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German postcard by Kunst un Bild, Berlin, no. A 959. Photo: RKO.
Sally Forrest (1928-2015) was an American film, stage and TV actress of the 1940s and 1950s. She studied dance from a young age and shortly out of high school was signed to a contract by Metro-Goldwyn-Mayer. She is best known for the Film Noirs she made with director Ida Lupino.
Sally Forrest was born Katherine Sally Feeney in San Diego in 1928. Her parents were Michael and Marguerite (née Ellicott) Feeney. Her father was a U.S. Navy career officer, who moved his family to various naval bases, finally settling in San Diego. He and his wife later became ballroom dancers and taught dance classes. Sally entered dance classes by the first grade and was signed by MGM upon her graduation from high school. In 1945, she moved with her parents to Hollywood, where Sally worked on the dances used in the films Till the Clouds Roll By (Richard Whorf, 1946) with Robert Walker, and The Kissing Bandit (Laslo Benedek, 1948), starring Frank Sinatra. Soon unemployed, she worked in bit roles until she teamed with Ida Lupino, who was producing and directing small films at the time. Forrest made her acting debut in Not Wanted (1949), written and produced by Ida Lupino. The film's controversial subject of unwed motherhood was a raw and unsentimental view of a condition that was rarely explored by Hollywood at that time. The picture was a critical and commercial success, and Sally also received critical acclaim for her role. Forrest starred in two more Lupino projects, Never Fear (Ida Lupino, 1949) and Hard, Fast and Beautiful (Ida Lupino, 1951) with Claire Trevor. She also appeared in other Film Noirs, including Mystery Street (John Sturges, 1950), with Ricardo Montalban, and the star-studded While the City Sleeps (Fritz Lang, 1956).
Sally Forrest's musical background and training as a jazz and ballet dancer brought roles in the transitional musicals that rounded off the golden age of MGM; most notable was Excuse My Dust (Roy Rowland, 1951) with Red Skelton. Most of her films were made under contract to MGM, which prided itself as family entertainment, but RKO, headed by the eccentric and controlling Howard Hughes, presented a very different creative challenge. The cult classic Son of Sinbad (Ted Tetzlaff, 1955) with Dale Robertson and Vincent Price, was one of his many pet projects where he had a personal interest in re-designing the star's skimpy wardrobe. With each rehearsal, Forrest noticed her harem dance costume slowly disappearing, until it was barely compliant with the Motion Picture Production Code. In 1953, she had moved to New York with her husband, writer and producer Milo Frank who was hired to be head of casting for CBS. So, her film work transitioned to theatre and TV. She starred on Broadway in The Seven Year Itch, and appeared in major stage productions of Damn Yankees, Bus Stop, As You Like It and No No Nanette. Later she returned to Hollywood and continued working at RKO and Columbia Pictures. Her final film was RKO's While the City Sleeps (Fritz Lang, 1956), a murder mystery co-starring Dana Andrews, Rhonda Fleming, Vincent Price and her frequent collaborator Ida Lupino. Forrest had married Frank in 1951. They had no children and remained wed until his death in 2004. Forrest and Frank were owners of the former Benedict Canyon home of Jean Harlow and Paul Bern on Easton Drive in Beverly Hills. They rented it to Jay Sebring prior to his murder at the nearby home of Sharon Tate. Sally Forrest died of cancer in 2015, aged 86, at her home in Beverly Hills, California. She was survived by a niece and two nephews.
Sources: Tony Fontana (IMDb), Wikipedia and IMDb.
Some glum faces at Old Sarum when Vulcan couldn't attend because of an electrical problem en route; Sally B soon made most happy and did a great display with a P51.
Another narrow gauge Bagnall product, this time on 2/0" gauge.
The Assam Railways and Trading Co (later to become Coal India) received 15 Bagnalls of relatively similar design in 0-4-ST and 0-4-2ST configuration between 1894 and 1931, for work in their mines and other associated industrial concerns.
'Sally' was the second last to be be delivered, Works no. 2447 of 1930. In January 1979 it was working at the Tipong mine near Ledo in Assam.
V700_3_538
A Sally Lightfoot crab makes its way along a rocky shoreline in the Galapagos.
