forse un pò dura ma in realtà, conoscendola bene, è una delle persone più e gentili e rispettose che ci siano, è sempre pronta ad ascoltarti,a darti consigli ed aiutarti;è dolce,romantica, sensibile e innamorata, di lei puoi avere tutte queste sue qualità se solo tu porti rispetto a lei come lei porta rispetto a te ... ed oltre ad essere tutto questo è un'amica straordinaria.
gibellina july 1985....- sicily -
"snail".......piece of movable theatre machinery
trilogy " l'orestea di gibellina" .........."villa eumenidi"
filippo crivelli - director - .....arnaldo pomodoro - scenography - ......emilio isgrò - text -
best.....http://bighugelabs.com/flickr/onblack.php?id=2398345334&size=large
feel free to visit my web site
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