PILGRIM VIRGIN MISSION
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The Cathedral of Christ the Savior in Moscow was built as a gratitude to God for help and intercession in the difficult period of the history of Russia - during the Patriotic War of 1812. This is a monument to the Russian people for their courage and heroism..The Cathedral of Christ the Savior in Moscow is the largest cathedral of the Russian Orthodox Church, containing up to 10,000 people. In terms of the cathedral was an equal-end cross over 85 meters wide. The height of the lower block is about 37 meters, the height of the drum is 28 meters, the height of the dome with a cross is 35 meters. The total height of the structure is 103 meters, the internal space is 79 meters. Wall thickness - up to 3.2 meters. The outer part was framed by a double row of marble high reliefs made by sculptors Klodt, Loginovsky and Ramazanov. All the entrance doors - only twelve - were made of bronze, and the images of the saints decorating them were cast according to sketches by the famous sculptor Count F. P. Tolstoy. The building was restored as close as possible to the original. In the construction used sketches and drawings of the last century. However, there are differences. A stylobate part with a height of 17 meters was built on the place of the base-hill, where the Church of the Transfiguration, refectory chambers and auxiliary services are located. Here are also the Halls of Church Councils and meetings of the Holy Synod. A ramp is built for entry. Elevators are installed in the columns and in the stylobate part. Marble from the Chelyabinsk region and red granite brought from Finland were used for decoration.
i am having some weakness for Romans, and Greeks lately....
my new (long) series coming up I guess :)
Here my Pretorian saving a Baby after having destroyed his city.
found interesting the duality between hero and chaos maker
Credits : outfits from Pucca Firecaster's Creations
view of the river by pleasure boats and the Cathedral of Christ the Savior. photo was taken from a bridge in Moscow.
Мемориальный православный храм в Санкт-Петербурге, сооружённый в память того, что на этом месте 1 марта 1881 года в результате покушения был смертельно ранен император Александр II. Храм был построен как памятник царю на средства, собранные по всей России.
Memorial Orthodox Church in St. Petersburg, built in memory of the fact that on March 1, 1881, as a result of an assassination attempt, Emperor Alexander II was mortally wounded. The temple was built as a monument to the tsar with funds collected throughout Russia.
Details: giaswizzle.wordpress.com/2016/10/13/savior/
Featured: The Labyrinth Event, Aleutia & Truth Hair
The Rat Savior is a 1976 Croatian fantastic horror film directed by Krsto Papić. It was released in 1976, and was selected as the Yugoslav entry for the Best Foreign Language Film at the 49th Academy Awards. In 1999, a poll of Croatian film critics found it to be one of the best Croatian films ever made.
The plot: A man uncovers a race of intelligent rats who can appear as human. He is captured and taken to the rat people’s leader (the "savior" of the movie's title). He escapes, but then wonders who among his fellow humans is a rat person in disguise.
One of the movie locations was also the building in the photo, located in the historic part of Zagreb, Croatia. I watched the movie as a small child and, as a result, spent the rest of my childhood and early teens scared to death of that building. Of course, it sounds silly now. :-)
My sunset capture got blown out, but fortunately for me, the woman in front of me nailed the shot! Now, all I've gotta do is just crop this down some more... ;-)
This cliche image (photographing the photographer) was taken a few years ago in Sedona, Arizona.
HCS
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My award is your presence. Please don't leave badges, group images or invitations on my stream!!
Music Inspiration : Raison D'Etre.
'Cause it feels like I've been
I've been here before
You are not my savior
But I still don't go
Hope you like it Magic :) More to come.
Danny Lim, universally adored sandwhich board protestor stops for his portrait along King Street in Newtown. His smile is infectious, traffic slows, bus drivers honk their horns and offer him a thumbs up. He often delivers satirical political messages which have seen him get into trouble. He is a friend of the people.
Posed Portrait
King Street, Newtown
June, 2019
The Church of the Savior on Spilled Blood (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi) is one of the main sights of Saint Petersburg, Russia. Other names include the Church on Spilled Blood (Russian: Церковь на Крови, Tserkov’ na Krovi), the Temple of the Savior on Spilled Blood (Russian: Храм Спаса на Крови, Khram Spasa na Krovi), and the Cathedral of the Resurrection of Christ (Russian: Собор Воскресения Христова, Sobor Voskreseniya Khristova).
Erected on the site where political nihilists fatally wounded Emperor Alexander II in March 1881, the church was constructed between 1883 and 1907, funded by the imperial family.
