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Reporters at the Oct. 29, 2010, news conference at which Gov. Chris Gregoire announced that bids for the SR 99 bored tunnel are within the project budget. Learn more about the Alaskan Way Viaduct and Seawall Replacement program.
Taken by Sarah Balser (sarahbalserphotography.blogspot.com/) for Michael Locklear (michaellocklear.com/) and The Rookie Reporter (therookiereporter.com/).
Well here concludes the essay, but i figured i should get the picture of me as a reporter, because well, that is how i looked while writing that part of the essay. I'm sorry it was 1 in the morning, i think im writting in this picture, or mabe im sleeping
Korea.net Honorary Reporters Tour in Busan
October 26. 2016
Taejongdae, Busan
Ministry of Culture, Sports and Tourism
Korean Culture and Information Service
Korea.net (www.korea.net)
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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코리아넷 명예기자단 한국탐방
2016-10-26
태종대, 부산
문화체육관광부
해외문화홍보원
코리아넷
전한
Panel discussion with journalists James Foley (GlobalPost), Meg Jones (Milwaukee Journal Sentinel) and Marquette journalism faculty member Herbert Lowe. jPad student lounge, December 7, 2011.
Don Harris was a reporter in Congressman Ryan's entourage. He was killed at the airstrip on November 18, 1978. Photo permission status unknown.
Taken by Sarah Balser (sarahbalserphotography.blogspot.com/) for Michael Locklear (michaellocklear.com/) and The Rookie Reporter (therookiereporter.com/).
Entertainment Reporter
For Graphic Design, Photography and Adobe Flash tutorials visit my personal web site planetoftheweb.com
THE COMICS REPORTER
May 19, 2012
Stefano Gaudiano On Roy Lichtenstein
And Hilary Barta
posted May 19, 2012
Thanks for posting the link to the Barta/Lichtenstein article. About 10 years ago I dropped a Lichtenstein-like painting in the background of a Batman comic -- It wasn't meant as a statement, just suited the location and historical setting of the scene. My editor called and asked to remove that detail from the panel, as DC's legal department had expressed concerns about opening themselves to lawsuits from the Lichtenstein estate. I reassured him that the image was altered enough to defeat potential infringement claims, and suggested that rather than deleting the detail, we should consider using it as a cover image, and see what kind of mess the Lichtenstein estate would find itself in if they dared to sue a comics publisher for appropriation of a Lichtenstein comics-based image.
The experience was helpful in shaping my thoughts about the ownership of images and intellectual property. Framing the issue in terms of "who owns what" ends up thickening the smoke screen around the root issue of how resources are managed and allocated in a thoroughly interconnected culture.
Source: BATMAN: FAMILY #2; Jan 2003, DC Comics
Credits: Scene written by John Francis Moore; panel layout by Rick Hoberg, revised by Stefano Gaudiano and inked by Damon Brown (Damon was uncredited in the book); colors by Carla Feeny (with color separations by "Heroic Age"); lettering by John Workman. Matt Idelson, assisted by Nachie Castro, edited the book and took in good stride my defense of the Lichtenstein riff in this panel and my wish for a declaration-of-war between DC Comics and Lichtenstein's inheritors (something I would still very much like to witness in my lifetime).
Bob Kane is listed in the credits as creator of Batman, though we all know that's not the whole story.
This just occurred to me: you and I have argued over how much of an issue to make over conservative Muslim cultures' obsession with how the prophet Mohammed should or should not be portrayed. Not long ago, Matt Southworth and I were lamenting the absurdity of having to edit out company logos from the backgrounds of movies, comics, TV shows, in deference to laws that we can barely comprehend. I had not noticed the connection between these old-religious and modern-corporate forms of image control, and seeing it now makes me like even less the current environment of legislation regarding "intellectual property."
The reporter on the left is from CNET. I forget who the one on the right writes for.
Anyway, Len offered them a ride in the big stretch limo that he called. They were coming from flickr's second anniversary party.
Korea.net Honorary Reporters Tour in Seoul
October 25. 2016
Itaewon-dong, Yongsan-gu, Seoul
Ministry of Culture, Sports and Tourism
Korean Culture and Information Service
Korea.net (www.korea.net)
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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코리아넷 명예기자단 한국탐방
2016-10-25
이태원
문화체육관광부
해외문화홍보원
코리아넷
전한
I'll never buy a holga. I don't like plastic lenses. I got my polaroid 450 in the mail today, cleaned it up and loaded it with fuji FP-100c 'silk'. I bet the images on that will a lot sharper than what I get from 'the reporter' - or so I hope. This is a scan from the reclaimed negative. I like that feature - pack film allows one to get a negative, so if I ever get a shot I really like, I can have my own copy.
See how the leather on the jacket is in focus, but her face isn't? It's really hard to judge how far 3.5 feet is - I'm looking forward to focusing with the 450 rangefinder (and Zeiss viewfinder!). Now I have to find a portrait kit for the 450 - I think it takes a 581 kit.