This photo was another boat lying on the beach. I focused on the close ground in that reflect the sunset in another way. The sunlight just went across the water of the lake and covered the boat into a golden color along with the woods. I used ISO 100 and shutter speed 800 which is enough for me to get light and details into the picture. Also, I adjusted the highlight in order to make the clouds more clear under the sunlight.

When I told my dad I needed to get some 'stop-action' shots this week, he was ecstatic. In this shot, I focused on my dad and his V-Strom 1000 adventure motorcycle, something he probably spends more time with than anything else. What my dad loves almost as much as the toys themselves, is plastering photos of them over my mom's wall decorations. To my mom's dismay, this practice has become a family joke. Still, I'm happy to report these photos will be temporarily covering frames already hanging on the walls until my mother takes them down! He purchased this bike as a mother's day present a few years back, but my mom didn't take well to the adrenalin rush, and my dad decided he would take it back for himself in exchange for some flowers. This image makes me laugh, but it also makes me super excited as we gear up for summer motorcycle trips, a father-daughter tradition.

To take this photo, I stood in the ditch, so the camera was more level with the road. I manually set the shutter speed to 1/100 and panned the camera as my dad passed. This practice gave the blurry background effect that makes it look like my dad is moving fast and keeps the motorcycle and my dad clear! Since the weather was overcast, I opened up the aperture to allow for more captured light. Additionally, the ISO was set to 200 to help brighten the photo. Post-processing included a touch of vignetting to draw the eye towards the bright colors of the bike and my dad's fluorescent jacket. My dad said of the hundreds I took, this was his favorite, so it was a must share for my assignment!

The photo fulfills requirement 2 of the rubric, that is an outdoor night scene of architecture. The photo is clicked at Kerry Park, Seattle. The photo is clicked using Canon EOS 80D with 67mm. The aperture was set to f/6.3 with shutter speed 4 seconds and ISO 200. The camera was set on a tripod. The location from where the photo is clicked did not have enough light so the aperture was set low to have a wide opening and the shutter speed was long enough to have adequate amount of light enter the camera. Some post processing was done to make the sky look slightly more blue and the exposure was reduced to make each building stand out.

This photo satisfies requirement 1. I put the camera in manual mode and set the aperture to the lowest f-stop of 3.8 at the chosen focal length and an ISO of 1000 that was higher than the pictures I was taking that day to let in more light for the picture to be overexposed. I used a shutter speed of 160, which seemed low enough to continue to let in more light than normal but high enough the entire picture was not white, allowing for an interesting color scheme with the light pink and white. Photo was taken as RAW and converted to JPG in Lightroom; no other edits made.

This photo satisfies requirement 2, motion blurred. I went on a walk at a trail by my house at sunset and came across a small creek. I set up my tripod and got ready to do a long exposure picture.

First I made sure the ISO was set as low as it could go, 200 for me, so that everything wouldn't be overexposed because of the long exposure shot. The focal length of the lens was set to 52.7 mm, almost the maximum, so that it would soom into the more interesting part of the creek that looked like a little waterfall up close. To further reduce the exposure and to get everything in focus, I used an aperture of f/22. My shutter speed was also set to 20 seconds so that the water would look smooth and flowing in the long exposure shot. The focus was set automatically by the camera to the big rock in the center of the frame.

The result of all these settings was a shot of the water, my subject, with a misty flowing effect over the tiny waterfalls and very clear smooth water on the flat parts.

This photo also meet the requirement 2 - motion blurred

A moving bus.

This is just a fun photo I took on the way back home from finishing up this homework. It's pretty fun to watch this small animal to be really active while the bigger one is a little steady and "mature". Captured the movement of the dog with a little longer shutter speed. (i.e. freezing the movement of the alpaca and blurring the movement of the dog)

This photo satisfies requirement 2. I took this image on a rooftop of the Seattle Skyline. I used a tripod, and set the shutter speed to one second. I found that using a timer was also very helpful and minimizing the shake of the camera. In post processing, I increased the contrast and and slightly brought up the exposure. I also brought up the saturation to make the colors pop more.

