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Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
AHRMA, workforce readiness, hr, human resources, association, luncheon, networking
Health and Human Services held a department-wide staff meeting and resource fair Oct. 1 @the Grounds.
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
1996. Seattle. 11 x 8.5 inches. 30 x 21.5 centimeters. Offset lithography. Four color process. Perfect bound. Number 2 in a series of 9 catalogs for a company selling stock photography on compact disc. Design by Weed.
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
Susan Dawson, E3 Alliance
Q Center, in partnership with SHARE (Senior Housing & Resource Alliance), hosted Portland's first ever Senior Resource Fair. The Center was full with vendors & presenters, all offering information on great services and products for the city's LGBTQ elder community.
In addition to information, the fair also offered free massage, live music, health screenings, and portrait photography.
Attached are photos of old abandon shallow well that is no longer in service. A lot of times these are overlooked concerns.
This well was drill in 1981, it is 42 feet deep, and 20”+ casing per SD DENR well log document.
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
twitter.com/SaviDraws/status/1586105115324334080
This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
Susan Dawson, E3 Alliance
Commercialising Eros
A discussion with Jacob Appelbaum (us), Zach Blas (us), Liad Hussein Kantorowicz (il/de) and Aliya Rakhmetova (hu)
Moderated by Gaia Novati (it/de)
Includes the live performance / Mit der Performance Watch Me Work by Liad Hussein Kantorowicz and Kate Erhardt (za)
Saturday, Feb 4, 13:30–15:30, K1
This panel sheds light on the interferences and tensions between sex and business, analysing practices and strategies of technology entrepreneurship and networking models, online sexual imagery and queer virality. Moreover, it stresses the aspect of conscious reflection on bodily practices as opposed to simply consuming, focusing on how queer communities and sex workers use IT in their communication and how they try to break usual stereotypes through online and offline actions. A conscious reflection and practice of sexuality can be the way to imagine a different model of “commercialising eros”, mobilising communities, generating advocacy, and more broadly, shaping culture.
The panel is part of reSource Sex, which reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
Steven Bridges, Workforce Solutions
Workforce Readiness Day at Austin Human Resource Management Association (AHRMA). May monthly luncheon.
twitter.com/murat192323/status/1521868785241763840
This resource posted is for digital art and design, personal and commercial projects, digital learning, and more. All design content is from external sources from around the web.
Launch of "Resource" Natural Spring Water - hosted by Alyssa Milano -arrivals
Featuring: Stacy Keibler
Where: New York City, NY, United States
When: 06 Jun 2013
Credit: Ivan Nikolov/WENN.com
Many unknown people fishing along the Thief River - in pencil = "at Thief River Falls" - at Red Robe park - crossing on right = "old Indian bridge" - "Squaw Point" - Location identification by John Jaranson.
More at pchs.org/resources/2008-050-001
Jamaica Business Resource Center, 90-33 160th Street, Jamaica, Queens, New York City, New York, United States
La Casina is a rare surviving example of Streamlined Moderne design in New York City. The metal and stucco facade of this former nightclub and restaurant structure was constructed c. 1933, during the period of greatest popularity for the streamlined style. The building, erected in the heart of Jamaica’s commercial center, is representative of the many entertainment facilities built in Jamaica during the first decades of the twentieth century as this area developed into the commercial and entertainment hub for Queens County and nearby sections of Long Island. Although altered over the years, the La Casina Building has been beautifully restored and is again one of the most distinctive structures in Jamaica’s business district.
Development of Jamaica
Jamaica, one of the oldest settlements within the boundaries of New York City, developed into the leading commercial and entertainment center of Queens County. The Dutch purchased land in Jamaica from the Jameco (also spelled Jemeco) Indians in 1655. The following year, Governor Peter Stuyvesant granted a charter to the town, originally known as Rusdorp.
