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Skyid J. Wang says:

  

"Lights ON/OFF: put subjects in light and shadow (or as silhouettes) by combining natural and artificial lights in one scene."

  

Repeat spot, first seen in 2011 then again in 2016 - great to know it's still around in use.

 

Now up to 123k miles, with around 4,000 since it's previous MoT. There was a bit of a gap after it failed on a number of items in October '23 but the owner persevered and it passed in February 2024.

 

Just remembered that this wasn't the only Montego seen in 2024. There was also a saloon in France, but sadly we were on the move so no photo of that one.

One of the many apartment buildings in downtown Seattle. Were it not for blinds, they'd all be exactly the same, which both intrigues me and makes me feel like I need to shower... I'm not a fan of the cramped feel of a city.

Multiclick with Felica and the yellowfilter. 120-film Tri-x 400 expired 2007 dev. in 50+1 R09 13 min. Toning added in LightRoom.

fountain surface reflection

"Through the looking glass, make a memory"

 

- Charlotte Reynolds

 

"For me,photography is not a means by which to create beautiful art,but a unique way of encountering genuine reality."

 

Daido Moriyama

 

Instruction #16 -

Jolanta Mazur says:

 

“Colourful geometry”

Kauffman Foundation Parking Lot

Cropped down version of an earlier photo, posted long ago.

Instruction #11

 

David Gibson says:

 

“Catch Feet In-Step”

 

Last Saturday's walk around London took me back to some of my old haunts. There was the Bridge of Aspiration and then this, Thomas Schütte’s 'Model for a Hotel 2007', which sits on the fourth plinth at Trafalgar Square. This was taken at dusk - hence, the dark sky and the strongly lit panels, which came from nearby spotlights.

 

Revisiting some of these locations has been an interesting exercise to see if and how my style has changed over the last few months.

 

I wonder if the hotel was ever built???

 

Part of the ministract and dissection sets.

 

Point Lonsdale Australia

 

This is a re-edit as my earlier post that had extreme distortion of the legs due to my ultra wide angle lens. The waves aren't quite as good but it still turned out nice. Also this is one of the a few that I didn't get my lens completely covered in water so it's the keeper!

(Inside Echo Base)

 

[Loudspeaker]: *IMPERIAL WALKERS APPROACHING BASE. EVERYONE TO YOUR STATIONS. I REPEAT, EVERYONE TO YOUR STATIONS. THIS IS NOT A DRILL. I REPEAT, THIS IS NOT A DRILL*

 

[Rebel captain

]: "You heard it men! Everyone to your stations, and prepare for the Attack!"

 

[Several rebels]: "Yes sir!!"

 

*EVACUATION PROCEDURES ARE IN PROGRESS. PLEASE STAND BY FOR YOUR ORDERS*

 

[Rebel captain]: "Evacuation, eh? Has it really come to that? The imperials must be gaining ground fast."

 

[Rebel soldier]: "Not that I'll miss this planet anyway sir, I say the sooner we leave the better."

 

[Rebel captain]: "Get back to your station soldier! Whether you survive this conflict, or not, I expect you to do your best in your post! Now, is that communicator online?"

 

(Rebel soldier 2): ( Somewhat shaken by the attack ) "A-almost sir."

 

[Rebel captain] "Well, hurry up! We need to get up the communications to the trenches, to find out whats happening out there!"

 

(1 minute later)

 

[Rebel 2]: "Got it sir! communications are up and running, and there's a message coming through! Stand by..."

 

[Rebel 2]: "Sir! that was point beta! they say, their taking heavy casualties from the AT-AT's!" They are requesting air support!"

 

[Rebel captain]: "Right! give me the control of the loudspeaker!

 

[Rebel 1]: "Yes sir!"

 

(two minutes later)

 

[Rebel captain on loudspeaker]: *ATTENTION! THE TRENCHES ARE BEING HEAVILY SEIGED, AND ARE REQUESTING AIR SUPPORT! WE NEED ALL T-47 PILOTS TO THEIR VEHICLES! I REPEAT, ALL PILOTS TO THEIR SPEEDERS!*

 

( Captain catches sight of a pilot walking around on his phone, not headed for the hanger )

 

[Rebel captain]: "You! pilot! to your aircraft you idiot!"

