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The arcades consist of very delicately sculpted alternating double bays and triangular niches. The white marble, originally partially gilded. contrasts with the black Dinant marble used for the base and the slab. Under these arcades, the alabaster morning figures walk in procession: the asperger with holy water sprinkler, two altar-boys, the crucifer, deacon, bishop, three cantors and two Cathusian monks are followed by members of the duke's family, officials, retainers and servants from this household, all draped in mourning cloaks actually distributed during funeral ceremonies. The faces are individualised but they are not portraits. All express their grief by their expression, a gesture towards a neighbouring figure, or their eloquent draperies.
Once, a retainer tried to murder the lord of Himeji Castle and take over the position. A servant girl discovered this and informed the master of his retainer's treachery. When the retainer discovered this, he had one of the 10 treasured dishes stolen and blamed the servant. She was subsequently tortured to death and her body thrown into the well. Her ghost was said to have wailed from the well for many years until her remains where later sanctified in a temple.
BLOX Racing retainers are CNC-machined from the highest quality titanium available on the market.
These Ti retainers are machined to exact specifications and help reduce the overall weight of the valvetrain area. As a direct result of the reduced weight, RPM's are increased.
Each retainer provides assurance from premature wear associated with high RPM's and mileage.
For maximum results, use with BLOX Racing valve springs and high compression valves.
Applications:
B-Series DOHC VTEC
D-Series SOHC VTEC
H-Series DOHC VTEC
K-Series DOHC iVTEC
The actor Ichikawa Yaozo III as Umeomaru, the loyal retainer of Kan Shojo in the Kuruma biki, “Pulling the Carriage Apart,” scene from the play Sugawara denju tenarai kagami, “ Sugawara’s Secrets of Calligraphy” performed at the Miyako Theatre 7/1796. This is one of the most celebrated scenes in Kabuki, showing the stand-off between the brothers Umeomaru and Sakuramaru and Matsuomaru and Shihei. Of the utmost rarity. Toyokuni also designed prints of Matsuomaru and Shihei ( see this website ) and a triptych of the scene from the same play. One of ukiyoe’s great portraits. Umeomaru ( ume, “plum” ) is shown with the red sugi guma makeup of the impetuous hero, and plum blossom on his costume. Published by Yamaguchiya Tadasuke, 1796.
From my "Elastomeric Retainer Hack for Orbis" blog post:
www.stevennoreyko.com/blog/345/the-elastomeric-retainer-h...
Lighting on this is one AB400 bounced off a 2 4x8's of white foamcore.
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Bearing Fit B641 is a single part Anaerobic securing compound, designed for fitting cylindrical metal assemblies and cures when confined between the parts. B641 will secure all types and sixes of Bearings, Shafts and Cylindrical parts which will require disassembly in the future. B641 is of medium strength and is colour coded yellow for job identification.
Properties
▪ Colour : Yellow
▪ Strength: Medium
▪ Static shear strength: 12N/mm²
▪ Service temperature range: -55°C - +150°C
▪ Viscosity Brookfield : 2500cps
▪ Gap Fill : 0.2mm
These are the ejector plate and retainer plate for a mold I designed, in which components specific to the part being molded are made on a 3D printer. The black plastic components shown here will retain the heads of the ejector pins for part A631. The mold cavities will be made on a different 3D printer, using a material which can withstand the heat and pressure of injection molding.
Kawanabe Kyōsai
Ink and light colour on paper
The idea of an ink battle was perhaps inspired by a New Year’s event at the family mansion of the shogun’s retainer, Sōma, where they applied ink on the faces of guests to wish them a safe and healthy year. Here, the rival groups are depicted as medieval courtiers and warriors.
Kyōsai’s contemporaries might have related the image to the battles of the 1860s between the Tokugawa shogunate’s allies and the emperor’s supporters.
[Royal Academy]
From the exhibition
Kyōsai: The Israel Goldman Collection
(March — June 2022)
Known for his independent spirit, Kawanabe Kyōsai (1831-1889) is among Japan’s most important master painters. Witty, energetic and imaginative, his art continues to influence numerous artistic styles today, from manga to tattoo art.
Overlooked for decades, particularly compared to his earlier counterparts, Hokusai and Hiroshige, Kyōsai is now celebrated for his ability to bridge popular culture and traditional art.
Having initially studied under ukiyo-e artist Kuniyoshi, he combined his subsequent academic training to create his own revolutionary style, creating images from the terrifying and awe-inspiring, to the sweet and endearing.
Drawing from one of the finest collections of the artist’s work in the world, this exhibition brings together highly finished paintings, woodcut prints and illustrated books, as well as impromptu paintings (sekiga) created at sometimes raucous calligraphy and painting parties (shogakai).
[Royal Academy]
Kawanabe Kyōsai
Ink and light colour on paper
The idea of an ink battle was perhaps inspired by a New Year’s event at the family mansion of the shogun’s retainer, Sōma, where they applied ink on the faces of guests to wish them a safe and healthy year. Here, the rival groups are depicted as medieval courtiers and warriors.
Kyōsai’s contemporaries might have related the image to the battles of the 1860s between the Tokugawa shogunate’s allies and the emperor’s supporters.
[Royal Academy]
From the exhibition
Kyōsai: The Israel Goldman Collection
(March — June 2022)
Known for his independent spirit, Kawanabe Kyōsai (1831-1889) is among Japan’s most important master painters. Witty, energetic and imaginative, his art continues to influence numerous artistic styles today, from manga to tattoo art.
Overlooked for decades, particularly compared to his earlier counterparts, Hokusai and Hiroshige, Kyōsai is now celebrated for his ability to bridge popular culture and traditional art.
Having initially studied under ukiyo-e artist Kuniyoshi, he combined his subsequent academic training to create his own revolutionary style, creating images from the terrifying and awe-inspiring, to the sweet and endearing.
Drawing from one of the finest collections of the artist’s work in the world, this exhibition brings together highly finished paintings, woodcut prints and illustrated books, as well as impromptu paintings (sekiga) created at sometimes raucous calligraphy and painting parties (shogakai).
[Royal Academy]
After choosing the "Create My Design" option, you will arrive at your control panel. If you have previously created designs on the site, they will show up here and you can edit them. If it is your first time designing, click on "Create a new design" and this will open the design area.
There was a closed-in porch and door into the lower level shown here on the left. The front of the house is on the right showing that part of the porch just kind of hanging there. There is a sidewalk going all the way around the upper level right next to the house.
There is a large cellar on the left here. We had to walk quite a ways from the dirt road to this house and other buildings here. (more photos to follow)