View allAll Photos Tagged Relateable
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
Ancient Art Week! Black-Figure Vase with The Departure of Memnon for Troy Greek, circa 550-525 BC. Royal Museums of Art and History, Brussels, Belgium. Modern scholars all relate this simple scene to one of the last moments of the Trojan War. The black man is Memnon, the great warrior said to be from “Aethiopia,” who is briefly mentioned by Homer in the Iliad, the epic account of the struggle between Greece and Troy. The story of Memnon was greatly enlarged upon by subsequent writers, who relate his arrival at Troy with innumerable troops. Although Achilles slays him in battle, in the manner of the Greek epic, Memnon’s fame only increases, and he is made immortal by the gods. Read More at TheRoot.com This work is an example of something that I’ve had to explain to people who thought they were being extremely clever. A lot of people, including art history teachers, will tell you that “Black figure technique” has nothing to do with depicting race. And it doesn’t necessarily, except for when…you know…it does. Memnon is a canonically Black character from Greek literature, depicted above on a vase in which he is shown to be Black, with this technique, and obviously contrasted with two figures who aren’t Black. And yet, even given the evidence of their own eyes, people will still argue that Memnon is fictional, and that somehow “doesn’t count” towards *ahem* “proving” whatever they have decided my point is supposed to be. Expect, well, you also have the surviving portrait bust of a real man who was also called “Memnon” (he was a student of philosopher Herodes Atticus) specifically because of his Ethiopian ancestry and his perceived resemblance to the Memnon of legend. Too much of what we conceptualize around the aesthetics of Ancient Greece and Rome is actually from the European Renaissance, with its focus on “Classical” virtues, values, and aesthetics. Then, you have the Enlightenment, with its scientific racism, racial-cultural claim-making, and philosophical justifications for enslavement, genocide, and colonialism. The imposition of whiteness onto the past, and “cleaning it up” (I’m talking dunking the Elgin Marbles in acid) to better fit a misconception of the past, can be related to Western chromophobia. What we think of as our own personal, “aesthetic” choices are actually shaped by these massive social and historical forces. And that doesn’t even begin to go into how Greco-Roman cultural achievements are perceived in the United States as belonging to whiteness and as evidence to support white supremacy, as opposed to being culturally-specific to the people descended from Greek and Roman cultures in antiquity. And before you start to think, “oh, well, not ME, I haven’t been affected by these ideas” take a look at Augusta Prima Portia’s original color scheme and let me know whether it bothers you: It’s a source of aggravation for me that we lie so much to ourselves and others when it comes to just how much we project OUR ideals onto the past, and then throw up our hands and say, “it’s not ME, it’s history!” Too much of art history writing approaches its subjects with the assumption that we can somehow know the intricacies of the society and culture, much less the individual(s), that produced the art we see before us today. And even so, this massive cultural arrogance would be less destructive if it didn’t also cut off other lines of speculation and research. So, how many exceptions does it take to show that the rule is wrong? How many things can be “the only”, or “an anomaly” or “just an artistic convention” or other terms that mean the same thing, in essence? How much “cherry picking” can I truly be doing if I am pretty much buried in flipping cherries? But that doesn’t matter when you come to the research table with the preconceived notion that whiteness is the default, and every human figure you’re going to see “from history!” is white until “proven” otherwise, in a field where “proof” is irrelevant to actual evidence. Anyhow, I’m going to be posting more black-figure works I think are relevant to the topic at hand. And as always, it is up to you to decide what you see.
La ministra de Justicia, Javiera Blanco, recibió a Maina Kiai, relator especial de Naciones Unidas sobre el Derecho a la Libertad de Reunión Pacífica y de Asociación. 21.09.2015
Foto:Claudia Basaure P.
"It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well." - Henri-Frédéric Amiel
If you enjoy my work, please consider becoming a fan on www.facebook.com/VincentIannone or give me a watch. Thanks for viewing.
Information relating to the aircraft is on the Cessnock Aerodrome - Hunter Valley Vintage Wings website at www.huntervalleyjoyflights.com.au
This photograph was taken by Mr Barry Howard who has kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to his collection and allowed us to publish the images.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose please obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you would like to comment on the photograph, please contact Cultural Collections at the University of Newcastle, NSW, Australia, or leave a comment below.
This relates to gross motor skills because the toddler uses large muscle groups to perform large movements.
Relates to UNDP-supported LDCF-funded project ‘Enhancing National Food Security in the Context of Global Climate Change’ www.adaptation-undp.org/projects/kiribati-denhancing-nati...
Historic documents relating to the German immigration to British Kaffraria in the 1850's, photographed in the East London Museum, Eastern Cape, South Africa on July 7, 2008. Emigration Contract: Gustav Godeffroy, Sir George Grey and Wilhelm Schulz.
Some histories relate Little John as a native of Hathersage. Robin Hood is said to have been born at Loxley just 8 from Hathersage. Although no specific mention seems to be made of where Little John was born there is considerable evidence of his burial remaining in Hathersage. The 10ft long grave in the churchyard in 1784 yielded a 30 inch thigh bone. This bone after being exhumed from the grave has since supposedly disappeared.
Photographs ©2013 PHH Sykes
phhsykes@googlemail.com
Documents from the early 1990s relating to blood plasma transfusion by Henan provincial government and military blood plasma collection stations that led to the spread of HIV to many people who sold blood. The blood collection stations were closed in the mid 1990s though some continued this very profitable business underground.