See more photos at www.maxwaugh.com.
continuando na fase dos escuros..
finalmente usei um esmalte que ganhei de aniversário (em março) do namorado. no vidro ele parece ser meio duochrome, mas nas unhas fica praticamente preto, com uns brilhinhos verdes (esses que estão bem evidentes do frasco).
gostei bastante da qualidade do esmalte..duas camadinhas fáceis.. secou rapidinho e nem acordei com tantas marquinhas de lençol assim (esmaltei de noite e não usei top coat)
é meu primeiro e único esmalte da marca. o vidro é lindo.. mas pelo preço ainda fico com a dior ou YSL
ouvi dizer que os esmaltes da tom ford são produzidos pela mesma empresa que os da marc jacobs. alguém aí sabe?
usei 1x miracle cure - sally hansen
2x sally - marc jacobs
Dutch postcard. Photo: M.G.M. (Metro-Goldwyn-Mayer).
Sally Forrest (1928-2015), was an American film, stage, and TV actress of the 1940s and 1950s. She is best known for the films she made with Ida Lupino and Fritz Lang.
Sally Forrest was born Katherine Feeney in 1928 in San Diego. Her parents were Michael and Marguerite (née Ellicott) Feeney. Her father was a U.S. Navy career officer, who moved his family to various naval bases, finally settling in San Diego. He and his wife later became ballroom dancers and taught dance classes, where their daughter began learning her lifelong craft. She studied dance from a young age and shortly out of high school was signed to a contract by MGM. In 1945, she moved with her parents to Hollywood, where Sally worked on the dances used in the films Till the Clouds Roll By (Richard Whorf, 1946) and The Kissing Bandit (Laslo Benedek, 1948). Soon unemployed, she worked in small roles until she teamed with Ida Lupino, who was producing and directing small films at the time. She made her acting debut in Not Wanted (Elmer Clifton, 1949), scripted and produced by Lupino. The film's controversial subject of unwed motherhood was a raw and unsentimental view of a condition that was seldom explored by Hollywood. Tony Fontana at IMDb: "The picture was a critical and commercial success, and Sally also received critical acclaim for her role." Forrest starred in two more Lupino projects, Never Fear (Ida Lupino, 1949) and Hard, Fast and Beautiful (Ida Lupino, 1951), as well as other Film Noirs, including Mystery Street (John Sturges, 1950), and the star-studded While the City Sleeps (Fritz Lang, 1956). Her musical background and training as a jazz and ballet dancer brought roles in the transitional musicals that rounded off the golden age of MGM; most notable was Excuse My Dust (Roy Rowland, 1951).
Most of Sally Forrest's films were made at MGM, which prided itself as family entertainment, but RKO, headed by the eccentric and controlling Howard Hughes, presented a very different creative challenge. Son of Sinbad (Ted Tetzlaff, 1955), now a cult classic, was one of his many pet projects where he had a personal interest in re-designing the star's skimpy wardrobe. With each rehearsal, Forrest noticed her harem dance costume slowly disappearing, until it was barely compliant with the Production Code. In 1953, she and her husband, writer, and producer Milo O. Frank Jr., moved to New York, where he was hired to be head of casting for CBS. There, her film work transitioned to theatre and TV. She starred on Broadway in The Seven Year Itch, and appeared in major stage productions of Damn Yankees, Bus Stop, As You Like It, and No No Nanette. Later she returned to Hollywood and continued working at RKO and Columbia Pictures. Her final film was RKO's While the City Sleeps (Fritz Lang, 1956), a murder mystery co-starring Dana Andrews, Rhonda Fleming, Vincent Price, and her frequent collaborator Ida Lupino. Forrest and Frank were owners of the former Benedict Canyon home of Jean Harlow and Paul Bern on Easton Drive in Beverly Hills. They sold it to Jay Sebring prior to his murder at the nearby home of Sharon Tate. Forrest, a widow since 2004, died of cancer in 2015, aged 86, at her home in Beverly Hills, California. She was survived by her niece, Sharon Durham, and nephews, Michael and Mark Feeney.
Sources: Tony Fontana (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
The crab Grapsus grapsus is one of the most common crabs along the western coast of South America. It is known, together with other crabs such as Percnon gibbesi, as "Sally Lightfoot". It can also be seen along the entire Pacific coast of Central America and Mexico, and nearby islands.
This crab lives amongst the rocks at the often turbulent, windy shore, just above the limit of the sea spray. It feeds on algae primarily, sometimes sampling plant matter and dead animals. It is a quick-moving and agile crab, and hard to catch, but not considered very edible by humans. It is used as bait by fishermen.
These little crabs walk on their tiptoes. They have remarkable eyes and an extremely fast reaction time. They are exceedingly hard to catch. They seem to be able to run in any of four directions; but more than this, perhaps because of their rapid reaction time, they appear to read the mind of their hunter. They escape the long-handled net, anticipating from what direction it is coming. If you walk slowly, they move slowly ahead of you in droves. If you hurry, they hurry. When you plunge at them, they seem to disappear in a puff of blue smoke—at any rate, they disappear. It is impossible to creep up on them.
