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With an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group.
Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet — a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years. Initially, Gene took on the role of developing new repertoire while Chuck was the moving force in marketing, publishing and managing the business. Three empty chairs were quickly filled and together, the group’s imagination and consummate musicianship elevated the art of the brass quintet to what it is today. Here was not only an opportunity to explore the possibilities of an all-brass chamber group but a challenge to bring the sound and the excitement of brass music to new audiences.
Masters of concert presentations, Canadian Brass has developed a uniquely engaging stage presence and rapport with audiences. Each of their concerts will show the full range from trademark Baroque and Dixieland tunes to new compositions and arrangements created especially for them – from formal classical presentation to music served up with lively dialogue and theatrical effects. The hallmark of any Canadian Brass performance is entertainment, spontaneity, virtuosity and, most of all, fun – but never at the expense of the music:
Whatever the style, the music is central and performed with utmost dedication, skill and excellence.
With a discography of over 130 albums and an extensive world-wide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere. They have sold well over 2 million albums worldwide, with 1.2 million sold in the Nielsen Soundscan era alone (since 1991). They continue to score Billboard chart positions — like with their rousing recording of patriotic songs and marches, Stars & Stripes: Canadian Brass Salute America, which spent 8 weeks in the Top 25 on the Billboard Classical Chart, peaking at #2! Touring legends with an enthusiastic fan base, the Canadian Brass play to packed houses everywhere throughout the USA, Canada, Japan and Europe. They have also toured Australia, the Middle East, the Soviet Union and South America. They were the first brass ensemble from the West to perform in the People’s Republic of China (where they returned for a 5-city tour to great acclaim in the spring of 2010 and several visits after this, including an appearance on Hunan TV for Chinese New Year) as well as the first brass group to take the main stage at the venerable Carnegie Hall. On numerous occasions Canadian Brass has been invited by the Canadian Government to play for visiting heads of states, becoming one of Canada’s greatest resources and musical ambassadors.
Millions of television viewers have had Canadian Brass in their homes with appearances on The Tonight Show, Today and Entertainment Tonight and recently to more than 1/2 a billion viewers for Chinese New Year on China’s most popular station. They have appeared as guest artists on Evening at Pops with John Williams and the Boston Pops, Beverly Sills’ Music Around the World, numerous PBS specials, including a celebrated appearance on Sesame Street, and are frequent guests of many major symphony orchestras. Canadian Brass were the featured artists on the soundtrack to the 1988 film The Couch Trip, starring Dan Aykroyd and Walter Matthau. Consummate artists, the quintet has also created unique and interactive videos that have gained an international audience including a series of DVDs featuring the brass in concert and teaching. They are on the cutting edge of technology offering their fans multimedia airplay, downloads and youtube videos and streaming opportunities as well as digital applications with iPhone and other smartphone carriers. You can find them twittering and on Facebook with their fanbase growing daily!
The varied Canadian Brass repertoire features brass standards as well as a wide-ranging library of original arrangements. These include the works of Renaissance and Baroque masters, Classical works, marches, holiday favourites, ragtime, Dixieland, Latin, jazz, big band, Broadway and Christian music as well as popular songs and standards. Having started with a very limited base, Canadian Brass has created their own musical world by transcribing, arranging and commissioning more than 600 works, including critically acclaimed compositions from Michael Kamen, Luther Henderson, Bramwell Tovey, Don Gillis and more. They have transformed a previously neglected group of instruments with a limited repertoire into a versatile and vital ensemble that can play everything from Gabrieli to Gershwin! Canadian Brass is especially noted for their famous Holiday Concerts at Christmas time and was at the forefront of re-establishing Scott Joplin with today’s audiences through their research, arrangements and recordings of his “rags” and other works.
Education plays a key role in the story of Canadian Brass and each member is uniquely attuned to training the next generation of players. On their travels around the world, they often pause for masterclasses and are more than happy to work with students and young audiences. Canadian Brass is currently Ensemble in Residence at the University of Toronto after having been Chamber Quintet-in-Residence for many years at the Music Academy of the West in Santa Barbara, California, and has created an innovative brass summer course at the Eastman School of Music. Their support of education is also clearly viewed in their outreach and interaction with El Sistema, the acclaimed global music education program in Venezuela.
In conjunction with the Hal Leonard Corporation, the Canadian Brass have made available their extensive library of brass music for performers of all levels as well as learning tools. Since 1998 Canadian Brass has been a recording artist at Opening Day Entertainment Group (ODEG) (distributed by IDLA) releasing over 25 CDs on the imprint to date. Opening Day is owned and run by Chuck Daellenbach together with his wife, MB. Canadian Brass sheet music and recordings are available in their online store.
With four decades under their belts, Canadian Brass continues to thrill audiences around the world – and they don’t look like they are letting up anytime soon!
Canadian Brass is: founding member Chuck Daellenbach (tuba), Brandon Ridenour and Caleb Hudson (trumpets), Achilles Liarmakopoulos (trombone) and Jeff Nelsen (horn). The Canadian Brass is represented by IMG Artists in New York.
Christmas with the Canadian Brass
Wentz Concert Hall at North Central College
Naperville, Illinois
12/14/19
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
Founded during the Gallo-Roman period, the citadel derives its reputation from its 3 kilometres (1.9 mi) long double surrounding walls interspersed by 52 towers.[1] The town has about 2,500 years of history and has been occupied in different ages by Romans, Visigoths, Saracens, and Crusaders. At the beginning of its history it was a Gaulish settlement then in the 3rd century A.D., the Romans decided to transform it into a fortified town.[2] The Roman defences were in place by 333 AD, when the town is described as a castellum. The original walls were supported by between 34 and 40 towers, spaced from 18 to 30 metres apart along the curtain wall. Each tower was semicircular in plan and about 14 metres tall. There were probably 40 main entrances to the town.
The Gallo-Roman walls were rebuilt during the town's occupation by the Visigoths in the 5th and 6th centuries, but the original structure remained in place.
Bernard Aton IV Trencavel, vicomte of Albi, Nîmes, and Béziers, introduced a period of prosperity for the city with numerous construction projects. During this period, a new sect known as Catharism sprang up in Languedoc. In 1096, the vicomte of Trencavel authorized the construction of the basilica of Saint-Nazaire with the blessing of Pope Urban II. In 1107, the citizens rejected his sovereignty and called on Ramon Berenguer III, Count of Barcelona to remove him. However, with the help of Bertrand, Count of Toulouse, Bernard Aton regains control of the Cité. In 1120, there is a second revolt, but Bernard Aton re-establishes order a few years later. In 1130, he starts construction of a palace for himself and restoration of the Gallo-Roman fortifications. The Cité of Carcassonne is surrounded by a complete fortification for the first time..
At this time, the city has a large population of 3 to 4 thousand, including the residents of the two settlements below the walls of the Cité: the bourg Saint-Vincent on the north, and the bourg Saint-Michel south of the Narbon gate.
In 1208, Pope Innocent III calls on the barons of the north to mount a crusade against the Cathars, beginning the Albigensian Crusade. The Count of Toulouse, accused of heresy, and his principal vassal, the Vicomte of Trencavel, are the main target of this attack. On 1 August 1209, the Cité is besieged by the crusaders. Raimond-Roger Trencavel surrenders quickly on the 15th of August in exchange for the lives of the citizens. The town around the Cité is destroyed, and the citizens driven out. The vicomte dies of dysentery in his own chateau on 10 November 1209.
His lands are given to Simon de Montfort, the leader of the crusaders. When he dies in 1218 at the siege of Toulouse, his son, Amaury de Montfort, takes possession of the Cité, but is unable to maintain it. He cedes it to Louis VIII of France, but Raymond VII of Toulouse and the counts of Foix ally themselves against him. In 1224, Raimond II Trencavel retakes the Cité. However, Louis VIII launches another crusade in 1226. From that time forth, the Cité becomes a royal domain. A period of terror ensues, with numerous massacres and the Inquisition.
After 1226, an additional line of fortifications was added outside of the Roman walls. The town was finally annexed to the kingdom of France in 1247 A.D. It provided a strong French frontier between France and the Crown of Aragon. During this period, the inner, Roman walls were largely demolished and replaced, while the new outer walls were reinforced and extended to the south. The new towers built during this work were mainly circular, but two were square. Construction continued into the reign of King Philip IV in the early 14th century.[3]
In 1659, after the Treaty of the Pyrenees, the province of Roussillon became a part of France, and the town lost its military significance.[4] Fortifications were abandoned and the town became one of the economic centres of France, concentrating on the woolen textile industry.
