View allAll Photos Tagged SESSIONS
Beck
BBC4 Sessions
Londres
28th April 2003
The Golden Age
It's All In Your Mind
Guess I'm Doing Fine
Lonesome Tears
Nicotine & Gravy
Lost Cause
Ship In A Bottle
Fourteen Rivers Fourteen Floods
Loser
Nobody's Fault But My Own
Lord Only Knows - Hot In Here
After a brief hiatus, sketch sessions returned this month! Our previous sketch sessions typically focused on recording what we saw, in sketch form. This week was a slight departure into the world of Mr. Roger’s ‘Land of Make Believe’. We studied a ubiquitous early 20th century building with a brick storefront façade and explored the possibilities of transforming this drive-by building into something more memorable.
PICNIC SESSIONS 2014. SOBRE EL SILENCIO Y SUS PRESENCIAS
Dicen que el silencio esconde violencia,
y que está comprobado que el silencio absoluto no existe.
Quizás hay muchas maneras de decir sin necesidad de recurrir siempre a las palabras y a la vibración del aire que las acompaña. En estas Picnics quisimos detenernos en esos gestos, miradas, acciones y desvíos con los que hablar en mil lenguas diferentes, algunas extrañas, otras subterráneas, las que supuestamente entendemos y las que no. Un silencio maximalista.
They say that silence hides violence,
And that it is proven that absolute silence does not exist.
Perhaps there are many ways to say without ever having to resort to the words and the vibration of the air that accompanies them. In these Picnics we wanted to stop in those gestures, looks, actions and deviations with which to speak in a thousand different languages, some strange, some subterranean, those that we supposedly understand and those that do not. A maximalist silence.
Presentación del vídeo: CUQUI JÉREZ. The Dream Projec
Comisarios/ curators: Jeleton y Jose Villalobos
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Enlaces: WEB CA2M | FACEBOOK CA2M | YOUTUBE CA2M | TWITTER CA2M
Harry Verhaar and Barbara Kreissler in the Urban Resilience. Quito, Ecuador.
Habitat III Conference on Housing and Sustainable Urban Development taken place in Quito, Ecuador from October 17th to 20th. The Conference´s mission is the adoption of the New Urban Agenda.
Find out more at:
PICNIC SESSIONS 2014. SOBRE EL SILENCIO Y SUS PRESENCIAS
Dicen que el silencio esconde violencia,
y que está comprobado que el silencio absoluto no existe.
Quizás hay muchas maneras de decir sin necesidad de recurrir siempre a las palabras y a la vibración del aire que las acompaña. En estas Picnics quisimos detenernos en esos gestos, miradas, acciones y desvíos con los que hablar en mil lenguas diferentes, algunas extrañas, otras subterráneas, las que supuestamente entendemos y las que no. Un silencio maximalista.
They say that silence hides violence,
And that it is proven that absolute silence does not exist.
Perhaps there are many ways to say without ever having to resort to the words and the vibration of the air that accompanies them. In these Picnics we wanted to stop in those gestures, looks, actions and deviations with which to speak in a thousand different languages, some strange, some subterranean, those that we supposedly understand and those that do not. A maximalist silence.
Presentación del vídeo: CUQUI JÉREZ. The Dream Projec
Comisarios/ curators: Jeleton y Jose Villalobos
_______________________________________________
Enlaces: WEB CA2M | FACEBOOK CA2M | YOUTUBE CA2M | TWITTER CA2M
2018-06-14 Foto de Sue Ponce Gómez.
PICNIC SESSIONS. INTERNATURALTECNOWAVES
PROGRAMACIÓN DE LA TERRAZA
31 MAYO — 12 JULIO
TODOS LOS JUEVES 21:00
Las Picnic Sessions cumplen 10 años y, como cada primavera, ocupamos la terraza todos los jueves desde el 31 de mayo hasta el 12 de julio. Un espacio donde mezclar lo corporal y lo sonoro; donde encontrase, bailar, cantar y ver atardecer.
«A ver… INTERNATURALTECNOWAVES, que estamos todos interconectados por ondas tecno, ¿algo así? Hace referencia sí, a algo de lo electrónico pero más reciente. Pero también a esta interconexión que se genera entre todos los que nos congregamos en las Picnic. Que se conforman como comunidades itinerantes de sentido. Música electrónica sin instrumentos electrónicos me gusta también. Para mí estas Picnic tienen ese toque digital, sensible, pero no nostálgico, ¿no? Porque… Ah! Otra cosa que nos gustaba era esta idea de que si bien es trash-tecno, igual hay mucha luz en la programación en sí, se apuesta a eso. Tiene que haber algo medio hipnótico. Sí, sí, y color».
