View allAll Photos Tagged SPACE
SpaceEngine - A free space simulation program that lets you explore the universe in three dimensions, from planet Earth to the most distant galaxies. Areas of the known universe are represented using actual astronomical data, while regions uncharted by astronomy are generated procedurally. Millions of galaxies, trillions of stars, countless planets - all available for exploration. You can land any planet, moon or asteroid and watch alien landscapes and celestial phenomena. You can even pilot starships and atmospheric shuttles.
An exquisite piece reflecting a delicate balance of colour and grid based distribution that evokes an almost divine representation of an icon that defines an era.
that or a post it space invader
The Space Shuttle Endeavour being transported to the California Science Center in Los Angeles California
SpaceEngine - A free space simulation program that lets you explore the universe in three dimensions, from planet Earth to the most distant galaxies. Areas of the known universe are represented using actual astronomical data, while regions uncharted by astronomy are generated procedurally. Millions of galaxies, trillions of stars, countless planets - all available for exploration. You can land any planet, moon or asteroid and watch alien landscapes and celestial phenomena. You can even pilot starships and atmospheric shuttles.
A smaller model of the NASA developed Space Shuttle at the National Air and Space Museum in Washington DC.
The Space Shuttle, developed in the late 1970s and first launched into space in 1981, is the spacecraft currently used by NASA for its human spaceflight missions but it will be retired from service, probably in 2010 or 2011, because of the high mission costs and the small fleet of orbiters that is left after the Challenger and Columbia disasters.
At launch, the Space Shuttle consists of a rust-colored external tank, two white, slender Solid Rocket Boosters, and the orbiter, a winged spaceplane which is the space shuttle in the narrowest sense.
The orbiter carries astronauts and payload such as satellites or space station parts into low earth orbit, into the Earth's upper atmosphere
bar cafe design, Polish designer and Stepien Paulina Magdalena Piwowar from Wunderteam, has designed a cafe and bookstore for the Muzeum Sztuki in Lodz, Poland. Conversion of ground floor of the building design of the building to modernize and adapt to new functions. The division of functions formerly of the room at the entrance to the Museum to create the illusion of accessibility. Part gateway, cafeterias and bookstores (left). Certain places identified visually by color and light. A clear division of space will make it easier for visitors to understand and use the intuitive function. Across the locker room wall, multiply the mirror and optical space. This space included in the glass box by opening a bookstore in the club, the club’s two-room / canteen, bar facilities and changing rooms and toilets. The materials used simple, such as plywood, metal and glass. The interior will resemble a warehouse of art, contains the mobile furniture, reminiscent of transport crates used to carry the works of art, cart, platform. The most difficult element of the overall design, both for us and a carpenter. undefined,Cafe shop design,cafe design,cafeteria design,cafe shop,design cafe,cafe interior,cafe bar design,cafe interior design,desain cafe,Shop interior,cafe design pictures,coffee shop interiors,book cafe interior,CAFETERIA INTERIOR DESIGN,interior cafe design,optical shop design,CAFE DIZAIN,lodz modern cafe,design cafe shop,designe café,cafeteria designs,cafetaria design,dizain cafe,optical illusions muzeum,office cafeteria design,cafe shop designs,design cafeteria,cafeteria floor design,modern cafes interiors book Tags: a cafeteria, a collection of the Museum, artwork, bar facilities, bar stools, bars, bookstore, Building, building design, canteen, carts, castles, changing rooms, Ckowskiego Street, cloakroom, club, color and light, contemporary design, conversion design, conversion of the building design, dressing rooms, floors and walls, glass, interior beauty, metal, Mirrors, Museum, Museum of Art, Muzeum Sztuki Café, mysterious statues, office, optical space, platforms, plywood, the glass in the door, toilets, Wunderteam This entry was posted on Friday, May 28th, 2010 at 4:39 amand is filed under Interior Design. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site., cafe interior
SpaceEngine - A free space simulation program that lets you explore the universe in three dimensions, from planet Earth to the most distant galaxies. Areas of the known universe are represented using actual astronomical data, while regions uncharted by astronomy are generated procedurally. Millions of galaxies, trillions of stars, countless planets - all available for exploration. You can land any planet, moon or asteroid and watch alien landscapes and celestial phenomena. You can even pilot starships and atmospheric shuttles.
