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Beautiful dark grey SLR in Cluj. Pretty unique color while most SLR's are light grey.
Cluj-Napoca, Romania. 28.6.2009
Two young kids from the different part of a lion dance team having a rest after their performance.
A total of 333 lion dance team performed that day - I have never seen so many performing simultaneously in my lifetime. An awesome event.
NIKON FM2, Nikkor 28/2.8 Ais, Fujifilm Reala Superia 100, F5.6
Not my picture, but this is pretty cool. Theres a case out there that lets you attatch your SLR lens to the iphones camera.
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Mercedes Benz SLR Cannonball Ireland launch Merrion Sq Dublin 2011 Nikon D-300, Nikkor 18-200mm f/3.5-5.6G IF-ED AF-S VR DX, SB-800 Speedlight.
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Three sisters in the backseat of my car taken when we were in field service. I took these shots back when I had a 35mm film camera. I should have fixed the colour balance before uploading it, but meh!
35mm f/4
The XR7 was, I think, Ricoh's best 35mm SLR. I encountered it in 1981, after having swapped my OM system for Pentax and then finding the handling of the Pentax MX unacceptable. In contrast, the K-mount XR7 is an excellent handling camera, with a meter that stays on for 8 minutes before timing out and a memory hold button that locks instead of making you hold the shutter release halfway down to hold a reading. The meter and quartz-timed electronic shutter are both the most accurate that I have ever tested. Drawbacks, compared to both the MX and the OM1, are the need for batteries, the lack of interchangeable screens and mirror lockup, and a rather noisy shutter and power winder.
I had two of these (the first was in Sears KS-2 markings) and used them heavily for about 10 years before finally returning to Olympus. A Pentax LX would have been my next choice, but one of those cost more than two of the Ricohs.
The lens at the left is a Spiratone 20mm f/2.8 - it was remarkably sharp, I recall taking shots of a control room with a wall of dials and instruments, and being able to read the dials in the slides. Its only fault was the tendency of my fingers to appear around the edges of the pictures.
This camera has a hand grip on the right side, which I carved out of ABS plastic and attached with a screw through the neckstrap lug; it turned a good handling camera into a good handling one-handed camera.
I saw a picture someone had posted of their FE and I commented about how much I loved my FEs. Then I saw another picture of an FE and then another, and I decided to post my own. I loved using these cameras. Give me some K64 or Tri-X and these cameras and I'd be a happy guy. I used to buy Tri-X in 50 foot rolls. I pushed an incredible amount of film through these babies and they never missed a beat. If you wonder about the tennis ball can lid as a lens cap, one of my teachers suggested we use plastic lids for lens caps and since he was getting published in National Geographic I pretty much took everything he said as gospel.
The Pentax Auto 110 SLR is one of the coolest cameras ever. One of the cool things about it is that you can perch it on the eyepiece of just about any instrument and get excellent photographs.
Here the Auto 110 is shown on an American Optical Spencer stereo microscope from the 1930s, forming a stereo-photomicrography setup that makes 3D pictures of tiny little stuff. Its field of view is outlined by the white tape on the base.