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I was over at the wetlands on Sunday. Things weren't very active - although I spotted a far off egret - not common there, but too far off to get a good capture. Then I spotted this beautiful red tailed hawk circling in the distance. To my delight, the circles kept getting closer and closer until it was overhead. Best series I've had of this wonderful bird (at least to date :) )
Event: NEC Classic Motor Show
Location: National Exhibition Centre (NEC), Birmingham, UK
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7
Film: Ilford HP5+
Shot ISO: 400
Exposure: f/2.8 or f/2 - 1/60 mostly
Light Meter: Camera
Lighting: Overhead LED
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 10 mins
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
During the night of November 23rd 2012 I was on my way back from a brief visit to the Mont-Cenis area (2.083 m), France.
After walking for eight hours (four hours in the dark for the return, taking pictures), I was now driving my car when I began to think about these abstract photos, so popular today.
To be precise the results maybe aren't popular at all, because most people do not even understand "what's going on" in the final products :-)) but pleasing others isn't my top priority.
I see that many skilled photographers are embracing these techniques, and, yes, I guess this is definitely a good thing!
So, I asked myself "why taking these pictures only at sunset/dawn... why not ask for help of the night!"
Since the final results of these experiments generally tend to a sort of "painting look", along with an aura of mystery typical of all abstractions, I really thought the night, one more time, could be a powerful ally.
Here you can see a few tree trunks along the road that connects Susa (Italy) with the Mount-Cenis (France). Shot taken at night with a vertical movement of the camera during a slightly long exposure.
The blue dominant above is given from the night sky. The light reverberating on the trunks is coming from the headlights of my car, oriented properly and at due distance.
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©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Website : www.fluidr.com/photos/pat21
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"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Using the scanner as a camera. Epson V550 Phot Scanner. Scanning natural objects and then making some adjustments on contrast.
Lodi - 14-04-2018
Olympus OM-1
Zuiko 50 mm f/1,8
Pellicola: KODAK Color Plus 200 ASA
Scanner EPSON V600 - 2400 dpi
Somehow my scanner software converted the negative into this "sketch". Interestingly enough, the rest of the strip came out as "photos"... I attribute this to being new to VueScan - and will try again...
Berlin, Jannowitzbrücke S-Bahn Station
Rolleiflex 3.5B, Fomapan 100 @ 200 ISO, in Adox ADX II 1+24, polariser
PIE PrimeFilm XA Plus does well by keeping the negatives flat. Get a kick on the instruction manual "If the film does not feed properly turn it on the side and bang it lightly" With this scanner I get a complete scan as the V700 I was missing out on the grain that makes a complete scan.
1/5
Event: MMOC National Rally
Location: Chateau Impney, Droitwich, Worcestershire
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7
Film: Adox HR-50
Shot ISO: 50
Light Meter: Camera
Lighting: Overcast/Mixed
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4)
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)