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Removing a substantial wild nest established between a door shutter and door in my friend Kayoko Hayasaki's country house which she's restoring with her partner in Barnay near here (she's a potter in Paris - he's an actor).
This is what it looked like from the outside - the bees were pretty calm. I started by cutting out the the outside combs full of honey - hoping to get 3 or 4 good combs of brood and perhaps the queen which I could set up in a nucleus hive...
You can see the remains of the combs from the nest I removed exactly a year ago from the same place!
I have removed certain photos from this set, as i do not want to be incriminating anyone.
Around 8pm, on the 21st April 2011 police shut Cheltenham Road, in Stokes Croft. Based on speculation and rumor from Tesco that lodgers of the squat across the road were making petrol bombs, the property was raided by the police. Allegedly they didn't arrest anyone. Before the police had time to pull out, word was out that the police were evicting the residents! Riots broke out. Main action was pushed back to Picton street and City Road by Riot police. Dogs were used, Fires were lit... eventually the police pulled back and the new Tesco store vandalized. Things fizzled out by about 5am.
ALL PHOTOGRAPHS ARE SUBJECT TO COPYRIGHT, please contact me if you with to use any.
22.04.2011
Removing cables from under the computer room floor after all the equipment has been moved.
81 of 119 Pictures in 2019 - Piles of Things
Oxidization mainly occurs on the mirrors when the moisture slides through into the glass and therefore causes a layer between the glass and the silvering which gives the glass its reflective effect.
Help: I Have Got Spots on My Mirror @ MyDecorative.Com
AKA "The Brain Washer"
Bax Toh'Rhee had found a true mentor and friend in Doctor Kehl'Rhan, or at least he thought so. Going so far as to assist Bax in a surgery to remove and replace his own hand with a prototype that allowed him to feel through sensor clusters in the prosthetic.
When Kehl'Rhan asked Bax to accompany him to a new position at an outpost near the outer rim, it seemed like a great adventure as well as an opportunity. Unfortunately for Bax, the Doctor had a different set of experiments in mind for the young man. Almost immediately following their arrival at the outpost, Kehl'Rhan drugged Bax and locked him away in a secret lab and over the course of several months he conducted experiments on him that, in the end, amounted to a complete dissection. A slow, torturous living autopsy.
The Doctor used Bax's technological advances to keep his head alive and functioning as a CPU that processed all the data and completely ran the lab. Unfortunately for Bax, the Doctor had also been conducting other experiments that drew the attention of the authorities and he was arrested, tried and executed. The offsite lab was not discovered on the doctor's arrest and Bax remained, disembodied and trapped for 42 years.
During that time, Bax was able to use the robotics of the lab to construct a robotic body and even take control of it remotely. Eventually, the lab was discovered by a relative of Kehl'Rhan who inherited the madman's off the book properties and he was horrified by the revelation. Not allowing the opportunity to regain his freedom escape, Bax commanded his robot body to apprehend his captor's relative and forced them to assist in the surgical attachment of Bax's head and his new body. After the surgery, Bax killed his now savior in a fit of uncontrolled rage and made his escape.
Feeling the need to flee the planet before his actions were discovered, he made his way to a testing facility he had toured when he first arrived and happened on a starfighter that required only minor modifications to allow him to operate it using a neural interface. Overnight, he made his initial adjustments and integrated himself to the fighter, making a hasty escape. Of course, his departure was detected, but the security forces that were scrambled could not match the fighter's speed or maneuverability and the Evader Class easily lived up to its name.
TO BE CONTINUED... Maybe.
Built for the first round of FBTB's MOC Madness Alphabet Fighters 2013
Brought to you by the letter E.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
Union case - image #4 with mat and glass removed. Captioned on the reverse "Wife of Horace Poinier. Mayor of Newark, NJ. Taken in New York, 1854"
Records on ancestry.com suggest either Sarah Pierson Myers or "Annie M' but provide no further details about either. Except that both are listed as having children called William and John Woods.
Small amounts of delicate hand colouring. The mat on this image is particularly thick brass and stamped as being manufactured by Scovill Mfg Co.
One of four sixth-plate ambrotype images contained in an exceptional union case from around the late 1850s. One image is named as the wife of the Mayor Of Newark and dated 1854.
See set description and related images for further information.
Poortwachter 21/04/2020 13h54
The new refurbished station Poortwachter of the new Amsteltram, route 25 which is sheduled to open in December 2020. The level platform has been removed and a new platform on streetlevel is constructed.
