View allAll Photos Tagged Scenography
Model: Cecilia Suzzi
Hairstyle: Exensial spa hair Lorenza Venturini
Stylist, Scenography and Photoshop: Giulia Ravaglia
Cécile
its beauty is all to analyze: fair skin, freckles, red hair and full lips, briefly, a porcelain doll .. I must say that his finesse does not reflect his character so expansive, relaxed and solar; with her is impossible not to laugh between the nonsense that says serious talk and to listen, ready to tell every detail of his life, always with a smile. Everyone loves his thoughtlessness and his way of being, a little girl, but at the same time a little adult. She is so, she has to understand, but trust that once understood will not want to be without her and her infectious laugh. You know those dark days, gray when everything sucks and getting out of bed to go to school would be the last thing you want to do in this world? That's her in those days it is essential to improve yourself the day, has the ability to make you laugh even when you cry and it is an advantage that not everyone has. is nothing short of stubborn, asks advice at least thirty times a day but it's always on his own, sometimes makes mistakes sometimes, but this is right, knows that his head and knows how to use it, is extremely proud and even a little anxious in situations that are dearest to us. He does not realize how beautiful both inside and out as it is with its strengths and weaknesses; I would call it crazy friend with whom you can be yourself one hundred percent without worrying about how you are your hair or how you dress is, you go to his house in bathrobe for her are always beautiful.
Model: Cecilia Suzzi
Hairstyle: Exensial spa per capelli Lorenza Venturini
Stylist,Scenography and Photoshop: Giulia Ravaglia
Cécile
la sua bellezza è tutta da analizzare: pelle chiara, lentiggini, labbra carnose e capelli rossi, in poche parole una bambola di porcellana.. devo dire che la sua finezza non rispecchia il suo carattere così espansivo,alla mano e solare; con lei è impossibile non ridere tra le baggianate che dice e i discorsi seri da ascoltare, pronta a raccontarti ogni particolare della sua vita sempre con il sorriso. Tutti amano la sua spensieratezza e il suo modo di essere, un pò bambina ma allo stesso tempo un pò adulta. Lei è così, lei è da capire, ma fidatevi che una volta capita non riuscirete più a stare senza di lei e la sua risata contagiosa. Avete presente quelle giornate buie,grigie in cui tutto fa schifo e di alzarvi dal letto per andare a scuola sarebbe l'ultima cosa che vorreste fare a questo mondo? Ecco lei in quei giorni è essenziale per migliorarti la giornata, ha la capacità di farti ridere anche mentre piangi ed è un pregio che non tutti hanno. é a dir poco cocciuta, ti chiede consigli almeno trenta volte al giorno ma fa sempre e comunque di testa sua,a volte sbaglia a volte fa bene, ma è giusto così,sa di avere la testa e sa come usarla,è estremamente orgogliosa e anche un tantino ansiosa per le situazioni che gli stanno più a cuore. Non si rende conto di quanto sia bella sia dentro che fuori così com'è con pregi e difetti; la definirei un'amica pazza con cui puoi essere te stessa al cento per cento senza preoccuparti di come ti stanno i capelli o come ti sta il vestito, potresti andare a casa sua in accappatoio che per lei sei sempre bellissima.
Here are some pictures I shot (Roberto Vitalini, bashiba.com) during the creation of the Show "La Verità".
Here is a link to a youtube video I made if you are intererested in the video scenography.
www.youtube.com/watch?v=37RbmfREib0&feature=share&...
For more information about this show, please visit this page:
finzipasca.com/creations/la-verita/
finzipasca.com/fr/creations/la-verita/
"Dans le spectacle, il y aura aussi des projections vidéos sur la toile (réalisées par Roberto Vitalini, bashiba.com). «Ce sont des projections qui font ressentir la fluidité de la peinture de Dalí, qui fait contrepoids à ses formes plus sculpturales, plus figées, explique Daniele Finzi Pasca."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
"Autre grande force de La verità: les éclairages et les projections. Les ambiances et les textures visuelles sont extraordinaires. Avec certains tableaux - comme ce champ de pissenlits -, l'effet est saisissant. Les jeux d'ombres des interprètes, derrière le rideau de scène, sont également magnifiques."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
Special Thanks to all the people at Place des Arts for facilitating this production.