View of the Savior Transfiguration Cathedral from the side of Taras Shevchenko Park. Dnipro City, UKRAINE
LEICA D-LUX 4. SUMMICRON 1:2.0-2.8 / 5.1-12.8 ASPH.
O Holy Night
O holy night the stars are brightly shining
It is the night of our dear Savior's birth
Long lay the world in sin and error pining
Till He appeared and the soul felt its worth
A thrill of hope the weary world rejoices
For yonder breaks a new glorious morn
Fall on your knees
O hear the angels' voices
O night divine
O night when Christ was born
O night divine o night
O night divine
A thrill of hope the weary world rejoices
For yonder breaks a new glorious morn
Fall on your knees
O hear the angels' voices
O night divine
O night when Christ was born
O night divine o night
O night divine
Ooh yes it was
Ooh it is the night of our dear Savior's birth
Oh yeah, oh yeah, oh yeah, yeah
It was a holy holy holy, oh oh oh
My friend told me that I remind him YUNA from Final Fantasy, a nice compliment indeed, so this Art series will be named "Yuna's Dream" and represent my colorful, bright and positive energical Mandala as HALO.
These statues are part of an art exhibition in Budapest.
The New World Design for Contemporary Art presents almost 600sqm of the world of the Great War, which can be seen as the epoch that radically changed the world order of the time: the formerly stable empires have dissolved, culture and public thought have changed dramatically. World War II buried the old world, the result of a new world conflagration and then the Cold War. Europe was bleak in the twilight that the 20th century was dominated by America and Russia.
The exhibition takes visitors from happy peace to enthusiasm for war and bitter disappointment. It shows how the civilization of civilized and global warfare was fought, how the 19th century came to a standstill and the hinterland became the battlefield. The nature of war has changed: victory has now become a function of the amount of war material.
This photo is copyrighted (C) & All Rights Reserved. Don`t use this image in any form without my written permission.
سوف أخلصك
سوف اتحمل الالم من أجلك ... فقط أنتظري قليلا . .. تنفسي تنفسي و تنفسي .. بكل هدوء
... سوف أتحمل الالم من أجلك
سوف أخلصك من القلوب الباردة.
ورشة عمل مع الفنان نجا السعيدي :
استخدمنا مياه غازية+فراولة+ (يد نجا خخخخ)+فلاشات
I'll be your Savior
I'll take the pain for you .. just wait a bit .. breath, breath and breath .. Calmness ... I'll take the pain for you ... I'll be your savior from cold hearts.
DeviantArt
Erected on the site where political nihilists fatally wounded Emperor Alexander II in March 1881, the church was constructed between 1883 and 1907, funded by the imperial family.
Sie ist nach dem Vorbild der Moskauer Basilius-Kathedrale gestaltet Erbaut wurde sie von 1883 bis 1912 an der Stelle, an der Alexander II. einem Attentat zum Opfer gefallen war
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The Church of the Ascension of the Lord was built in 1882-83. It was erected for the needs of the inhabitants of the village of Demeevka. Then it was outside of Kyiv.
It was originally wooden. In 1885-1892 the temple was expanded with two side aisles and overlaid with bricks.
At the beginning of the 20th century, in 1905-10, a parochial school was built nearby, the building of which can be seen here today.
The church is well known for the fact that on July 25 (August 7), 1907, the wedding of the Ukrainian poetess Lesya Ukrainka with musicologist-folklorist Kliment Kvitka took place in it.
Before leaving Kyiv in 1913, the future world-famous artist, singer, poet and composer Alexander Vertinsky sang in the parish choir.
In Soviet times, the Demeevskaya Church was the only church in Kyiv where worship services did not stop, despite the persecution of the communist authorities.
The future legendary football coach Valery Lobanovsky was baptized in the temple. Later, he donated an altar gospel to the church.
Храм Вознесіння Господнього (Свято-Вознесенський храм) збудовано у 1882-83 роках. Його звели для потреб жителів села Деміївка. Тоді це було за Києвом. Спочатку храм був дерев'яним. У 1885-1892 рр. храм розширили двома бічними приділами та обклали цеглою.
На початку ХХ ст., у 1905-1910 рр., неподалік була побудована парафіяльна школа, будівлю якої тут можна побачити і сьогодні.
Храм відомий тим, що 25 липня (7 серпня) 1907 року в ньому відбулося вінчання української поетеси Лесі Українки (Косач Лариса Петрівна) з музикознавцем-фольклористом Климентом Квіткою.