Amsteltram (25)
The Amsteltram is a tram line under renovation between Amsterdam Zuid station in Amsterdam and Westwijk in Amstelveen. As a future second phase, the Amsteltram will be extended to Uithoorn. The tram line replaces metro line 51 (a.k.a. the Amstelveenlijn), a light rail line (sneltram) that ceased running on the 3 March 2019 to permit the renovation of the Amsteltram. The existing tram line 5 shared the same tracks with metro line 51 between De Boelelaan/VU and Oranjebaan stations, and continues to run with some bus replacement planned as the renovation progresses. On 11 September 2019, the Amsteltram was given the line number 25 (Tramlijn 25).
The Amsteltram project website presents the route as two sections. The northern section, between Amsterdam Zuid station and Westwijk in Amstelveen, retains the Amstelveenlijn name. The section south of Westwijk to Uithoorn, phase 2 of the project, is called the Uithoornlijn.
The Amsteltram will use low-floor trams (type 15G) manufactured in Spain by Construcciones y Auxiliar de Ferrocarriles (CAF). The trams are bi-directional with a cab at each end of the car to eliminate the requirement for turning loops. Each tram consists of 5 sections, and is 30 metres long and 2.4 metres wide. The capacity of each tram is 180 passengers including 50 seated. Sixty-three of these trams have been ordered. The trams can be coupled to run in pairs. The nose at each end of the tram is shaped so that in the event of a collision, the tram pushes aside the other vehicle rather than trapping it under the tram.
A new tram depot is being constructed south of the Westwijk terminus in Legmeerpolder on the south side of J.C. van Hattumweg. The site will have a service building (dienstgebouw) for GVB personnel and a mixed-use building (combinatiegebouw) with a rectifier station to convert AC to DC, technical space for minor repairs and storage space. Initially, the site will have storage for 26 trams with space for 10 more in future to handle the Uithoornlijn. There will be 2,500 metres of track including 11 turnouts. Construction started in September 2018 with a planned completion in the first quarter 2020. [ Wikipedia ]
So Deaf Havana are now a 4-piece. I went to see them play tonight with Emarosa in Southampton, and I wasn't really all that sure whether I'd like them as a 4-piece with no screaming, but they were just amazing. I'm proper impressed.
I took a few new pics for them. I do have more 'serious' ones, but I really like this! And it shows Jamesy's character a bit.
Known this band for a good 2 years, and I definitely rate them in my top 5 UK bands. You should check them out.
Strobist: 430 EX II, through umbrellas, band left and band right.
All images strictly © Marianne Harris. Do not use in any way without permission. Please do not edit my work. This includes removing my name, cropping, or any kind of photoshop manipulation.
Munition being loaded to Tornado GR4. This image was awarded 2nd place in the Royal Air Force Photography Competition.
Stewart began his career photographing tourists on morecambe promenade and punk bands, including The Clash and The Ramones, as they performed at local venues. Ater studying photography at Blackpool and The Fylde College, Stewart moved to London in 1981, assisting for three years before setting up his own studio. He has since become one of the UK’s most sought-after photographers splitting his time been working on personal projects and advertising commissions.
In 2009 Stewart's latest book, Thrice Removed, was published by Browns Editions. In an interview with Creative Review at the launch event Browns Nick Jones explained Stewart's motivation for the project. “David came to us with the idea for a book on relationships, not just familial but also those tenuous ones we have with people we have met through someone else or those people who are interconnected through one person, in this case, David Stewart. Some of the images also comment on our relationships with societies or groups.” The launch itself was also somewhat unorthodox as Creative Review reported "Four images were represented by a Clydesdale horse called Buster, five disaffected teen age girls, who not only recreated the shot from the book, but also helped sell copies of the book on the night, two lumberjacks who performed wood chopping skills, and a chip van which provided food for the evening.
All images © David Stewart
St Edmund, Southwold, Suffolk
I kept meaning to come back to Southwold - the church, I mean, for I found myself in the little town from time to time. I finally kept my promise to myself in the summer of 2017, tipping up on a beautiful sunny day only to find the church closed for extensive repairs. The days got shorter, and by the time the church reopened it was too late in the year for me to try again. In fact, it was not until late October 2018 that I made it back there, on another beautiful day.
