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Spotted at Clay Oven Indian Restaurant, Louisville, KY, USA
Eastgate Shopping Center. Meet Yamuna - she is a server at Clay Oven. Yamuna has a wonderful personality and is a beautiful soul.
OSHA Finds Hair Smoothing Products Contain Formaldehyde:
Recent reports from Federal OSHA, Oregon OSHA, and California OSHA should alert salon owners and stylists to look closely at the hair smoothing products they are using to see if they contain methylene glycol, formalin, methylene oxide, paraform, formic aldehyde, methanal, oxomethane, oxymethylene, or CAS Number 50-00-0. All of these are names for or treated as formaldehyde under OSHA's Formaldehyde standard. There are also chemicals, such as timonacic acid (also called thiazolidinecarboxylic acid), that can release formaldehyde under certain conditions, such as those present during the hair smoothing treatment process. Products that contain these chemicals can expose workers to formaldehyde. Employers who use, manufacture, import, or distribute the products must follow OSHA's formaldehyde standard.....
The violations include failing to list formaldehyde as a hazardous ingredient on the MSDS (the hazard warning sheet) provided to downstream users (e.g., salon owners, stylists), failing to include proper hazard warnings on product labels, and failing to list the health effects of formaldehyde exposure on the MSDS. Labels must include ingredient and hazard warning information and the MSDS must provide users with information about the chemicals in a product, the hazards to workers, and how to use a product safely.
What is formaldehyde and how can it affect my health?
Formaldehyde is a colorless, strong-smelling gas that presents a health hazard if workers are exposed. You can be exposed to formaldehyde if you breathe it into your lungs, if it gets into your eyes, or if it is contained in a product that gets onto your skin. You can also be exposed accidentally if you touch your face, eat food, or drink after using a product containing formaldehyde without first washing your hands. It can irritate the eyes and nose, and cause coughing and wheezing. Formaldehyde is a "sensitizer," which means that it can cause allergic reactions of the skin, eyes, and lungs such as asthma-like breathing problems and skin rashes and itching. When formaldehyde is in a product that gets sprayed into the eyes, it can damage the eyes and cause blindness. It is also a cancer hazard. Formaldehyde is a health hazard, whether in a product or in the air. OSHA's Formaldehyde standard 29 CFR 1910.1048 covers employers who use formaldehyde, and products that contain or release formaldehyde. OSHA has also published a Formaldehyde Fact Sheet. For more information about formaldehyde, click here.
Flat Iron
Why do some hair smoothing products expose me to formaldehyde?
Many keratin-based hair smoothing products contain formaldehyde dissolved (and chemically reacted) in water and other ingredients in the product. Because of the way the formaldehyde reacts in these products, some manufacturers, importers, or distributors might list other names for formaldehyde on product information or might claim that the product is "formaldehyde-free." Formaldehyde might be listed as methylene glycol, formalin, methylene oxide, paraform, formic aldehyde, methanal, oxomethane, oxymethylene, or CAS Number 50-00-0. All of these are names for formaldehyde under OSHA's Formaldehyde standard. There are also chemicals, such as timonacic acid (also called thiazolidinecarboxylic acid) that can release formaldehyde under certain conditions, such as those present during the hair smoothing treatment process. The bottom line is that formaldehyde can be released from hair smoothing products that list any of these names on the label and workers can breathe it in or absorb it through their skin. Workers can be exposed to formaldehyde during the entire hair straightening process, especially when heat is applied (e.g. blow-drying, flat ironing).
Report on the scientific results of the voyage of H.M.S. Challenger during the years 1873-76 under the command of Captain George S. Nares ....
Edinburgh :Neill,1880-1895..
The following article is a first-person Cornwall Marathon race report by Ottawa runner Ben-Zion Caspi, 67. It was written for the TriRudy blog, and is reproduced here with permission by the author.