Daniele Finzi Pasca
Author, director, lights and choreographies co-design
Julie Hamelin
Creative director, producer and participation for the writing
Maria Bonzanigo
Music, choreographies co-design and sound design
Hugo Gargiulo
Set, Props and Hugojo & L’hugo creator
Antonio Vergamini
Executive Producer and artistic consultant
Giovanna Buzzi
Costumes design
Alexis Bowles
Lights Co-design
Roberto Vitalini pour BASHIBA.com
Video design
Geneviève Dupéré
Assistante à la mise en scène
Chiqui Barbé
Make-up and hairstyle Designer
Marc Laliberté
Director of production
Fabrizio Arigoni
Artistic Consultant
Facundo Ponce de Leon
Researcher
Toni Vighetto
Zig creator
Mariève Hémond
Carré creator
Marzio Picchetti
Assistant Lumière et Vidéo (QLab + Christie-L2K1000)
Interprètes: Moira Albertalli, Jean-Philippe Cuerrier, Annie-Kim Déry, Stéphane Gentilini, Andrée Anne Gingras-Roy, Catherine Girard, James Kingsford-Smith, Evelyne Laforest, David Menes, Marco Paoletti, Felix Salas, Beatriz Sayad, Rolando Tarquini
Directeur technique et machiniste: Dave Bourdages
Chef gréeur: Jens Leclerc
Chef sonorisateur: Maxime Lambert
Chef éclairagiste: Benoît Dubord
Character creation, scenography and redesign of the brand for the official June Party of Rede Bandeirantes de Comunicação (BAND TV).
Client: Rede Bandeirantes de Comunicação (BAND)
Year: 2011
Loic @ Studio - 2015
Binya Photography
You can buy my pictures on:
stock.adobe.com/fr/contributor/207319508/benjamin?load_ty...
www.shutterstock.com/fr/g/binya
Come on FB and like my page: www.facebook.com/Binya.Photography/
Norwegian Theatre Academy - Independent Productions 2022:
March 31, April 1, April 2: NTA's graduating bachelor students in acting and scenography invite you to Final Independent Productions 2022.
Cocoon
An exhibition of being, a debut
Anna Bjørgulf - Performer
Karol Matuszak - Performer
Madelen Larsen - Performer
Olga Regitze Dyrløv Høegh - Scenography
Henriette Schwabe - Scenography
Anne Holmbo Albrechtsen - Choreographic consultant
Skt. DeLarge - Sound design
Olga Regitze Dyrløv Høegh - Costume
Tutors: Saila Hyttinen, Øystein Elle and Saul Garcia-Lopez
The Rocky Horror Show
Brian Thomson (Australia)
& Sue Blane (UK)
Set & Costume Design
The Rocky Horror Show began its life at the Upstairs Theatre at the Royal Court Theatre in London in 1973. Brian Thomson and Jim Sharman had already worked together on a number of productions in Australia and
London, and neither of them could have anticipated the worldwide phenomenon that Rocky would become. Their work together precipitated an entirely new approach to design in the Australian theatre. This was one of Sue Blane’s first professional productions as a solo designer, and undoubtedly her big break. Designing for this production led her to design the US version,
and later the costumes for the movie as well as the sequel. So intrinsic is her connection to the design of the show that her name is now part of the audience participation script for the production. She has since gone on to design for opera, musical, theatre and
dance, returning regularly to design any new productions of Rocky Horror in the UK.
The work, and its outrageous costumes, has inspired many interpretations, recreations, and homages, not only in theatre, but also in fashion, make-up, and music. The success of the show and its popular design confirmed the success of the Royal Court’s black box studio, the Theatre Upstairs, which had opened three
years earlier.