Commissioner Jill Sommers delivers her opening remarks during the May 19 meeting of the Agricultural Advisory Committee meeting.

The committee discussed issues concerning the Dodd-Frank Act, including position limits, hedge exemptions, the swap dealer definition, the end user exception and margin requirements for uncleared swaps.

This image shows repeating patterns of the bricks. I took this on the side of the Neptune to show all that the building has gone through. The cracks and holes formed through the years are visible. I used a small aperture and took the image at an angle.

Requirement 3: nothing in focus

I wanted to create watercolor-looking photo. So, I used aperture priority mode with setting aperture to f/5.6 (maximum possible on this lens) and ISO 160, to create good exposure, blur the background and make an accent on a single blooming branch. In addition, I used manual focus to blur even that single branch, but to make distinguishable that it’s cherry blossoms.

In post-production, I slightly increased vibrance to make photo more colorful.

This photo covers requirement 2, blurred foreground.

To get a blurred motion of myself, I put the camera on a tripod and set its shutter speed to 1/13. Since it was shoot at day, to compensate for the slow shutter speed, I raise the aperture to f16.

Aero L-39 Albatros is a high-performance jet trainer aircraft developed in Czechoslovakia to meet requirements for a C-39 (C for cvičný – trainer) during the 1960s to replace the L-29 Delfín. It was the first of the second-generation jet trainers, and the first turbofan-powered trainer produced. To date, more than 2,800 L-39s have served with over 30 air forces around the world. The Albatros is the most widely used jet trainer in the world; in addition to performing basic and advanced pilot training, it has also flown combat missions in a light-attack role. Atypically, it has never received a NATO reporting name. While newer versions are now replacing older L-39s in service, thousands remain in active service as trainers, and many are finding new homes with private warbird owners all over the world. This is particularly evident in the United States, where their $200,000–$300,000 price puts them in range of moderately wealthy pilots looking for a fast, agile personal jet. Their popularity led to a purely L-39 Jet class at the Reno Air Races, though it has since been expanded to include other, similar aircraft.

Aviation Museum in Szolnok, Hungary. I drove one hour to the town to visit a modelling show with my two younger kids this Sunday - but since we noticed the airplanes and helicopters behind the fence along the road, we visited this much more exiting museum on our way back, too.

Szolnoki Repülőmúzeum. A két kicsivel jöttünk el Szolnokra most vasárnap, egy modellkiállítás miatt, de odafelé észrevettük a repülőket és helikoptereket az út széli kerítés mögött, ezért visszafelé már itt is megálltunk - és ez a program sokkal érdekesebbnek bizonyult.

L–39 Albatros a csehszlovák Aero Vodochody vállalat által gyártott kiképző repülőgép. Felfegyverzett harci változatát is gyártották. Az 1970-es évek elejétől az L–29 Delfínt váltotta le, és a Varsói Szerződés alapvető kiképző repülőgépévé vált.

This photo was taken at the bus shelter that also fulfills requirements 1 and 4. I focused on the very front of the leaf and made the background out of focus. This was shot with a Leica 24-75 mm f/3.2. And I used the Lr to give it a cooler look.

This photo meets Requirement 5. I took this panorama at the Blessed Sacrament Catholic Church. I thought this would be the perfect place to take the panorama given cathedral's vast interior. To take this panorama, I stood by one of the columns towards the center of the cathedral and carefully rotated my body while taking multiple shots. The light coming through the windows made them overexposed, but adjusting the shutter speed to expose the windows properly resulted in underexposing the interior. To resolve this issue I shot at a 1/60 shutter speed which achieved a decent enough of exposure to where you could see the details of the stain glass and just a little bit of the interior itself.

In post production, I stitched the photos together using Photoshop's auto merge feature and then in Lightroom I increased the darks and reduced the shadows to expose the interior while preserving the exposure of the windows. Finally, I reduced the saturation of the reds in the photo that were created by the brick walls because they were overpowering the rest of the photo (I still wanted the focus of the composition to be the windows and lanterns).