Southwold is well-known to people who have never even been there I suppose, signifying one side of Suffolk to which Ipswich is perhaps the counter in the popular imagination. Some thirty years ago, the comedian Michael Palin made a film for television called East of Ipswich. It was a memoir of his childhood in the 1950s, and the basic comic premise behind the film was that in those days families would go on holiday to seaside resorts on the East Anglian coast. In the child Palin's case, it was Southwold.
The amusement came from the idea that people in those days would sit in deckchairs beside the grey north sea, or shelter from the drizzle in genteel teashops or the amusement arcade on the pier. In the Costa Brava package tour days of the 1980s, the quaintness of this image made it seem like something from a different world.
I remember Southwold in the 1980s. It was one of those agreeable little towns distant enough from anywhere bigger to maintain a life of its own. It still had its genteel tea shops, its dusty grocers, its quaint hotels and pubs all owned by Adnams, the old-fashioned and unfashionable local brewery. In the white heat of the Thatcherite cultural revolution, it seemed a place that would soon die on its feet quietly and peaceably.
And then, in the 1990s, the colour supplements discovered the East Anglian coast, and fell in love with it. The new fashions for antique-collecting, cooking with local produce and general country living, coupled with a snobbishness about how vulgar foreign package trips had become, conspired to make places like Southwold very sought after. Before Nigel Lawson's boom became a bust, the inflated house prices of London and the home counties gave people money to burn. And in their hoards, they came out of the big city to buy holiday homes in East Anglia.
Although they are often lumped together, the coasts of Norfolk and Suffolk are very different to each other (Cambridgeshire and North Essex are also culturally part of East Anglia, but the North Essex coast is too close to London to have ever stopped being cheap and cheerful, and Cambridgeshire has no coastline). Norfolk's beaches are wide and sandy, with dunes and cliffs and rock pools to explore. Towns like Cromer and Hunstanton seem to have stepped out of the pages of the Ladybird Book of the Seaside. Tiny villages along the Norfolk coast have secret little beaches of their own.
Suffolk's coast is wilder. Beaches are mainly pebbles rather than sand, and the marshes stretch inland, cutting the coast off from the rest of the county. Unlike Norfolk, Suffolk has no coast road, and so the settlements on the coast are isolated from each other, stuck at the ends of narrow lanes which snake away from the A12 and peter out in the heathland above the sea. There are fewer of them too. It is still quicker to get from Walberswick to Southwold by water than by land. Because they are isolated from each other, they take on individual personalities and characteristics. Because they are isolated from the land, they become bastions of polite civilisation.
Between Felixstowe in the south, which no outsiders like (and consequently is the favourite of many Suffolk people) and Lowestoft in the north, which is basically an industrial town-on-sea (but which still has the county's best beaches - shhh, don't tell a soul) are half a dozen small towns that vie with each other for trendiness. Southwold is the biggest, and today it is also the most expensive place to live in all East Anglia. Genteel tea shops survive, but are increasingly shouldered by shops that specialise in ski-wear and Barbour jackets, delicatessens that stock radicchio and seventeen different kinds of olive, jewellery shops and kitchen gadget shops and antique furniture shops where prices are exquisitely painful. Worst of all, the homely, shabby, smoke-filled Sole Bay Inn under the lighthouse has been converted by the now-trendy Adnams Brewery into a chrome and glass filled wine bar.
If you see someone in Norfolk driving a truck, they are probably wearing a baseball cap and carrying a shotgun. in Suffolk, they've more likely just bought a Victorian pine dresser from an antique shop, and they're taking it back to Islington. Does this matter? The fishing industry was dying anyway. The tourist industry was also dying. If places like Southwold, Aldeburgh and Orford become outposts of north London, at least they will still provide jobs for local people. But the local people won't be able to afford to live there, of course. They'll be bussed in from Reydon, Leiston and Melton to provide services for people in holiday cottages which are the former homes they grew up in, but can no longer afford to buy. Does this seriously annoy me? Not as much as it does them, I'll bet.
So, lets go to Southwold, turning off the A12 at the great ship of Blythburgh church, the wide marshes of the River Blyth spreading aimlessly beyond the road. We climb and fall over ancient dunes, and then the road opens out into the flat marshes, the town spreads out beyond. We enter through Reydon (now actually bigger than Southwold, with houses at half the price) and over the bridge into the town of Southwold itself.