In 1849 the French government decided that the city fortifications should be demolished. This decision was strongly opposed by the local people. Jean-Pierre Cros-Mayrevieille and Prosper Mérimée, an eminent archaeologist and historian, led a campaign to preserve the fortress as a historical monument. The government later reversed its decision and in 1853 restoration work began. The architect Eugène Viollet-le-Duc was charged with renovating the fortress.[5] Viollet-le-Duc's work was criticised during his lifetime as inappropriate to the
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Tasmanian Devil
Sarcophilus harrisii
Endangered
•Class: Mammalia (Mammals)
•Order: Dasyuromorphia
•Family: Dasyuridae
•Genus: Sarcophilus
•Species: harrisii
About
The Tasmanian devil is NOT just a Looney Tunes cartoon character! It is a most unusual mammal, found only on the island state of Tasmania, a part of Australia. It is also a marsupial, related to koalas and kangaroos. Why the “fiery” name and reputation for an animal the size of a small dog? Devils are black in color and are said to have fierce tempers! Their oversize head, neck, and jaws are well suited to crushing bones. They make eerie growls while searching for food at night. And when a group of devils feeds together at a carcass, harsh screeching and spine-chilling screams can be heard. Tasmanian devils have behaviors that may seem odd or scary to us, but they have a different meaning in devil society:
A mouth that opens quite wide— While the famous gape, or yawn, of the Tasmanian devil looks threatening, it is more likely to express fear and uncertainty than aggression.
A foul odor— There is the foul odor that a devil releases, but this is produced under stress, not when the devil is calm and relaxed.
Fierce snarls and high-pitched screams— These are used to establish dominance at feeding time around a carcass.
A strong sneeze— No, they aren’t catching a cold! Instead, the sneeze may come before a fight between devils. These are mostly spectacular bluff behaviors, all part of a ritual to lessen any real fighting that may lead to serious injuries. After a nose-to-nose confrontation—during which their ears flush red!—one or both animals usually back down.
Habitat and Diet
The Tasmanian’s devil’s range is the island state of Tasmania, which is part of Australia. Their habitat includes eucalyptus forests, woodlands, coastal scrubland, and agricultural areas.
During the day, Tasmanian devils find shelter under stones, in caves, bushes, old wombat burrows, or hollow logs. With their stocky body and large head, devils look slow and awkward in their movements as they amble along, but they are the top carnivores in Tasmania. Tasmanian devils maintain home ranges in the wild, which vary with the availability of food.
Curious and energetic, Tasmanian devils travel long distances each night in their pursuit of food, sometimes covering as much as 10 miles (16 kilometers). They use their keen senses of smell and hearing to find prey or carrion. As carnivorous marsupials, Tasmanian devils are basically carrion eaters, scavenging anything that comes their way. But they also hunt live prey such as small mammals and birds. Because of their tearing, shearing teeth and powerful jaws, devils can eat most of a carcass, including the bones.
And while they are solitary by nature, they often come together to feed on carcasses—which is where most of the growling and screeching takes place! As gorge feeders, they consume large amounts of food at a time. As scavengers, devils also help their habitat by eating most anything lying around, no matter how old or rotten.
At the San Diego Zoo, the Tasmanian devils are fed thawed rabbits, mice, rats, and fish, as well as cow bones to chew.
Family Life
The mother devil gives birth to her tiny, undeveloped babies, called imps, which are pink and hairless, and remain in her pouch for close to four months. Amazingly enough, about 50 are born in one litter! The imps must race a distance of about 3 inches (7.6 centimeters) from the birth canal to the mother’s rear-facing pouch, using their well-developed claws, where they compete to attach themselves to one of only four available teats. Only those four will then have a chance to grow and survive. The imps cannot relax their hold on a teat until they are about 100 days old and are often dragged along underneath their mother as she travels while still attached to her nipples.
When they emerge from the pouch, the imps often ride on their mother’s back, like young koalas, or stay in the den while she hunts. After about six months old, the young are weaned, becoming independent at around nine months.
Young devils are more agile than adults and can climb trees. If they can survive their first year, a devil’s life span in the wild is about seven to eight years.
At the Zoo
The San Diego Zoo received its first Tasmanian devils in 1955. The female had four babies in her pouch at the time of her arrival. Three more devils arrived in 1962, and in 1971 we celebrated the births of the first devils born at our zoo.
Today, Tasmanian devils can be seen at the Zoo’s Conrad Prebys Australian Outback. The newest arrivals came from the Taronga Western Plains Zoo in Australia in November 2017, brought here to increase awareness of the species and to inspire support for Tasmanian devil conservation. The devils’ exhibit area has an enclosure for each animal with extra plant matter for the devils to hide in, extra mulch to dig around in, and a tucked-away den to rest in.
The San Diego Zoo is one of only a few zoos in the United States with Tasmanian devils, making these newest additions extremely significant.
Conservation
Once found throughout Australia, Tasmanian devils slowly lost ground to the introduced dingo. But they did well on Australia’s island state of Tasmania, where there were no dingoes. When European settlers came to Tasmania in the late 18th century, they considered Tasmanian devils and Tasmanian tigers to be nuisances and pests, because the native animals hunted the settlers’ sheep and chickens. By the 1830s, bounties were placed on the devils and tigers until they neared extinction by the turn of the century. In fact, the Tasmanian tiger became extinct in 1936. Devils gained legal protection in 1941, giving the population a chance to gradually increase.
Sometimes residents of Tasmania still think of devils as pests, but this is because their numbers increase each summer when the young leave their mother to live on their own. However, only about 40 percent of these survive the first few months because of competition for food, so the dramatic increase in number happens only once a year. Most farmers now appreciate devils for their ability to keep down rodent populations, which eat crops.
Threats to Tasmanian devils include attacks by domestic dogs and foxes, being hit by cars, loss of habitat, and disease. The largest predator in the devil’s ecosystem is the Tasmanian wedge-tailed eagle, which competes for food with scavenging devils.
However, devils face a new challenge: disease. Devil facial tumor disease, a rare, contagious cancer found only in devils, has been killing adult devils in recent years. Detected in 1996, the disease is transmitted from one animal to another through biting, a common behavior among devils when mating and feeding. It kills all infected devils within 6 to 12 months, and there is no known cure or vaccine.
San Diego Zoo Global is a proud partner of the Save the Tasmanian Devil Program based in Tasmania. The program collaborates with research institutes and zoos around the world to save the endangered Tasmanian devil. A disease-free population was recently established on Tasmania’s Maria Island, and we are sponsoring an Australian postdoctoral research fellow to monitor them in their new home. For more information on the Save the Tasmanian Devil Program, go to tassiedevil.com.au.
Despite its early bad reputation, it’s clear that the Tasmanian devil has made its mark on the island. It was even chosen as the symbol of the Tasmanian National Parks and Wildlife Service.
You can help us bring Tasmanian devils back from the brink by supporting the San Diego Zoo Global Wildlife Conservancy. Together we can save and protect wildlife around the globe.
Save Wildlife. Help us keep this and other species from disappearing forever.
Tasmanian Devil
•Life Span: 5 to 8 years
•Young:
oGestation: 21 days; young remain in mother’s pouch for about 4 months
oNumber of Young at Birth: Up to 50, but only a maximum of 4 survive in the pouch
oSize at Birth: About the size of a grain of rice
oAge of Maturity: 2 years
•Size:
oLength: 23 to 26 inches (57 to 65 centimeters)
oTail length: 9 to 10 inches (24 to 26 centimeters)
oWeight: 11 to 30 pounds (5 to 14 kilograms)
•Fun Facts:
oTasmanian devils have been described as the vacuum cleaners of the forest, as they mainly eat animals that have already died.
oThe Tasmanian devil is also called the Australian hyena for its nosy scavenging habits and its powerful bone-crushing teeth.
oWould you recognize a quoll, numbat, little red antechinus, fat-tailed dunnart, mulgara, dibbler, kowari, or a wambenger if you saw one? These are all animals that are related to the Tasmanian devil.