In his report, Ben says, " At 36 km my slow running death started. I was...above a 6 minutes per km pace. Oh well, all I wanted to get to the finish line. During the lone run, before I started to see the half marathoners, there were no pretty girls with pony tails to chase and improve my pace... "
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Ben-Zion Caspi's race report (May 2, 2016)
As in most years, I was running with the group where many of its runners trained for Boston. I did not plan to run Boston, and I did not plan to run Ottawa either, so what do I do? I registered for the inauguration of the Cornwall Marathon, which was scheduled two weeks after Boston and 4 weeks before the Ottawa Marathon.
The training was OK. Last winter was very easy on us, not too many very cold weekends, and my body behaved with no significant injuries or illness.
The organizers of the Cornwall race were cautious, planning the first marathon as a learning one, and limiting the numbers of runners to 75. Only 75 runners will be able to lay the claim that they were part of the inauguration of the beautiful scenery of the Cornwall Marathon.
On the race website there was a description of the course, and part of it was: "The course is fast and has a net downhill elevation profile that includes a few gentle rollers." More on that latter.
At the end of March I registered.
Our group kept training and on the weekend when many traveled to Boston, three of us, Gilles, Colleen and I drove to the Crysler Park Marina (www.cryslerparkmarina.com/) in Morrisburg, and rode the course to Cornwall on our bicycles. It was a very pleasant ride of 84 km (52 miles). The marathon race course is point-to-point from Morrisburg to Cornwall.
As it is described at the race's web site, it is a beautiful course. It is still early spring, so no flowers or leaves are on the trees, but you are deep in nature and along the water (St. Lawrence River).
Race day arrived. Colleen and I planned to drive to the start and get a lift with one of our friends from the finish at Cornwall back to the car after the race. This plan gave us more time to sleep, since you had to be in Cornwall the latest at 6:05 a.m. on Saturday to be bused to the start line. Our option was to be at the start at 6:40 a.m., so we could sleep a bit longer before the race.
We arrived to Morrisburg at 6:30 a.m. On the drive there we passed a slow moving car, and were pleasantly surprised to realize that Irina and Alastair were in this car, driving to the start to cheer. Good friends for sure.
It was a chilly morning, perfect weather for me to run a marathon, a bit above freezing. Shorts, t-shirt, gloves and a hat. I was ready to roll.
I was not too concerned about my finish time; the plan was to run with Colleen and accommodate her desired pace. The idea was to get a time to qualify for Boston. I thought a 5 min. 20 sec. (5:20) per km pace would be good, but at the end we decided to run the first half at 5:15.
Since there were only 75 runners, there was no timing mat at the start and we all started together at 7 a.m. A beautiful morning for a run. Phil explained few things. It was funny to hear him warning us, "Watch the house in the middle of the road few hundred meters after the start." :-) It was not a joke.
I did not do any warm-up, and usually my first two km are very slow. Well not with Colleen. She was too eager for sure, and it was hard to rein her in. The first 7 km were done in 36 minutes, at a 5:08 pace. Not the planned pace for sure.
About 8 km of the first part of the race is on a firm trail bed of soft pine needles. It was pleasant run on this surface and it sure felt the different when we came to the asphalt path.
At 10 km our average pace was 5:12, still faster than the planned pace. At 14 km we left nature and ran on the Long Sault Parkway. You pass over many islands, each one of them with its unique name. Still beautiful scenery around but you share it with moving vehicles.
At 21 km our pace was about 5:18 (5 minutes, 18 seconds) per km and Colleen broke up with me. She told me it is not me, it is her, and I should go my own way.
So there I was running alone. The 75 runners at that point were spread all over and if you did not plan to run with somebody you were on your own. For some it can be a difficult experience. I did not mind and kept running. I tried to keep a pace of 5:15 and was able to do so for the next 4 km. At that point things changed. Wind and, if you remember the beginning of this story, the “few gentle rollers” ganged up on me, and apparently on most other racers. I started to slow down.
I stopped enjoying the scenery of the beautiful course and was very busy trying to convince my legs muscles to move my body faster. Nope, nobody listened.