Having been so critical, I need to say here that Southwold is beautiful. It is quite the loveliest small town in all East Anglia. None of the half-timbered houses here that you find in places like Long Melford and Lavenham. Here, the town was completely destroyed by fire in the 17th century, and so we have fine 18th and 19th century municipal buildings. One of the legacies of the fire was the creation of wide open spaces just off of the high street, called greens. The best one of all is Gun Hill Green, overlooking the bay where the last major naval battle in British waters was fought. The cannons still point out to sea. The houses here are stunning, gobsmacking, jaw-droppingly wonderful. If I could afford to buy one of them as a weekend retreat, then you bet your life I would, and to hell with the people who moaned about it.
At the western end of the High Street is St Bartholomew's Green, and beyond it sits what is, for my money, Suffolk's single most impressive building. This is the great church of St Edmund, a vast edifice built all in one go in the second half of the 15th century. Only Lavenham can compete with it for scale and presence. Unlike the massing at St Peter and St Paul at Lavenham, St Edmund is defined by a long unbroken clerestory and aisles beneath - where St Peter and St Paul looks full of tension, ready to spring, St Edmund is languid and floating, a ship at ease.
Southwold church was just one of several vast late medieval rebuildings in this area. Across the river at Walberswick and a few miles upriver at Blythburgh the same thing happened. Blythburgh still survives, but Walberswick was derelicted to make a smaller church, as were Covehithe and Kessingland. Dunwich All Saints was lost to the sea. But Southwold was the biggest. Everything about it breathes massive permanence, from the solidity of the tower to the turreted porch, from the wide windows to the jaunty sanctus bell fleche.
Along the top of the aisles, grimacing faces look down. All of them are different. The pedestals atop the clerestory were intended for statues as at Blythburgh, but were probably never filled before the Reformation intervened. At the west end, above the great west window, you can see the vast inscription SAncT EDMUND ORA P: NOBIS ('Saint Edmund, pray for us') as bold a record of the mindset of late medieval East Anglian Catholicism as you'll find.
As at Lavenham and Long Melford, the interior has been extensively restored, but not in as heavy or blunt a manner as at those two churches. St Edmund has, it must be said, benefited from the attentions of German bombers who put out all the dull Victorian glass with blast damage during World War II. Here, the interior is vast, light and airy, and much of the restoration is 20th century work, not 19th century.
Perhaps because of this, more medieval interior features have survived. Unlike Long Melford, Southwold does not have surviving medieval glass (Mr Dowsing saw to that in 1644), but it does have what is the finest screen in the county.
It stretches right the way across the church, and is effectively three separate screens. There is a rood screen across the chancel arch, and parclose screens across the north and south chancel aisles. All retain their original dado figures. There are 36 of them, more than anywhere else in Suffolk. They have been restored, particularly in the central range, but are fascinating because they retain a lot of original gesso work, where plaster of Paris is applied to wood and allowed to dry. It is then carved to produce intricate details.
The central screen shows the eleven remaining disciples and St Paul. They are, from left to right, Philip, Bartholomew, James the Less, Thomas, Andrew, Peter, Paul, John, James, Simon, Jude and Matthew.
The south chancel chapel is light and open. The bosses above are said to represent Mary Tudor and her second husband Charles, Duke of Brandon. The screen here is painted with twelve Old Testament prophets, and Mortlock suggests that they are by a different hand to the images on the other two screens. Here on the south screen, some of the figures have surviving naming inscriptions, and Mortlock surmises that the complete sequence, from left to right, is Baruch, Hosea, Nahum, Jeremiah, Elias, Moses, David, Isaiah, Amos, Jonah and Ezekiel. Further, he observes that the subject is a usual one for the English Midlands, but rare for East Anglia, and that perhaps this part of the screen came from elsewhere. The same may be true of the other two parts - it is hard to think that the central screen was deliberately made too wide for the two arcades.
The north aisle chapel is reserved as the blessed sacrament chapel. The screen is harder to explore, because the northern side is curtailed by a large chest, but it features angels. Unlike the screens at Hitcham and Blundeston, which show angels holding instruments of the passion, these are the nine orders of angels, with Gabriel at their head, and flanked by angels holding symbols of the Trinity and the Eucharist. Mortlock says that they are so similar to the ones at Barton Turf in Norfolk that they may be by the same hand, in which case the central screen is also by that person. They are, from left to right, the Holy Trinity, Gabriel, Archangels, Powers, Dominions, Cherubim, Seraphim, Thrones, Principalities, Virtues, Messengers, and finally the Eucharist. The Holy Trinity angel still has part of the original dedicatory inscription beneath his feet.