I was lucky enough to find a Sally Lightfoot crab on the shoreline of Dover Beach. The crab was outside of its normal rock/splash zone habitat and seemed somewhat lost and confused. this allowed me to get right up to him and snap a few good shots, where normally these crabs don't let you get within ten feet of them before they scurry away and find cover.
I had seen these trees in some old photographs of this area called the Sally gap, which is a mountain pass in the Wicklow Mountains. I wanted to photograph them but when I got there I realised the little bridge adjacent to the trees had been modernised a little. It used to be a nice old stone bridge but now it has some rather mismatching white rail guards. I guess this was done to improve safety but photographically speaking that was a bad move so I was forced to compose my picture in a different way and leave the lovely stone bridge out of the frame. A shame.
Ya había visto estos árboles en algunas fotografías de hace algunos años y quería fotografiarlos yo mismo. Esta zona llamada "Sally gap" es un paso de montaña en Wicklow, Irlanda y cuando llegué alli me lleve una pequeña sorpresa. El viejo puente de piedra había sido reforzado con unos quitamiendos de metal blanco que destrozaban el encanto del lugar, así que me ví forzado a componer la foto de otra manera y dejar el encantador puente de piedra fuera. Una pena.
Roskilde Airshow 2019 - Ground display, Friday evening
Camera: Pentax 645N
Lens: smc Pentax-FA 645 45-85mm F/4.5 (yellow filter) @ 50mm
Exposure: 1/180 @ F/8
Film: Fomapan 200 Creative home dev. in Rodinal (APH-09) 1+49
If you look up 'Dumb Blonde' in the dictionary, you may find a picture of Sally. She's the epitome of the phrase dumb blonde as she's always scatterbrained and spaced out. She's bright, cheery and probably one of the sweetest girls you'd ever meet. The only downside is that her lack of intellect frustrates even her best friends. Sally is constantly a target of the bullies, but she's too dim to realize it. She misunderstands their insults and they are therefore lost on her. Maxine suspects that Sally may be smarter than she lets on, but she has no evidence to back this up. If Sally is in fact smarter than she lets on, she's doing an amazing job hiding it.
Sally's original concept has her as an exchange student from Japan who looked an awful lot like Usagi from Sailor Moon. The joke was that she only spoke Japanese and everyone would misinterpret what she was saying to mean what they WANTED to hear. But after I gave that storyline/punch line to Greg, I needed something for Sally. It wasn't until AFTER her My Scene makeover that I gave her the 'dumb blonde' angle.
Sally's looks started as just a Sailor Moon doll head on a volks body. She didn't really fit with the cast of Maxine. I found a 'Getting Ready' Nolee on eBay who was in desperate need of some TLC. Her hair was a mess, her eyes were printed off center and she had gotten the dreaded 'nail polish lipstick' treatment. So off she went to Rachael for a repaint and then it was off to Jennifer for a reroot. She was given a platinum blonde version of Rosie's hairstyle. She got the usual obitsu body, but I sanded off the nipples as they were a bit much for such an 'innocent' character.
It's official!
Sally is a Cat Hill Farm girl! 8-)
She got a clean bill of health from the vet.....but of course she IS pregnant......sigh!
It's been a looooooong time since I've had new born kittens in my home.
Of course my friends are already teasing me. They are telling me that if she only has one or two (or three), that I'm going to just get attached and they will end up never leaving the farm either....LOL!
They know me SO well! 8-))
Anyway.........I feel SO much better now that we've gotten the vets visit behind us and I know I can actually take her home.
Little Miss Sally Seashell!! 8-)
(now I'm going to go make a new Sally Set for Flickr.....I have a feeling I'll be taking a ton of pics of my new girl!)
Dutch postcard by Uitgeverij Takken / 't Sticht, no. 486. Photo: M.G.M. (Metro-Goldwyn-Mayer).
Sally Forrest (1928-2015), was an American film, stage, and TV actress of the 1940s and 1950s. She is best known for the films she made with Ida Lupino and Fritz Lang.