For a few km I was able to maintain 5:40 pace and at that point I started seeing the half-marathon runners. It was less lonely, but did not improve my pace.
I forgot to mention that some friends, who were driving, moved along the course at few points to cheer the runners. Thanks so much to Jonathan, Chris, Karen, Irina, Benjamin, Alastair. I hope I did not forget anyone.
I think it was at 33 km I saw Ibrahim (Mike) on his bike. He was cheering loudly. At 36 km my slow-running-death started. I was many km above a 6 minutes pace. Oh well, all I wanted to get to the finish line.
During the lone run before I started to see the half marathoners, there were no pretty girls with pony tails to chase and improve my pace. Now there were many, running fast, fresh after 'only' 10-12 km, but I was not chasing anybody. All I was yearning for was the finish line. And then a ray of sunshine: my dear friends Diane and Dawn showed up on their bicycles.
I stopped on course to give Diane a hug. She was telling me to move on, that I am losing time. Like I cared.
They left me and went riding toward Colleen and I kept my slogging. The 39 to 40 km part was the worst: 6:19. I was seriously contemplating walking the rest, but it is well ingrained in my head that walking is not an option.
At that point Dian and Dawn appeared again. It was great to see them, so I picked up the pace. Yea right. The last 2.2 km were blazing fast: 13 minutes. :-(
Arriving to the finish line, I was welcomed by many of our friends, cheering loudly. They had run the 5 and 10 km races and were waiting patiently for Ezio, Kevin, Colleen and me to get to the finish line after 42.2 km.
It was a major feeling of relief. I got to end of another 42.2 monster, my thirty-fourth. You might think that is a lot of marathons, but listen… At the beginning of the race, another runner joined us and we talked a bit. He was running his 161st 42.2 km. All I said was, you are a marathon junky; you need help.
Talking to many of the runners after, the general consensus was that the course was not as fast as we hoped it to be, and most were off of their wishful finish time. We all agreed though, that it is a beautiful course and it was organized superbly…and the medal is beautiful.
Thanks to all the volunteers and the organizer. Cornwall knows how to throw a party for runners and triathletes. Yes, hope see you in August.
Again, if you managed to get to this end, thanks for reading.
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Other race reports by Ben Caspi:
1) Ottawa 2015 - www.flickr.com/photos/ianhun/18027471110
2) Richmond 2015 - www.flickr.com/photos/ianhun/16264464205
3) Boston 2014 - www.flickr.com/photos/ianhun/14063880214 ..... (over 13,000 views)
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Cornwall Marathon website: runtoendms.com/
Note: the photo is from the Richmond (Ontario) Road Races, January 13, 2013.
This dude stole my Review of Minifigmaker's Captain Rex video, and says that its his. Report, block, and spam him.
EDIT: He took it down and apologized, so you can quit the flaming.
2014 SAMPHIRE reports bound and printed - ready for posting to project participants.
To find out more about this project follow this link
Wikipedia reports, "A nymph (Greek: νύμφη, nymphē) in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis. They are believed to dwell in mountains and groves, by springs and rivers, and also in trees and in valleys and cool grottoes." And in sea caves! - en.wikipedia.org/wiki/Nymph
New JOHHNY RANGER MCCOY Instagram! instagram.com/45surf
Welcome to your epic hero's journey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
PRETTY! Canon 5D Mark II Photos of Beautiful Blonde Swimsuit Bikini (Green One Piece Swimsuit!) Model Goddess with Pretty Blue Eyes in a Sea Cave !
Some video of the goddess:
She was tall, thin, fit, and very pretty with long, blonde hair and blue eyes! From Sweden!
The Canon EOS 5D Mark II EF 24-105/4L IS USM was my workhorse until I got the Nikon D800 & D800E with the 70-200 mm 2.8 VR2 zoom.
Canon, Nikon, you can't go wrong with the pretty 45surf model goddesses! (Though the D800 is my new love.)
May the goddess inspire ye along a hero's journey of yer own making, and the path of yer own taking.