If part or all of this screen came from elsewhere, where did it come from? Possibly either Walberswick, Covehithe or Kessingland, the three downsized churches mentioned earlier. More excitingly, it might have come from one of the churches along this coast that was lost to the sea, perhaps neighbouring St Nicholas at Easton Bavents, or, just to the south, St Peter or St John the Baptist, the two Dunwich churches lost in the 16th and 17th centuries. We'll never know.
If you turn back at the screen and face westwards, your eyes are automatically drawn to the towering font cover, part of the extensive 1930s redecoration of the building. The clerestory is almost like a glass atrium intended to house it. Also the work of the period is the repainting and regilding of the 15th century pulpit (a lot of people blanch at this, but I think it is gorgeous) and the lectern. Beneath the font cover, the font is clearly one of the rare seven sacraments series, and part of the same group as Westhall, Blythburgh and Wenhaston. As at Blythburgh and Wenhaston, the panels are completely erased, probably in the 19th century, an act of barbarous vandalism. Given that Westhall is probably the best of all in the county, we must assume that three major medieval art treasures were wiped out. Astonishingly, vague shadows survive of the former reliefs; you can easily make out the Mass panel, facing east as at Westhall, the Penance panel and even what may be the Baptism of Christ.
Stepping through the screen, the reredos ahead is by Benedict Williamson and the glass above by Ninian Comper, familiar names in the Anglo-catholic pantheon, and evidence of an enthusiasm here that still survives in High Church form. There is a good engraved glass image of St Edmund to the north of the sanctuary, very much in the 1960s fashion, but curiously placed. On the wall of the chancel to the west of it, the high organ case is also painted and gilded enthusiastically.
As well as the screen, Southwold's other great medieval survival is the set of return stalls either side of the eastern face of the chancel screen. They have misericord seats, but the best feature are the handrests between the seats. On the south side, carvings include a man with a horn-shaped hat and sinners being drawn into the mouth of hell. On the north side are a man playing two pipes, a monkey preaching and a beaver biting its own genitals, a tale from the medieval bestiary, apparently.
What else is there to see? Well, the church is full of delights, and rewards further visits which always seem to turn up something previously unnoticed. St George rides full tilt at a dragon on an old chest at the west end of the north aisle. There is good 19th century glass in the porch and at the west end of the nave. A clock jack stands, axe and bell in hand, at the west end, a twin to the one upriver at Blythburgh. This one has a name, he's called Southwold Jack, and he is one of the symbols of the Adnams brewery.
As Mortlock notes, there are very few surviving memorials. This is partly because St Edmund was not in the patronage of a great landed family, but it may also suggest that they were largely removed at the time of the 19th century restoration, as at Brandon. One moving one is for the child of a vicar, and there are some interesting pre-Oxford Movement 19th century brasses in the south aisle.
High, high above all this, the roofs are models of Anglo-Catholic melodrama, the canopy of honour to the rood and the chancel ceilure in particular. But there is a warmth about it all that is missing from, say, Eye, which underwent a similar makeover. This church feels full of life, and not a museum piece at all. I remember attending evensong here late one winter Saturday afternoon, and it was magical. On another visit, I came on one of the first days of spring that was truly warm and bright, with not a cloud in the sky. As we drove into town, a cold fret off of the sea was condensing the steam of the brewery, sending it in swirls and skeins around the tower of St Edmund like low cloud. It was so atmospheric that I almost forgave them for what they have done to the Sole Bay Inn.
Remove the separation between yourself and your subject
— Graeme Williams
I'll admit I've struggled with this challenge. I've not been able to come up with anything new or fresh to do it justice. In a sense I've hit a wall. Out of time and out of ideas. I'm not happy about it but I'm going to accept this challenge has gotten the best of me and move on.
[+5]
“The play is done; the curtain drops,
Slow falling to the prompter's bell
A moment yet the actor stops
And looks around to say farewell.
It is an irksome word and task:
And when he's laughed and said his say,
He shows, as he removes the mask,
A face that's anything but gay.”
- William Makepeace Thackeray
I honestly did not plan on taking pictures today, other than my one 365. However, I had friends come over to do a project and it kind of energized me.
•FOLSOM STREET FAIR 2012•FOLSOM STREET FAIR 2012 !
