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I believe most of the objects in our everyday experience can have a second life and often spend time thinking about how to reuse something or what purpose it might have long after it’s original intent has passed. When I saw the shape of the jar, as well as the size of the lid I knew it would make an interesting “holder” and paperweight. I also was inspired to use both components of the jar as functioning pieces that "worked" together. Once I began to look at the natural-tone of the brown lid I thought of sand and how it might complement the lid color. I also thought the use of sand would be a daily reminder of how I was keeping plastic out of the ocean. I also like the look and feel of sand because it instantly reminds me of the ocean, which reminds me of special times and trips with friends and family. Plus who doesn’t want to have all of their pencils in one place!

Save the Unicorn Rally - TBD

:)

 

Pattern by Urban Threads.

Save for life's little necessities.

Fantoft Stave Church (Norwegian: Fantoft stavkirke) is a reconstructed stave church in Fana, Bergen, Norway. It was originally built in Fortun, a village near inner (the eastern end of) Sognefjord around the year 1150. In the 19th century the church was threatened by demolition, as were hundreds of other stave churches in Norway. The church was bought by consul F. Gade and saved by moving it in pieces to Fantoft near (now in) Bergen in 1883.

 

On 6 June 1992 the church was destroyed by arson, the first in a series of church burnings related to the early Norwegian black metal scene. The fire was initially thought to have been caused by lightning or an electrical failure. The burnt remains of the church appear on the cover of a 1993 Burzum album Aske. According to Varg Vikernes, the sole member of Burzum, the church was burned as an act of retaliation on the Judeo-Christian religion for placing a Christian church on the sacred grounds.

 

More information on stave churches can be found on Wikipedia.

 

HDR from three exposures. Processed and colormapped using Photomatix.

Model: Tina

Photo, Hair, Make-Up: me

  

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IU STUDIO 2012

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Quartier du Chatelet, Paris, France

 

Olympus OM-D E-M5 + Panasonic 20mm f/1.7

Sim eu tenho o Save me e graças a Mila Teniz ! quando lançou axei ele meio blé, mas depois que a Mila me falou que ele brilhava horrores (pura verdade) e que eu que amo glitter tinha que ter, aí p/ matar ela postou uma foto que desejei ele na hora! e comprei!

 

use:

2x mania - kolt

1x save me - opi

1x roxinho - impala

 

quero usar ele com varias cores! é perfeito!

© Web-Betty: digital heart, analog soul

Paperwork being filed. Please credit In 30 Minutes guides and link to in30minutes.com

Please vote for this photo in the Nikon Photo Contest by going to apps.facebook.com/nikon-whoareyou/?pic=10822&ref=mf and clicking the yellow +LIKE button

 

A graffiti protest against the closure of the skateboard park.

Camille West » Save The Snail

 

It was a quiet cafe in Orleans, France

 

where we held our midnight rendezvous,

 

conspiring pour la resistance

 

It seemed like something Woody Allen would do,

 

talking politics, ethics, animal rights

 

one fateful night long ago.

 

The mood like the food we kept it light

 

till someone ordered escargot.

 

How sad for the snails, I cried woefully

 

shedding tears on my brioche.

 

To have given up their lives needlessly

 

for the bourgeoisie, how gauche

 

To my friends, I cried You and your dialectic.

 

Save the dolphins.

 

Save the ozone.

 

Save the whale...

 

There is a factory I know where they are farming escargot.

 

We must save our friend the snail.

 

We planned the mission with the utmost precision,

 

spied the factory from across the boulevard.

 

The alarm was taken care of by Pierre the electrician,

 

while I seduced- I mean, subdued- the guard.

 

Need I tell you, our timing was crucial

 

not to be caught at the scene of the crime.

 

Saved for posterity and now on display at the Greater Manchester Museum of Transport is 1951-vintage Rochdale Corporation 235 (HDK835), an AEC Regent III with bodywork by East Lancashire Coachbuilders. Leyland was the predominant supplier to the Lancashire municipal bus operators, but Rochdale was a loyal customer during the 1950s.

Grace and McKenna are stepping up to help Saige and Gabi save the arts program at their school.

 

All this came in my latest lot of Mega-mini AG dolls. The guitar and saxophone are Lego.

she's so cute!

 

my co-worker just adopted a 6 week old amputee. let the spoiling begin!

Before I plodded off to Audley End station with my sickly bike.

*blogged*

 

Designed and printed my first save the dates for a friend's wedding. Some of the invites came out misprinted so I turned those into little gift tags. Palm tree was drawn by me.

Descend from the high wolds near the remote villages of Guiting Power and Hawling, down towards Andoversford in the valley below. If you follow the old Gloucester road, rather than the busy A40 you will approach the twin villages as travellers have for hundreds of years. A ribbon of houses that skirts the margins of an infant River Coln, the waters of which glister over two fords and through many a clear pool between clumps of yellow flags, dividing the two villages.

 

Shipton or 'sheep farm' was divided into two parishes in the middle ages each with it's own small church, though they are barely a mile apart. Shipton Oliffe long in the ownership of the Oliffe family grew in importance and when the two parishes were united in 1766 St. Mary's Shipton Solers fell out of use. By 1883 St. Mary's was reduced to a cow byre and only the intervention of the rector Charles Pugh and his wife saved the church for future generations.