Was a classic socal autumn morning with a bright, blue, sunny sky! Hope the photos make you feel like you were there! :)
May the HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5.3 ! :)
New Instagram! instagram.com/45surf
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
A Gold 45 Goddess guards the wisdom of dx4/dt=ic -- my physics theory which appears on all the 45surf clothes. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy! Catch those photons as they surf the fourth expanding dimension!
At the end of my fourth grade year in Denton, Texas I received this report card from my teacher Mrs. Swafford. Technically referred to as a "Progress and Achievement Report," it came, as all of my elementary school report cards did, enclosed in an envelope printed by the First State Bank of Denton, an icon of the community whose logo was imprinted on countless textbook covers over the years.
My mom recently turned over a box containing this report card to me. Also tucked inside the envelope was my old library card from the Emily Fowler Public Library, complete with a metal plate containing my identification number. High tech!
These are some of many curious items collected in JD's House of Miscellany.
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Purchase this image and learn more about it at the source.
Source: photos.jdhancock.com/photo/2010-10-26-223716-1980-report-...
From "The Obi-Wan Album" by Anofelah.
"For Obi-Wan, him being one of my favourite Star Wars characters, I just had to dedicate an entire album to him. Through all the different animations that came with him, I wanted to showcase my interpretation of this complex character - ranging from his self mastery, determination, courageousness, to his sense of humour and plaisanterie, I present "The Obi-Wan Album"." -Anofelah
Shot with HattiWatti's Cinematic Tools.
Game: Star Wars Battlefront II (2017) (www.ea.com/en-gb/games/starwars/battlefront/battlefront-2)
Studio: EA DICE Stockholm (www.dice.se/)
Facial artist: Sanna Nivhede
Voice Actor: James Arnold Taylor
Sony RX1 User Report.
I hesitate to write about gear. Tools are tools and the bitter truth is that a great craftsman rises above his tools to create a masterpiece whereas most of us try to improve our abominations by buying better or faster hammers to hit the same nails at the same awkward angles.
The internet is fairly flooded with reviews of this tiny marvel, and it isn’t my intention to compete with those articles. If you’re looking for a full-scale review of every feature or a down-to-Earth accounting of the RX1’s strengths and weaknesses, I recommend starting here.
Instead, I’d like to provide you with a flavor of how I’ve used the camera over the last six months. In short, this is a user report. To save yourself a few thousand words: I love the thing. As we go through this article, you’ll see this is a purpose built camera. The RX1 is not for everyone, but we will get to that and on the way, I’ll share a handful of images that I made with the camera.
It should be obvious to anyone reading this that I write this independently and have absolutely no relationship with Sony (other than having exchanged a large pile of cash for this camera at a retail outlet).
Before we get to anything else, I want to clear the air about two things: Price and Features
The Price
First things first: the price. The $2800+ cost of this camera is the elephant in the room and, given I purchased the thing, you may consider me a poor critic. That in mind, I want to offer you three thoughts:
Consumer goods cost what they cost, in the absence of a competitor (the Fuji X100s being the only one worth mention) there is no comparison and you simply have to decide for yourself if you are willing to pay or not.
Normalize the price per sensor area for all 35mm f/2 lens and camera alternatives and you’ll find the RX1 is an amazing value.
You are paying for the ability to take photographs, plain and simple. Ask yourself, “what are these photographs worth to me?”
In my case, #3 is very important. I have used the RX1 to take hundreds of photographs of my family that are immensely important to me. Moreover, I have made photographs (many appearing on this page) that are moving or beautiful and only happened because I had the RX1 in my bag or my pocket. Yes, of course I could have made these or very similar photographs with another camera, but that is immaterial.
35mm by 24mm by 35mm f/2
The killer feature of this camera is simple: it is a wafer of silicon 35mm by 24mm paired to a brilliantly, ridiculously, undeniably sharp, contrasty and bokehlicious 35mm f/2 Carl Zeiss lens. Image quality is king here and all other things take a back seat. This means the following: image quality is as good or better than your DSLR, but battery life, focus speed, and responsiveness are likely not as good as your DSLR. I say likely because, if you have an entry-level DSLR, the RX1 is comparable on these dimensions. If you want to change lenses, if you want an integrated viewfinder, if you want blindingly fast phase-detect autofocus then shoot with a DSLR. If you want the absolute best image quality in the smallest size possible, you’ve got it in the RX1.