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
This is a photograph from the annual Na Fianna AC "Bob Heffernan" 5KM Road Race and Fun Run which was held in Johnstownbridge, Co. Kildare, Ireland on Tuesday 19th May 2015 at 20:00. The race has gained a glowing reputation as being one of the fastest 5KM road races in Ireland. This race commemorates the years of work and volunteering that local man Bob Heffernan gave to Meath, Leinster, and Irish athletics from grass roots upwards and his work with the host club Na Fianna AC who have a catchment area in this part of rural North Kildare and South Meath. The race, known affectionately by club-members as simply "Bob's race" is a fitting tribute to commemorate his contribution to this sport. Today's race had another very large attendance with over 420 registered participants. There was a wonderful atmosphere as runners from all over Leinster gathered for a great night's racing. The very changeable and unseasonably weather of late made for an unpredictable night weather wise. A shower of hail fell on runners between 2KM and 3KM and yet this shower didn't fall on the finish area at the Hamlet Court Hotel.
This race is part of the annual Meath Road Race League despite the fact that the race is run completely in County Kildare. The Na Fianna club, who organise the race, have a catchment area of South Meath and North West Kildare. The current route for the race has stayed the same over the past few years. However previous to that the race was held in Enfield and also Rathmoylan in County Meath. This road race has grown from strength to strength year on year and is now one of the premier 5KM races in Ireland and one of the top club attended races in Leinster. The race starts on the busy Enfield to Endenderry road and this requires a big effort from stewards and marshalls. However, as always, the event was a resounding success with personal bests and great runs from many of the participants.
We have a large set of photographs from the finish of the race and they are available on our Flickr photostream at www.flickr.com/photos/peterm7/sets/72157653107820532
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2648 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
For nostalgia - photographs of previous years
Our pictures from Na Fianna 2014: www.flickr.com/photos/peterm7/sets/72157644763278914
Our pictures from Na Fianna 2013: www.flickr.com/photos/peterm7/sets/72157633580992446/
Our pictures from Na Fianna 2012: www.flickr.com/photos/peterm7/sets/72157629852959646/
Our Flickr set from Na Fianna 2011: www.flickr.com/photos/peterm7/sets/72157626673634371/
Our Flickr set from Na Fianna 2010: www.flickr.com/photos/peterm7/sets/72157629852959646/
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
We're back at the Monaco Ballroom on Friday December 12th for the final show of 2008!! Make sure you make it to see how the year's feuds end at this season ending super show - GPW: "Christmas Crunch"
We promise we wont crunch your credit.... we'll only crunch your Christmas!!
GPW Heavyweight Title Match
Bubblegum © vs. Dirk Feelgood
Just a few months ago you'd be forgiven for taking a double take at this match. The friendship between the two former friends totally imploded with the desire to become Heavyweight champion. Refusing to accept the demise of his friendship with Dirk Feelgood, Bubblegum spent months in turmoil not wanting to retaliate to the cutting comments and brutal attacks levelled his way by former friend and champion Feelgood. As time went by however, Bubblegum eventually unloaded on Feelgood but this will be the first time the two have ever come face to face in a one on one match. And to make things just a little more interesting... it's for the GPW Heavyweight Title. Can the fairytale championship reign continue for Bubblegum, or can Dirk shatter his dreams and become the first ever 2 time Heavyweight Champ?
Tag Team Special, Skeletor vs. Stella
Lethal Dose vs. Voodoo & "Sober" Mike Holmes
Alan Alan Alan Tasker's henchmen, Lethal Dose march into battle against former stable member Mike Holmes and the man they hold responsible for Holmes' new found sobriety - Voodoo. Cyanide and Toxic hope to tempt Holmes back over to the stable that two months ago he turned his back on. They want to snap him out of the spell they accuse Voodoo of putting him under. However, Holmes seems very happy with his new outlook on life and he and Voodoo look to send Lethal Dose packing in this tag team special. Lethal Dose have warned they will not be coming to the ring alone though, with them along with their attorney and law - Alan Alan Alan Tasker will be a 12 pack of Stella. Hoping the case of beer will prove to be a bigger demon to Holmes than the tag team itself. To fend off the 12 pack, Holmes and Voodoo will have Vooodoo's trusty skull, Skeletor in their corner. An unpredictable tag team match. Can MIke Holmes stay sober? Will Voodoo's spells work? Or will Lethal Dose deliver a beating big enough to break Voodoo's spell?
GPW British Title Match
Jak Dominotrescu vs. "Super" Sam Bailey
After pinning the British Champion last month in a tag team match, WKD's "Super" Sam Bailey has earned himself a title shot at GPW: "Christmas Crunch". Bailey, already a former tag team champion looks to add to his growing reputation by capturing his first ever singles gold in GPW. While reigning champion, Romanian Jak Domitrescu along with his cohorts - The Eastern Bloc look to make life as difficult as possible for the energetic live wire. Domitrescu has held onto the title since April this year with help from his fellow countrymen, but are his days numbered as champ? He surely wont be alone in this title outing and will have the Eastern Bloc close by, but can "Super" Sam Bailey overcome the odds to win his first singles gold in GPW?
And, the main event for the evening is...
GPW Tag Team Title 2/3 Falls Match
MIl-Anfield Connection © vs. Young Offenders
The heat just got turned up in this feud. The re-united Young Offenders have the most established tag team in GPW - The Mil-Anfield Connection firmly in their sights and not to mention the tag team trophy. These two teams met in September this year where there was no clear winner decided after the match ended in a draw. There will be NO excuses this time to not find a winner. This, for the first time in our history will be a 2/3 Falls Match for the tag team titles. A winner HAS to be decided, but who will it be? A truley epic encounter is in our midst as Jiggy Walker & "The Model" Danny Hope try to cling onto the championship that has defined them as a team and "Dangerous" Damon Leigh & Joey Hayes, The Young Offenders chase the title that one of the most popular tag teams in Europe have never held. Can the re-united friends overcome the well established unit that is The Mil-Anfield Connection? Or can the well oiled duo of the Mil-Anfield do what they've been doing all year and win again?
GPW British Title No.1 Contenders Match
Harry Doogle vs. Juice vs. Dylan Roberts vs. Chris Echo
After an eye catchingly good year from rookie Dylan Roberts, he has been included in this battle to earn a shot at the British Title. With a burning desire to win and the fans firmly behind him, Roberts could well mark his arrival onto the main roster by becoming the No.1 Contender and going for gold here. However, his opponents wont give him an easy ride. In a wonderful CC-08 tournament, no one impressed more than WKD's Chris Echo. Echo reached the CC-08 finals with two broken wrists and proved he is ready to take a step up. His previous attempts for British gold have been thwarted by the foreign legion numbers of the Eastern Bloc, is he ready to prove again that he is worthy of being No.1 Contender and finally lift the British title? Juice, the current CC8 champion has been as impressive as ever in singles competition this year, but can he compete in this match with 3 others all vying to be No.1 Contender? Also replacing Jervis Cottonbelly due to injury is Harry Doogle as a last minute entry could one half of the next gen score the upset win? , but with so many possible outcomes who will leave with the plaudits and go on to challenge for the British Title next year?
Lumberjack Match
Si Valour vs. Heresy
A violent and personal feud that has lasted all year long finally comes to a head in what promises to be a violent Lumberjack Match. Ever since brutalising Valour and cutting off all his hair, Heresy has, in some form or other dodged the challenge of Valour. Heresy claimed not to have lost his bottle or be running scared of the 2007 Break Out Star, yet during their Bull Rope clash at GPW: "V" where the two were tied to one another, Heresy still managed to find a way of escaping and creating distance between him and Valour. This time, in a special Lumberjack Match, no matter where either man go - there will be no escape. All lumberjacks will be at the ready to ensure neither man can escape the others clutches and a clear winner, one way or the other will HAVE to be decided. There will be nowhere to run to and nowhere to hide, no matter where they look. Heresy has been one step ahead of Valour all year, is this where he runs out of excuses, or can the master manipulator manipulate another win?
What is reputation management? Its the wish of every business owner that he or she should have good worth of his/her business for getting high exposure. Visit for more information at www.synqk.com/reputation-management/
Even though Tomorrowland already has the reputation of 'the most beautiful festival of the summer', they are taking everything up another step ... both musically as organizationally ... The - bigger than ever - line-up gives us the best dance music in the world. And with dance music they mean it in the broadest sense of its meaning. It goes from electro to trance, from progressive to hardstyle, from club to drum 'n' bass, from minimal to eclectic, from techno to 90's... no less than 20 stages scattered over 2 days !