Gannet colony between Murawai Beach and Maori Bay, west coast of Auckland, New Zealand. Every available piece of cliff is used for nesting...
Lomo LC-A+ with Lomography 100 ASA slide film, C-41 xpro devpt.
This closeup photo shows the lower portion of the Hubble Space Telescope (HST) as the giant observatory is berthed in Discovery's cargo bay. The shielded apparatus at the bottom of the frame is the flight support system (FSS), a turntable device similar to a "Lazy Susan" because of its ability to rotate and tilt to assist the upcoming servicing tasks. The image was recorded on Dec. 21, 1999 and was downlinked at the completion of the third HST servicing mission's first spacewalk on the following day by the busy STS-103 astronauts.
Credit: NASA
inspired by the DENARIUS built by Chris Giddens and a concept ship art from John Newall, posted on the site conceptships.blogspot.de back in feb 2008
Design & construction by e+i architecture,
Eva Perez de Vega Steele
and Ian Gordon
www.epdvs.com/choreographingspace.html
Photography by Brandon Jacobs-Mills
Choreographing Space is made possible by Swing Space, a program of Lower Manhattan Cultural Council, generously supported by the September 11th Fund. Project space is donated by Time Equities.
Based at the iconic Tea Building in Shorditch High Street, London, the client requested an open plan work space that allowed for easy communication and work with the building's many existing interior features. The finished scheme has a layout that promotes flow and capitalises on the natural daylight whilst the strong colour branding highlights the interior's industrial charm.
SpaceEngine - A free space simulation program that lets you explore the universe in three dimensions, from planet Earth to the most distant galaxies. Areas of the known universe are represented using actual astronomical data, while regions uncharted by astronomy are generated procedurally. Millions of galaxies, trillions of stars, countless planets - all available for exploration. You can land any planet, moon or asteroid and watch alien landscapes and celestial phenomena. You can even pilot starships and atmospheric shuttles.
Space models at BrickFest
on Saturday, March 28, 2009 in Portland, OR by Bill Ward. See also BrickFest Photo Roundup on my blog.
On Wednesday, September 19th Space Shuttle Endeavour took of from the Shuttle Landing Facility at NASA's Kennedy Space Center to begin her journey to California for display. After overnight stays at both Ellington Field in Texas and NASA's Dryden Flight Research Center, Endeavour would land for the final time at Los Angeles International Airport on September 21, 2012.
This is a 1:100 scale model of a Commercial Space Station, which we were commissioned to build in 2019. The model features a variety of customized modules, stowage facilities, an airlock, an observatory, a robotic arm and a main solar array. The model is accompanied with replicas of the SpaceX Dragon and Boeing CST-100 supply ships. Later we are going to add to this set a replica of the SpaceX Dragon 2 as well. The model also includes several posed astronaut figurines, designed and customized for us by Mr. Max Grueter.
The model was designed in 3D software, produced by rapid prototyping and manually assembled, painted and decorated.
In this model we implemented the features and technics developed for our models of ISS, which we were building and perfecting since 2008. The model has reliable internal reinforcement system, holding the modules together. Most vulnerable elements are produced from durable materials – metal and nylon. Selected components and supply ships’ replicas have embedded magnets, allowing to reconfigure the station and exercise various docking schemes. The model is mounted with support poles on a black painted base.
The model is designed to be partially disassembled during transport. It is packed in a Pelican heavy duty transit case and can be fast and easily assembled for presentation.
The Seattle Space Needle
Ok, so everyone that comes to Seattle takes a Space Needle shot. I waited for an overcast sunset on what was a rainy day (no, I didn’t have to wait long for these conditions). I wanted some contrast in the sky, something to add pop to the local architectural icon. This is was the shot that resulted.