Following the transfer of power from the Dutch to the English in 1664, Rusdorp was renamed Jamaica, after the original Indian inhabitants of the region. Queens County (incorporating present-day Queens and Nassau Counties) was chartered in 1683. The English established Jamaica as the governmental center of Queens County, with a court, county clerk’s office, and parish church (Grace Church; the present structure, dating from 1861-62, is a designated New York Landmark). Outside the town center, Jamaica was largely an area of farm fields and grazing land for cattle. The rural village was officially incorporated by New York State in 1814.
Jamaica’s central location in Queens County and the extensive transportation network that developed in the town during the nineteenth century, resulted in the transformation of the community into the major commercial center for Queens County and much of eastern Long Island. It was the arrival of the railroads that began this transformation. The roads and rail lines connecting Jamaica with other sections of Queens County, with Brooklyn to the west, eastern Long Island, and ferries to New York City had a tremendous impact. Jamaica’s farmland was soon being subdivided into streets and building lots, and new homes were erected.
By the turn of the century, Jamaica’s importance as a commercial area became evident in the impressive buildings beginning to appear on Jamaica Avenue, most notably the Beaux-Arts Jamaica Savings Bank Building (Hough & Deuell, 1897-98), 161-02 Jamaica Avenue. After Jamaica was incorporated into the borough of Queens and became a part of New York City on January 1, 1898, additional transportation improvements brought increasing numbers of people. As a result, the population of Jamaica quadrupled between 1900 and 1920.
It was during the 1920s, when the major mass transit links were in place, and during a period when private automobile ownership was growing at an extraordinary rate, that Jamaica experienced its major expansion as a commercial and entertainment center. By 1925, Jamaica Avenue between 160th Street and 168th Street had the highest assessed valuation in Queens County.
During the 1920s and early 1930s, many small- scale commercial buildings were erected in Jamaica, as well as several major office and commercial structures, including the Jamaica Chamber of Commerce Building (George W. Conable, 1928-29) on 161st Street; the Title Guarantee Company Building (Dennison & Hirons, 1929), 90-04 161st Street; and the J. Kurtz & Sons Store (Allmendinger & Schlendorf, 1931; a designated New York City Landmark) on Jamaica Avenue. In addition, Jamaica developed into a significant entertainment center. By the mid-1930s, there were at least eight movie theaters on or just off of Jamaica Avenue, and there were over sixty restaurants, bars, and clubs, ranging from small ethnic taverns to elegant restaurants. It was within this bustling commercial and entertainment setting that La Casina opened.
The Nightclub:
A Brief Examination of Its History and Design
During the late 1920s and 1930s, the nightclub became a prominent and romantic symbol of New York’s nightlife. While partially based on the reality of the city’s exclusive clubs and restaurants, the nightclub image was largely a fantasy based on Hollywood’s interpretation of these elegant establishments. Nightclubs and restaurants with live shows began to appear in New York City in the late 1920s as the enforcement of Prohibition ebbed. With the end of Prohibition in 1933, nightclubs proliferated." As nightclubs and restaurants with live shows grew in popularity, their designs became increasingly elegant. Clubs and related restaurants such as the Central Park Casino, the Persian Room, the Rainbow Room, El Morocco, the 21 Club, and the Stork, catered to an exclusive clientele. While most New Yorkers could not afford to patronize these establishments, they were well known through newspaper gossip columns, magazines, and other popular media outlets.
Movies such as Broadway (1929), Puttin’ on the Ritz (1930), Gold Diggers of 1935 (1935), Broadway Melody of 1936 (1935), and Swing Time (1936) created a romantic image of nightclubs with Modeme and Art Deco decor incorporating streamlined walls and ceilings, glistening mirrored floors, and elegantly appointed revelers. Perhaps in homage to popular Latin dances, many of these clubs, both real and cinematic, were given Spanish- sounding names.
Although modest in scale, La Casina was designed to fit the image of the up-to-date night spot. The club and restaurant was provided with a Latin name and its streamlined design echoes, in miniature, the elegant clubs enjoyed vicariously by patrons as they viewed movies at their local movie palaces.
