View allAll Photos Tagged SALLY
Italian postcard by G.B. Falci Editore, Milano, no. 530. Photo: Metro-Goldwyn Film S.A.I.
Cute and petite American actress Sally O'Neill (1908-1968) acted in almost 50 films between the mid-1920s and the mid-1930s.
"Cute-as-a-button" and diminutive in size, Sally O'Neil (sometimes billed as Sally O'Neill), was one of 11 children born to a judge in 1908 in Bayonne, New Jersey. Another sister would also become a well-known actress, Molly O'Day. Sally was educated in a convent and started in Vaudeville where she was billed as "Chotsie Noonan" (her real name was Virginia Louise Concepta Noonan). She started in silent films at age 17 and found a penchant for playing unassuming street orphans along the lines of Mary Pickford in lightweight comedies, and later as flashy fun girls in the Clara Bow mould. Sally found stardom with her second film Sally, Irene and Mary (Edmund Goulding, 1925) co-starring Constance Bennett and Joan Crawford playing a naive chorus girl. As a result, she (as would sister Molly) was named a Wampas Baby Star in 1926.
Memorable are Sally O'Neill's starring roles in Slide, Kelly, Slide (Edward Sedgwick, 1927) with William Haines, The Lovelorn (John P. McCarthy, 1927) also with Molly O'Day, Broadway Scandals (George Archainbaud, 1929) with Jack Egan, Jazz Heaven (Melville Brown, 1929) with Johnny Mack Brown, and Girl of the Port (Bert Glennon, 1930), as well as her supporting parts in the Buster Keaton comedy Battling Butler (Buster Keaton, 1926) and D.W Griffith's The Battle of the Sexes (1928). She would be a popular but brief MGM commodity. Such films as The Callahans and the Murphys (George W. Hill, 1927) and Frisco Sally Levy (William Beaudine, 1927) did not suit her well and soon her star diminished. Possessing a strong New Jersey accent and developing a severe case of stage fright did not help things either as sound films were now the rage. Despite the promising title role in Kathleen Mouverneen (Albert Ray, 1930) and a strong lead in the pre-Code film The Brat (John Ford, 1931), which she had done on Broadway, she quickly faded from view. Sally returned to the stage and performed in USO tours until retiring in the 50s. Sally O'Neill died in 1968.
Sources: Gary Brumburgh (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Enquanto estava editando esta foto sentia como se estivesse derretendo de amor ^^
Sall para ser perfeita você só precisa continuar sendo você... Eu Te Amo Acima de Tudo!!!
Is is by far my favorite shot of this last trip, October 2010. The reson it is my favorite is because the CM (Cast Member) looked directly at me and gave me this look. This was in between guests getting their pictures taken with Jack and Sally. Most CM's will make a comment or look at you funny when you are pointing a large black and white lens at them, like Snow White who said in a fluttery voice "What are enormus camera, it is bigger than the Dwarfs"......many jokes could have been made on that one. :-\ But "Sally" looked directly at me and gave me this look which I think is perfect. The slightest bit of a smile, miss leading somewhat by the stitching to make it look bigger, and the head tilted down while looking up hinting at a bit of sexuality.
This CM was also one of the better that I saw playing Sally, I don't know how many they have but I noticed at least 3, she would pretend to be clumsy and have a hard time walking or bending down to greet small children. She would also pretend to get distracted by birds, people, wind blowing through trees, etc. All in all my favorite CM interaction on this trip.
She is Sally
She likes to eat tomato,she likes the bloody smell very much
She is always changing her personality,sometimes she's a crazy photographer,sometimes she's a shy little girl.
Some people like her very much due to her inequable,but some people just can't torelate her ambivalent and leave her alone...
sally's story(chinese)
The Sally and Joe Show blew through town for about 5 weeks around Christmas.
They were preceded by Myla and Abelardo, and followed up by our current foster children Kayla and Ethan. Whew!
British postcard in the Film Weekly Series, no. 1.
American actress Sally Eilers (1908-1978) was a popular Hollywood star in the early-1930s. She was tagged 'the most beautiful girl in movies'.
Dorothea Sally Eilers was born in New York City in 1908 to a Jewish-American mother, Paula (née Schoenberger), and an Irish-American father, Hio Peter Eilers (who was an inventor). She was educated in Los Angeles, California and went into films because so many of her friends were in pictures. She studied for the stage, specialising in dancing. Her first try was a failure so she tried typing but then went back into pictures and succeeded. She made her film debut with an uncredited bit part in the comedy The Red Mill (Roscoe Arbuckle, 1927) with Marion Davies. After several minor roles as an extra, she found work with Mack Sennett. In 1927, he offered her a role in The Good-Bye Kiss (Mack Sennett, 1928), a rare dramatic feature for the studio. Either Sennett or Florenz Ziegfeld Jr. (depending on which version of the story is to be believed) tagged Sally with the publicity line 'the most beautiful girl in movies'. In 1928 she was voted as one of the WAMPAS Baby Stars, a yearly list of young actresses nominated by exhibitors based on their box-office appeal. The vivacious former brunette (quickly transformed by Hollywood into a blonde) spent her apprenticeship as a leading actress co-starring with her future husband Hoot Gibson in the Western The Long, Long Trail (Arthur Rosson, 1929) and with Buster Keaton in the comedy Doughboys (Edward Sedgwick, 1930).