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"I rather see everyone walking around in the nude , than everyone walking around with guns."
adda dada
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"Bolton Castle is a 14th-century castle located in Wensleydale, Yorkshire, England. The nearby village Castle Bolton takes its name from the castle. The castle is a Grade I listed building and a Scheduled Ancient Monument. The castle was damaged in the English Civil War, and “slighted” afterwards, but much of it survived. It has never been sold and is still in the ownership of the descendants of the Scrope family.
The castle was built between 1378 and 1399 by Richard, 1st Baron Scrope of Bolton, and is an example of a quadrangular castle. The licence to build it was granted in July 1379 and a contract with the mason John Lewyn was made in September 1378. Construction was reputed to cost 18,000 Marks. The 16th-century writer John Leland described 'An Astronomical Clock' in the courtyard and how smoke was conveyed from the hearth in the hall through tunnels. Bolton Castle was described by Sir Francis Knollys as having 'The highest walls of any house he had seen'.
In 1536 John, 8th Baron Scrope supported the Pilgrimage of Grace rebellion against the religious reforms of King Henry VIII and gave Adam Sedbar, Abbot of Jervaulx sanctuary in the castle. In consequence John Scrope had to flee to Skipton pursued by the King's men but Abbot Sedbar was caught and executed. In retribution the king ordered Bolton castle to be torched, causing extensive damage. Within a few years, some of the damage had been repaired and Sir John had regained his seat in Parliament.
Mary, Queen of Scots was held prisoner at Bolton for six months. The story goes that she escaped and made her way towards Leyburn only to lose her 'shawl' on the way, hence the name ('The Shawl') of the cliff edge that runs westward out of Leyburn and is a well-known spot for easy walks with excellent views.
After her defeat in Scotland at the Battle of Langside in 1568 she fled to England, posing a threat to the position of the Protestant Queen Elizabeth I. Mary was initially held at Carlisle Castle under the watch of Henry, 9th Baron Scrope, but Carlisle proved unsuitable and in July 1568 Mary was moved to Bolton. Her primary keeper at this location was Sir Francis Knollys who gave Mary Henry Scrope's own apartments in the South-West tower. Of her retinue of 51 knights, servants and ladies-in-waiting only 30 of her men and six ladies-in-waiting were able to stay in the castle, the rest taking lodgings nearby. Her household included cooks, grooms, hairdresser, embroiderer, apothecary, physician and surgeon. Bolton Castle was not initially suitable for housing a Queen, so tapestries, rugs and furniture were borrowed from local houses and nearby Barnard Castle in County Durham. Queen Elizabeth herself loaned some pewter vessels as well as a copper kettle.
Mary's keepers allowed her to wander the surrounding lands and often to go hunting. Her prime occupation while at the castle was having her hair done by her friend Mary Seton. Francis Knollys (the elder), whom Mary nicknamed 'Schoolmaster', taught her English, as she only spoke French, Latin and Scots. She even met with local "Papists" (Catholics), something for which Knollys and Scrope were severely reprimanded. In January 1569, Mary was removed from Bolton Castle for the last time, being taken to Tutbury in Staffordshire where she would spend much of the 18 years before her execution in 1587.
After the death in 1630 of Emanuel Scrope, 1st Earl of Sunderland, without any legitimate children, Bolton Castle was inherited by Mary the eldest of his three illegitimate daughters. She married Charles Powlett, 6th Marquess of Winchester and 1st Duke of Bolton.
The castle is currently owned by their descendant, Harry Algar Nigel Orde-Powlett, 8th Baron Bolton, who inherited on his father's death. His residence in 2016 was Wensley Hall, Wensley, Leyburn. Bolton Castle is run by his son and daughter-in-law, Thomas and Katie Orde-Powlett.
There is also a garden including a maze, herb garden, wild flower meadow, rose garden and a vineyard on the site. Falconry displays are provided to visitors during some months. The castle is now a tourist attraction and is also rented out occasionally for events such as weddings. Part of the structure is a ruin but the other section has been restored; this attraction had a 4.5 star rating in mid 2018 by the users of TripAdvisor who had visited the castle." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Become a patron to my photography on Patreon.
BANGKOK — The final scaffolding has been removed today Thursday 19. October 2017, and this photo just did tonight, from the completely finished funerary complex seen from afar, for the cremation of King Bhumibol one week from now in Bangkok’s Sanam Luang.
The Royal Funeral and Crematorium Site for
HM the late King Of Thailand Bhumibol Adulyadej, Rama IX, which will be held between 25-29 October 2017.
In the middle, the newly amazing created cremation site, which seems taller than any other temple nearby.