Sally Forrest was born Katherine Feeney in 1928 in San Diego. Her parents were Michael and Marguerite (née Ellicott) Feeney. Her father was a U.S. Navy career officer, who moved his family to various naval bases, finally settling in San Diego. He and his wife later became ballroom dancers and taught dance classes, where their daughter began learning her lifelong craft. She studied dance from a young age and shortly out of high school was signed to a contract by MGM. In 1945, she moved with her parents to Hollywood, where Sally worked on the dances used in the films Till the Clouds Roll By (Richard Whorf, 1946) and The Kissing Bandit (Laslo Benedek, 1948). Soon unemployed, she worked in small roles until she teamed with Ida Lupino, who was producing and directing small films at the time. She made her acting debut in Not Wanted (Elmer Clifton, 1949), scripted and produced by Lupino. The film's controversial subject of unwed motherhood was a raw and unsentimental view of a condition that was seldom explored by Hollywood. Tony Fontana at IMDb: "The picture was a critical and commercial success, and Sally also received critical acclaim for her role." Forrest starred in two more Lupino projects, Never Fear (Ida Lupino, 1949) and Hard, Fast and Beautiful (Ida Lupino, 1951), as well as other Film Noirs, including Mystery Street (John Sturges, 1950), and the star-studded While the City Sleeps (Fritz Lang, 1956). Her musical background and training as a jazz and ballet dancer brought roles in the transitional musicals that rounded off the golden age of MGM; most notable was Excuse My Dust (Roy Rowland, 1951).
Most of Sally Forrest's films were made at MGM, which prided itself as family entertainment, but RKO, headed by the eccentric and controlling Howard Hughes, presented a very different creative challenge. Son of Sinbad (Ted Tetzlaff, 1955), now a cult classic, was one of his many pet projects where he had a personal interest in re-designing the star's skimpy wardrobe. With each rehearsal, Forrest noticed her harem dance costume slowly disappearing, until it was barely compliant with the Production Code. In 1953, she and her husband, writer, and producer Milo O. Frank Jr., moved to New York, where he was hired to be head of casting for CBS. There, her film work transitioned to theatre and TV. She starred on Broadway in The Seven Year Itch, and appeared in major stage productions of Damn Yankees, Bus Stop, As You Like It, and No No Nanette. Later she returned to Hollywood and continued working at RKO and Columbia Pictures. Her final film was RKO's While the City Sleeps (Fritz Lang, 1956), a murder mystery co-starring Dana Andrews, Rhonda Fleming, Vincent Price, and her frequent collaborator Ida Lupino. Forrest and Frank were owners of the former Benedict Canyon home of Jean Harlow and Paul Bern on Easton Drive in Beverly Hills. They sold it to Jay Sebring prior to his murder at the nearby home of Sharon Tate. Forrest, a widow since 2004, died of cancer in 2015, aged 86, at her home in Beverly Hills, California. She was survived by her niece, Sharon Durham, and nephews, Michael and Mark Feeney.
Sources: Tony Fontana (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Italian postcard by G.B. Falci Editore, Milano, no. 530. Photo: Metro-Goldwyn Film S.A.I.
Cute and petite American actress Sally O'Neill (1908-1968) acted in almost 50 films between the mid-1920s and the mid-1930s.
"Cute-as-a-button" and diminutive in size, Sally O'Neil (sometimes billed as Sally O'Neill), was one of 11 children born to a judge in 1908 in Bayonne, New Jersey. Another sister would also become a well-known actress, Molly O'Day. Sally was educated in a convent and started in Vaudeville where she was billed as "Chotsie Noonan" (her real name was Virginia Louise Concepta Noonan). She started in silent films at age 17 and found a penchant for playing unassuming street orphans along the lines of Mary Pickford in lightweight comedies, and later as flashy fun girls in the Clara Bow mould. Sally found stardom with her second film Sally, Irene and Mary (Edmund Goulding, 1925) co-starring Constance Bennett and Joan Crawford playing a naive chorus girl. As a result, she (as would sister Molly) was named a Wampas Baby Star in 1926.
Memorable are Sally O'Neill's starring roles in Slide, Kelly, Slide (Edward Sedgwick, 1927) with William Haines, The Lovelorn (John P. McCarthy, 1927) also with Molly O'Day, Broadway Scandals (George Archainbaud, 1929) with Jack Egan, Jazz Heaven (Melville Brown, 1929) with Johnny Mack Brown, and Girl of the Port (Bert Glennon, 1930), as well as her supporting parts in the Buster Keaton comedy Battling Butler (Buster Keaton, 1926) and D.W Griffith's The Battle of the Sexes (1928). She would be a popular but brief MGM commodity. Such films as The Callahans and the Murphys (George W. Hill, 1927) and Frisco Sally Levy (William Beaudine, 1927) did not suit her well and soon her star diminished. Possessing a strong New Jersey accent and developing a severe case of stage fright did not help things either as sound films were now the rage. Despite the promising title role in Kathleen Mouverneen (Albert Ray, 1930) and a strong lead in the pre-Code film The Brat (John Ford, 1931), which she had done on Broadway, she quickly faded from view. Sally returned to the stage and performed in USO tours until retiring in the 50s. Sally O'Neill died in 1968.