While we are on the subject of interchangeable lenses and viewfinders...
I have an interchangeable lens DSLR and I love the thing. It’s basically a medium format camera in a 35mm camera body. It’s a powerhouse and it is the first camera I reach for when the goal is photography. For a long time, however, I’ve found myself in situations where photography was not the first goal, but where I nevertheless wanted to have a camera. I’m around the table with friends or at the park with my son and the DSLR is too big, too bulky, too intimidating. It comes between you and life. In this realm, mirrorless, interchangeable lens cameras seem to be king, but they have a major flaw: they are, for all intents and purposes, just little DSLRs.
As I mentioned above, I have an interchangeable lens system, why would I want another, smaller one? Clearly, I am not alone in feeling this way, as the market has produced a number of what I would call “professional point and shoots.” Here we are talking about the Fuji X100/X100s, Sigma DPm-series and the RX100 and RX1.
Design is about making choices
When the Fuji X100 came out, I was intrigued. Here was a cheap(er), baby Leica M. Quiet, small, unobtrusive. Had I waited to buy until the X100s had come out, perhaps this would be a different report. Perhaps, but probably not. I remember thinking to myself as I was looking at the X100, “I wish there was a digital Rollei 35, something with a fixed 28mm or 35mm lens that would fit in a coat pocket or a small bag.” Now of course, there is.
So, for those of you who said, “I would buy the RX1 if it had interchangeable lenses or an integrated viewfinder or faster autofocus,” I say the following: This is a purpose built camera. You would not want it as an interchangeable system, it can’t compete with DSLR speed. A viewfinder would make the thing bigger and ruin the magic ratio of body to sensor size—further, there is a 3-inch LCD viewfinder on the back! Autofocus is super fast, you just don’t realize it because the bar has been raised impossibly high by ultra-sonic magnet focusing rings on professional DSLR lenses. There’s a fantastic balance at work here between image quality and size—great tools are about the total experience, not about one or the other specification.
In short, design is about making choices. I think Sony has made some good ones with the RX1.
In use
So I’ve just written 1,000 words of a user report without, you know, reporting on use. In many ways the images on the page are my user report. These photographs, more than my words, should give you a flavor of what the RX1 is about. But, for the sake of variety, I intend to tell you a bit about the how and the why of shooting with the RX1.
Snapshots
As a beginning enthusiast, I often sneered at the idea of a snapshot. As I’ve matured, I’ve come to appreciate what a pocket camera and a snapshot can offer. The RX1 is the ultimate photographer’s snapshot camera.
I’ll pause here to properly define snapshot as a photograph taken quickly with a handheld camera.
To quote Ferris Bueller’s Day Off, “Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.” So it is with photography. Beautiful photographs happen at the decisive moment—and to paraphrase Henri Cartier-Bresson further—the world is newly made and falling to pieces every instant. I think it is no coincidence that each revolution in the steady march of photography from the tortuously slow chemistry of tin-type and daguerreotype through 120 and 35mm formats to the hyper-sensitive CMOS of today has engendered new categories and concepts of photography.
Photography is a reflexive, reactionary activity. I see beautiful light or the unusual in an every day event and my reaction is a desire to make a photograph. It’s a bit like breathing and has been since I was a kid.
Rather than sneer at snapshots, nowadays I seek them out; and when I seek them out, I do so with the Sony RX1 in my hand.
How I shoot with the RX1
Despite much bluster from commenters on other reviews as to the price point and the purpose-built nature of this camera (see above), the RX1 is incredibly flexible. Have a peek at some of the linked reviews and you’ll see handheld portraits, long exposures, images taken with off-camera flash, etc.
