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My outfit consisted of -
Antique light gey hitoe houmongi with roses.
Antique yellow and orange asanoha juban.
Antique soft pink rose embroidered ro obi.
I stuck with a crisp white han'eri as I needed to simplify the overall look with out drowning in pinks and yellows.
I must say all the colours simply married together and I was extremely pleased with the soft romantic look I got <3
I received many lovely complements from a lot of the staff, and the hostess and I chatted about my outfit and kitsuke interest. I was offered some sake to celebrate that I was in, what she said, "Japanese style", and one girl came over to let me know that I fooled her into thinking I was Japanese when she had only seen me from behind.
These comments make me less embarrassed about my dressing techniques :) However, not much can be said for my appearance after a two hour sit down dinner and forty minute car ride home :/
Lesson yet to be learnt - take pictures first :P
Sorry about the quality of the photos. My ol faithful cyber shot has given up the ghost and I have resorted to the use of my mobile camera.
Colombacci in partenza (le foto sono di sette giorni fa) -
Pigeons at the start (the photos are of seven days ago)
Prof. Giacomo Boni & The Roman Forum (1902/2011): Restoration of the House of Vestals, Fountain of Giutarna, and the Medieval Fresco's of Santa Maria Antiqua. Fonti/source: Roma, 27/01/2011 (Adnkronos).
www.adnkronos.com/IGN/Mediacenter/Video_News/?id=3.1.1600...
Prof. Giacomo Boni & The Roman Forum (1902/2011): Restoration of the House of Vestals, Fountain of Giutarna, and the Medieval Fresco's of Santa Maria Antiqua.
Lilli Garrone, Il ritorno delle Vestali «Ma i fondi non ci sono più» Correire della Sera (12/01/2011), p. 1.
roma.corriere.it/roma/notizie/arte_e_cultura/11_gennaio_1...
"ROMA - Apre a fine mese la Casa delle Vestali alle pendici del Palatino, uno dei luoghi più sacri e simbolici di Roma antica, finora chiuso al pubblico, teatro di 25 anni di scavi e ricostruzioni. È solo il primo di una serie di passi che porteranno il Foro romano ad essere sempre più conosciuto e visitabile sia dai cittadini che dai turisti: negli ultimi giorni di marzo, in occasione della grande mostra su Nerone, sarà possibile ripercorrere, sulle orme degli imperatori che solevano fare quel tragitto per andare dal Foro al Palatino, la rampa Domizianea, rivedere la fonte di Giuturna con il suo tempietto, luogo dedicato ai riti delle acque, e ammirare il tempio dei Castori completamente restaurato."
~ Lilli Garrone, Correire della Sera (12/01/2011), p. 1.
Also see / S.v, =
_____________
1). SANTA MARIA ANTIQUA CHURCH - Early Christian wall paintings. © 2011 / 2005 World Monuments Fund =
www.wmf.org/project/santa-maria-antiqua-church
"Located at the base of the Palatine Hill in the Roman Forum, the sixth-century church of Santa Maria Antiqua is one of the earliest surviving Christian monuments in Rome. The church was adapted from an Imperial Roman building dating to the reign of Domitian in the first century. Santa Maria Antiqua contains a unique collection of wall paintings spanning a period from the sixth - late eighth century; they are of utmost importance for understanding the development of early medieval and Byzantine art. Santa Maria Antiqua was abandoned in the ninth century and was subsequently buried during an earthquake. The church was rediscovered in 1900 and restored, but over time the large sanctuary space became a storage space for artifacts from elsewhere in the Roman Forum."
1.2). Werner Schmid, Finding Sanctuary - An Early Christian Wonder in the Heart of the Roman Forum. ICON / WWF. ORG, FALL 2005, pp. 23-27.
** pdf article with full text and images / articolo in PDF con testo integrale e le immagini. **
www.wmf.org/sites/default/files/wmf_article/pg_22-27_sant...
"...The breathless headline of the January 9, 1901 London Times heralded the discovery of the “Sistine Chapel of the Eighth Century.” The article was written by Gordon Rushfort, the first Director of the British School in Rome, who had been an eye-witness to a sensational event, the re-discovery of Santa Maria Antiqua, an early medieval Christian church in the heart of the Roman Forum."
2.). Silvia Moretti, GIACOMO BONI, pp. 31-37; in: Donatello D'Angelo, Storia del restauro archeologico italiano: appunti. (Alinea Editrice, 2004).
books.google.com/books?id=NMhPx-c0E2IC&lpg=PA31&v...
3.). Prof. Giacomo Boni, Nella Riabilitazione Del Foro Romano, pp. 424-451, in: Emporium, Vol. 15 / n. 29, (1902), di Istituto italiano d'arti grafiche (Bergamo, Italia).
** pdf article with full text and images / articolo in PDF con testo integrale e le immagini. **
books.google.com/books?id=CVooAAAAYAAJ&dq=Giacomo%20B...
"Se è vero che il volto umano va considerato come il titolo di un libro, come la facciata d'un edificio, che Io studioso ha da leggeie e da esplorare per rendersene conto, che però debbono a bella prima dare del soggetto e dell'attributo un' idea elementare ma chiara ed esplicita, nessun umano volto avrà mai adempiuto così onestamente a tale parte del suo compito, come quello di Giacomo Boni."
~ Prof. Giacomo Boni, Emporium 1902, p. 424.
3.1). Prof. Giacomo Boni, AEDES VESTAE. Estratto Dalla NUOVA ANTOLOGIA, Fascicolo 1 agosto 1900.
** pdf article with full text and images / articolo in PDF con testo integrale e le immagini. **
books.google.com/books?id=UHFMAAAAMAAJ&dq=Giacomo%20B...