La Casina: The Site and the Design of the Building
La Casina is located on 160th Street between Jamaica Avenue and 90th Avenue. Located only a few blocks from the center of Jamaica, 160th Street was initially developed with modest frame buildings, most erected as residences but later converted for commercial use. In 1907, the Queens Borough Real Estate Exchange erected a neo-Classical style brick and limestone office building designed by Tuthill & Higgins at 90-33 160th Street.
The building was purchased in 1918 by Arnold Behrer, Jr., and Clarence Behrer. On November 1, 1932, the Behrers leased the site to Bernard Levy and La Casino, Inc., for a period of four years (until 1936). According to the lease agreement, the building was "to be used and occupied only as a restaurant, cabaret, beer garden, casino and dance hall." The rent rose from $1,800 a year the first year to $3,000 during the fourth year. All alterations made to the building by the lessee had to be approved by the owner.
The La Casino Supper Club opened in 1933. It first appeared in the Queens telephone directory for winter 1933-34. Apparently, the club was only open for a short time since it did not appear in the telephone directory for winter 1934-35. The club reopened by May 1936. Telephone directory listings continued to call the establishment the La Casino Restaurant. However, the weekly La Casina Journal, published by the establishment, spelled the name with an "a" and also referred to the La Casina Restaurant and Supper Club in its text. The work undertaken to create the present streamlined design was an alteration of the original building, but no surviving alteration application has been located that specifically notes the construction of a new front. Several permits for small alterations were issued in 1933, and one of these may have included the new facade.
La Casina was designed in the Streamlined Modeme style which became popular in America in the 1930s.' Although it initially appeared on residential buildings, the Streamlined Moderne style was soon adapted for commercial buildings since the dramatic massing and dynamic stripped forms drew attention and, therefore, brought people to the buildings. The style was popular for relatively small-scale public buildings, especially those that were erected for businesses that relied on a large paying clientele.
These businesses included hotels, such as those in Miami Beach; theaters, such as the Pan Pacific Auditorium in Hollywood; movie theaters, notably those designed by S. Charles Lee; bus depots, such as the Greyhound Bus Terminal in Washington, D.C.; and roadside structures such as auto showrooms, motels, and diners. Historian Martin Greif characterized the Streamlined Moderne (also sometimes referred to as Depression Modem) as "an art stripped bare of all ornamentation. . . . Ideally, the Depression Modern style was spare . .
. without a single detail that could be called extraneous, without any embellishment, without a line that did not seem inevitable."
With its smooth planes of stucco, dynamic ziggurat massing, sweeping bands of metal, and its lack of applied ornamentation, the La Casina building fits Greifs description of the ideal streamlined structure. The streamlined mode was an appropriate choice for La Casina, not only providing an up-to-date image for the establishment, but also creating a noticeable form for the small midblock structure, one that would attract attention from busy Jamaica Avenue. This was heightened by the use of a bright projecting vertical neon sign announcing the nightclub’s presence.
La Casina: The Restaurant and Nightclub
La Casina offered dining, dancing, and entertainment. According to the La Casina Journal, La Casina offered three shows a night performed by the La Casina Adorables and the La Casina Swing Melo-Dears. The club also featured special guests such as Maureen Rio, the Broadway star of Earl Carroll’s Sketch Book? There was no cover charge and the club offered free parking.
The Journal noted such special events as "Celebrity Night"; "Democratic Night" and "Republican Night" (at the latter two evenings guests were to meet primary candidates); and "Bowery Night," where guests were to dress in old clothes, men were to arrive unshaven, and all were to be entertained by Diamond L’il, Cuspidor Carrie, Fishface Fanny, Gashouse Gertie, Willie the Gonof, Little Annie Rooney, Champagne Lil, and Limehouse Lou.
Later History
La Casina (or a facility with a similar name) occupied the building until about 1938; the last entry in the telephone directory is for winter 1937-38. In 1940, Arnold Behrer, Jr., lost the property in a legal proceeding to the mortgagor, the Domestic and Foreign Missionary Society of the Protestant Episcopal Church in the United States of America. A tax photograph taken by New York City in 1940 shows "For Rent" signs in the picture windows of the club.