 

[Pilot]: "Just a minute sir! I've been chasing this pokemon for thirty minutes, and I've almost got him!"

 

_____________________________________________________

 

Nothing like sitting on the floor of your room, eating crunchy, greasy, fried fries, and building hoth! XD

This is the second build for the contest between me and these other two guys. www.flickr.com/photos/141433104@N04/ & www.flickr.com/photos/carnagetheclone/

The theme for this build was "star wars, rebels/empire." So, since i have already done hoth, I kinda decided it would be fun to try again. :)

Sorry for the lame story, but after all those stories, about how stupid pokemon go is, i just had to mention it. :D

Thanks guys for your support guys! Really appreciate it as usual!

TFVAHAGD!!

god bless!

 

those who are pumped for mission 9.1, say "oh yeah!" XD

        

BNSF 9521 leads V-BLUSPM West through Mazon, Illinois. I shot BNSF 9521 leading back in June also on a vehicle train.

selection of some repeat patterns i've been working on

'Roid Week 2015

day 2

I brace myself for another

repeat.

The inhale/exhale of all things.

I ask myself

If I can handle

The ebb and flow

Which will sustain

And eventually damn me.

 

Does it matter if I don’t have a choice?

 

I feed the meter.

I read the scriptures.

I heed the words of my elders

Who tell me

To stitch sturdy knots in the fabric of my potential

Who tell me

To fear the great and inevitable

Consequence.

 

My skull is seething

I feel my bones begging

For a revolution that may never come

When I may cast off the shackles of polite existence

And go back

To eating berries.

 

**

I probably should have waited for a Monday to upload this, for maximum effectiveness. I'm too impatient to upload at the optimum times.

retrospectively reminds me of this

View LARGE / Facebook / Blog / Website / Twitter

 

faro, color attack

In todays neat juxtaposition here comes U717 running 5 minutes ahead of yesterdays time with standard power and a Keenan recrew on board. This was an 0100 train and should've been my S Curve shot around 0900 but I got no problem settling for this with my new 400

Chatsworth House, Derbyshire, UK

London gold enclosure to Buckingham Palace

"A sparrow falls by providence, and the evening sky

is smeared indigo. I won’t repeat our darling word

dusk, since breaking old habits is a new promise.

Sometimes the heart locks, before it dangles, ready

for releasing. Something in the amorphous shape

the trees espouse at this time of day is a resistance

to anything particular or complex, as if a more subtle

variation were possible. A toning down of contrast

makes the hour we named for us a kind of yielding.

‘We are something’, you say, and I try to believe.

But even as I write, the sky’s streaks fade, the burls

of cloud formations begin to disappear, obeying

Newton’s third law that for every act in this universe

there is an equal and opposite one. Today I walked

the streets, observing what I’ve missed of late—

a white magnolia in full bloom with delicately scented

petals, chaste as Ophelia, among the topiary plants;

a house in ruins becoming some ugly new development.

And, of course, I thought of us—that hole we cut

in the stillness of evening, when the heart is disposed

to abandon the thought of never wanting this to stop.

The heart is mute but cries out in protest: Be free,

what are you afraid of? Advice I tested last night

at the Opera Bar. I kissed the princely lips of madness:

Hamlet himself, after the proscenium. Not yet drunk.

His eyes, untamed, a little lost, perhaps. I trembled

but he didn’t seem to mind, and I was glad, recalling

a soliloquy which speaks of fate’s occasion being fickle,

how the end is ever present, how the readiness is all.

The harbour slapped softly, in Luna Park the Ferris wheel

turned. At least every so often, it is good to tremble.

And somehow the moment cured me of the incomplete

metaphor of madness I had taken for myself. So moments

change us, the evening bleeds and bruises. Words come

to me as freely as a sparrow falls, unfastened by the sky."

 

© 2010, Michelle Cahill

Departing Victoria Dock for the final time this year, RailFirst Asset Management locomotives VL353 & VL357 get QUBE's 9475 down Maryvale Paper train underway and pass C501, S311, CLF3 & 442s1 stabled on the SSR SG grain train in Appleton Dock. 31/12/21

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