The production has become part of popular culture, and the costume designs have played a big part in that, often recreated down to tiny details for audience participation nights and fancy dress or Rocky Horror-themed parties. Blane has received both an MBE and the Royal Designer for Industry award for services to
theatre design.
Images posted with permission by editors
Loïc @ studio
You can buy my pictures on:
stock.adobe.com/fr/contributor/207319508/benjamin?load_ty...
www.shutterstock.com/fr/g/binya
Come on FB and like my page: www.facebook.com/Binya.Photography/
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 25,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
Here are some pictures I shot (Roberto Vitalini, bashiba.com) during the creation of the Show "La Verità".
Here is a link to a youtube video I made if you are intererested in the video scenography.
www.youtube.com/watch?v=37RbmfREib0&feature=share&...
For more information about this show, please visit this page:
finzipasca.com/creations/la-verita/
finzipasca.com/fr/creations/la-verita/
"Dans le spectacle, il y aura aussi des projections vidéos sur la toile (réalisées par Roberto Vitalini, bashiba.com). «Ce sont des projections qui font ressentir la fluidité de la peinture de Dalí, qui fait contrepoids à ses formes plus sculpturales, plus figées, explique Daniele Finzi Pasca."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
"Autre grande force de La verità: les éclairages et les projections. Les ambiances et les textures visuelles sont extraordinaires. Avec certains tableaux - comme ce champ de pissenlits -, l'effet est saisissant. Les jeux d'ombres des interprètes, derrière le rideau de scène, sont également magnifiques."
www.lapresse.ca/arts/spectacles-et-theatre/cirque/201301/...
Special Thanks to all the people at Place des Arts for facilitating this production.
Daniele Finzi Pasca
Author, director, lights and choreographies co-design
Julie Hamelin
Creative director, producer and participation for the writing
Maria Bonzanigo
Music, choreographies co-design and sound design
Hugo Gargiulo
Set, Props and Hugojo & L’hugo creator
Antonio Vergamini
Executive Producer and artistic consultant
Giovanna Buzzi
Costumes design
Alexis Bowles
Lights Co-design
Roberto Vitalini pour BASHIBA.com
Video design
Geneviève Dupéré
Assistante à la mise en scène
Chiqui Barbé
Make-up and hairstyle Designer
Marc Laliberté
Director of production
Fabrizio Arigoni
Artistic Consultant
Facundo Ponce de Leon
Researcher
Toni Vighetto
Zig creator
Mariève Hémond
Carré creator
Marzio Picchetti
Assistant Lumière et Vidéo (QLab + Christie-L2K1000)
Interprètes: Moira Albertalli, Jean-Philippe Cuerrier, Annie-Kim Déry, Stéphane Gentilini, Andrée Anne Gingras-Roy, Catherine Girard, James Kingsford-Smith, Evelyne Laforest, David Menes, Marco Paoletti, Felix Salas, Beatriz Sayad, Rolando Tarquini
Directeur technique et machiniste: Dave Bourdages
Chef gréeur: Jens Leclerc
Chef sonorisateur: Maxime Lambert
Chef éclairagiste: Benoît Dubord
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 25,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
Evento realizado pelo grupo Raia Drogasil com premiação a gerentes das drogarias Raia e Drogasil de todo Brasil, realizado no Espaço das Américas, produzido pela SRCom e cenografia da P&G Cenografia.