This photo satisfies requirement 4 & 5. The suspension bridge down stream is Tolt MacDonald Park. The park is known as one of the nations largest bicentennial projects where over 20,000 Boy Scouts were lead by Boy Scout Council Chief John MacDonald in developing the trail systems and camp sites during 1970’s. You can also spot chinook salmon spawning in the Tolt river during the fall from the suspension bridge, something I did often as a child! This photo was captured just after sunset; therefore, I manually set the aperture to f/6.3 and shutter speed to 1/100 to allow for more light to enter the camera while maintaining clarity on a relatively calm day. The horizon is angled slightly, the photo is poorly composed, in efforts to capture the reflection of the trees on the bottom right. Additionally, white setting was manually set to 2000K to achieve a blue tint.

This photo satisfy requirements 1 and 4. I changed my settings to have an ISO of 3200 and aperture of f/5.6. In Adobe LR, I slightly lowered the exposure and changed the color mixer to make the pinkish-red tones of the flower more vibrant.

This image belongs to a series of motor vehicle photographs that do not contain owners or people with the vehicles. Therefore, they do not fall completely within the requirement of my 'Family Car' collection.

I thought however that somebody might like to see the rejects.

They have not been cleaned or restored to the extent of the primary collections, and they will not be placed in any Flickr groups.

If any images receive sufficient 'hits', I will consider cleaning them up for a more public release.

To see more of these 'Uncleaned' images, please go here

www.flickr.com/photos/69559277@N04/sets/72157644652157157/

Reproduced from the original negative in my collection.

This photo was taken at 8 pm before night which is during the golden hour of that day. The sun was really bright before the dark so I used ISO 100. I found its more beautiful with the canon boat in the picture in order to give a sense of harmony between nature and human word. Also, I adjusted the sharpness which gave more details of the boats.

Requirement 2: Blurry Foreground

Excuse the old Christmas table cloth, we haven't changed it since. Composing this shot, I scattered a bunch of coins around the table and spun that bright orangey-red dice. To capture the spinning action, I set the shutter speed to 1/30s. Since the window was near, I lowered the ISO to 200 and slightly closed the aperture to f/3.5. I like the circle aspects of the coins and the square dice that became a circle after spinning. This was shot from eagle-eye view focusing on shapes and drawing the eyes directly to the dice. Because the light was coming through a window on the left, shadows were casting from the coins and dice. The way the light hits and shines on a handful of coins are nice. I guess the colors of the table cloth adds some pop of color. I used lightroom to enhance the vibrance of the dice and lighten the picture a bit.

This photo fulfills requirement 2 and was also taken along with the others in my room with the lights off and my phone light as the spotlight. In the forefront of the image, the cards are blurred from motion, being shuffled. I set my shutter speed a bit slower for this shot than the previous ones to capture the blur but kept the iso at 6400 still because it was still really dark. I used photoshop to brighten the photo

NOTE: I believe the camera information is not showing up because I had to send the photos to my email and then work from them on another computer. I had to do this because I had to send my laptop into the shop to get it repaired and I think they lost their data when I sent them over email. and I already deleted them off of my card so i couldn't upload them directly to the new computer. I'll try my best to remember the settings though

Camera: Nikon D7000 AF-S DX VR Zoom-Nikkor

Lens: 40mm

Aperture: 3.5

ISO: 6400

Shutter Speed: 1/200

This photo satisfies requirement 5 since it is a picture of a very small toy hidden in the bush. I also decided to focus more on the face of the toy instead of capturing the whole thing, including the mushroom stand at its back, because I think the facial expression of the toy is rather interesting. With the manual mode, I used a relatively shallow DOF with f/5.3 to blur out the background and as a result needed a slower shutter speed of 1/30 and higher ISO of 450 to compensate for the light. For post processing, I adjusted the vibrance of the picture in Lightroom to make the green of the toy stand out more from the background, increased shadow and details to enhance the textures, and also used the brush tool to blur out as well as decrease the exposure of the bush background.

This photo satisfies requirement 2. I used a slow shutter speed of 1/15 to show the movement of the bubbles from the wand, which appears as light trails created from the reflections of the bubbles. As this was taken handheld, I tried to keep my hands steady and my arms braced to prevent blur in the background and in the hands and bubble solution. To compensate for the slow shutter speed I used a narrow aperture of f/36 to prevent the photo from becoming too bright. In Photoshop, the image was cropped to better frame the bubble trails.