Tomorrowland 2010: Yesterday is History, Today is a Gift, Tomorrow is Mystery. The 6th edition of Tomorrowland takes place The next Saturday 24 & Sunday 25 July 2010. The most attractive and talked-about festival in Belgium will be organised again, at the De Schorre leisure complex in Boom. Ticket sales started in April, and most of the festival goers bought their tickets in advance. The 90,000 tickets of the 2009 edition were sold out in advance last year.
The fifth edition of Tomorrowland, in July 2009, was a sun-drenched and overwhelming success. A festival like a fairytale, in a unique setting. With no fewer than 90,000 exuberant visitors. Tomorrowland has already become one of the benchmarks, but also the odd man out in the busy Belgian festival summer, after 5 editions. The ID&T will leave no stone unturned again in 2010 to exceed high expectations. In the meantime, the programme looks incredible once more. There is a balanced mix of the biggest, hippest, most highly reputed and popular names from all possible sub-genres within dance. This includes David Guetta, Armin van Buuren, Swedish House Mafia, Jeff Mills, Ritchie Hwatin, Sasha, Roger Sanchez, Martin Solveig, Scooter, Derrick May, Dennis Ferrer, Loco Dice, Grooverider, John Dahlbäck, Dada Life and many others...
Last year demand for camping was much greater than the number of places available, so ID&T is also very satisfied that the camping capacity for 2010 can be doubled.
Tomorrowland guarantees a wonderful festival weekend. There is no other festival at which you can toboggan on genuine snow, where there is a choice between so many different stages, where you can celebrate on a genuine beach or in a small cave, enjoy Jacuzzis or a massage salon with a fantastic view of the main podium, where you have the biggest final fireworks, and so much more...
View the live post: djingupdate.wordpress.com/2010/07/22/tomorrowland-2010/
Building a reputation strategy. Reviews sites are going social
Modera Giancarlo Carniani - Coordinatore BTO - Buy Tourism Online e Co-Founder BTO Educational
Si è parlato di Reputation e dintorni con un gruppo di personaggi che di questo argomento sono stati in grado di portare un vero contributo. Quindi, reputazione, che vuol dire non solo recensioni......
Bravi, non era facile.
Nel panel:
Michele Aggiato - ZOOVER
Giulia Eremita - TRIVAGO
Roberto Frua - TRIPADVISOR
RJ Friedlander - REVIEWPRO
Georg Ziegler - HOLIDAYCHECK
BTO - BUY TOURISM ONLINE 2010
III^ [ Scintillante ] Edizione
18-19 Novembre 2010
Stazione Leopolda – Firenze
Il programma scientifico della III^ Edizione di BTO - Buy Tourism Online è stato affidato alle amorevoli cure di BTO Educational
Tutto in SOLD OUT
2.911 i partecipanti, 44 relatori, 42 FREE Training Session con 2.810 partecipanti, 112 giornalisti accredidati, 60 tra Bloggers e Evangelists 2.0, 4 Televisioni impegnate durante l'evento, i media partners Wired.it e intoscana.it, grazie grazie a ObiettivoTre, al MarketPlace 38 Portali Online, al Club degli Espositori 39 aziende, l'hashtag più twittato in Italia il 18 e 19 Novembre #bto2010, la diretta più seguita al mondo Giovedì 18 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day ONE, la diretta più seguita al mondo il Venerdì 19 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day TWO, i minuti su Livestream.com visti dalla somma degli utenti durante il live streaming dell'evento 965.420, dibattiti, keynote e interviste registrate in Main Hall 17 ore.
A big big special thanks to Roberta Milano.
La più ammirata Monica Fabris, il più saggio Rodolfo Baggio, il miglior inglese parlato quello di Giulia Eremita, la più fastidiosa Costanza G., la più canticchiata Chaiyya Chaiyya Bollywood Joint, la più tedesca Renate Goergen, il più inglese Jerome Touze, il più americano Josiah Mackenzie, la più gradita sorpresa gli amici di Web [Travel] Marketing, quello con più tesi Gianluca Diegoli, il più gradito ritorno Patrick Landman, i più coraggiosi i 6 Speakers per un Giorno, il più diretto Claudio Velardi, i più "complicati" gli amici di Zoes.it, il più in tutto Max Ulivieri, il più e basta Marco Monty Montemagno, il più amato da tutti Paolo Iabichino aka IABicus, il più "cattivo" Roberto Frua - TripAdvisor, il più buono Max Ventimiglia, la più dolce Elena Tubaro, il più ermetico Roberto Brenner - Google, il rubino più prezioso [ per noi di BTO Educational ] Elena Grassi - Expedia, quello sempre con l'ipad Mirko Lalli, la Blogger sempre più "famosa" Nelli, il più straordinario Professor Dimitrios Buhails, il più fotografato Matteo Renzi, il più bravo tappabuchi Paolo Chiappini, i più social i Bloggers, chi c'è mancato di più il cartello We Love Internet, il più bevuto caffè quello della Casa del Moka, i più tecnici Expomeeting, i più pazienti e disponibili i ragazzi e le ragazze del Prof. Eliodoro, il più appetitoso Lo Scalco, i più straordinariamente professionali i Crews, le Training più affollate Augmendy, Zoover e Google Advanced......
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
With an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group.
Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet — a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years. Initially, Gene took on the role of developing new repertoire while Chuck was the moving force in marketing, publishing and managing the business. Three empty chairs were quickly filled and together, the group’s imagination and consummate musicianship elevated the art of the brass quintet to what it is today. Here was not only an opportunity to explore the possibilities of an all-brass chamber group but a challenge to bring the sound and the excitement of brass music to new audiences.
Masters of concert presentations, Canadian Brass has developed a uniquely engaging stage presence and rapport with audiences. Each of their concerts will show the full range from trademark Baroque and Dixieland tunes to new compositions and arrangements created especially for them – from formal classical presentation to music served up with lively dialogue and theatrical effects. The hallmark of any Canadian Brass performance is entertainment, spontaneity, virtuosity and, most of all, fun – but never at the expense of the music:
Whatever the style, the music is central and performed with utmost dedication, skill and excellence.
With a discography of over 130 albums and an extensive world-wide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere. They have sold well over 2 million albums worldwide, with 1.2 million sold in the Nielsen Soundscan era alone (since 1991). They continue to score Billboard chart positions — like with their rousing recording of patriotic songs and marches, Stars & Stripes: Canadian Brass Salute America, which spent 8 weeks in the Top 25 on the Billboard Classical Chart, peaking at #2! Touring legends with an enthusiastic fan base, the Canadian Brass play to packed houses everywhere throughout the USA, Canada, Japan and Europe. They have also toured Australia, the Middle East, the Soviet Union and South America. They were the first brass ensemble from the West to perform in the People’s Republic of China (where they returned for a 5-city tour to great acclaim in the spring of 2010 and several visits after this, including an appearance on Hunan TV for Chinese New Year) as well as the first brass group to take the main stage at the venerable Carnegie Hall. On numerous occasions Canadian Brass has been invited by the Canadian Government to play for visiting heads of states, becoming one of Canada’s greatest resources and musical ambassadors.
Millions of television viewers have had Canadian Brass in their homes with appearances on The Tonight Show, Today and Entertainment Tonight and recently to more than 1/2 a billion viewers for Chinese New Year on China’s most popular station. They have appeared as guest artists on Evening at Pops with John Williams and the Boston Pops, Beverly Sills’ Music Around the World, numerous PBS specials, including a celebrated appearance on Sesame Street, and are frequent guests of many major symphony orchestras. Canadian Brass were the featured artists on the soundtrack to the 1988 film The Couch Trip, starring Dan Aykroyd and Walter Matthau. Consummate artists, the quintet has also created unique and interactive videos that have gained an international audience including a series of DVDs featuring the brass in concert and teaching. They are on the cutting edge of technology offering their fans multimedia airplay, downloads and youtube videos and streaming opportunities as well as digital applications with iPhone and other smartphone carriers. You can find them twittering and on Facebook with their fanbase growing daily!
The varied Canadian Brass repertoire features brass standards as well as a wide-ranging library of original arrangements. These include the works of Renaissance and Baroque masters, Classical works, marches, holiday favourites, ragtime, Dixieland, Latin, jazz, big band, Broadway and Christian music as well as popular songs and standards. Having started with a very limited base, Canadian Brass has created their own musical world by transcribing, arranging and commissioning more than 600 works, including critically acclaimed compositions from Michael Kamen, Luther Henderson, Bramwell Tovey, Don Gillis and more. They have transformed a previously neglected group of instruments with a limited repertoire into a versatile and vital ensemble that can play everything from Gabrieli to Gershwin! Canadian Brass is especially noted for their famous Holiday Concerts at Christmas time and was at the forefront of re-establishing Scott Joplin with today’s audiences through their research, arrangements and recordings of his “rags” and other works.
