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The container was labeled as LAYTEX EYEWARE RETAINER.
Well, they are VERY colorful.
Now all I have to do is find my glasses.
From my "Elastomeric Retainer Hack for Orbis" blog post:
www.stevennoreyko.com/blog/345/the-elastomeric-retainer-h...
Lighting on this is one AB400 bounced off a 2 4x8's of white foamcore.
The Eleventh Annual Battle Of The Bar Bands took place at the Commodore Ballroom on June 1. The nights performers included Blind Elmo, The Retainers, Mr. Fancy Education, GNFNR LLP, House Arrest, Standard of Hair and No Reply with The Disclaimers walking away victorious at the end of the night.
The Scribe's Residence was a residential complex where his family and retainers lived. The complex of buildings in Las Sepulturas could have housed as many as 250 people. Buildings were arranged around courtyards of varying size and prestige, including houses that may have been artisan workshops, temples, shrines, storage rooms and kitchens. A community of Lenca tradesmen or artisans from central Honduras may have been part of the patriarch's extended household.
This was the home of a powerful lineage of scribes and artists. Scribes at Copan, especially after the rule of Ruler 13, were held in very high esteem. Scribes wrote the codices, kept tribute lists and genealogies, made corrections to the lunar and solar calendars, and recorded ancient rituals and ceremonies.
Kawanabe Kyōsai
Ink and light colour on paper
The idea of an ink battle was perhaps inspired by a New Year’s event at the family mansion of the shogun’s retainer, Sōma, where they applied ink on the faces of guests to wish them a safe and healthy year. Here, the rival groups are depicted as medieval courtiers and warriors.
Kyōsai’s contemporaries might have related the image to the battles of the 1860s between the Tokugawa shogunate’s allies and the emperor’s supporters.
[Royal Academy]
From the exhibition
Kyōsai: The Israel Goldman Collection
(March — June 2022)
Known for his independent spirit, Kawanabe Kyōsai (1831-1889) is among Japan’s most important master painters. Witty, energetic and imaginative, his art continues to influence numerous artistic styles today, from manga to tattoo art.
Overlooked for decades, particularly compared to his earlier counterparts, Hokusai and Hiroshige, Kyōsai is now celebrated for his ability to bridge popular culture and traditional art.
Having initially studied under ukiyo-e artist Kuniyoshi, he combined his subsequent academic training to create his own revolutionary style, creating images from the terrifying and awe-inspiring, to the sweet and endearing.
Drawing from one of the finest collections of the artist’s work in the world, this exhibition brings together highly finished paintings, woodcut prints and illustrated books, as well as impromptu paintings (sekiga) created at sometimes raucous calligraphy and painting parties (shogakai).
[Royal Academy]
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