In 1942, the building was sold to the Church of God of Greater New York, Inc., although it does not appear to have ever been used as a church (the Church of God was headquartered on 224th Street). The use, if any, of the building in the early 1940s is not known.
In 1946, the former nightclub was sold to Polly Foundations, Inc., which converted the building into a factory that manufactured Ladyform bras. In 1952, the building was purchased by the Ellen Howard Corporation which manufactured Roxanne swim suits in the building until c.1987.
At some point, probably in the 1960s or 1970s, the galvanized-iron cladding of the ziggurat was covered in aluminum siding. The building was vacated in the late 1980s and deteriorated. In 1989, the Greater Jamaica Development Corporation acquired the former home of La Casina. A restoration was undertaken in 1994-95 under the guidance of the architectural firm of Li-Saltzman.
The restoration entailed the removal of the aluminum siding, the replacement of the deteriorated galvanized iron with aluminum that matched the form of the original, the restoration of the stucco at the lower level to its original colors, the removal of historically and stylistically inappropriate glass block windows and their replacement with historically accurate plate-glass windows, and the restoration of the tile flanking the entrance and of the original doors and glass entrance surround. The original vertical sign was conserved and encased within a new sign. The building now houses the Jamaica Business Resource Center.
Description
La Casina is a one-story symmetrical structure with a two-tiered streamlined facade in the form of a stepped pyramid or ziggurat. The base of the pyramid is set parallel to the sidewalk. This section of the building is faced with stucco.
The stuccoed portion of the facade is divided into a lower section that is painted gray and an upper section painted coral (paint studies determined the historical accuracy of these colors). The base is punctuated by a central entrance that is set back from the sidewalk within a five-stepped enframement clad in glazed black tiles at the lower section; the upper section is coral-colored stucco.
The entrance contains its original wood and glass double doors with very large vertically-placed bronze handles supported by silver-metal upper and lower stepped brackets. The doors are set within a frame of opaque black glass. The entrance bay is flanked by rectangular windows.
During the restoration, glass blocks that were crudely installed, probably when the building became a factory in the 1940s, were removed and replaced with historically accurate undivided plate glass. In addition, a shallow ramp for handicapped access has been added in front of the building.
Directly above the entrance is a curving streamlined frontispiece. It is divided into six wide horizontal bands with seven raised narrower bands covering the joints. To either side of this frontispiece is a six-layer stepped ziggurat. The frontispiece and flanking ziggurats were originally clad in smooth galvanized sheet metal attached to a wooden frame. The metal may originally have been painted gray. During the restoration, the deteriorated galvanized metal was replaced with shiny bands of aluminum.
Attached to the Building is the original vertical neon sign. This sign, which retains the words "La Casina" (an "o" for "casino" overlaps the "a"), "Ladyform Bras," "Swim Suits," and "Roxanne Swim Suits,” has been encased in a new aluminum sleeve with the "JBRC" initials of the Jamaica Business Resource Center in neon.
- From the 1996 NYCLPC Landmark Designation Report
Postcard - "Thief River at Thief River Falls" - Not Thief River - Red Lake River - Looking Southeast from 3rd Street Bridge - Elks Park on right - Hospital in background - Postmarked 9-16-1981 -.
More at pchs.org/resources/2008-017-003
The College of DuPage Latino Ethnic Awareness Association recently hosted a Salsa/Merengue/Bachata Dance. The event featured dance lessons and open dancing in the College's Student Resource Center at the Glen Ellyn campus.
twitter.com/WizzleDean/status/1541537826818457600
This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
2008 - Viking, Minnesota Kindergartners - Pioneer Village - B: Brooke Hanson, Serena Ratzloff, Ethan Larson. R-5: Ciera Kataska, Parker Bain, Jacob Grandstrand, Mason Bring, Tristan Hanson, R- 4: Cameron O'Hara, Storm Edin, Tristian Comstock,Gannon Hejlik,Katie Nelson, R-3: MacKenzie Lubitz,Bailey Majer,Ethen Skjerven, Kaidyn Ortiz, Ty Anderson. R- 2: Tiera Engen, Keylee Dahl,Caleb Nelson,Colten Lind, R- :Hope Rybakowski,Hannah Lindholm,Tessa Anderson,Logan Nelson,Kylie Shetler,Hayden Bakke.
