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USS Armstrong mission, Stardate 220902.
ENS Kassiequandrii Resident
CDR Alia Soulstar
The Talis (NPC)
LT Ellemir Maven
CDR Kestral Roffo
FCAPT Dolfke Barbosa
LT Genny7 Markus
3rd Rock Grid
During the night of November 23rd 2012 I was on my way back from a brief visit to the Mont-Cenis area (2.083 m), France.
After walking for eight hours (four hours in the dark for the return, taking pictures), I was now driving my car when I began to think about these abstract photos, so popular today.
To be precise the results maybe aren't popular at all, because most people do not even understand "what's going on" in the final products :-)) but pleasing others isn't my top priority.
I see that many skilled photographers are embracing these techniques, and, yes, I guess this is definitely a good thing!
So, I asked myself "why taking these pictures only at sunset/dawn... why not ask for help of the night!"
Since the final results of these experiments generally tend to a sort of "painting look", along with an aura of mystery typical of all abstractions, I really thought the night, one more time, could be a powerful ally.
Here you can see a few tree trunks along the road that connects Susa (Italy) with the Mount-Cenis (France). Shot taken at night with a vertical movement of the camera during a slightly long exposure.
The blue dominant above is given from the night sky. The light reverberating on the trunks is coming from the headlights of my car, oriented properly and at due distance.
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Website : www.fluidr.com/photos/pat21
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Nikon FM3a
1/1/1980 Expired Kodak Kodachrome 25 shot at 14 ASA
Remjet removal in Baking Soda.
Developed for 10 minutes in Rodinal.
Scanned with Epson F3200.
Kodak Ektachrome film, Pentax K1000. The image was captured with a Pentax Kr and a slide duplicator mounted on a Pentax SMC A f1.4 lens.
Using the scanner as a camera. Epson V550 Phot Scanner. Scanning natural objects and then making some adjustments on contrast.
Somehow my scanner software converted the negative into this "sketch". Interestingly enough, the rest of the strip came out as "photos"... I attribute this to being new to VueScan - and will try again...
Berlin, Jannowitzbrücke S-Bahn Station
Rolleiflex 3.5B, Fomapan 100 @ 200 ISO, in Adox ADX II 1+24, polariser
PIE PrimeFilm XA Plus does well by keeping the negatives flat. Get a kick on the instruction manual "If the film does not feed properly turn it on the side and bang it lightly" With this scanner I get a complete scan as the V700 I was missing out on the grain that makes a complete scan.
1/5
From our home to yours, a blessed New Year, filled with light.
Yashica-D Twin Lens Reflex
Kentmere Pan 400 exposed at 800, developed in D76 1:1 17 min
Epson Perfection V500 Photo scanner
#ilfordfilm, #kentmere400, #kentmerepan400, #pushedonestop,
#tlr, #twinlensreflex, #yashicad, #blackandwhite, #shootfilmstaypoor, #ishootfilm,
#home, #christmas, #christmastree, #lights,