«¿Quieren que empecemos a grabar? Sí, ya estoy grabando. Mode on. Todo sucede así, en un desierto de internaturaltecnowaves, electrónico y reciente, donde todo lo que tiene sonidos negros tiene duende, repleto de destellos, magnetismos, aullidos metálicos, carreteras fluorescentes con canciones irreverentes, soft material machine, un collage tecno trash de potencia luminosa. Hipnótico, y sí, con mucho color o muchos colores. Muy Móstoles y muy sureño. Con un par de capuchas rosas en la cabeza y alguna marca en el cuerpo. Un pacto de permanencia en una foto polaroid. Una mezcla de cuerpos que vibran al son de sus cánticos y sudan hormonas entre tubos luminosos que alumbran una noche sin luna pero repleta de estrellas, bailando en la libertad de lo bien arraigado. “Entre flores primaverales, los búfalos negros se acuestan, entre pinos erguidos, las grullas blancas reposan. Con nuestras voces, el crepúsculo cae sobre la terraza”. ¿Vosotras os animáis a algo así?».
Comisarias: Aníbal Conde, Magdalena Leite y Magui Dávila. Programación diseñada junto con el departamento de Actividades Públicas del CA2M (Gisela Serrano y María Euguizabal).
PROGRAMACIÓN
31 MAYO JULIM ROSA /ÓSCAR BUENO Y ANTO RODRÍGUEZ/ LINN DA QUEBRADA
7 JUNIO CUADRO FLAMENCO CUIR
14 JUNIO RITA INDIANA/ GARAT – SKRYCKY – TURENNE
21 JUNIO ANABELLA PAREJA/ PEINETTA
28 JUNIO BABA/ JOÃO DOS SANTOS MARTINS & CYRIAQUE VILLEMAUX
5 JULIO PABLO ESBERT/ #VIVAS / DANI UMPI
12 JULIO BOLO BLAS/ MUEVELOREINA/ RIOBAMBA
ca2m.org/es/actividades-historico/item/2712-picnic-sessio...
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2018-06-12 Photo of Sue Ponce Gómez
INTERNATURALTECNOWAVES
TERRACE PROGRAMMING
MAY 31 - JULY 12
EVERY THURSDAY 21:00
The Picnic Sessions turn 10 and, like every spring, we occupy the terrace every Thursday from May 31 to July 12. A space to mix the physical and the sound; where to meet, dance, sing and watch the sunset.
«Let's see ... INTERNATURALTECNOWAVES, that we are all interconnected by techno waves, something like that? It refers yes, to something electronic but more recent. But also to this interconnection that is generated between all of us who congregate at the Picnic. That are formed as itinerant communities of meaning. Electronic music without electronic instruments I like too. For me these Picnic have that digital touch, sensible, but not nostalgic, right? Because… Ah! Another thing we liked was this idea that although it is trash-techno, there is still a lot of light in the programming itself, we bet on that. There must be something kind of hypnotic. Yes, yes, and color.
«Do you want us to start recording? Yes, I'm already recording. On mode. Everything happens like this, in a desert of internaturaltecnowaves, electronic and recent, where everything that has black goblin sounds, full of sparkles, magnetism, metallic howls, fluorescent roads with irreverent songs, soft material machine, a techno trash collage of luminous power. Hypnotic, and yes, with a lot of color or many colors. Very Móstoles and very southern. With a pair of pink hoods on the head and some marks on the body. A pact of permanence in a Polaroid photo. A mixture of bodies that vibrate to the sound of their songs and sweat hormones between luminous tubes that illuminate a night without moon but full of stars, dancing in the freedom of the well rooted. “Among spring flowers, black buffalo lie down, among erect pine trees, white cranes rest. With our voices, the twilight falls on the terrace ”. Do you dare to do something like this? ».
Commissioners: Aníbal Conde, Magdalena Leite and Magui Dávila. Program designed together with the Department of Public Activities of the CA2M (Gisela Serrano and María Euguizabal).
PROGRAMMING
MAY 31 JULIM ROSA / ÓSCAR BUENO AND ANTO RODRÍGUEZ / LINN DA QUEBRADA
JUNE 7 FLAMENCO CUIR TABLE
JUNE 14 RITA INDIANA / GARAT - SKRYCKY - TURENNE
JUNE 21 ANABELLA COUPLE / PEINETTA
JUNE 28 BABA / JOÃO DOS SANTOS MARTINS & amp; CYRIAQUE VILLEMAUX
5 JULIO PABLO ESBERT / #VIVAS / DANI UMPI
JULY 12 BOLO BLAS / MUEVELOREINA / RIOBAMB
The County Sessions House stands at the bottom of Islington in Liverpool, Merseyside, England, to the east of the Walker Art Gallery. It is recorded in the National Heritage List for England as a designated Grade II* listed building.
The courthouse was built between 1882 and 1884, and was designed by the Liverpool architects F & G Holme. It functioned as a local county courthouse, and contained three courtrooms, chambers for barristers and judges, cells, and facilities for administration. It is no longer used for these purposes.
The building is constructed in ashlar stone on a granite base. Although its appearance is Neoclassical, its style is described as being "late Victorian" and "derived from Renaissance Venice rather than ancient Greece and Rome". It is built in a single storey with a basement, and its front has five bays. The basement is rusticated. At its front is a portico with eight paired columns, above which is a frieze bearing the inscription "COUNTY SESSIONS HOUSE". The tympanum contains the arms of Lancashire County Council. The windows have round arches and are flanked by Ionic pilasters. At the sides, five bays have similar columns, beyond which the building is plainer, in yellow brick and stone. The interior is complex and richly decorated. It contains an Italian Renaissance staircase.