Education plays a key role in the story of Canadian Brass and each member is uniquely attuned to training the next generation of players. On their travels around the world, they often pause for masterclasses and are more than happy to work with students and young audiences. Canadian Brass is currently Ensemble in Residence at the University of Toronto after having been Chamber Quintet-in-Residence for many years at the Music Academy of the West in Santa Barbara, California, and has created an innovative brass summer course at the Eastman School of Music. Their support of education is also clearly viewed in their outreach and interaction with El Sistema, the acclaimed global music education program in Venezuela.
In conjunction with the Hal Leonard Corporation, the Canadian Brass have made available their extensive library of brass music for performers of all levels as well as learning tools. Since 1998 Canadian Brass has been a recording artist at Opening Day Entertainment Group (ODEG) (distributed by IDLA) releasing over 25 CDs on the imprint to date. Opening Day is owned and run by Chuck Daellenbach together with his wife, MB. Canadian Brass sheet music and recordings are available in their online store.
With four decades under their belts, Canadian Brass continues to thrill audiences around the world – and they don’t look like they are letting up anytime soon!
Canadian Brass is: founding member Chuck Daellenbach (tuba), Brandon Ridenour and Caleb Hudson (trumpets), Achilles Liarmakopoulos (trombone) and Jeff Nelsen (horn). The Canadian Brass is represented by IMG Artists in New York.
Christmas with the Canadian Brass
Wentz Concert Hall at North Central College
Naperville, Illinois
12/14/19
With an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group.
Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet — a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years. Initially, Gene took on the role of developing new repertoire while Chuck was the moving force in marketing, publishing and managing the business. Three empty chairs were quickly filled and together, the group’s imagination and consummate musicianship elevated the art of the brass quintet to what it is today. Here was not only an opportunity to explore the possibilities of an all-brass chamber group but a challenge to bring the sound and the excitement of brass music to new audiences.
Masters of concert presentations, Canadian Brass has developed a uniquely engaging stage presence and rapport with audiences. Each of their concerts will show the full range from trademark Baroque and Dixieland tunes to new compositions and arrangements created especially for them – from formal classical presentation to music served up with lively dialogue and theatrical effects. The hallmark of any Canadian Brass performance is entertainment, spontaneity, virtuosity and, most of all, fun – but never at the expense of the music:
Whatever the style, the music is central and performed with utmost dedication, skill and excellence.
With a discography of over 130 albums and an extensive world-wide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere. They have sold well over 2 million albums worldwide, with 1.2 million sold in the Nielsen Soundscan era alone (since 1991). They continue to score Billboard chart positions — like with their rousing recording of patriotic songs and marches, Stars & Stripes: Canadian Brass Salute America, which spent 8 weeks in the Top 25 on the Billboard Classical Chart, peaking at #2! Touring legends with an enthusiastic fan base, the Canadian Brass play to packed houses everywhere throughout the USA, Canada, Japan and Europe. They have also toured Australia, the Middle East, the Soviet Union and South America. They were the first brass ensemble from the West to perform in the People’s Republic of China (where they returned for a 5-city tour to great acclaim in the spring of 2010 and several visits after this, including an appearance on Hunan TV for Chinese New Year) as well as the first brass group to take the main stage at the venerable Carnegie Hall. On numerous occasions Canadian Brass has been invited by the Canadian Government to play for visiting heads of states, becoming one of Canada’s greatest resources and musical ambassadors.
Millions of television viewers have had Canadian Brass in their homes with appearances on The Tonight Show, Today and Entertainment Tonight and recently to more than 1/2 a billion viewers for Chinese New Year on China’s most popular station. They have appeared as guest artists on Evening at Pops with John Williams and the Boston Pops, Beverly Sills’ Music Around the World, numerous PBS specials, including a celebrated appearance on Sesame Street, and are frequent guests of many major symphony orchestras. Canadian Brass were the featured artists on the soundtrack to the 1988 film The Couch Trip, starring Dan Aykroyd and Walter Matthau. Consummate artists, the quintet has also created unique and interactive videos that have gained an international audience including a series of DVDs featuring the brass in concert and teaching. They are on the cutting edge of technology offering their fans multimedia airplay, downloads and youtube videos and streaming opportunities as well as digital applications with iPhone and other smartphone carriers. You can find them twittering and on Facebook with their fanbase growing daily!
The varied Canadian Brass repertoire features brass standards as well as a wide-ranging library of original arrangements. These include the works of Renaissance and Baroque masters, Classical works, marches, holiday favourites, ragtime, Dixieland, Latin, jazz, big band, Broadway and Christian music as well as popular songs and standards. Having started with a very limited base, Canadian Brass has created their own musical world by transcribing, arranging and commissioning more than 600 works, including critically acclaimed compositions from Michael Kamen, Luther Henderson, Bramwell Tovey, Don Gillis and more. They have transformed a previously neglected group of instruments with a limited repertoire into a versatile and vital ensemble that can play everything from Gabrieli to Gershwin! Canadian Brass is especially noted for their famous Holiday Concerts at Christmas time and was at the forefront of re-establishing Scott Joplin with today’s audiences through their research, arrangements and recordings of his “rags” and other works.
Education plays a key role in the story of Canadian Brass and each member is uniquely attuned to training the next generation of players. On their travels around the world, they often pause for masterclasses and are more than happy to work with students and young audiences. Canadian Brass is currently Ensemble in Residence at the University of Toronto after having been Chamber Quintet-in-Residence for many years at the Music Academy of the West in Santa Barbara, California, and has created an innovative brass summer course at the Eastman School of Music. Their support of education is also clearly viewed in their outreach and interaction with El Sistema, the acclaimed global music education program in Venezuela.
In conjunction with the Hal Leonard Corporation, the Canadian Brass have made available their extensive library of brass music for performers of all levels as well as learning tools. Since 1998 Canadian Brass has been a recording artist at Opening Day Entertainment Group (ODEG) (distributed by IDLA) releasing over 25 CDs on the imprint to date. Opening Day is owned and run by Chuck Daellenbach together with his wife, MB. Canadian Brass sheet music and recordings are available in their online store.
With four decades under their belts, Canadian Brass continues to thrill audiences around the world – and they don’t look like they are letting up anytime soon!
Canadian Brass is: founding member Chuck Daellenbach (tuba), Brandon Ridenour and Caleb Hudson (trumpets), Achilles Liarmakopoulos (trombone) and Jeff Nelsen (horn). The Canadian Brass is represented by IMG Artists in New York.
Christmas with the Canadian Brass
Wentz Concert Hall at North Central College
Naperville, Illinois
12/14/19
Building a reputation strategy. Reviews sites are going social
Modera Giancarlo Carniani - Coordinatore BTO - Buy Tourism Online e Co-Founder BTO Educational
Si è parlato di Reputation e dintorni con un gruppo di personaggi che di questo argomento sono stati in grado di portare un vero contributo. Quindi, reputazione, che vuol dire non solo recensioni......
Bravi, non era facile.
Nel panel:
Michele Aggiato - ZOOVER
Giulia Eremita - TRIVAGO
Roberto Frua - TRIPADVISOR
RJ Friedlander - REVIEWPRO
Georg Ziegler - HOLIDAYCHECK
BTO - BUY TOURISM ONLINE 2010
III^ [ Scintillante ] Edizione
18-19 Novembre 2010
Stazione Leopolda – Firenze
Il programma scientifico della III^ Edizione di BTO - Buy Tourism Online è stato affidato alle amorevoli cure di BTO Educational
Tutto in SOLD OUT
2.911 i partecipanti, 44 relatori, 42 FREE Training Session con 2.810 partecipanti, 112 giornalisti accredidati, 60 tra Bloggers e Evangelists 2.0, 4 Televisioni impegnate durante l'evento, i media partners Wired.it e intoscana.it, grazie grazie a ObiettivoTre, al MarketPlace 38 Portali Online, al Club degli Espositori 39 aziende, l'hashtag più twittato in Italia il 18 e 19 Novembre #bto2010, la diretta più seguita al mondo Giovedì 18 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day ONE, la diretta più seguita al mondo il Venerdì 19 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day TWO, i minuti su Livestream.com visti dalla somma degli utenti durante il live streaming dell'evento 965.420, dibattiti, keynote e interviste registrate in Main Hall 17 ore.