More at pchs.org/resources/2008-005-013
Human resource can be considered as the backbone of any business organization. With the advent of modern tools of technology, HRMS software is said to be the valuable asset in any organization. Human resource management system software is an array of a comprehensive system that comprises vital aspects of recruiting and training employees, employee payroll system, learning management, leave management and compensation. A centralized location for storing and maintaining data of employees and venebsite : www.alpconsulting.in/hrms-payroll-software.html
Women can play a significant role in the prevention and resolution of natural resource conflicts. UN Environment, UNDP and UN Women are working together in Al Rahad, North Kordofan, to increase women’s participation in natural resource governance and conflict resolution.
For more information please visit our website:
2017 © Dimah Gasim/UN Environment
E322 traverses Baxter Junction with empties for Resource, lead by CSX's Georgia Road heritage unit. Our first encounter with the unit was in Etowah over a year prior, yet this reunion carried a little more action than the last. Also notice the blessed actions of the City of Loyall in cutting the trees that plagued this view of Baxter for years. We've missed a few heritage units that have traversed the CV, the 1834 being officially half of the 21 rostered heritage units to pass through, not considering duplicate runs. Having departed Kingsport a little after 1, the consist rolls into Loyall at the edge of dark, pausing briefly to allow Conductor Zac Hendrickson to realign the switch for ML2.
(For those of you curious, as of 10/27/25, the following heritage units have been on the Cumberland Valley in this order: 1976, 1973, 1853, 1827, 1902, 1897, 1836, 1899, 1871, 1852 & 1834. 1850 technically made it onto the CV when spinning the wye in Corbin, though I don't count it myself.)
Produced by the Water Resources Board North c. May 1972.
A figure used in a lecture from JR James at the Department of Town and Regional Planning at The University of Sheffield.
Angeles National Forest Natural Resource Officer Edgar Hermosillo is out checking contract workers employed to reduce fuels and prevent invasive growth to ensure the health of the forest on the San Gabriel Mountains National Monument, Feb. 10, 2023.
Hermosillo has been with the Forest Service for three-and-a-half years permanently.
Previously he was Pathways Intern for a season and a Resource Assistant a season before bing hired on full-time.
Having grown up in Southern California and loving the outdoors, he didn’t realize there were careers in the Forest Service.
After becoming disabled after a bicycle accident, he went on to get a masters degree in Environmental Studies from Cal State Fullerton.
(USDA Forest Service photo by Preston Keres)
DAVOS/SWITZERLAND, 23JAN13 - (FLTR) Oleg V. Deripaska, President, En+Group, Russian Federation, Samir Brikho, Chief Executive Officer, Amec, United Kingdom, Ivonne A-Baki, Secretary of State for the Yasuní-ITT Initiative of Ecuador; Global Agenda Council on Biodiversity & Natural Capital, Jim Prokopanko, President and Chief Executive Officer, The Mosaic Company, USA, Lin Boqiang, Director, China Center for Energy Economics Research (CCEER), Xiamen University, People's Republic of China; Global Agenda Council on Energy Security during the interactive session 'The Natural Resource Context' at the Annual Meeting 2013 of the World Economic Forum in Davos, Switzerland, January 23, 2013..
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Copyright by World Economic Forum.