This photo satisfies the fifth requirement of poor composition because the subject is perfectly centered in frame. However, I shot this during midday in order to capture a harsh shadow on myself and use it to make the image more dynamic. This photo was taken using a tripod and remote trigger, at 1/125 seconds at f1.8 and ISO 50 on a 85mm lens with a 0.9 ND filter. I chose the base ISO of my camera to minimize visual noise, and shot wide open to maximize subject isolation from the background. The ND filter was not necessary for this shot, but I left it on the lens as it was more convenient to just turn down the shutter speed. I opted for 85mm here to compress the background behind the subject. In post, I tuned down the blacks and shadows and edited the RGB curve in order to really emphasize the contrast created by the shadow, and then converted the photo to grayscale so that the colors wouldn’t distract from the contrast between light and dark.

Requirement: Golden Hour

This photo was taken during golden hour at 7:45PM, which is 30 minutes before sunset. I used my Sigma wide angle lens with a narrow aperture of f/18 to best capture this scene and all its details.

Post-processing: I adjusted the levels to enhance the image. I also played around with the tone curve and hues to create a vibrant, pink sunset and strong orange reflections off the dock and metal railing.

Tender cuts of meat and delicious potatoes in a typical American-style steakhouse.

Seating capacity of 102 persons.

Dinner 6:30 pm - 9:30 pm

Reservation required

Dress code requirement

This photo satisfies requirement 2. I took this photo in an upstairs room of the HUB and told my friend to sit next to a window. The key light in this photo is directly from the window and the fill light is the light rays bouncing around in the room. In Gimp, I increased the contrast a lot to make noticeable differences between shadows and light and I also vignetted the photo so viewer's eyes are focused on the subject and window.

This picture satisfies requirement 1 as I wanted to freeze the water coming out of the water bottle. I wasn't able to get much light unfortunately as it was at night but I was able to stand under the light and get some exposure. I liked how the water was coming out and you could see the reflection of the light. I took it at 1/400 shutter speed and I took it at a 3200 iso in order to make the picture bright enough. All in all, I really liked this picture and the reflection that it has.

ABERDEEN PROVING GROUND, Md. (July 21, 2016) -- Communicating in the field with military allies and reducing the logistical burden of power requirements are two significant challenges faced by U.S. Army Soldiers.

A six-person Army science and technology team convened in Libreville, Gabon, June 10-24 to work with U.S. and foreign Soldiers in a continued pursuit of solutions

.

About 1,000 military personnel from 14 nations participated in Central Accord 16, the largest and most complex exercise that U.S. Army Africa has conducted on the continent. The exercise consisted of a week of classroom-based academics and a week of a command-post and field-training exercise.

Read more: www.army.mil/article/171982

Painting with light was a fun experiment that was entertaining to play around with. I tried a few shots where the light stayed relatively stable drawing pictures in the night, but really liked how this picture turned out. This picture was set against the lights of the Seattle city skyline and wanted to paint along with the same motif as the skyline.

For this shot, I positioned the camera for a 6 second exposure with a high f-stop -- in order to capture the skyline. I had my friend use the flashlight on her phone to create a lightsource, and had her start running against the background and moving the phone up and down to kind of match the skyline. As she started running, I took the shot and had 6 seconds of exposure for the light to paint these satisfying smooth, circular lines.

Challenge 2. Tough to get all the requirements in there!

Cardigan: Kennar via Goodwill

Red Sweater : Requirements via Goodwill

Skirt:: ENT via local thrift store

Shoes: American Eagle via Payless

Hair Flowers: Made by Me

blogged here: inadress.blogspot.com/2011/11/flowers-in-your-hair.html

This photograph satisfies requirement 2, Indoor natural light portrait. In order to take this shot, I asked my subject if she could position herself on the bed right next to the window. The sunlight shining through the blinds serves as both the key light and the natural light. I thought taking this picture with the blinds slightly open could add a airy vibe to my photograph, especially with the slight greenery peaking through. I also turned on my lamp that is located on the left side which serves as the fill light, that adds a little more luminous shine to my friend's face. Because the fill light was coming in from the left, you can see that shadows are present from the right side which does not have another light source present.