 

St. Oswald, Shipton Oliffe, a small Norman church with 13th century additions, stands below the level of the road. Once owned by the Abbey of St. Peter, Gloucester the church has a 13th century west bellcote with two bells above two gothic windows inserted by H. A. Prothero in 1903-4. A blocked Norman north door gives evidence of the church's early origins while the Early English chancel has retained many of it's original features including an east window with a shafted rere-arcade. The chancel has an Early Decorated south window, a stepped sedilia and a rare Late Decorated canopied piscina. A 13th century south chapel is separated from the nave by a two-bay arcade inserted by Prothero in 1904. The church has a Perpendicular octagonal font, a pulpit by W. Ellery Anderson 1937 and a plaster 19th century Royal Arms. There is an area of wall painting above the chancel arch which may be early 13th century and other texts of the 17th and 18th centuries. The east window has stained glass by Burlison and Grylls. In the churchyard are an interesting collection of tea-caddy tombs.

 

St. Mary, Shipton Solers was probably consecrated in 1212 as this date was inscribed over the chancel, a discovery made during the sympathetic 1929-30 restoration by W.E. Ellery Anderson. A simple 13th century church of nave and chancel with a west bell-cote added in 1884, lengthened in the Perpendicular period. Most of the windows reflect this 15th century refurbishment although a 13th century lancet survives in the chancel. North and south doors face each other across the nave, the south door appears to be late medieval. When passing through the Early English chancel arch you step down into the chancel, an unusual feature probably a consequence of the sloping ground. Perpendicular king-posts support a wagon roof with carved bosses. Consecration crosses painted in red lead survive in both nave and chancel, possibly late medieval in date, the nave walls have post-Reformation biblical texts. The altar is a 13th century stone mensa found buried beneath the floor during the restoration work carried out in 1929-30. An elaborate painted reredos was carved by Ellery Anderson in 1929, oak panelling was fitted at this time. The nave has a Jacobean pulpit with tester and a modern hourglass stand (the original was stolen) which dates from the 1660 Restoration when sermons were meant to last for over an hour. At the west end of the nave is an octagonal 15th century font. There are a few fragments of medieval glass as well as several attractive 1930s windows by Geoffrey Webb whose web signature can be seen beneath a depiction of the Madonna and Child. Two of the windows have rebus designs, one depicting a house amongst fields of corn commemorates Ernest Fieldhouse while the other shows a ship and tun representing Shipton. St. Mary's is now in the able custody of The Churches Conservation Trust.

 

The Shiptons are near Andoversford 7miles from Cheltenam, just over an hour from Stratford-upon-Avon.

 

www.youtube.com/user/Cotswoldchurches

 

www.bwthornton.co.uk

Wilpattu sanctuary was decalred as a National Park in 1938, Wilpattu National Park is located on the west coast close to the historical city of Anuradhapura .The dry zone jungle is thickly grown. Wilpattu Natonal Park is home for many villus, or natural lakes which dot the landscape in the Wilpattu National Park. Except for two, These lakes contain rainwater, thus are important for resident and migratory water-birds.

 

The history of the park is also of interest with ancient ruins having been discovered in Wilpattu National Park. Queen named “Kuweni” (considered to be the mother of the Sinhala race) is said to have lived in the place known as Kalli Villu. Historical evidence also shows the fact that Prince Saliya, son of King Dutugemunu lived in Wilpattu over 2,000 years ago.

 

www.wilpattunationalpark.com

I designed this Save the Date for my sister.

Damaged photo taken at OMSI

On March 26, 2013, when hundreds of campaigners from across London and the rest of England converged on Parliament for a protest against the Tory-led coalition government's attempts to subject almost the whole of the NHS to privatisation, I photographed this man, Danny, a former teacher who had recently heard about the campaign, with whom I spent some time talking as we queued up to get into the House of Commons, along with Anna, a campaigner from north London.

The demonstration outside Parliament was followed by a powerful and rousing meeting inside the House of Commons, featuring the Green MP Caroline Lucas, the Labour MPs Diane Abbott, John McDonnell and Heidi Alexander, and the Labour peer Philip Hunt (Baron Hunt of Kings Heath), and Dr. Brian Fisher, a GP from the London Borough of Lewisham, and a key player in the Save Lewisham Hospital campaign, seen here. The government plans to achieve this underhand privatisation through secondary legislation relating to Section 75 of the wretched Health and Social Care Act that was passed last year, and the regulations first came to light just a month ago.

Although 350,000 people recently signed a 38 Degrees petition opposing the plans, and Lib Dem minister Norman Lamb promised that the key regulations on competition in the NHS would be rewritten, the rewritten regulations have barely changed, and they still oblige the NHS -- and, specifically, the Clinical Commissioning Groups of GPs who will take over responsibility for 80 percent of the NHS's budget from April 1 -- to put almost all NHS services out to tender, allowing private companies to begin to devour the whole of the NHS or face legal challenges that they will probably lose because enforced competition will have been made into a key component of the provision of NHS services.

The need to oppose the implementation of the Section 75 regulations is hugely important, and we only have until the third week of April to persuade members of the House of Lords (and particularly Lib Dem and cross-bench peers) to join with Labour peers in striking down the legislation. Opponents of the government's plans are also encouraged to write to their MPs to ask them to sign an Early Day Motion calling for the regulations to be overturned.

Find out how to write to members of the House of Lords -- and what to say -- here: www.savelewishamhospital.com/write-letters-to-lords-now/

Contact your MP here to ask them to sign EDM 1188, calling for the Section 75 regulations to be annulled: www.writetothem.com/

And here's the EDM: www.parliament.uk/edm/2012-13/1188

For my article about the regulations, see: www.andyworthington.co.uk/2013/02/25/urgent-save-the-nhs-...

For the 38 Degrees petition, see: secure.38degrees.org.uk/page/s/nhs-section-75

For more on Andy Worthington, see: www.andyworthington.co.uk/

For all my NHS protest photos, see: www.flickr.com/photos/andyworthington/tags/nhs/

For my most interesting photos, see: www.flickriver.com/photos/andyworthington/popular-interes...

Save A Lot on Highway 17 92 in Longwood, Florida.

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