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Despite its attractive and distinctive plumage, the hoopoe is superbly camouflaged for its ground-feeding behavior in its preferred dry habitats. This bird is so outstandingly unique that it was revered in ancient Egypt, is a symbol of virtue in Persia and is the national bird of Israel.
Common Name:
Hoopoe, Common Hoopoe, Eurasian Hoopoe
Scientific Name:
Upupa epops
Scientific Family:
Upupidae
Appearance:
Bill: Long, dark, thin, decurved
Size: 10-12 inches long with 17-18-inch wingspan, prominent crest, long tail
Colors: Pink-buff, orange-buff, tan, black, white
Markings: Genders are similar with the head, breast and back ranging from pink-buff to orange-buff to tan. The head features a long, black-spotted crest. The broad, rounded wings have bold black and white stripes, and the black tail has a thick white horizontal band at the midpoint. The lower abdomen, rump and undertail coverts are white. Legs and feet are dark, and the eyes are black. Juvenile birds have duller plumage overall, and the bars in the wings are more off-white than pure white.
Foods:
Insects primarily; also reptiles, small mammals, seeds, carrion (See: Insectivorous)
Habitat and Migration:
These unique birds prefer relatively dry habitats and can be found in orchards, vineyards, olive groves, open woodland, parks, gardens and suburban areas. They are relatively common around human habitation, and can be found year-round along the northern coast of Africa, in the Arabian peninsula, throughout sub-Saharan Africa and from India east to the coast of China. The summer breeding range extends further north to include Europe from Spain and Portugal north to the southern tip of Sweden and east to Korea and southern Japan. In winter, birds at higher latitudes migrate into the year-round range and Indonesia.
During migration, hoopoes can be occasionally seen in southern England, and vagrant birds are recorded in the United Kingdom fairly regularly. Very rare vagrant sightings may occur in Alaska.
Vocalizations:
These birds have a low, resonating “pooo-pooo-pooo” or “ooop-ooop-ooop” call which earned them their name. The calls are typically made with 2-3 syllables and may be repeated at regular intervals. Male birds use the call to defend their territory, and during the breeding season, hisses and squeaks are also common, though at other times of year hoopoes are fairly quiet.
Behavior:
Hoopoes are ground-foraging birds similar to flickers in North America. They will probe the ground looking for insects, and their heads have extra musculature to allow their bills to open underground. They are usually found in pairs or small groups, and the prominent head crest is most often closed except in alarm or when landing. These birds regularly sunbathe and will take dust baths as well. During the breeding season, males are especially territorial and will chase other males away, even stabbing at intruders with their long bills.
Reproduction:
Hoopoes are monogamous birds. As cavity-nesters, they choose nesting sites low to the ground, often in a hole in a wall or occasionally in low nest boxes. The nest may be unlined or sparsely lined with bits of leaves, grass or feathers. A typical brood can have from 3-12 round, pale, milky blue eggs, and 1-3 broods may be laid per mated pair each season.
The female parent incubates the eggs for 15-16 days, and the male may feed her during the incubation period. After hatching, the altricial chicks are covered with a fine down and are fed by both parents for 25-29 days until they leave the nest. After fledging, they stay near their parents for up to another week.
Attracting Hoopoes:
These unique birds will readily feed near humans in areas with short grass or bare ground that provide easy foraging. Leaving low, decaying walls intact can encourage birds to nest, and they will occasionally use nest boxes or bird houses that are mounted low to the ground.
Conservation:
These birds are not endangered or threatened, though illegal hunting can be a problem in some areas. Habitat destruction is the biggest threat for hoopoes, but they are adaptable and can thrive near humans, making it easier for them to relocate if favored habitats become untenable.
Similar Birds:
Madagascar Hoopoe (Upupa marginata)
RESONATE
Sunday August 17, 2025
5PM SLT Seventh
6PM SLT Invader
7PM SLT Pizzaguts
space / bass / beats
This Sunday at Nebula we have a special treat! DJ's Seventh and Pizzaguts join Resonate Resident, Invader! Feel the geometry of pineapple on pizza!
suggested attire:
geometric rave / cheesy streetwear (with pineapple if you like)
Location: Nebula
The uniquely coloured shops on the streets of Kilkenny is surely a treat and pleasure for tourists in Kilenny. The architecture still resonates the 18th century heritage.
A shot of the Navarathri Mandapam at the Padmanabhapuram Palace in Thuckalay. Anizham Thirunal Marthanda Varma built this Mandapam in 1744 AD.