I sat on the living room floor and angled my camera upwards with a larger focal length to get a clear shot of my subject's face. I made sure to increase my shutter speed and maybe I increased it a little too much--I just wanted it to come out as clear as possible. I also used light room to add warmer tones and adjusted the leave's colors so it would be more of a yellow green than a solid green so it would blend together better.

I decided to take a picture of myself with my camera to showcase my new-found interest in photography. When I started this quarter, I had never even used an SLR. I knew next to nothing about composition and had very limited photo editing skills. For this photo I wanted to focus of the shot to be the camera while still displaying very clearly that this is a "selfie." I chose a fairly large aperture to achieve such depth of field that the camera is fully in focus and I am further into the background, but still have enough detail to display certain of my facial features, such as my glasses. I took the picture in fluorescent light, therefore I chose an ISO of 1600 to allow for a reasonable shutter speed of 1/50 at this aperture size, under these lighting conditions. In post-processing, I positioned the center of the camera along the 'rule of thirds' lines and flipped the image horizontally so that the viewer can read the text on the camera. I brought out some of the color in my hands, because I am so white that I often blend into the background. The details of my hands and fingers contrast nicely with the black of the camera.

This photo satisfy requirement 5. The paint/artwork on the stairs illustrate the use of color as the primary element. I really like how vibrant the colors are. In Adobe LR, I straightened out this photo so that the railings will be perpendicular to the stairs instead of slanted. I also lowered the exposure and slightly increased the contrast because it was very sunny outside.

This photo satisfied the requirement of showing the action by blurring the foreground. In this photo, the foreground is the moving light rail, thus its blurry, and the background is the station. I used long shutter speed of 1/5s to create the blurry effect, and with small aperture and low ISO to adjust the exposure of the photo. I used tripod during the process of shooting to for steady background, and this was taken place at Tukwila International Blvd Station.

This photo satisfies requirement 2 and 4. I set my camera on a tripod and took a long exposure photo from the stairs leading up to red square. I used manual mode to decrease the shutter speed to give myself time to run around the frame with my phone's flashlight and light paint. The aperture size was decreased as well to balance the amount of light the long shutter speed was letting into the sensor.

In post, I realized that the photo's White balance was very warm, which didn't match the graffiti-style light painting. So I manual set the white balance to appear more like a tungsten/colder temperature to match the cool vibe.

This photo satisfies the requirement 3 form. I took a picture inside a gate of a grocery store as the angle was great for shooting the 3d structure of the gate. Its 3d form is roughly a cuboid with some angled roof, and this is clear from the picture due to the shade shown on the ground. I think it looks cool as the sunlight is going straight into the gate and forming great symmetrical photo. Also, the 3d form is represented by the decreasing size of the pillars.

I used a small aperture of f/22.0 to have a large depth of field. I used manual mode and adjusted shutter speed such that I have enough exposure. I used a small focal length to have a large field of view. I postprocessed this photo by increasing brightness and contrast, and cropping a little to have a nearly symmetrical image.

This satisfies the non-photorealistic requirement due to the frantic lighting. This was actually an accidental shot where I set a long exposure of 8 seconds but shook my camera violently when I pressed the shutter. The street lights traced a crazy light path as a result and I think it looks very interesting. For post processing, I turned the vibrance all the way up, increased the brightness and contrast, and darken the shadows, emphasizing the light paths.

October 23, 2020:

20-595885

Windsor,

Transit Windsor,

Transit Windsor Bus Fleet,

COVID-19 Effect,

Transit Windsor Bus Requirement For COVID-19 At Windsor International Transit Terminal,

Riders Getting Free Bus Service Due To COVID-19,

This image satisfies requirement 1, a selfie.

My neighbors a model, and since I never got any senior photographs in high school, she was ecstatic that she could dress me up for some selfies. I suppose it is not often you would ever see me dressed like this or not wearing glasses, but it's fun to see what I do look like when others get me ready!