Майбутній всесвітньо відомий художник, співак, поет і композитор Олександр Вертинський до від’їзду з Києва у 1913 році співав у парафіяльному хорі храму.
У радянські часи Деміївська церква була єдиним храмом у Києві, де не припинялися богослужіння, незважаючи на переслідування комуністичної влади.
У храмі був хрещений майбутній легендарний футбольний тренер Валерій Лобановський. Пізніше він подарував церкві напрестольне Євангеліє.
I bring you hope and the blessing of the sacred mountains from Viktor's painting. This is a gorgeous light digital painting based on his actual work. New life, like dawn and spring, comes from high clean mountains, bringing clean air, flowering and liberation from the dirt of our modern world.
***************
UNITY ART May at Carmel AIR Gallery
******************
Art: The Secret Path to the land of Gods
Artist: Viktor Savior
“In the center of the painting is the Savior of the world, seated on the heavenly throne. His face is stern and calm, like the face of a righteous, impartial judge. In the folds of His eyebrows, in the shadows of His face, there is a great, unearthly sorrow for the world, for the sins of humanity, and from behind it shines an impulse of boundless mercy. In His right hand Christ holds a cross, in His left an open Gospel. From behind His right shoulder, the face of the Mother of God looks out. She stands with downcast eyes, Her face is full of anxiety and worry for the world, full of sorrow and prayer for the sins of humanity, addressed to Her Son. Christ is surrounded by symbolic images of the evangelists, to his left stands John the Baptist in a humble pose, to his right is an archangel, below is another archangel with righteous scales in one hand and a scroll in the other, and on both sides of this archangel, at some distance from him, are two flying archangels blowing trumpets calling the Supreme Judge to account. In the clouds above Christ sit the apostles and saints with stern faces, full of grandeur and anxiety in anticipation of the great moment. Below, on the left side of the Savior, is placed the serpent - the tempter, and under him are sinners rising from the depths of the sea, covered with corpses. Some of the sinners look at the Judge with trembling, others with meekness and submission, with faith in His great mercy, and others, not yet having time to come to their senses and understand the full importance of the moment that has come, turn away from the heavenly throne in horror. Below, to the right of Christ, are the righteous. Their faces are calm and focused, full of humility, and some have the reverent solemnity characteristic of a believer. They meet the call to the Last Judgment with the same humility with which they have always remembered it and awaited it. Below them, at the very bottom of the painting, is the chaos of destruction, coffins everywhere, piles of human skeletons, the dead rise from the coffins and rush to the throne of the Righteous Judge. The entire lower part of the painting is filled with flames of fire, destroying the visible world.”
Людині, що йде з храму, з'являються постаті «Страшного суду» і грізний темний ангел з вагами і мечем. Спочатку Васнецов припускав помістити сюжети з «Апокаліпсису» на склепіннях центрального нефа — «як у стародавніх церквах». Незрозуміло, що він мав на увазі, оскільки серед пам'яток російських «Апокаліпсис» зустрічається в храмах XVI-XVII ст. на склепіннях і стінах критих папертів, у притворах чи західній стіні.
“У центрі картини – Спаситель світу, що сидить на небесному троні. Обличчя його суворо і спокійно, як обличчя праведного, неупередженого судді. У складках брів Його, у тінях обличчя розлита велика, неземна скорбота за світ, за гріхи людства, а через неї прозирає порив безмежного милосердя. У правій руці Христос тримає хрест, у лівій розкрите Євангеліє. Через праве плече Його виглядає обличчя Богоматері. Вона стоїть з опущеними очима, обличчя Її сповнене тривоги та хвилювання за світ, повно скорботи та благання за гріхи людства, зверненої до Сина. Христа оточують символічні зображення євангелістів, ліворуч від нього стоїть у смиренній позі Іоанн Хреститель, праворуч архангел, внизу – інший архангел з праведними вагами в одній руці і з сувоєм в іншій, а по обидва боки цього архангела, на відстані від нього, два летячі. архангела і трубять у труби заклик Верховного Судді до відповіді. У хмарах над Христом сидять апостоли і святителі із суворими обличчями, сповненими величі та тривог очікування великого моменту. Внизу, з лівого боку від Спасителя, поміщений змій – спокусник, а під ним грішники, що повстають з безодні морської, покритої трупами. Одні з грішників з трепетом дивляться на Суддю, інші - з лагідністю і покірністю, з вірою в Його велике милосердя, треті, не встигнувши ще схаменутися і зрозуміти всієї важливості моменту, з жахом відвертаються в бік від небесного трону. Внизу, праворуч від Христа, – праведники. Їхні обличчя покійні і зосереджені, сповнені смирення, у деяких – благоговійної урочистості, властивої віруючій людині. Вони з такою самою смиренністю зустрічають заклик на Страшний Суд, з яким вічно пам'ятали про нього і чекали на нього. Під ними, у самому низу картини, хаос руйнування, всюди труни, купи людських скелетів, з трун повстають мерці і прямують до престолу Праведного Судді. Вся нижня частина картини залита полум'ям вогню, що винищує видимий світ.”