A big big special thanks to Roberta Milano.
La più ammirata Monica Fabris, il più saggio Rodolfo Baggio, il miglior inglese parlato quello di Giulia Eremita, la più fastidiosa Costanza G., la più canticchiata Chaiyya Chaiyya Bollywood Joint, la più tedesca Renate Goergen, il più inglese Jerome Touze, il più americano Josiah Mackenzie, la più gradita sorpresa gli amici di Web [Travel] Marketing, quello con più tesi Gianluca Diegoli, il più gradito ritorno Patrick Landman, i più coraggiosi i 6 Speakers per un Giorno, il più diretto Claudio Velardi, i più "complicati" gli amici di Zoes.it, il più in tutto Max Ulivieri, il più e basta Marco Monty Montemagno, il più amato da tutti Paolo Iabichino aka IABicus, il più "cattivo" Roberto Frua - TripAdvisor, il più buono Max Ventimiglia, la più dolce Elena Tubaro, il più ermetico Roberto Brenner - Google, il rubino più prezioso [ per noi di BTO Educational ] Elena Grassi - Expedia, quello sempre con l'ipad Mirko Lalli, la Blogger sempre più "famosa" Nelli, il più straordinario Professor Dimitrios Buhails, il più fotografato Matteo Renzi, il più bravo tappabuchi Paolo Chiappini, i più social i Bloggers, chi c'è mancato di più il cartello We Love Internet, il più bevuto caffè quello della Casa del Moka, i più tecnici Expomeeting, i più pazienti e disponibili i ragazzi e le ragazze del Prof. Eliodoro, il più appetitoso Lo Scalco, i più straordinariamente professionali i Crews, le Training più affollate Augmendy, Zoover e Google Advanced......
Building a reputation strategy. Reviews sites are going social
Modera Giancarlo Carniani - Coordinatore BTO - Buy Tourism Online e Co-Founder BTO Educational
Si è parlato di Reputation e dintorni con un gruppo di personaggi che di questo argomento sono stati in grado di portare un vero contributo. Quindi, reputazione, che vuol dire non solo recensioni......
Bravi, non era facile.
Nel panel:
Michele Aggiato - ZOOVER
Giulia Eremita - TRIVAGO
Roberto Frua - TRIPADVISOR
RJ Friedlander - REVIEWPRO
Georg Ziegler - HOLIDAYCHECK
BTO - BUY TOURISM ONLINE 2010
III^ [ Scintillante ] Edizione
18-19 Novembre 2010
Stazione Leopolda – Firenze
Il programma scientifico della III^ Edizione di BTO - Buy Tourism Online è stato affidato alle amorevoli cure di BTO Educational
Tutto in SOLD OUT
2.911 i partecipanti, 44 relatori, 42 FREE Training Session con 2.810 partecipanti, 112 giornalisti accredidati, 60 tra Bloggers e Evangelists 2.0, 4 Televisioni impegnate durante l'evento, i media partners Wired.it e intoscana.it, grazie grazie a ObiettivoTre, al MarketPlace 38 Portali Online, al Club degli Espositori 39 aziende, l'hashtag più twittato in Italia il 18 e 19 Novembre #bto2010, la diretta più seguita al mondo Giovedì 18 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day ONE, la diretta più seguita al mondo il Venerdì 19 Novembre su Livestream.com BTO - Buy Tourism Online 2010 Day TWO, i minuti su Livestream.com visti dalla somma degli utenti durante il live streaming dell'evento 965.420, dibattiti, keynote e interviste registrate in Main Hall 17 ore.
A big big special thanks to Roberta Milano.
La più ammirata Monica Fabris, il più saggio Rodolfo Baggio, il miglior inglese parlato quello di Giulia Eremita, la più fastidiosa Costanza G., la più canticchiata Chaiyya Chaiyya Bollywood Joint, la più tedesca Renate Goergen, il più inglese Jerome Touze, il più americano Josiah Mackenzie, la più gradita sorpresa gli amici di Web [Travel] Marketing, quello con più tesi Gianluca Diegoli, il più gradito ritorno Patrick Landman, i più coraggiosi i 6 Speakers per un Giorno, il più diretto Claudio Velardi, i più "complicati" gli amici di Zoes.it, il più in tutto Max Ulivieri, il più e basta Marco Monty Montemagno, il più amato da tutti Paolo Iabichino aka IABicus, il più "cattivo" Roberto Frua - TripAdvisor, il più buono Max Ventimiglia, la più dolce Elena Tubaro, il più ermetico Roberto Brenner - Google, il rubino più prezioso [ per noi di BTO Educational ] Elena Grassi - Expedia, quello sempre con l'ipad Mirko Lalli, la Blogger sempre più "famosa" Nelli, il più straordinario Professor Dimitrios Buhails, il più fotografato Matteo Renzi, il più bravo tappabuchi Paolo Chiappini, i più social i Bloggers, chi c'è mancato di più il cartello We Love Internet, il più bevuto caffè quello della Casa del Moka, i più tecnici Expomeeting, i più pazienti e disponibili i ragazzi e le ragazze del Prof. Eliodoro, il più appetitoso Lo Scalco, i più straordinariamente professionali i Crews, le Training più affollate Augmendy, Zoover e Google Advanced......
St Mary, Frinton on Sea, Essex
Frinton is an entirely late 19th/early 20th Century creation. At the time of the 1851 census, when many rural East Anglian settlements reached their population peak, it had just 29 people. Today, it is a town of nearly 6,000. Frinton has a deserved reputation for being prim and proper. The houses and shops are trim, the streets are wide, the pavements tidy. It is all very white. It feels like being in Belgium or Holland. It also has a reputation, along with Tunbridge Wells in Kent, of being the archetypal Tory town, although in fact the Clacton constituency, in which it sits, was held by Labour from 1997 to 2005, and is likely to go to UKIP at the by-election next month. Looking around at Frinton, though, I couldn't help thinking that people here would still be voting Tory.
There is hardly anything old in Frinton, except for one extraordinary survival. This is the delightful little medieval parish church near to the sea front. It is the smallest working medieval church in Essex. Neighbouring Walton's was washed away in the 18th Century, but Frinton's has survived.
I had just come from the modern church of St Mary Magdalene in Old Road, where a large pompous man had told me in no uncertain terms that I couldn't see inside his church. So it was a pleasure to step inside to this little jewel of an interior with its windows by Edward Burne-Jones. The notice board announces, and the visitors book shows, that this church at least is open every day.
The church was derelict by the early 19th Century, and then considerably restored and augmented with extensions. However, when the new church was built in Old Street in the 1920s, St Mary had its extensions and some other Victorian additions removed, being effectively unrestored to its present state. It could probably do without the heavy Victorian furnishings in the nave, which create a sense of clutter and hem the font and piano against the south wall. The small windows to south and north are clear except for neat little roundels remembering various occasions in the present Queen's reign (this is Frinton, after all). Of the Burne-Jones windows to the east, and I am by no means a fan, it must be said that firstly, they are spectacular in such a tiny setting, and secondly, what can he have been thinking of when he designed that Annunciation for the Victorian public, at once threatening and erotic? Even today, how extraordinary it must be to sit in this tiny place of a Sunday and spend the service looking at it.
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
In 1888, Georgiana Burton Pittock, wife of pioneer publisher Henry Pittock, invited her friends and neighbors to exhibit their roses in a tent set up in her garden. Thus began the annual rose show for Portland Rose Society. Jesse A. Currey, a former Rose Society president, convinced city fathers to inaugurate a rose test garden in 1917 with the support of the American Rose Society, City officials, and civic –minded citizens. At that time, Portland had 20 miles of rose-bordered streets – a strategy to draw attention to the 1905 Lewis and Clark Centennial celebration. As a result, Portland was dubbed “City of Roses”. The garden was a perfect opportunity for enhancing that reputation.
Founded in 1917, Portland’s International Rose Test Garden is the oldest official, continuously operated public rose test garden in the United States. In the beginning, even though World War I was raging in Europe, hybridists sent roses from around the world to Portland’s garden for testing and to keep the new hybrids safe from being destroyed by the bombing in Europe.