Model: Anne Marie Oprescu
Hairstyle, Stylist, Scenography and Photoshop: Giulia Ravaglia
Who would ever be able to imagine the mixture of cultures that are reflected in his features:
a mix of sange greek, French, Croatian and Romanian; features special, sweet and at the same time net
a crystal blue eyes and pale complexion
Female, woman and girl loves fashion, art and languages
It has a character all to interpret: sensitive, a little touchy and so sweetly naive
He likes to stay to himself, in his world, in his art. He has a thousand dreams and a place in his heart already occupied
not betray you ever and is capable of affezzionarsi to you as nobody here, you do not forget easily. is in Italy for years and speaks fluent
It is here to study Italian art and culture, which has always fascinated me as a child;
his family has remained in his home country and understand how it can be complicated
away agi family ties only to chase their dreams,
for this reason I consider it a strong girl, determined and courageous, because it takes a lot of courage
to go halfway around the world alone. For this reason it is to be estimated, and certainly has my estimation
Model: Anne Marie Oprescu
Hairstyle,Stylist,Scenography and Photoshop: Giulia Ravaglia
Chi mai riuscirebbe ad immaginare il misto di culture che si rispecchiano nei suoi lineamenti:
un mix di sange greco,francese,croato e rumeno; lineamenti particolari, dolci e allo stesso tempo netti
occhioni di un azzurro cristallino e carnagione tenue
Femminile, donna e ragazza, ama la moda, l'arte e le lingue
ha un carattere tutto da interpretare: sensibile, un poco permalosa e così dolcemente ingenua
ama stare tra se e se, nel suo mondo, nella sua arte. Ha mille sogni nel cassetto e un posto nel suo cuore già occupato
non ti tradirebbe mai ed è capace di affezzionarsi a te come nussuno, non ti dimentica facilmente. é in Italia da anni ormai e parla perfettamente la lingua
è qui per studiare l'arte e la cultura italiana, che l'ha sempre affascinata fin da bambina;
la sua famiglia è rimasta nel suo paese d'origine e capisco come possa essere complicato
allontanarsi agi affetti familiari solo per inseguire il proprio sogno,
proprio per questo la ritengo una ragazza forte, determina e coraggiosa, perchè ci vuole un bel coraggio
ad andare dall'altra parte del mondo da sole. Per questo motivo è da stimare, e di sicuro ha tutta la mia di stima.
Model: Anne Marie Oprescu
Hairstyle, Stylist, Scenography and Photoshop: Giulia Ravaglia
Who would ever be able to imagine the mixture of cultures that are reflected in his features:
a mix of sange greek, French, Croatian and Romanian; features special, sweet and at the same time net
a crystal blue eyes and pale complexion
Female, woman and girl loves fashion, art and languages
It has a character all to interpret: sensitive, a little touchy and so sweetly naive
He likes to stay to himself, in his world, in his art. He has a thousand dreams and a place in his heart already occupied
not betray you ever and is capable of affezzionarsi to you as nobody here, you do not forget easily. is in Italy for years and speaks fluent
It is here to study Italian art and culture, which has always fascinated me as a child;
his family has remained in his home country and understand how it can be complicated
away agi family ties only to chase their dreams,
for this reason I consider it a strong girl, determined and courageous, because it takes a lot of courage
to go halfway around the world alone. For this reason it is to be estimated, and certainly has my estimation
Model: Anne Marie Oprescu
Hairstyle,Stylist,Scenography and Photoshop: Giulia Ravaglia
Chi mai riuscirebbe ad immaginare il misto di culture che si rispecchiano nei suoi lineamenti:
un mix di sange greco,francese,croato e rumeno; lineamenti particolari, dolci e allo stesso tempo netti
occhioni di un azzurro cristallino e carnagione tenue
Femminile, donna e ragazza, ama la moda, l'arte e le lingue
ha un carattere tutto da interpretare: sensibile, un poco permalosa e così dolcemente ingenua
ama stare tra se e se, nel suo mondo, nella sua arte. Ha mille sogni nel cassetto e un posto nel suo cuore già occupato
non ti tradirebbe mai ed è capace di affezzionarsi a te come nussuno, non ti dimentica facilmente. é in Italia da anni ormai e parla perfettamente la lingua
è qui per studiare l'arte e la cultura italiana, che l'ha sempre affascinata fin da bambina;
la sua famiglia è rimasta nel suo paese d'origine e capisco come possa essere complicato
allontanarsi agi affetti familiari solo per inseguire il proprio sogno,
proprio per questo la ritengo una ragazza forte, determina e coraggiosa, perchè ci vuole un bel coraggio
ad andare dall'altra parte del mondo da sole. Per questo motivo è da stimare, e di sicuro ha tutta la mia di stima.