Yet, I mentioned earlier that I reach for the D800 when photography is the primary goal and so the RX1 has become for me a handheld camera—something I use almost exclusively at f/2 (people, objects, shallow DoF) or f/8 (landscapes in abundant light, abstracts). The Auto-ISO setting allows the camera to choose in the range from ISO 50 and 6400 to reach a proper exposure at a given aperture with a 1/80 s shutter speed. I have found this shutter speed ensures a sharp image every time (although photographers with more jittery grips may wish there was the ability to select a different default shutter speed). This strategy works because the RX1 has a delightfully clicky exposure compensation dial just under your right thumb—allowing for fine adjustment to the camera’s metering decision.
So then, if you find me out with the RX1, you’re likely to see me on aperture priority, f/2 and auto ISO. Indeed, many of the photographs on this page were taken in that mode (including lots of the landscape shots!).
Working within constraints.
The RX1 is a wonderful camera to have when you have to work within constraints. When I say this, I mean it is great for photography within two different classes of constraints: 1) physical constraints of time and space and 2) intellectual/artistic constraints.
To speak to the first, as I said earlier, many of the photographs on this page were made possible by having a camera with me at a time that I otherwise would not have been lugging around a camera. For example, some of the images from the Grand Canyon you see were made in a pinch on my way to a Christmas dinner with my family. I didn’t have the larger camera with me and I just had a minute to make the image. Truth be told, these images could have been made with my cell phone, but that I could wring such great image quality out of something not much larger than my cell phone is just gravy. Be it jacket pocket, small bag, bike bag, saddle bag, even fannie pack—you have space for this camera anywhere you go.
Earlier I alluded to the obtrusiveness of a large camera. If you want to travel lightly and make photographs without announcing your presence, it’s easier to use a smaller camera. Here the RX1 excels. Moreover, the camera’s leaf shutter is virtually silent, so you can snap away without announcing your intention. In every sense, this camera is meant to work within physical constraints.
I cut my photographic teeth on film and I will always have an affection for it. There is a sense that one is playing within the rules when he uses film. That same feeling is here in the RX1. I never thought I’d say this about a camera, but I often like the JPEG images this thing produces more than I like what I can push with a RAW. Don’t get me wrong, for a landscape or a cityscape, the RAW processed carefully is FAR, FAR better than a JPEG.
But when I am taking snapshots or photos of friends and family, I find the JPEGs the camera produces (I’m shooting in RAW + JPEG) so beautiful. The camera’s computer corrects for the lens distortion and provides the perfect balance of contrast and saturation. The JPEG engine can be further tweaked to increase the amount of contrast, saturation or dynamic range optimization (shadow boost) used in writing those files. Add in the ability to rapidly compensate exposure or activate various creative modes and you’ve got this feeling you’re shooting film again. Instant, ultra-sensitive and customizable film.
Pro Tip: Focusing
Almost all cameras come shipped with what I consider to be the worst of the worst focus configurations. Even the Nikon D800 came to my hands set to focus when the shutter button was halfway depressed. This mode will ruin almost any photograph. Why? Because it requires you to perform legerdemain to place the autofocus point, depress the shutter halfway, recompose and press the shutter fully. In addition to the chance of accidentally refocusing after composing or missing the shot—this method absolutely ensures that one must focus before every single photograph. Absolutely impossible for action or portraiture.
Sensibly, most professional or prosumer cameras come with an AF-ON button near where the shooter’s right thumb rests. This separates the task of focusing and exposing, allowing the photographer to quickly focus and to capture the image even if focus is slightly off at the focus point. For portraits, kids, action, etc the camera has to have a hair-trigger. It has to be responsive. Manufacturer’s: stop shipping your cameras with this ham-fisted autofocus arrangement.