It has hosted a myriad of musical concerts and dance performances. A lot of film songs were also shot here, the most noted being Shobana's Oru Murai Vanthu Parthaya in Manichithrathazhu and Mohanlal's Devasabhathalam in His Highness Abdullah.
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Enchanting and almost other-worldly this nature at night time. While flowers may slumber, certain critters are at their most active, and moonlight can cast an eerie glow over plant life that makes the ordinary seem somehow extraordinary.
Add whiz-bang lighting, cutting-edge special effects and music – all courtesy of Canadian multi-media company Moment Factory – and the result is like nature on steroids.
Moment Factory is the company that brought the popular Light Cycles experience to the Botanic Garden during Illuminate Adelaide in 2021 and 2022, so expectations are understandably high for its new 1.7km night-time trail, Resonate, which creative director Gabriel Pontbriand says is “inspired by our human capacity for emotional and physical resonance with the environment”.
Unlike Light Cycles, which began at the Garden’s Ginkgo Gate, Resonate starts at the North Terrace entrance, where a noticeboard urges audiences to “awaken your senses, attune to nature”. A map highlights the six immersive experiences we will encounter across the self-guided walk: Beginnings, Transformations, Belonging, Winterings, Memories and Aliveness.
The first of these centres on a lake, where shards of light move above the water in a pattern choreographed to a pulsing soundtrack. They appear to emerge from the depths amid the hovering mist and reach into the sky before dissolving back into the water, eventually shooting back up like fireworks as the music intensifies.
Transformations, one of the standout installations, takes place under the canopies of the Moreton Bay figs along Murdoch Avenue. As visitors walk beneath the towering trees bathed in a kaleidoscope of changing colours, a cacophony of percussive music builds like a gathering storm, the surround sound enveloping us in its beats like a nightclub DJ. Created in collaboration with Montreal folk quartet The Barr Brothers, and fusing musical composition with a range of sound effects, the soundscape throughout Resonate is an integral part of the experience, enhancing its immersive quality.
Further along, the single path diverges into several different tracks, all of which weave through a garden of pink and blue and green glowing “flowers” dotted across the grass. Belonging is an ethereal kind of space with colourful projections drawing us to different locations to watch imagery that appears like effervescent bubbles rising up from undulating sands.
There is a decent walk between each installation, which could build anticipation or impatience, depending on your mindset. But no one could be disappointed when they come to Winterings, which transforms the Bicentennial Conservatory into a kind of infinite magic forest, with the edges of the glass building invisible as visitors make their way across the elevated walkway amid palms and other rainforest plants bathed in green and blue light.
Perceptions of space and depth dissolve as we are transfixed by beams reaching down from above like friendly aliens, with the ethereal music enhancing the transcendental experience in the conservatory. This is one space in Resonate you’ll be reluctant to leave
Further on, we encounter Memories, in which a large circle of chairs is arranged around a beacon of light that sways across the night sky. Here, visitors are encouraged to stop and “remember who still lights your way”, but it’s noticeable on this night that few people take the time to take a seat before moving on to the final experience, Aliveness. Here, an Afro-Celtic soundtrack plays as lights snake up a large tree like parasitic vines, bringing it to life with colours that dance across the trunk and branches in sync with the music. It’s a beautiful visual interpretation of sound, although it lacks the wow factor of the Palm House installation that marked the finale of Light Cycles.
It’s easy to become blasé about experiences such as this; audiences are conditioned to constantly expect more and more dramatic effects from multi-media events, and Resonate relies on a similar ethos and technology as Light Cycles, despite following a different trail. But for this reviewer, at least, the magic is just as strong.
The key to getting the most out of Resontate is to move slowly and spend sufficient time within the installations to fully absorb them and also appreciate the natural environment they seek to enhance. Enjoy the special effects, but also look beyond them: take in the reflections on the water, the earthy scent of the gardens, the glow of the moonlight, the underlying beauty of the night-time flora and fauna.
On leaving Resonate and walking past Illuminate Adelaide’s Base Camp food and beverage area in Rundle Park, we noticed a couple of people looking up into a tree. There, blithely washing itself on a branch and ignoring the humans below, was a tiny possum – a reminder, if any was needed, that nature at night is pretty cool all by itself.
Resonate is in the Adelaide Botanic Garden until July 30 as part of Illuminate Adelaide.from In daily.