พระเมรุมาศ พระบาทสมเด็จพระปรมินทรมหาภูมิพลอดุลยเดช
Sanam Luang
2 Ratchadamnoen Nai Road Khwaeng Phra Borom Maha Ratchawang
Khet Phra Nakhon
Krung Thep Maha Nakhon
10200, Thailand
19. October 2017/2060
Wongwian Yai, Thonburi [Seen from my rooftop 5km South]
© Andy Zingo
andyzingophotography[at]gmail.com
The Nation
ABOUT 250,000 Thai citizens are expected to attend the Royal Cremation of His Majesty the late King Bhumibol Adulyadej, at Sanam Luang in Bangkok on October 26, Deputy Prime Minister General Prawit Wongsuwan said yesterday.
If Sanam Luang becomes overcrowded, the authorities will seek the cooperation of mourners to place funeral flowers at replicas of the Royal Crematorium at various sites around Bangkok instead, Prawit said. He was speaking after a meeting of the committee tasked with providing security and traffic during the Royal Cremation. Spanning five days from October 25-29, the cremation will be a spectacular event infused with Buddhist ceremonies, cultural performances, and mysterious palace rituals.
- unquote The Nation
Kingdom Grieves September 30, 2017
I bought myself another leather case for my double stroke Leica M3 camera. I went with an old original M3 ever ready case in average shape. The front cover (or nose) had some minor tears where it folded but surprisingly the rear plastic window that shows the ISO/ASA was intact. This often cracks and has cracked on my other case. Anyway the purpose was to remove the front part and use it as a half case.
Without too much effort I managed to remove the brass rivet and avoided creating too many marks on the case. I’m happy with the result and I think it will work fine.
Long term I think I will attempt to repair the front (or get my brother to do it) and replace the rivet hole with a press stud so I can have the best of both worlds, a half case when in use and a whole case when being stored.
Rapunzel is next to be freed from the display stand. First the spacer attached to the lantern and her hand is removed. Then all the tabs attaching her gown to the base of the cardboard backing are cut off. Next, we have to remove her from the doll stand. Her skirt is raised, revealing a tulle petticoat. Below that is tissue paper wrapped around her legs. The tissue paper is removed, revealing two wires tying her legs to the post of the doll stand. We also see her flat dark purple shoes.
Flynn is then removed from the doll stand, by undoing the wire tying him to the doll stand, and moving him out of the the spacer between him and Rapunzel, and then off the doll stand, which has a clamp around his waist. There is still a wire around his waist, and Rapunzel's crown is sewn to his belt pouch. The wire is removed without having to undo his clothing. Rapunzel's crown is detached from his pouch (by cutting a thread), and placed inside the pouch. He is now fully deboxed.
The cardboard backing is now cut off from the base of the case. This makes the further deboxing and re-boxing easier, as well making the dolls viewable from all angles (except from below). The rear spacer is then removed from Flynn. He is still wired to the doll stand, and attached to a spacer between himself and Rapunzel.
The cardboard backing has been split open by cutting along the edges with a knife. There is clear tape holding the two layers of the backing together. Inside the backing are the ends of the plastic spacers, wires and rubber bands fastening the dolls to the packaging. Then the backing is separated from the dolls by undoing the wires and tape in the back and pushing the tabs and wires through the backing. The backing is then laid flat on the counter behind the dolls. The dolls are still attached to the backing and to the doll stands.
Deboxing my Rapunzel and Flynn Rider Doll Set. First the cardboard cover sleeve is slipped off the case, to reveal the dolls behind the acrylic cover of the case. Then the acrylic cover is taken off, so the dolls are now in clear view. They are anchored to the base by the built in doll stands, and attached to the cardboard backing and plastic spaces by wires, rubber bands, thread and plastic T-tabs. Rapunzel looks lovely in her dramatic pose, gazing at the lantern held aloft in her right hand. Unfortunately, she completely blocks Flynn, who is almost directly behind her. They don't look very romantic when they aren't looking at each other, and are not touching, with a large hunk of plastic between them.