=====================================================
The Space Needle is a tower in Seattle, Washington. It is a major landmark of the Pacific Northwest region of the United States and the symbol of Seattle. Located in Seattle Center, it was built for the 1962 World's Fair, during which time nearly 20,000 people a day used the elevators — 2.3 million visitors in all for the World Fair. The Space Needle is 605 feet (184 m) high and 138 feet (42 m) wide at its widest point and weighs 9,550 tons. When it was completed it was the tallest building west of the Mississippi River.[1] It is built to withstand winds of up to 200 mph (320 km/h) and earthquakes up to 9.5 magnitude (which would protect the structure against an earthquake as powerful as the 1700 Cascadia earthquake) and has 25 lightning rods on the roof to prevent lightning damage.
=====================================================
The other shot I would LOVE to enter (but can only have one) can be found here:
www.flickr.com/photos/facesplacesandthings/2676589992/
=====================================================
Even more B.C. parents will have access to child care as the Province marks the latest milestone in its popular Childcare BC plan with funding for more than 13,000 new spaces since July 2018. Read more: news.gov.bc.ca/21725
More images available at www.brickshelf.com/cgi-bin/gallery.cgi?f=251960
(acknowledgements to arpy's "pantsbots" for the leg structure)
Postcard had to include some sort of sewn element. Luckily it did not have to be perfectly rectangular or I would have failed...
The green background is a tyvek sort of material from an old bag - it does not hold up well to ironing! The astronaut and Saturn snippets are from the era when C-boy was obsessed with space; the gold strip is a scrap leftover from my Halloween cape. Stamp from stash.
Swapbot: That's SEW cool! (Handmade Postcard Club group)
St Mary, Huntingfield, Suffolk
Follow these journeys as they happen at Last of England twitter.
It was the first day of the 2019 Easter holidays, and what better way to spend a Monday morning than heading off for a church-exploring bike ride rather than going to work? I caught the train up to Halesworth, and then cycled off out into the hills. The villages and their pretty parish churches come thick and fast around here, and almost all of them are open to pilgrims and strangers daily. There is a good mixture too, round towers, square towers, hardly-any-left towers, reed-thatched roofs, beflinted-porches, and all manner of treasures inside. A fair number of East Anglia's best small churches are in this area. But even given this variety, there is nowhere else in East Anglia quite like Huntingfield church.
This is one of Suffolk's more obscure villages, but the Huntingfield name was that of one of the county's most significant families. Huntingfield is the nearest village to the great pile of Heveningham Hall, with one of the largest Georgian frontages in England. It was rebuilt by the Huntingfields in the 18th Century. Standing on the road and looking across the sheep-scattered lawns to the great building, it is easy to imagine the gulf between the landed gentry and their poor workers in those days. Sandwiched between the traumas of the 17th Century and the energy of the 19th Century, it was the landowners of the 18th Century who had every reason to think that their world was permanent and unchanging, that it would always be as they knew it. Farming sheep, collecting art, patronising musicians, tinkering with primitive science and technology, dispensing benevolent largesse to the poor on their estate - it is a world that is at once attractive and appalling. For them, the Church of England was both an arm of the state dispensing laws, justice and charity, and the setting for the weekly liturgical reinforcement of the puritan-refracted Elizabethan settlement.
But the Industrial Revolution would bring it all to an end, and in more ways than one. In the second half of the latter century, many parish churches were drawn by the excitement of the age into major reconstructions and revisions. Their impulse came from Oxford, where the Tractarians had a vision of the Church of England as a national Church, no longer a protestant sect but restored to the catholicity of its roots, and from Cambridge, where the ecclesiologists decided what a building of the national Church should properly look like. As the young men graduated and were presented to parishes across the country, their ideas spread like wildfire. They had come from their univserities to churches fitted out for protestant worship, with whitewashed walls and box pews focused on the high pulpit, the rarely-used altar gathering dust in the chancel or even discarded. Preaching houses rather than sacramental spaces, and any surviving traces of the building's medieval life survived, perhaps, simply because they were not understood.