I set my camera on a tripod and self-timer mode. When I took the photos in manual mode, they looked blurry, so I switched to portrait mode. It still looks like my camera had trouble focusing, but the lighting may not have been helping.

f/4, 1/100, ISO 400; I wanted the entire thing in focus so I bumped the f-stop slightly. I kept modest ISO to minimize grain and set the shutter speed accordingly for proper exposure.

This is a photo of my computer screen when on canvas. The photo was taken extremely close up and at a diagonal while the text is off-center (bad composition; requirement 5). This is to give a chaotic feel, because zoom and online college is a bit of a mess.

Postprocessing includes only increased contrast in lightroom.

This photo was taken at Lake Sammamish park at around 8 at night, just as the sun was setting on the water. I really like this photo since it captures the golden glow of the sun reflected on the pale blues of the water, and I really like how the branches of the trees form a sort of uneven, yet natural frame, almost as if the sun is peeking through the branches. To shoot this, I used super fast shutter speed as my camera was directly facing the sun and so I had a lot of brightness, as well as a relatively small aperture size for the same reasons. I used the lowest ISO possible to reduce noise as I did not need to enhance the photo with any more brightness. I also went into photoshop and increased contrast by a little, set the curves to bend down a little, and tweaked the input levels of the photo to reduce the glare of the sun and provide a little more definition to the water and branches in the photo.

I took this photo with my Canon EOS Rebel T6 to fulfill Requirement 3. I found this requirement particularly difficult because I could never seem to match the speed of my subject with my hand. After much trial and error with cars passing on the street and my sister running back and forth around my yard, I decided to throw treats for my cats across the floor and catch the moment of them running for the treats, which seemed to work moderately well. I used a somewhat shorter shutter speed (1/15) in order to help blur the background. Afterwards, I used Lightroom to try and adjust the clarity of the subject, but it didn't work too well.

This photo fulfilled the requirement 2 & 4

I took this photo in a sunny day and using my sony a6000 with E PZ 16-55mm lens for focusing on the midground. I zoomed in the lens and made the focal length of 28mm, at f/5.0 aperture and 1/ 200 sec. shutter speed and ISO 100 to aviod overexposure under the sunshine.

Photo processed through Darktable 2.0.3. I used color-correct, changed the brightness, exposure and contrast slightly to make the contrast more vived.

This photo satisfies requirement 3, nothing at all should be in focus. This photo was taken at around 10pm in a neighborhood in Bellevue. I set my car on the side of the street and set my camera, again on a tripod to take a long exposure shot so that the shot wasn't underexposed.

ISO was set to 200, the lens focal length was set to 18mm to get a wide shot with a bit of my car on the right and the houses with the lights along the bottom. Aperture was set to f/2.8 and manual focus brought the focus point really close to the lens so that the entire shot would be out of focus and so I could get some nice bokehs. Shutter speed was set to 20 seconds to achieve the long exposure shot.

Environment Portrait 2

This photo satisfies requirement 4, which is show the action with a burst. I used continuous shooting on my camera to take this photo of a girl serving while she was playing volleyball. I used a relatively fast shutter speed to capture her movement, and small valued aperture so that the photo would be bright enough, since this photo was taken indoors. Then, I edited the photo in Photoshop so that the pictures layered on each other so that I could combine the bursts into a single photo. I made her look like she was faded so that the photo would seem more ghostly, and look like she was more in motion and is therefore more transparent. That is why I went from more transparent to more visible as the progression went on.

This photo satisfies requirement 2. I took this photo of the Seattle cityscape from my rooftop. I included the buildings neighboring my building as well as a contrast to the bright skyline of Seattle. I actually set my exposure time to 0.8 because any brighter would cause too much exposure from the city lights. With that being said, however, I did set the ISO sensitivity to 800 so that it could capture the lights. In order to avoid motion blur, I also set a tripod and set it to a 10 second timer to minimize camera shake from me touching the camera. In Lightroom, I adjust the exposure and contrast, as well as the highlights and shadows in order to get better detail on the buildings at the bottom of the frame as well as in the skyline.