Sources: Gary Brumburgh (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Is is by far my favorite shot of this last trip, October 2010. The reson it is my favorite is because the CM (Cast Member) looked directly at me and gave me this look. This was in between guests getting their pictures taken with Jack and Sally. Most CM's will make a comment or look at you funny when you are pointing a large black and white lens at them, like Snow White who said in a fluttery voice "What are enormus camera, it is bigger than the Dwarfs"......many jokes could have been made on that one. :-\ But "Sally" looked directly at me and gave me this look which I think is perfect. The slightest bit of a smile, miss leading somewhat by the stitching to make it look bigger, and the head tilted down while looking up hinting at a bit of sexuality.
This CM was also one of the better that I saw playing Sally, I don't know how many they have but I noticed at least 3, she would pretend to be clumsy and have a hard time walking or bending down to greet small children. She would also pretend to get distracted by birds, people, wind blowing through trees, etc. All in all my favorite CM interaction on this trip.
She is Sally
She likes to eat tomato,she likes the bloody smell very much
She is always changing her personality,sometimes she's a crazy photographer,sometimes she's a shy little girl.
Some people like her very much due to her inequable,but some people just can't torelate her ambivalent and leave her alone...
sally's story(chinese)
The Sally and Joe Show blew through town for about 5 weeks around Christmas.
They were preceded by Myla and Abelardo, and followed up by our current foster children Kayla and Ethan. Whew!
British postcard in the Film Weekly Series, no. 1.
American actress Sally Eilers (1908-1978) was a popular Hollywood star in the early-1930s. She was tagged 'the most beautiful girl in movies'.
Dorothea Sally Eilers was born in New York City in 1908 to a Jewish-American mother, Paula (née Schoenberger), and an Irish-American father, Hio Peter Eilers (who was an inventor). She was educated in Los Angeles, California and went into films because so many of her friends were in pictures. She studied for the stage, specialising in dancing. Her first try was a failure so she tried typing but then went back into pictures and succeeded. She made her film debut with an uncredited bit part in the comedy The Red Mill (Roscoe Arbuckle, 1927) with Marion Davies. After several minor roles as an extra, she found work with Mack Sennett. In 1927, he offered her a role in The Good-Bye Kiss (Mack Sennett, 1928), a rare dramatic feature for the studio. Either Sennett or Florenz Ziegfeld Jr. (depending on which version of the story is to be believed) tagged Sally with the publicity line 'the most beautiful girl in movies'. In 1928 she was voted as one of the WAMPAS Baby Stars, a yearly list of young actresses nominated by exhibitors based on their box-office appeal. The vivacious former brunette (quickly transformed by Hollywood into a blonde) spent her apprenticeship as a leading actress co-starring with her future husband Hoot Gibson in the Western The Long, Long Trail (Arthur Rosson, 1929) and with Buster Keaton in the comedy Doughboys (Edward Sedgwick, 1930).
Sally Eilers became a popular figure in the early-1930s Hollywood, known for her high spirits and vivacity. In 1931, director Frank Borzage cast her in the depression-era film Bad Girl (1931). I.S. Mowis at IMDb: "What could have been maudlin melodrama, was enlivened by excellent direction and some snappy dialogue (winning Academy Awards for both direction and screenplay) and elicited from Sally Eilers in the title role (as 'Dot Haley') the best performance of her career. There were to be other films of note: Reducing (1931) with Marie Dressler, the original State Fair (1933) with Will Rogers (with Sally playing a 'carnie') and Sailor's Luck (1933), with her Bad Girl (1931) co-star James Dunn, where a review described her performance as 'highly satisfactory'." Her other films were mostly comedies and crime melodramas such as the crime film Quick Millions (Rowland Browne, 1931) with Spencer Tracy and the sparkling mystery comedy Remember Last Night? (James Whale, 1935). She was married for a short time to Hoot Gibson, though the marriage ended in divorce in 1933. By the end of the decade, her popularity had waned, and her subsequent film appearances were few. She made her final film appearance in 1950. She was married four times. With her second husband, Harry Joe Brown, she resided in a mansion located in Beverly Hills. They had a son, screenwriter Harry Joe Brown Jr. Her other two husbands were Howard Barney and director Hollingsworth Morse. During her final years, Eilers suffered poor health, and died from a heart attack in 1978, in Woodland Hills, California. She was 69.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.