Essentially, what happened in England between about 1830 and 1870 was a cultural revolution, a new wave of ideas and the reaction to them. The litugical changes proposed by the Oxford Movement were, at first, objectionable, and then merely controversial. But gradually they seeped into the mainstream, until by about 1890 they had become as natural as the air we breathe. Galvanised by the ferment of ideas and the possibilities of the industrial age, these young men convinced their rich patrons, revolutionised their buildings, and in so doing altered their parishes forever. They often looked to London stars like Scott and Butterfield, or local plodders like Phipson, or else mavericks like Salvin. The demands of the new liturgical arrangements, coupled with a renewed sense of the need to glorify God, led them into what was often a rebuilding rather than a restoration.
Internal decorations were, perhaps, the bespoke work of the architect, Witness Phipson's meticulous attention to detail at St Mary le Tower, Ipswich. Other restorers relied on the big picture, a vision that encompassed walls and floors, but left the fittings to others. By the centenary of the movement in the 1930s, one Anglican clergyman could observe "It is as if the Reformation had never happened". Well, not quite. And now, the pendulum has swung the other way, leaving the ritualists high and dry. But the evidence of the energy of those days survives, especially at Huntingfield, where William Holland, the vicar, drove the Oxford Movement through the heart of the parish, like a motorway through a Site of Special Scientific Interest.
The Hollands were the patrons of the living, which gave them the authority and the money to reimagine Huntingfield church on a grand scale. Oxford and Cambridge universites were exclusively for men, of course, but it so happened that William Holland had an energetic and visionary wife. Between 1859 and 1866, Mrs Mildred Holland planned, designed and executed the most elaborate redecoration of a church this county had seen since the Reformation. For seven years, she lay on her back at the top of scaffolding, first in the chancel (angels) and then in the nave (saints on the ceilure, fine angels on the beam ends), gilding, lettering and painting this most glorious of small church roofs. Her husband kept a journal throughout this period, and there is no suggestion that she had any assistance, beyond that of workmen to raise the scaffolding, and a Mr E.L. Blackburne FSA, who was, apparently, an 'authority on medieval decoration'. J.P. St Aubyn was responsible for the structural restoration of this largely 15th century building, and it is very restrained and merciful. But you come here to see the painted roofs, which are perfectly splendid. You can activate the floodlighting with a pound coin in a box at the west end of the north aisle, and the illuminated work is breath-taking.
What else is there to see? Some 15th Century window borders in the east window of the south aisle depict hares and a little dog with a bell around his neck. And what is that at the bottom, a dragon, or a winged lion? Evidence of the church's continued High Church tradition into the 20th Century is in statues of the Blessed Virgin and child flanked by St Francis and St Dominic in a triple image niche set in a pillar of the north arcade. Was it originally for a rood group, perhaps above an altar? Any church is a palimpsest, history written and rewritten over its skin as a touchstone to changing liturgical imperatives and the long generations of its people. Across this canvas the enthusiasms and Huntingfield in Mildred Holland's time are writ large, and will last long.
And there is something else, and a great curiosity. Ann Owen, the Vicar's wife in the neighbouring parish of Heveningham, is also said to have been responsible for 19th Century work in the church there, this time in the form of stained glass. Visiting Heveningham, I am afraid it is difficult for me to find this convincing, although of course one likes to think it was so, and that the two women artists were friends, or possibly even rivals. But Mildred's story has been brilliantly captured in a recent novel, The Huntingfield Paintress by Pamela Holmes. Pamela tells me that 'it was a comment of yours about Mildred and Ann Owen which sparked my determination to write my first novel' which is very kind of her, although I am sure it was easy to be inspired when one stands here surrounded by Mildred Holland's work.
You might thnk that the towering font cover is also by her, but in fact it is her memorial, placed here by her husband, as is the art nouveau lectern. It is as if her art was a catalyst, inspiring others to acts of beauty. She died in the 1870s, predeceasing her husband by twenty years. They are both now buried by the churchyard gate. How fitting, that they should lie in the graveyard of the church they loved so much, and to which they gave so much of their time, energy and money.
Lt. Governor Dianne Primavera addresses members of the 233rd Space Group, Dec. 9, 2022, Greeley Air National Guard Station, Greeley, CO. The 233rd Space Group utilizes Mobile Ground Systems, designed to work with the Defense Support Program's early warning satellites to provide survivable missile warning and attack assessment data to NORAD in the event of war.
Photo by Master Sgt. Amanda Geiger