Disney Fairytale Designer Collection
US Disney Store
Limited Edition of 6000 Sets Worldwide
#2411 of 6000
$129.95
Released and purchased in store September 3, 2013
To be released online September 4, 2013
First Look
I got my Rapunzel and Flynn Rider Doll Set from my local Disney Store today, its release day, Tuesday September 3, 2013. There were only ten (10) people in the raffle for 18 doll sets, so less than the crowd for Snow White and the Prince (when there were about a dozen takers). Once again I was the first name to be called (I know, something smells fishy about that kind of luck), so I was happy to be the first to purchase my Tangled doll set. I noticed that the Disney Fairytale Designer Collection section now had the four remaining doll sets all displayed. The Snow White doll set was now gone from the display, as they are sold out. They were now restocked with mugs, and had a good supply of all five different DFDC mugs. I didn't bring my camera, so I didn't take any photos of the display.
As soon as I paid for my doll set, I took it outside, to a table in a rest area just outside the store. I took the box out of the gift bag, and saw the base and sleeve were in perfect shape. Then I carefully lifted the cover sleeve off the case, and inspected the dolls. They both looked in perfect shape. Rapunzel was even in a decent pose, with her head tilted at a normal looking angle, to gaze at the lantern. She looked as beautiful as I expected from seeing her in the promo images, and in person at the D23 Expo and my local store. What I was most impressed with was her outfit, as I never looked really close at it before, being afraid to handle the display dolls in the Expo or my local stores. While I was inspecting the dolls, several people near me asked about the dolls, and I put on my best salesman face to sell them on the dolls. They looked as though they were impressed by the look of the dolls.
I will photograph the dolls boxed, during the deboxing, and then fully deboxed. I will also compare them with other dolls in my collection.
Text of the box notes on the back of the cover sleeve:
A romantic at heart, Rapunzel is artistic, creative and full of curiosity. Spending her days painting and singing, her energy is as limitless as her hair is long. However, when the handsome thief Flynn Rider picks her mysterious and secluded tower as his hideout, the two begin a journey together that will untangle many secrets along the way.
Signature long hair romantically styled with braiding and flowers. Printed satin corset bodice with puffed velvet sleeves and lace detail. Warm illuminating lantern.
Layered gown with ornate golden detailing. Rich velvet overlay with gemstones and gold printed inset.
Suede-like vest that's belted with a satchel to hold the Princess' crown. Boots to finish his rugged look.
The Harrods Pink Aurora doll removed from the box, but still attached to the cardboard backing.
Deboxing the Harrod Aurora dolls. After opening up the box, the plastic covers over the two dolls are removed, leaving the dolls in clear view. They are attached to the cardboard backing and plastic spacers. The Certificates of Authenticity are removed from under the inner boxes, and place in front of the dolls. They both say 32 of 100, as did the shipping carton. Next the inner cardboard backing, with the dolls attached, are removed from the box. They are free standing, and are placed next to each other.
Opening the box. First the front cover is opened, revealing the two dolls facing each other in their own inner boxes. The hinges are made from thin cardboard. Then the cover is folded flat against the side of the box. The two inner boxes are then unfolded, so we can get a clear view of the Pink and Blue Aurora dolls. They are angled towards each other. The box halves have clear plastic covers, bordered by white designs and are without any text. Then the front cover is unfolded from the side of the box, to show the text on the inside. Finally the sections are fully unfolded, so the dolls and inner cover are facing straight ahead.
I purchased the special Harrods Limited Edition Aurora Doll Gift Set directly from Harrods on Tuesday, October 21, 2014. It was sold only by Harrods of London, and limited to 100 sets. The regular releases was on October 7 and 8. I first heard about the Harrods dolls on October 13, and it took a week of sleepless nights and persistent calling to finally get the dolls. It was shipped last Friday, Oct 24, and delivered to my home today Monday Oct 27.
The Harrods Aurora Doll Set consists of 17'' Princess Aurora dolls in Pink and Blue variations of her gown. The dolls are by the Disney Store, but with special embellishments over the "regular" releases (that were LE 5000 for the Pink, and LE 4000 for the Blue). They are in a unique box which opens up like a book, with the dolls enclosed in separate inner boxes, and facing each other like mirror images. They are #32 of 100.
The Aurora Doll Set was packed expertly by Harrods, with the original DS shipper box wrapped in heavy duty bubble wrap, then fitted inside a Harrods shipper box with no wriggle room. The receipt was on the top of the box, which showed the original price, the VAT that was removed, then the shipping charge and handling charge added. The total was 505.58 British pounds, or $817.85, which is just slightly more than the retail price of 500 pounds. That is more than three times the cost of the regular LE Aurora dolls (which retailed for $119.95).
I will post detailed photos of the set boxed, during deboxing, and fully deboxed. I will also post comparison photos with the ''regular'' LE Aurora dolls.