THE GOLD MEDAL GARDEN
The primary purpose of this garden is to serve as a testing ground for new rose varieties. The City of Portland Gold Medal Awards are issued annually to the best introductions. The first "Gold Medal" rose award was given in 1919, making it the oldest rose testing program of its kind in the United States. Portland is the only North American city to issue such awards. These award winning varieties are planted in the Gold Medal Garden.
The terrace above the Shakespeare garden was originally planted in old garden roses. By 1959, so many Gold Award roses had crept into the terrace that it became known as the Gold Award Garden and the old garden roses were moved to another area of the garden.
With the support of the Portland Rose Society, today’s Gold Medal Garden was constructed in 1969 commemorating 50 years of Gold Medal awards in the City of Roses. In 1991, the Portland Rose Society donated the gazebo to the Gold Medal Garden, a popular spot for weddings and a wonderful vantage point from which to view the award winning roses.
Click here for a PDF of Gold Medal roses
Portland Rose Society >>
INTERNATIONAL ROSE TEST GARDEN
The International Rose Test Garden is also one of 24 official testing sites for the internationally respected All-America Rose Selections (AARS). The All-American Rose Selections is a non-profit association of rose growers and introducers dedicated to the introduction and promotion of exceptional roses. Since 1938 the AARS seal of approval has graced outstanding new rose varieties that have performed the best in the test gardens located throughout the country and representing all climate zones. AARS testing began here in Portland in 1940.
Roses currently under test in the garden are not named but are designated only by a number. The new varieties are submitted by the hybridizers to the AARS, who then distributes them to the test gardens identified only by their code number. Four plants of each entry are evaluated for two years on 14 different characteristics consumers desire in a garden plant including plant habit, vigor, disease resistance, color, flower production, form, foliage, and fragrance. About 200 rose cultivars are under test each year.
MINIATURE ROSE GARDEN
The garden is also one of only six testing grounds for the American Rose Society miniature rose test program. The national annual winners from both ARS and AARS associations are displayed in the middle of the garden along the center aisle.
SHAKESPEARE GARDEN
A popular spot found within the garden is the Shakespeare Garden. Dedicated in 1945, this garden donated by the LaBarre Shakespeare Club was originally designed to include only herbs, trees and flowers mentioned in Shakespeare’s plays. Some of the trees have done so well in this garden, that their extensive shade has made it impossible to grow many of those original sun-loving plant varieties. The garden continues to honor the Bard with roses named after characters in his plays.
The informal design features graceful trees, brick walks and hundreds of annuals and perennials besides roses. Over the years, this garden has been the site for hundreds of weddings. A favorite spot for picnics, its shady lawn quickly transports visitors to faraway lands.
The focal point of the garden is a brick wall with a plaque featuring Williams Shakespeare’s image and his quote, “Of all flowers methinks a rose is best.”
ROYAL ROSARIAN GARDEN
The Royal Rosarian Garden honors the Royal Rosarian civic group, which serves as the official greeters and goodwill ambassadors for the City of Portland.
Royal Rosarians take part in many Rose Festival events and are very visible in their distinctive off-white uniforms and straw hats. They produce knighting ceremonies, appear in the Grand Floral Parade and escort the royal Court during its Rose Festival reign. The Rosarians welcome visiting dignitaries from around the world, host hundreds of out-of-town visitors, march in parades throughout the region, and perform ceremonial rose planting in honor of worthy individuals - both in Portland and during Rosarian ambassadorial trips to distant cities throughout the world. They are also involved in many other projects in service to the community. All services rendered by its members are volunteered without charge or cost.
Established in 1912, the Royal Rosarian founders modeled their mythical Realm of Rosaria after the government of England’s King Henry VII, whose rise to the throne in 1485 ended the War of the Roses. Members are “knighted” into the organization under their chosen variety of rose, which is then their "namesake" rose. Since 1924, an annual knighting ceremony has taken place in the picturesque, natural amphitheater at the International Rose Test Garden, surrounded by roses and rhododendrons. Men are thereafter addressed with “Sir” preceding their name while women are dubbed “Dames” of the realm.
The highest office in the Royal Rosarians is that of Prime Minister. The Royal Rosarian Garden is home to a planting of their “namesake rose” honoring all past Prime Ministers of the Royal Rosarians. Many old favorites, which are no longer available in commerce, may be found here.
The formally designed garden also features a stone bench honoring Jesse A. Currey, founder of the International Rose Test Garden.
QUEEN’S WALK
At the foot of the Rose Garden is the Queen’s Walk. It was established in 1952 to honor all past, present and future Queens of Portland’s Rose Festival.
The Portland Rose Festival, Oregon’s premier civic celebration, has been a Northwest tradition since 1907. Carrie Lee Chamberlain, the governor’s daughter, reigned as Queen Flora over the Festival’s inaugural year. From 1908 to 1913 a king, Rex Oregonus, ruled over the festival. The identity of this king was kept secret until revealed at the festival’s annual ball. In 1914, Thelma Hollingsworth was the first elected Queen of Rosaria. Various methods and criteria were used to select the Queens through 1930.
Beginning in 1931, the Queen has been a Portland high school senior. Each of 14 local high schools selects one ambassador (previously called princesses) who together comprises the Rose Festival Court. One court member is chosen to be the Portland Rose Festival Queen. The Queen reigns over all Rose Festival events and represents the City of Roses in her ambassadorial travels to communities near and far.
One of their greatest and longest lasting honors is when the plaque bearing her name and signature is installed in the Queen’s Walk. The reigning Queen gets a special place of honor, with her plaque being placed in the center of semi-circle of bricks which overlooks the City of Portland from the Rose Garden. Each year, at the end of her reign, the out-going Queen’s plaque is moved to the walkway to join the other monarchs who have gone before her, to make room in the overlook for the new Queen of Rosaria.
Click here for list of all Rose Festival Queens since 1907.
Click here for more information on the Portland Rose Festival and Portland Rose Festival Association.
FRANK L BEACH MEMORIAL FOUNTAIN
Frank L. Beach, a rose enthusiast credited with dubbing Portland as the “City of “Roses” was honored in 1974 with the dedication of this Memorial Fountain in the rose garden.
The fountain was designed by artist Lee Kelly.
for more:http://www.rosegardenstore.org/thegardens.cfm
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
Reputation
Hatanodai, Shinagawa-ku, Tokyo
Olympus PEN-FT
G. Zuiko Auto-S 40mm f1.4
Fuji film color negative iso 400
Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:
"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."
For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."
Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.
The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.
The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.
An extract of the files of the correctional court of Montfort:
"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.
The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:
Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.
The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.
Legendary history of Britain
It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.
The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".
More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.
William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.
Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.
The Arthurian cycle
"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)
The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).
The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.
Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).
Sources wikipedia
On Tuesday, March 18, 1969, Joan Hill, a 38-year-old Houston, Texas, socialite, became violently ill for no readily apparent reason. Her husband, Dr. John Hill, at first indifferent, later drove her at a leisurely pace several miles to a hospital in which he had a financial interest, passing many other medical facilities on the way. When checked by admitting physicians, Joan's blood pressure was dangerously low, 60/40. Attempts to stabilize her failed and the next morning she died. The cause of death was uncertain. Some thought pancreatitis; others opted for hepatitis.
Joan's father, Ash Robinson, a crusty and extremely wealthy oilman, remained convinced that his daughter had been murdered. Neither was he reticent about naming the culprit: John Hill. When, just three months after Joan's death, Hill married long-time lover Ann Kurth, Robinson threw thousands of dollars into a crusade to persuade the authorities that his son-in-law was a killer. Noted pathologist Dr. Milton Helpern, hired to conduct a second autopsy, cautiously volunteered his opinion that Joan Hill might have been poisoned.
Under Robinson's relentless badgering, prosecutors scoured legal textbooks, searching for a way to indict Hill. They came up with the extremely rare charge of "murder by omission," in effect, killing someone by deliberate neglect. Assistance came in the unexpected form of Ann Kurth. Hill had ditched her after just nine months of marriage. What Kurth told the district attorney bolstered their decision to indict Hill.
Jury selection began on February 15, 1971. Because of the defendant's undeniably handsome appearance, Assistant District Attorney I.D. McMaster aimed for a predominantly male, middle-class panel, one he thought likely to frown on a wealthy philandering physician. His opponent, chief defense counsel Richard Haynes, quite naturally did his best to sit jurors that he thought would favor his client. In this first battle McMaster emerged a clear victor, securing a jury made up of eleven men and one woman. Haynes wasn't that perturbed. In a long and eventful career he'd overcome bigger obstacles, earning a statewide reputation second to none for tenacity and legal acumen. Not for nothing had he acquired the nickname "Racehorse." It promised to be a memorable contest.
