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(Photo smartphone)
...en concert au Grillen Colmar le 25/01/2025
VIDEOS :
www.youtube.com/watch?v=nKgx8sS1AYc
www.youtube.com/watch?v=5DfsFp8SFFw
Du saxophone à la « steel guitar » en passant par l'attitude spectaculaire à la Mark Knopfler, tout est réuni pour nous replonger 30 ans en arrière à un concert de dIRE sTRAITS. bROTHERS iN bAND est un vrai show musical qui rend honneur à ce groupe mythique. 9 musiciens sont rassemblés sur scène pour donner une seconde vie aux tubes du groupe légendaire, guidés par un Oscar Rosende à la voix et l'allure singulières.
Des milliers de spectateurs ont déjà assisté à ce spectacle qui vous fera remonter le temps.
La qualité est telle que Guy Fletcher (claviériste de Dire-Straits) lui-même a été perturbé par leur performance de Why Aye Man. Les « Sultans of Swing » n'ont qu'à bien se tenir !
From the saxophone to the «steel guitar» through the spectacular attitude to the Mark Knopfler, everything is gathered to plunge us 30 years back in a concert of dIRE sTRAITS. bROTHERS iN bAND is a real musical show that honors this mythical group. 9 musicians are gathered on stage to give a second life to the legendary group’s hits, guided by an Oscar Rosende with singular voice and allure.
Thousands of spectators have already seen this show that will take you back in time.
The quality is such that Guy Fletcher (keyboardist of Dire-Straits) himself was disturbed by their performance of Why Aye Man. The "Sultans of Swing" should just be nice!
© Philippe Haumesser. TOUS DROITS RESERVES - ALL RIGHTS RESERVED ©.
Merci beaucoup pour vos visites , commentaires et favoris♥
Thank you very much for your visits, comments and favorites
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Le jube surmontant l'accès à la crypte où se trouve le tombeau de San Geminiano
à gauche, la rampe d'un escalier accédant au chœur
Candid shot as I walked across the Millennium bridge, London.
(How she could see where she was going was a mystery, maybe she was using the camera on the phone).
Smartphone images from the "Vayenga Maersk".
08/12/2021, sailing through Neva Bay, from St. Petersburg, Russia, in circa Minus 15 C temperatures.
An unknown tug and barge making slow progress through a cleared channel, approaching St. Petersburg.
Ship's details:
Keel laid on 10/12/2015, and completed on 29/05/2018, by COSCO Shipping Heavy Industries, Zhoushan Shipyard Co. Ltd., Zhoushan, China (N690)
34,882 g.t., 39,938 dwt., and 3,600 teu, as:
'Vayenga Maersk'.
Photos are with the permission of my friend Martin Dobák serving on board.
I got some cameras that shoot in unusual formats lately, starting with 127 (4x4 cm negs on roll film that is similar to 120, but less wide and with much thinner spools.
My usual lab doesn't do 127, and I found another one that does, but they don't do scans in that format.
I used to have a good HP scanner, but that requires Windows 10, and I had to change my computer recently; the new one runs Windows 11 and there is no driver for the old scanner. I was stupid and got a cheap new scanner with the computer because I thought that I would mainly have to scan printed documents.
The new scanner doesn't scan negs or slides, which the old one did very well. So, to cut a long story short, I got a device called "digitaLIZA+" from lomography .com. This essentially is just a small LED-lit light table onto which you can place a neg or a slide, cover it with a mask in the format you need (120, 127, 135 or 110) and then "scan" the image, either with a smart phone or with a proper digital camera, which you would have to mount facing downwards.
I was lazy and tried scanning a 120 format colour neg with the smart phone, and this is what came out. See the proper lab scan of the image below. The smartphone scan doesn't really do the photo justice.
Those colours ... :-(
It might be OK for black & white negatives, but it's better to use a real camera. The long and short of it that the digitaLIZA+ device works just fine, after a fashion, but you shouldn't be using a smart phone. Ideally, use a proper scanner.
amo la fotografia di strada, per questo motivo fotografo spesso nei luoghi pubblici in cui appaiono le persone.Nella maggior parte dei casi non chiedo il permesso di fotografare perché probabilmente cambierei le immagini che cerco di ottenere. Queste foto obbediscono sempre ad un intento culturale, estetico, artistico e / o documentaristico e in nessun caso hanno lo scopo di mostrare a nessuno una situazione che potrebbe lederne l'immagine, minacciare la loro dignità o ottenere un beneficio economico. Tutto questo non significa affatto che non mi interessi delle persone che appaiono nelle mie immagini, quindi se ti riconosci in una delle mie fotografie e questo ti infastidisce, devi solo farmelo sapere e la ritirerò immediatamente . Allo stesso modo se vuoi una copia della tua immagine su carta o in un formato che ti permetta di stamparla tu stesso , ovviamente è tua. Grazie."
I love street photography, which is why I often photograph in public places where people appear. In most cases I don't ask permission to photograph because I would probably change the images I try to get. These photos always obey a cultural, aesthetic, artistic and / or documentary intent and in no case are they intended to show anyone a situation that could damage their image, threaten their dignity or obtain an economic benefit. All this does not mean at all that I don't care about the people that appear in my images, so if you recognize yourself in one of my photographs and it annoys you, you just have to let me know and I will immediately withdraw it. Similarly if you want a copy of your image on paper or in a format that allows you to print it yourself, of course it is yours. Thanks."