Now, the RX1 does not have an AF-ON button, but it does have an AEL button whose function can be changed to “MF/AF Control Hold” in the menu. Further, other buttons on the rear of the camera can also be programmed to toggle between AF and MF modes. What this all means is that you can work around the RX1’s buttons to make it’s focus work like a DSLR’s. (For those of you who are RX1 shooters, set the front switch to MF, the right control wheel button to MF/AF Toggle and the AEL button to MF/AF Control Hold and voila!) The end result is that, when powered on the camera is in manual focus mode, but the autofocus can be activated by pressing AEL, no matter what, however, the shutter is tripped by the shutter release. Want to switch to AF mode? Just push a button and you’re back to the standard modality.
Carrying.
I keep mine in a small, neoprene pouch with a semi-hard LCD cover and a circular polarizing filter on the front—perfect for buttoning up and throwing into a bag on my way out of the house. I have a soft release screwed into the threaded shutter release and a custom, red twill strap to replace the horrible plastic strap Sony provided. I plan to gaffer tape the top and the orange ring around the lens. Who knows, I may find an old Voigtlander optical viewfinder in future as well.
We do not release any of our client’s information to third parties. This is to avoid breaching the trust of our customers.
Revista Campus Repórter - Reportagem sobre loucura.
Seu Pedro Joaquim fugiu quando jovem de um hospital pisiquiátrico de Barbacena. Foi acolhido por um fazendeiro da região, o já falecido Antônio Ponciano. Pedro vive e trabalha até hoje na fazenda da família de Ponciano. Barbacena (MG), 2009.
Wallpaper realizado con Photoshop al estilo minority report. Tutorial www.youtube.com/watch?v=JRC3ncq52No
We have partnered with the Fair Labor Association to map the cocoa supply chain in order to prevent the use of child labour in cocoa-growing areas in Côte d'Ivoire.
Nestlé Professional's 'My Own Business' programme supports street vendors to create their own business selling Nescafé. They are trained in sales, management, hygiene, safety and quality.
We awarded the Nestlé Prize in Creating Shared Value to Fundación Paraguaya for its 'Self Sufficient Agricultural School' model. This rural development programme in Paraguay gives high school students in rural communities the entrepreneurial and practical skills they need to lift themselves out of poverty.
We have entered a partnership with the International Diabetes Federation to promote diabetes prevention and to raise awareness of the disease worldwide.
Visit my shop: retrogoodies.co.uk
A lovely professional portable tape recorder - Uher 4000.
I used one in Canada, way back, a 2000 Report L.
This later model is trying to look like a Nagra, I think!
I found this at the local garbage tip, paid about £5. It doesn't work.
They are not allowed to sell electrical items any more which is a real shame nor are charity shops, you know, "health 'n Safety" :-(
All these classics which could be saved will just go into landfill.
Report Writing for Records Scientific discipline in R t.co/uTIS3gesHw #acn (via Twitter twitter.com/AgenciaCN/status/805845432521916416)
Mingle Media TV and Red Carpet Report host, Paige Sullivan, were invited to cover the 2013 Do Something Awards (#DSAwards) hosted by actress Sophia Bush along with celebrity presenters Malin Akerman, Lucy Hale, Cynthia Nixon, Russell Simmons and Aisha Tyler. This year’s high-energy show is honoring celebrities Patrick Dempsey, Jesse Tyler Ferguson, Jennifer Hudson, LL COOL J and Kelly Osbourne for being amazing social change leaders, along with five “do-gooders,” 25 and under, who are in the trenches, creating substantial change in our world.
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About the Do Something Awards
In addition to honoring celebrities for their work to inspire others, and a night filled with great musical performances, one young "do-er" (age 25 and under) will receive a grand prize of $100,000 for their cause and the four other nominees will receive a $10,000 community grant. This is the largest and most prestigious prize in the world for young people and social change.
This year’s five nominees have gone above and beyond to make a difference addressing important issues. Nominees include Sasha Fisher (Spark MicroGrants); Daniel Maree (Million Hoodies Movement for Justice); Jillian Mourning (All We Want is LOVE - Liberation of Victims Everywhere); Lorella Praeli (United We Dream); and Ben Simon (Food Recovery Network). www.vh1.com/shows/events/do_something_awards/2013/index.j...
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