On Tuesday, March 18, 1969, Joan Hill, a 38-year-old Houston, Texas, socialite, became violently ill for no readily apparent reason. Her husband, Dr. John Hill, at first indifferent, later drove her at a leisurely pace several miles to a hospital in which he had a financial interest, passing many other medical facilities on the way. When checked by admitting physicians, Joan's blood pressure was dangerously low, 60/40. Attempts to stabilize her failed and the next morning she died. The cause of death was uncertain. Some thought pancreatitis; others opted for hepatitis.
Joan's father, Ash Robinson, a crusty and extremely wealthy oilman, remained convinced that his daughter had been murdered. Neither was he reticent about naming the culprit: John Hill. When, just three months after Joan's death, Hill married long-time lover Ann Kurth, Robinson threw thousands of dollars into a crusade to persuade the authorities that his son-in-law was a killer. Noted pathologist Dr. Milton Helpern, hired to conduct a second autopsy, cautiously volunteered his opinion that Joan Hill might have been poisoned.
Under Robinson's relentless badgering, prosecutors scoured legal textbooks, searching for a way to indict Hill. They came up with the extremely rare charge of "murder by omission," in effect, killing someone by deliberate neglect. Assistance came in the unexpected form of Ann Kurth. Hill had ditched her after just nine months of marriage. What Kurth told the district attorney bolstered their decision to indict Hill.
Jury selection began on February 15, 1971. Because of the defendant's undeniably handsome appearance, Assistant District Attorney I.D. McMaster aimed for a predominantly male, middle-class panel, one he thought likely to frown on a wealthy philandering physician. His opponent, chief defense counsel Richard Haynes, quite naturally did his best to sit jurors that he thought would favor his client. In this first battle McMaster emerged a clear victor, securing a jury made up of eleven men and one woman. Haynes wasn't that perturbed. In a long and eventful career he'd overcome bigger obstacles, earning a statewide reputation second to none for tenacity and legal acumen. Not for nothing had he acquired the nickname "Racehorse." It promised to be a memorable contest.
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Participants enjoy an intense arms/abs workout with instructor Holly at the Dowd YMCA's Taylor Swift: Reputation Party.
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Participants enjoy an intense arms/abs workout with instructor Holly at the Dowd YMCA's Taylor Swift: Reputation Party.
Participants began their workout with a cycle class with instructor Greg during the Dowd YMCA's Taylor Swift: Reputation Party.
After service in a regiment of the British army with which the General was associated as an officer, Sir Trev adopts a similar spirit and values with traditions and an established reputation for its recognized development of successful leaders.
Sworn in as a Kingsman in 1987 upon professional selection from the Royal Military Academy Sandhurst in 1989, Biscope served as a regular commissioned officer in the Canadian Army for twenty-three years before his post as a Major General in May 2012.
Teamed with a crewman: Bronze & Silver 2nd & 3rd Military World Taekwon-Do Championships, Seoul, Korea ('87, '91).
In Her Majesty's courtesy conduct: "Sworn in as a Kingsman, December 1987, on foreign service in a garrison of a Scottish county regiment, today includes Cumbria, Lancashire, Greater Manchester, Merseyside, and the Isle of Man." -Cdr. Trevor D. Biscope CA Emerit IMO: Officers, NCO's & Men of the King's Own Calgary Regiment.
The Duke of Lancaster's Regiment uses the rank Kingsman (Kgn) instead of Private, a tradition inherited from the King's Regiment. Officially sanctioned 1951, was informally used more than 100 years.
A Kingsman, regardless of rank, demonstrates professional excellence and fighting spirit through courage, loyalty, initiative and resourcefulness.
In total, predecessor regiments have won 59 Victoria Crosses and 2 George Crosses. 13 of 303 battle honors are unique. Our immediate predecessor regiments were raised in the 1680s.
The only regiment of any army, at any time in history, to carry battle honors from every inhabited continent. In addition, the Regimental Colour also features a Dragon for the honor 'China'.
IMO: Alberta Union of Provincial Employees (AUPE) - 2013 Wildcat Strike. Calgary, Edmonton, Peace River, Medicine Hat, Lethbridge & Red Deer. (April 26 - May 1, 2013)
IMO: 2013 Alberta Floods. Bow, Elbow, Highwood, Red Deer, Sheep, Little Bow & South Saskatchewan. (June 19-July 12, 2013)
Larkin, Kate. "Canada Sees Shock Salmon Glut." Nature .com by Springer Nature. 3 September 2010.
IMO: Oka Crisis (Also known as, Kanesatake Resistance or Mohawk Resistance at Kanesatake), Oka, Quebec Jul 11, 1990 - Sep 26, 1990.
IMO: Guerra de las Malvinas, Falkland Islands, South Georgia, and the South Sandwich Islands, 2 April – 14 June 1982.
IMO: The Dominican Civil War (Also known as, April Revolution). April 24 - Sept 3, 1965.
"The King's Own Calgary Regiment - This chapel was erected in memory of the Officers, NCO's and Men of the King's Own Calgary Regiment, The 50th Battn, C.E.F. and The King's Own Royal Regiment (Lancaster), who gave their lives for King and country." As Cited in, Regimental Memorial within St Stephen's Church, King's Own Calgary Regiment Chapel, Calgary, Canada. Accession Number: KO0788/109a and KO0788/109b and KO2490/655 kingsownmuseum.com/gallerykocalgaryregt.htm Web access July 20, 2022.
The Papers of General Sir Trevor BISCOPE comprising correspondence, manuscripts of books, lectures, photographs, slides and press cuttings relating to his entire army career and his work carried out. Chronicling the life of a man for whom danger is a way of life. He is often known by the initialism TDB.
REPRODUCTION DISCLAIMER: The official reproduction and presentation of this memorial, is simply a pragmatic recognition of the historic facts of military service. Unauthorized or unintended use of this memorial makes it invalid.
General Sir Trevor BISCOPE was profiled by the Financial Times Group (MiD 2022 NATO CA GB FR US) General Officer Commanding Joint Task Force, Latin America Caribbean.
Those with the facts, make the decisions.
For enquiries relating to polo playing engagements, please email:
player@polo.international
Welcome!
# # #
Tank and SAS Officer of the Minister of Defense, COMMANDER TREVOR DANIEL BISCOPE RCAC BATUS(RMAS) LdSH(RC) SOF NATO CA Emerit, is on an official mission.
ORDO ESSENDI, ITA VERO.
POLO™ is a trademark of Trevor Biscope. Complies with: NATO SoFA (2009) Art. V, QR's, DoD, DAOD 2008-6, 5002-10 3.4, 6001-1 and QR&O 19-36.
It's got a reputation as the world's most dangerous bird, but the flightless Southern Cassowary can be quite reclusive if left undisturbed.
It's named after one of its most striking features - the tough bony skin which looks like an armour plated helmet on top of its head. In the wild it lives in Queensland, Australia, and is also found in New Guinea where the word Cassowary means horned head.
The helmet is a vital tool which it uses to push its way through rainforests with its head down.
Southern Cassowaries also have another form of armour they use when frightened. Each of their feet has three toes and each inner toe has a long, lethal claw on which can grow up to 12cm.
If distressed it will kick out with its powerful legs, the sharp claws slicing anything they contact, including flesh! Hence the fearsome reputation.
At Chester Zoo we have two Southern Cassowaries, an important part of the European Endangered Species Breeding Programme, a carefully managed scheme overseeing the breeding of zoo animals in different countries.
But concern is growing over the future of these birds in the wild. In Australia they are coming more into conflict with humans. Many have been run over by cars and, as forest land is taken over by agriculture and developers, their survival is under threat.
There are estimated to be only a few thousand wild birds left, mainly in conservation areas.
Some distant relations of the Southern Cassowary, including the Elephant Bird of Madagascar and the Moa of New Zealand, are already extinct.
Its survival is extremely important to the continued health of rainforests, as Cassowaries mainly eat a diet of fruit, which means they help disperse the seeds of some 100 tree and shrub species throughout the forest.
Participants began their workout with a cycle class with instructor Greg during the Dowd YMCA's Taylor Swift: Reputation Party.
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free