6:THE SQUARE
Company: NBprojects
Choreography & direction: Nicole Beutler
Music composition: Gary Shepherd
Costumes: Jessica Helbach
Light design: Minna Tiikkainen
Scenography: Tim Vermeulen & Nico de Rooij
Chorographical assistance and training: João Dinis Pinho
Text based on speeches of o.a. Marine Le Pen, Victor Orban, AfD en Donald Trump
Dramaturgy: Felix Ritter, Justa ter Haar
Dramaturgical advice: Magne van den Berg, Sanne van Rijn, Fabienne Vegt
Co-creation & performers: Deborah Abrahams, Madelyn Bullard, Christian Guerematchi, Hillary Blake Firestone, Pedro Iñes, Benjamin Kahn, Cherish Menzo, Patrick Schmatzer, Marjolein Vogels
All photographs taken at Nederlandse Dansdagen 2016 (Dutch Dance Festival), Maastricht, 7th October 2016 - 9th October 2016
Every first weekend of October, the festival presents remarkable performances from up-and-coming choreographers as well as from established dance companies in the city of Maastricht.
photo - © Stephen Wright | All rights reserved | For all usage/licensing enquiries please contact www.stephenwrightphotography.com
photo: The I of Sisters Academy, diana lindhardt
Scenography:
Rhoda Ting & Majken Karlberg
Light Design:
Sara Trold Clemmens
''Préliminaires''
SLOTT, LA GALERIE LARGEMENT OUVERTE AU MONDE DE LA CREATION.
LA GALERIE SLOTT EST LE LIEU DU « WORK IN PROGRESS ». STRATÉGIQUEMENT SITUÉE ENTRE DEUX GARES TRANS-EUROPÉENNES AU COEUR DE PARIS, LA GALERIE SLOTT * CONCRÉTISE LES ANNÉES QUE SA FONDATRICE FRANCO-SUÉDOISE PAOLA BJARINGER A CONSACRÉES À TRAQUER LES TALENTS DE PAR LE MONDE.
C’EST DE CES EXPÉRIENCES QU’EST NÉ LE BESOIN DE CRÉER UN LIEU TRANSVERSAL, DÉCLOISONNÉ, CONÇU POUR ACCUEILLIR EN RÉSIDENCE ET POUR DES EXPOSITIONS AUSSI BIEN DES ARTISTES PLASTICIENS QUE DES DESIGNERS.
SLOTT OUVRIRA SES PORTES LE 15 DÉCEMBRE 2009 AVEC "PRÉLIMINAIRES", UNE EXPOSITION QUI RASSEMBLE LES OEUVRES DES DESIGNERS MATALI CRASSET, ARIK LEVY, MATHIEU LEHANNEUR ET FLORENCE JAFFRAIN.
* UNE CRÉATION ORIGINALE DE L’ARCHITECTE JOSEPH CASPARI, EN COLLABORATION AVEC MARC MÖHLMANN ET DONATIEN DE VILLANOVA, ARCHITECTES D'INTERIEURS. CE LIEU INÉDIT, SITUÉ AU 12 RUE DU CHÂTEAU LANDON 75010 PARIS, EST CONSTITUÉ D’UN ESPACE SUR COUR COMPRENANT UNE GALERIE, UN APPARTEMENT ET UN ATELIER, AINSI QU’UNE VITRINE SUR RUE.
CONTACT:
GALERIE SLOTT
C/O EXQUISE DESIGN
12, RUE DU CHÂTEAU LANDON
75010 PARIS, FRANCE
INFO@EXQUISEDESIGN.COM
TEL: +33 (0) 140 360 718
Xica da Silva
JC Serroni (Brazil)
Set Design
Xica da Silva was a production from CPT— Center of Theatre Research at SESC— directed by one of Brazil’s leading directors, Antunes Filho that, despite being staged in a black box, had an exuberant design made
of the actors’ movement, props, costume and light. This production was known for both its extraordinary visual beauty and its symbolic richness.