3.2). Prof. Giacomo Boni, Prof. Giacomo Boni, LE RECENTI ESPLORAZIONI NEL SACRARIO DI VESTA. Estrato delle Notizie degli Scavi, maggio 1900.
** pdf article with full text and images / articolo in PDF con testo integrale e le immagini. **
books.google.com/books?id=cwl-AAAAIAAJ&dq=Giacomo%20B...
3.3). "Foro Romno e Tempio di Vesta (1880-2005)," Alvaro de Alvariis (a cura di), Roma ieri, Roma oggi di Alvaro de Alvariis, 2011/2005.
www.flickr.com/photos/dealvariis/sets/72157619498423880/d...
3.4). Foto: "Anonimo, 1896 2006 S. Lorenzo in Miranda," in: "Foro R. Tempio di Antonino e Faustina," Alvaro de Alvariis (a cura di), Roma ieri, Roma oggi di Alvaro de Alvariis, 2011/2005.
www.flickr.com/photos/dealvariis/sets/72157619438369536/w...
Tudo o que dorme é criança de novo. Talvez porque no sono não se possa fazer mal, e se não dá conta da vida, o maior criminoso, o mais fechado egoísta é sagrado, por uma magia natural, enquanto dorme. Entre matar quem dorme e matar uma criança não conheço diferença que se sinta.
Come questa pietra
del S. Michele
così fredda
così dura
così prosciugata
così refrattaria
così totalmente
disanimata
Come questa pietra
è il mio pianto
che non si vede.
La morte
si sconta
vivendo.
[ G. Ungaretti ]
My outfit consisted of -
Antique light gey hitoe houmongi with roses.
Antique yellow and orange asanoha juban.
Antique soft pink rose embroidered ro obi.
I stuck with a crisp white han'eri as I needed to simplify the overall look with out drowning in pinks and yellows.
I must say all the colours simply married together and I was extremely pleased with the soft romantic look I got <3
I received many lovely complements from a lot of the staff, and the hostess and I chatted about my outfit and kitsuke interest. I was offered some sake to celebrate that I was in, what she said, "Japanese style", and one girl came over to let me know that I fooled her into thinking I was Japanese when she had only seen me from behind.
These comments make me less embarrassed about my dressing techniques :) However, not much can be said for my appearance after a two hour sit down dinner and forty minute car ride home :/
Lesson yet to be learnt - take pictures first :P
Sorry about the quality of the photos. My ol faithful cyber shot has given up the ghost and I have resorted to the use of my mobile camera.
White sonos one speaker, horizontally aligned by Best AI Assistant
Credit www.bestaiassistant.com/alexa/control-sonos-amazon-echo/ with an active link required.
Image is free for usage on websites (even websites with ads) if you credit www.bestaiassistant.com/alexa/control-sonos-amazon-echo/ with an active link.
Milano, 9 maggio 2018 - Si è tenuta al Campus Durando del Politecnico di Milano, la sfilata di moda conclusiva del “Bachelor of Fine Arts in Fashion Design” per i 9 laureandi del programma FIT in MILAN, “campus abroad” del Fashion Institute of Technology di New York.
Con la guida di insegnanti e di un critico proveniente dall’industria della moda, studenti e studentesse si sono cimentati nell’intero ciclo di produzione dei loro capi, dall’elaborazione di un concept, all’intera realizzazione, partendo dal cartamodello sino alla confezione.
Hanno sfilato gli abiti disegnati da: Laura Bush, Jazmyn Ervins, Karlie Hoferichter, Dana Mooyoung Jung, Olga Kryvenko, Darcey Lehman, Jennifer Park, Patricia Valdés Rodríguez, Julianna Trujillo
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Final fashion show of the “Bachelor of Fine Arts in Fashion Design” for the 9 graduating students of the FIT in MILAN programme, “campus abroad” of the Fashion Institute of Technology in New York.
Under the guidance of professors and a critic from the fashion industry, students have ventured through the entire production cycle of their clothing, from concept development to production, starting from the paper pattern.
At the fashion show participated Laura Bush, Jazmyn Ervins, Karlie Hoferichter, Dana Mooyoung Jung, Olga Kryvenko, Darcey Lehman, Jennifer Park, Patricia Valdés Rodríguez, Julianna Trujillo
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I fiori di ortensia hanno perso la loro brillantezza... Ma il fascino rimane inalterato... Come in alcune persone che, anche se avanti con gli anni, mantengono una bellezza interiore che esprimono con tutto il loro essere...
My outfit consisted of -
Antique light gey hitoe houmongi with roses.
Antique yellow and orange asanoha juban.
Antique soft pink rose embroidered ro obi.
I stuck with a crisp white han'eri as I needed to simplify the overall look with out drowning in pinks and yellows.
I must say all the colours simply married together and I was extremely pleased with the soft romantic look I got <3
I received many lovely complements from a lot of the staff, and the hostess and I chatted about my outfit and kitsuke interest. I was offered some sake to celebrate that I was in, what she said, "Japanese style", and one girl came over to let me know that I fooled her into thinking I was Japanese when she had only seen me from behind.
These comments make me less embarrassed about my dressing techniques :) However, not much can be said for my appearance after a two hour sit down dinner and forty minute car ride home :/
Lesson yet to be learnt - take pictures first :P
Sorry about the quality of the photos. My ol faithful cyber shot has given up the ghost and I have resorted to the use of my mobile camera.
" io sono solo un ciuffo di piantaggine
che decora le sue crepe fangose "
Shu Ting 舒婷 (* 1952 Jinjiang)
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