"Galanthus is a small genus of about 20 species in the family Amaryllidaceae commonly known as Snowdrops. Most flower in winter, before the Spring Equinox (21st March in the Northern Hemisphere) but certain species flower in late autumn and early spring.
Snowdrops are sometimes confused with their relatives, snowflakes, which are Leucojum and Acis species.
Some snowdrop species are threatened in their wild habitats, and in most countries it is now illegal to collect bulbs from the wild. Under CITES regulations, international trade in any quantity of Galanthus, whether bulbs, live plants or even dead ones, is illegal without a CITES permit. This applies to hybrids and named cultivars as well as species. CITES does, however, allow a limited trade in wild-collected bulbs of just three species (G. nivalis, G, elwesii and G. woronowii) from Turkey and Georgia.
It was suggested by Duvoisin in 1983 that the mysterious magical herb moly that appears in Homer's Odyssey is actually snowdrop. An active substance in snowdrop is called galantamine, which, as anticholinesterase, could have acted as an antidote to Circe's poisons.[10] Galantamine (or galanthamine) can be helpful in the treatment of Alzheimer's disease, though it is not a cure; the substance also occurs naturally in daffodils and other narcissi." wikipedia.org
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Heaux I Utopia I Reverie I Villena I Amitomo I Renie and more!
Back just for fun, my computer die, and got new one, but my RL work is taking me full time.
I had this picture saved so, I edited and love the result.
More info here D E A D's blog
The Cathedral of the Assumption of the Blessed Virgin Mary is the main cathedral of the Assumption Kyiv-Pechersk Lavra.
A multi-tiered iconostasis includes several registers (rows, tiers), each of which has a corresponding symbolic meaning.
The main one in the iconostasis is the first, lower row of local icons: the Savior to the right of the royal gate and the Virgin to the left. Immediately behind the Savior, an icon of that saint or sacred event, in whose name the temple is consecrated, is placed. In this row there are also deacon's doors and local (the most revered in the area where the temple was built) icons. Thus, in the parish row, what is closest to the parishioners is presented.
Собор Успі́ння Пресвятої Богородиці — головний соборний храм Успенської Києво-Печерської Лаври.
Багатоярусний іконостас включає кілька регістрів (рядів, ярусів), кожен з яких має відповідне символічне значення.
Головним в іконостасі є перший, намістний (нижній) ряд.
Праворуч від царської брами у намісному ряді традиційно є образ Христа Спасителя (Вседержителя).
Ліворуч від царської брами образ Богородиці (Богоматері Одигітрії Чернігівської).
Одразу за Спасителем, друга ікона праворуч від царської брами, представлена ікона священної події, в ім’я якої освячено храм – образ Успіння Пресвятої Богородиці.
Друга ікона ліворуч від царської брами - ікона ще одного великого свята – Собор святих преподобних отців Печерських.
У другому ярусі над царськими вратами ікона Тайної вечері. Вона вказує на те, що за нею, у вівтарі, відбувається та ж Євхаристія, що й під час Таємної вечері Ісуса Христа. Праворуч і ліворуч від цієї ікони містяться образи дванадесятих свят, тобто найважливіших священних подій, які, згідно з віровченням християнства, послужили спасінню людства. Празничний ряд підносить свідомість вірян до подій Нового Завіту.
Третій регістр має у центрі ікону Христа Вседержителя на троні. Праворуч від нього — Діва Марія, ліворуч — Іоанн Хреститель (Предтеча). Ці три ікони називають «деісис» – моління. Обабіч них — образи архангелів та апостолів. Деісис з апостолами звертає вірян до майбутнього суду Божого і тих, котрі найближче до Бога моляться за рід людський.