Images posted with permission by editors
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa hair Lorenza Venturini
Stylist, Scenography and Photoshop: Giulia Ravaglia
Akimi
Surely the name intuited its particularity. A mix of Italian blood and blood Japanese, a mix almost rare, almost unique and wonderful.
Akimi is special as its name: it is a girl of strong character because of sorrow has passed but always walks with head high, no one puts his feet on his head, knows how to be respected even by bad luck, maybe if not intimidates know well enough; It is sincere and loyal, not afraid of the opinions of others and is not afraid to speak his mind. Externally proves to be perhaps a little tough but in reality, knowing her well, is one of the most kind and respectful and that there are, it is always ready to listen, to give advice and help; it is sweet, romantic, sensitive and loving, of you can have all these qualities only if you bring respect to her as she brings compared to you ... and all this in addition to being a friend is extraordinary.
Model: C. Akimi Grandolfo
Hairstyle: Exensial spa per capelli Lorenza Venturini
Stylist,Scenography and Photoshop: Giulia Ravaglia
Akimi
Sicuramente dal nome intuite la sua particolarità. Un mix di sangue italiano e sangue giapponese,un mix quasi raro,quasi unico e meraviglioso.
Akimi è particolare come il suo nome: è una ragazza forte e di carattere perchè di dispiaceri ne ha passati ma cammina sempre a testa alta, nessuno le mette i piedi in testa, sa bene come farsi rispettare pure dalla cattiva sorte,forse se non la conosci bene intimorisce abbastanza; è sincera e leale,non ha paura dei giudizi altrui e non ha paura di dire ciò che pensa. Esternamente dimostra di essere forse un pò dura ma in realtà, conoscendola bene, è una delle persone più e gentili e rispettose che ci siano, è sempre pronta ad ascoltarti,a darti consigli ed aiutarti;è dolce,romantica, sensibile e innamorata, di lei puoi avere tutte queste sue qualità se solo tu porti rispetto a lei come lei porta rispetto a te ... ed oltre ad essere tutto questo è un'amica straordinaria.
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 25,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
The Evokers Room.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
Acabashi, © 2022 All rights reserved. Republishing in whole, part, form, variation or adaptation in any media or on any web site is not allowed. This image could be released through application. There are 25,000+ files on Wikimedia Commons that can be used under Creative Commons licence; see Acabashi at Wikimedia.
153 de secunde/153 seconds
Poem: Svetlana Cârstean
Director: Ioana Paun
Scenography: Cătălin Rulea
Documentation: Laura Ștefănuț, Smaranda Nicolau
Soundtrack: Sillyconductor
Special Composition: Diana Miron
Movement: Andreea David
Performers: Irina Artenii, Andrei Cătălin, Claudia Chiraș, Sorin Dobrin,
Lorena Luchian, Alice Mihalache, Denisse Moise, Cristina Negucioiu, Ana Maria Pop,
Ingrid Robu, Adina Răducan, Amelia Stuparu, Teodora Tudose, Octavian Voina
Producer: Biatrice Cozmolici
Communication: Evantia Barca
Container Voice: Bogdan Dumitrache
Epilogue Text: Collective creation
Associated Artist: Nicoleta Lefter
Poster Photo: Petruț Călinescu
Grafic design: Maria Draghici+
Photo: Răzvan Leucea
Curated by Basak Senova, the inaugural exhibition of B7L9, Climbing through the Tide is designed to initiate dialogues and encounters among the works by suggesting various paths of reception through its scenography. Works in the exhibition connect to each other through spontaneously formed content; form; methodology; and approach-based links. By taking the condition-based and geographical inputs into account, the exhibition operates as the prompter of a new interrogations and the instigator of multiple perceptions leading to a more layered reading of our current situation and to different ways to cope with it. Climbing through the Tide brings together 50 artists from 21 countries including