Sally Eilers became a popular figure in the early-1930s Hollywood, known for her high spirits and vivacity. In 1931, director Frank Borzage cast her in the depression-era film Bad Girl (1931). I.S. Mowis at IMDb: "What could have been maudlin melodrama, was enlivened by excellent direction and some snappy dialogue (winning Academy Awards for both direction and screenplay) and elicited from Sally Eilers in the title role (as 'Dot Haley') the best performance of her career. There were to be other films of note: Reducing (1931) with Marie Dressler, the original State Fair (1933) with Will Rogers (with Sally playing a 'carnie') and Sailor's Luck (1933), with her Bad Girl (1931) co-star James Dunn, where a review described her performance as 'highly satisfactory'." Her other films were mostly comedies and crime melodramas such as the crime film Quick Millions (Rowland Browne, 1931) with Spencer Tracy and the sparkling mystery comedy Remember Last Night? (James Whale, 1935). She was married for a short time to Hoot Gibson, though the marriage ended in divorce in 1933. By the end of the decade, her popularity had waned, and her subsequent film appearances were few. She made her final film appearance in 1950. She was married four times. With her second husband, Harry Joe Brown, she resided in a mansion located in Beverly Hills. They had a son, screenwriter Harry Joe Brown Jr. Her other two husbands were Howard Barney and director Hollingsworth Morse. During her final years, Eilers suffered poor health, and died from a heart attack in 1978, in Woodland Hills, California. She was 69.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Title: Sally K. Ride
Catalog #: WOF_00203
Additional Information: Astronaut
Item Location: Women of Flight Box 3
Collection: Women of Flight Special Collection
Tags: Women of Flight Photo, Sally K. Ride
Repository: San Diego Air and Space Museum Archive
Light Painting mit Hunden ist meist nicht ganz so einfach weil sie immer dem Licht hinterher schauen, aber mit so einer braven und entspannten Hündin war das recht einfach. Wir danken euch Beiden für's Stillhalten. :-)
Single exposure Light Art Photography, no layers, no tricks, only moving lights in the darkness.
Models: Sally & Laika
Lights: Erik & Sven Gerard
Trigger: Marla Singer
Meyer Optic Görlitz Figmentum 35/2
Ei gente! Esse é mais um SH!! yaay haha Acho que é o último! Duas camadas do Gunmetal cobriram tudinho e secou rápido. Resolvi usar a mesma plaquinha do SH anterior, queria ver como ficava numa cor mais escura. O outro ficou bem delicado, mas esse ficou bem mais evidente o desenho, mas ainda não decidi qual é o meu preferido haha. A plaquinha é a hehe 003 e o esmalte pra carimbo é o Hits Preto Noturno. TC por cima!
Beijos!
Ei gente! Mais um vidrinho novo, esse é o Sally Hansen Coral Reef. Eu adoro os esmaltes da marca, com uma camada só já fica bom, mas eu sempre passo duas pra garantir né haha. Por cima, passei TC.
Beijos!
I see skies of blue..... clouds of white
Bright blessed days....dark sacred nights
And I think to myself .....what a wonderful world.
--Louis Armstrong, "What a Wonderful World"
Location: Loco Bar - Melbourne
Camera: Canon EOS -1D
Lens: Sigma 70-300mm f/4-5.6 APO Macro (58mm)
Published: Version of this photo used by Sally Arnott - www.sally-arnott.com - 2007
Photo was also used by a local melbourne paper for an article for Sally Arnott
Make: Canon
Model: Canon EOS-1D
Shutter Speed: 1/80 second
F Number: F/4.5
Focal Length: 94 mm
ISO Speed: 200
Date Picture Taken: Mar 29, 2007, 4:01:36 PM
Sally B is the name of an airworthy 1945-built Boeing B-17G Flying Fortress, one of the two airworthy B-17s left in Europe, the other being The Pink Lady, based in France. The aircraft's home is at the Imperial War Museum Duxford, where she is seen preparing for a display during the 2013 Duxford Air Show.
Sally B flies at air shows in the UK and across Europe as well as serving as an airborne memorial to the United States Army Air Forces (USAAF) airmen who lost their lives in the European theatre during World War II.
The aircraft was delivered to the USAAF on 19 June 1945 as 44-85784, too late to see active service in the war. After being converted to both a TB-17G training variant and then an EB-17G it was struck off charge in 1954 and bought by France's Institut Géographique as a survey aircraft. In 1975 it moved to England and was registered with the CAA as G-BEDF to be restored to wartime condition.
The Sally B was first fitted with accurate gun turrets and other much needed additions for her role as Ginger Rogers, a B-17 bomber of the fictitious bomber unit featured in the 1981 LWT series We'll Meet Again.
During the winter of 1983–84, Sally B was painted in an olive drab and neutral grey colour scheme, in place of the bare metal scheme she had worn since construction, in order to protect the airframe from the damp UK weather. At the same time, she received the markings of the 447th Bomb Group.
Sally B was used in the 1990 film Memphis Belle as one of five flying B-17s needed for various film scenes, and it was used to replicate the real Memphis Belle in one scene. Half of the aircraft is still in the Memphis Belle livery, following restoration of the Sally B nose art and the black and yellow checkerboard pattern on the cowling of the starboard inner (no 3) engine, carried as a tribute to Elly Sallingboe's companion Ted White, whose Harvard aircraft had the same pattern on its cowling. Sally B was reworked to B-17F configuration for filming.
Since 1985, Sally B has been operated by Elly Sallingboe's B-17 Preservation Ltd and maintained by Chief Engineer Peter Brown and a team of volunteers. The aircraft is flown by volunteer experienced professional pilots. The B17 Charitable Trust exists to raise funds to keep the plane flying.