View allAll Photos Tagged SUNDAYS
Lazy Sunday afternoon.... a spot of Still Life photography of my 30-odd year-old AE1 followed by the very same glass of red while working in Photoshop; lifes good!
Sunday afternoons in autumn were made for football & beer!
On the left is Bell's Special Double Cream Stout & on the right we have Raspberry Ale from Dark Horse Brewing. Both are good, although, I prefer the raspberry brews from Perrin & Founders to this one.
The Drury Drama Team of North Adams, Massachusetts was the first school to purchase performance rights to Sunday Night by Stephen Gregg.
Sunday was the Enduro event in the ACMA Annual Skegness Beach Race Weekend. The Enduro consisted of 3 hours of motorcycles racing around a landscaped beach circuit that straddled the pier. It was hard to tell how many competitors started the race, at least 50, possibly 100.
Lazy Sunday, Waterloo docks, Geese, Frost, Bird, frosty rooftop,
curved glass building, leeds Street, Old Hall Street, Town Hall, Square, Pigeons, Ad, Adam, Victoria Street, Starbucks,
Lazy Sunday, Waterloo Docks, Geese, Frost, Bird, Frosty Rooftop, Glass Building, Leeds Street, Old Hall Street, Bixteth Street, Town Hall, Square, Pigeons, Ad, Adam, Chase, Victoria Street, Starbucks, Queen Victoria, The Strand, 3 Graces, Graffiti, Lighthouse Boat, Albert Dock, Paradise 1 Project, Buildings, Cranes, BRidge, Hannover Street, Building works, Chambers, Cesertelli, Neptune Theatre, Empire, Radio Merseyside, Radio City, Bold Street, Lamb Bananna, Bombed Church, St Nicks, China Town, Lampost, Lion, Floor Symbols.
Bedlam, scandal, and hilarity were among the epithets used to describe what is now considered Georges Seurat’s greatest work, and one of the most remarkable paintings of the nineteenth century, when it was first exhibited in Paris. Seurat labored extensively over A Sunday on La Grande Jatte—1884, reworking the original as well as completing numerous preliminary drawings and oil sketches (the Art Institute has one such sketch and two drawings). With what resembles scientific precision, the artist tackled the issues of color, light, and form. Inspired by research in optical and color theory, he juxtaposed tiny dabs of colors that, through optical blending, form a single and, he believed, more brilliantly luminous hue. To make the experience of the painting even more intense, he surrounded the canvas with a frame of painted dashes and dots, which he, in turn, enclosed with a pure white wood frame, similar to the one with which the painting is exhibited today. The very immobility of the figures and the shadows they cast makes them forever silent and enigmatic. Like all great master-pieces, La Grande Jatte continues to fascinate and elude.
Sony a6000 + Sony E PZ 16-50mm 1:3.5-5.6 OSS