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swiss-image.ch/Photo Sebastian Derungs
This is a photograph from the 5th annual Braveheart 5KM Trail Run which was held in the wonderful historic grounds of Trim Castle, Trim, Co. Meath, Ireland at 20:00 on Friday 13th June 2014. This unique event is staged along the banks of the Boyne and will take in many of the medieval sites of the town through the Porchfields. The heritage trails of Trim are an excellent leisure resource, and always prove popular with runners. Trim Castle, the largest Anglo-Norman castle in Ireland, was constructed over a thirty-year period by Hugh de Lacy and his son Walter. Hugh de Lacy was granted the Liberty of Meath by King Henry II in 1172. This race is the envy of many in Ireland as it is an opportunity for runners to run in one of the world's most historic castles. This year over 600 runners took part. Congratulations to everyone in Trim AC for staging an incredible night of racing. The beautiful summer's evening made the event one which was raced in the most perfect of settings.
Our full set of photographs from the event are at www.flickr.com/photos/peterm7/sets/72157645195984413/
The race is run completely within Porchfields in Trim. Views of Trim Castle dominate the race from almost all vantage points. The race starts close to the Yellow Steeple and proceeds clockwise around the upper field of Porchfields. The route then goes right down to the River Boyne and use the pedestrian underpass under the R154 to access the easterly field in Porchfields. The race then proceeds to complete a full loop of this field. Part of this loop is on grass and then remainder of the loop joins the tarmac walkway along the Boyne. The route then brings runners back under the road to the westerly field in Porchfields where another loop is done before heading up-hill towards the finish beneath the Yellow Steeple.
Some Useful Internet Links
2014 RESULTS chipit.ie/?attachment_id=135
Wikipedia Braveheart Movie: en.wikipedia.org/wiki/Braveheart
Wikipedia Trim Castle: en.wikipedia.org/wiki/Trim_Castle
www.trimac.ie/braveheart_run_2014
www.trimac.ie/junior_braveheart_race_2014
www.facebook.com/trimathleticclub?fref=ts
2013 trimathletics.blogspot.ie/2013/06/results-braveheart-2013...
www.heritageireland.ie/en/midlandseastcoast/TrimCastle/
Photographs 2013: www.racepix.com/Braveheart-Trail-Run/racephotos/896/ (Paul Reilly)
Photographs 2012: www.flickr.com/photos/peterm7/sets/72157630136760260/
Photographs 2011: www.flickr.com/photos/peterm7/sets/72157626985416376/
Photographs 2010: www.flickr.com/photos/peterm7/sets/72157624182570415/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Resource advisors work with firefighters to minimize the effects of fire suppression on watersheds, threatened and endangered species, archaeological sites, and other resources near the fire.
Mark Herrema, Co-Founder and Chief Executive Officer, Newlight Technologies, USA; Technology Pioneer at the World Economic Forum - Annual Meeting of the New Champions in Tianjin, People's Republic of China 2014. Copyright by World Economic Forum / Jakob Polacsek
twitter.com/SFineartgallery/status/1516778979709104134
This resource posted is for digital art and design, personal and commercial projects, digital learning, and more. All design content is from external sources from around the web.
From the fabulous 40's, this chest is a beautiful place to keep woolens and special collectibles for years to come.
Early screenings for risks of complication and skilled attendants at birth are among the most critical interventions for saving the lives of women and newborns. Yet many poor women, living in mostly rural areas of sub-Saharan Africa and South Asia, go without.
To reduce mortality and morbidity during pregnancy and childbirth, health care professionals around the world have developed innovative training models to reach additional health care workers, especially in low-resource settings, who conduct or assist during pregnancy and delivery. The models improve health care workers’ abilities to assess, diagnose, and treat life-threatening conditions during a woman’s pregnancy and childbirth.
The panel will present innovative models, such as the Helping Babies Breathe curriculum and other technology-driven approaches, being used to train thousands of health care workers and midwives in some of the lowest-resource settings in the world.
Read more: www.wilsoncenter.org/event/innovative-training-birth-atte...
Presto Pressure Cooker - Model "40" - Recipe Book - Instructions and Cooking Time Tables - 1946.
More at pchs.org/resources/2008-063-003