Adel Abidin, Afif Saâdane, Aicha Snoussi, Ali Cabbar, Ali Cherri, Ali Tnani, Almagul Menlibayeva, Bahar Behbahani, Behzad Khosravi Noori, Benji Boyadgian, Bronwyn Lace, Egle Oddo, Etel Adnan, Farah Khelil, Fares Thabet, Fatih Aydogdu, Ghada Amer, Gulsun Karamustafa, Hatem El Mekki , Heba Amin, Hera Büyüktaşçıyan, Inci Eviner, Inma Hererra, Jawad Al Malhi, Joana Hadjithomas & Khalil Joreige, Jumana Manna, Kader Attia, Larissa Sansour, Lina Selander, Malek Gnaoui, Marcus Neustetter, Negar Tahsili, Nermin Er, Nicène Kossentini, Nilbar Gures, Ramesch Daha, Raqs Media Collective, Ricarda Denzer, Susan Hefuna, Wael Shawky, Walid Raad, Yasmine Ben Khelil, Younes Ben Slimane, Youssef Nabil, Yto Barrada, Ziad Antar, and Zineb Sedira. “Annotations” section of the exhibition presents Centre for Less Good Ideas, Apartment Project, Mahatat, Mophradat, Ashkal Alwan, L’Atelier de l’Observatoire, Egle Oddo and Technopole Borj Cedria and the CrossSections Project.
Mapping & scenography by Bigmap.tv
Cast : Margarita Sanchez & Elphie Pambu.
Photo and copyright
Mario Del Curto
The Evokers Room.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
The Ticket Observation Room.
The Swedish initiation of Sisters Academy will be co-produced with Inkonst and carries the project-titel Sisters Academy Malmö. Sisters Academy Malmö will fall in two parts – Respectively Inkonst will be transformed into a boarding school in September 2015 – A laboratory to explore what the school of a Sensuous society might be. In February 2016 we will take over the leadership of a Swedish upper secondary school. We are currently searching for the school.
Sisters Academy – The boarding school
Sisters Academy – The boarding school, which will manifest at Inkonst, will be a large-scale immersive and durational performance-installation. However, the universe will not be entirely ceiled in that ‘real-life’ teachers from the previously manifested Sisters Academy will participate as teachers in this universe. They will blend in with the performer-teachers and thus the movement of penetration of everyday life into the art institution will be as manifest as the penetration of art has been into everyday life institutions in the work of Sisters Hope (and other interventionist art) previously.
All the three stages of Inkonst will be transformed into a boarding school where the co-participating audience is invited to enroll as students (and possibly advance to become substitute teachers) at the school. They will be provided with a bed, a set of clothes and basic school materials. In this universe they will live their everyday life but on rather strange conditions as this no school like others but one of a possibly future sensuous society.
Besides taking classes, falling in love with their school-mates, cooking, doing chores and engage with the inexplicable twin sisters and head mistresses Coco and Coca Pebber the enrolled students will interact with the cast.
During the manifestation at the Inkonst we will be in close dialogue with local Swedish upper secondary schools and in the process find a school of which we will take over the actual leadership for two weeks.
For full credit list see here
photo: diana lindhardt // The I of Sisters Academy
Laura Welman insistiu:
– Minha filha… Está mesmo infeliz? O que houve?
– Nada… Absolutamente nada – levantou-se e foi até a janela. Deu meia-volta e falou: – Tia Laura, me diga, com toda a honestidade, acha que o amor chega a ser uma experiência feliz?
A expressão da sra. Welman ficou sombria.
– No sentido que está sugerindo, Elinor, não; é mais provável que não… Gostar apaixonadamente de outra criatura humana sempre causa mais tristeza do que alegria, mas da mesma forma, Elinor, não existiríamos sem essa experiência. Alguém que nunca amou de verdade nunca viveu de verdade…
[Agatha Christie in Cipreste triste]
Cinderella at the Subscription Rooms, Stroud, Gloucestershire, England. First dress rehearsal image, 21 December 2022.
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