HIV Blood Transfusion Disaster Documents For more information see: en.wikipedia.org/wiki/Plasma_Economy The Wound by He Aifang on the history of blood disaster museums.cnd.org/CND-Global/CND-Global.01-01-25.html
Links to US Embassy website mentioned at the end of the report above are archived on the Internet Archive web.archive.org/web/20010809150226fw_/http://www.usembass...
See also article Dr. Gao Yaojie Human Rights China at www.hrichina.org/content/4754
El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
Those words relate to me more than you guys think.
thay the main reason why i chose them.
And the sad thing is, time changes us.
P.S: the white bokeh, is rain :)
Clemant Voule, Relator Especial das Nações Unidas sobre os Direitos à Liberdade de Reunião Pacífica e de Associação, compareceu a evento no Centro de Artes da Maré, com organizações e coletivos para formalização de relatório. | Foto: Douglas Lopes
This was taken a few months back, but relates to something kind of funny/strange that happened last week. First of all, it is not our cat, but that is our side yard fence. The cat belongs to the house behind us. He is staring at another neighborhood cat that was in our front yard at the time.
So, the other night I wake up around 5am and go to the bathroom. I hear water running in the pipes below. Very loud. I go downstairs and look around thinking maybe a pipe burst, but can't find anything, so I turn off the water main to the house to make the noise stop. After lying awake for 2 hours until the sun came up, which included going down to check around the house with a flashlight for leaking water, including outside, I finally get up again and use the bathroom. Afterward, I turn on the water main to fill up the toilet tank. This time, I quickly traced the sound of the water from the pipes below our room to the hose bib on the side of the house right below where this cat is sitting in this photo. Sure enough, the faucet is on. At first I was at a loss to explain it. Finally arrived at the possibility of an animal turning on the faucet by bumping into it, since I've actually done that a few times. Sure enough, lots of scratches on the fence boards next to the faucet. Yeah, the house is weird in that the pipes to that faucet go up through the center of the house to the attic and then down the side wall. It is like they forgot to plumb for it when they poured the foundation. Most of the pipes are there instead. I never hear that faucet from inside when it is on since I'm the one using it outside normally.
Short story long, I think this cat had used the faucet as a spring board enough times to climb up the fence that it had finally nudged the water on. It can't have been on for long, since there wasn't any puddling yet. It had rained the night before, though, so I didn't notice it when I waved the flashlight around earlier. All I can say is that I'm glad we didn't have a leak in the house like I was originally imagining in my fog of sleep. That, and I'm glad the water was only on for a little while. I don't think it would have done any damage since the water would have run off into the yard and down the street, but it would have been a huge waste if it had happened a few days previously, when we were away for the weekend.
Cute cat, though. He is a roamer. Kind of surprised the coyotes haven't gotten him yet. We still haven't gotten any new cats. Still strange to not have any in the house anymore. We're thinking maybe in the spring.
Various papers relating to Mr.Thomas Wheeler my late Grandfather.Sadly he died when I was just eleven years of age.I do however recall it was he that took me on my very first fishing trip using the first fishing rod and reel that he bought me.The images here are from WWII papers when he was an active serviceman and I only recently found these in an old album of my late father`s.These are the first twenty images in nigh on eighty images of both his army papers and my Great Grandparents (to come later) images.Some images are somewhat the same but have different focus points and apertures,mainly to suit prospective customers on Alamy.com stock images.I sincerely hope you enjoy the images and hope you see,as I did,what I think is one of many of the Identity Card issued during WWII.As you can see my Grandfather first signed up in September 1940 and seved right up until the end of the war 1945.He was then signed up for the reserves.Do Not Use Without Express Permisison From Peter Wheeler.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Pompeii - Directors: The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - "Directors: Pompeii - The Excavations and Restorations 1860-1910." POMPEIVIVA - SSBANeP 2010.
www.pompeiviva.it/pv/en/responsabiliattivitascavo_1860191...
This is a Portfolio relate to DC Comic and movie , Restore a role of Batman: Arkaham Asylum.
Harley Quinn/
I created this group of photos in China, an abandoned hospital building, to restore the role of a business works.
The creative process used in the camera, flash, soft umbrella, color film, reflectors, tripods and other props. Thank model Asa, and to help this group of photos I took several support staff.
This group of photos to show the audience a great reduction in the original crazy clown female offenders, if you know cosplay, understand Batman, then this will not be unfamiliar. I think this group of photos into a lot of photography after shooting, restore the role of a work that conveys the role of personality and the whole atmosphere of the original, is a group of the more successful works.
Besides me, there are many creative combinations, of course, I also plan and prepare some of the more impact work. In the future I plan to shoot some surreal landscape and travel photography work
An Art Installation relating to the Cusp Conference which is a Conference relating to people with good ideas, and art. www.cuspconference.com
Posted by Second Life Resident Torley Olmstead. Visit Connected.
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA: The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii. Foreign Press (1904-2002). "Treasure Found At Pompeii: A Silver Table-Service," The Times (Jan 07, 1931): 16.
立法會中醫藥發展事宜小組委員會參觀香港標準及檢定中心
立法会中医药发展事宜小组委员会参观香港标准及检定中心
LegCo Subcommittee on Issues Relating to the Development of Chinese Medicine visits the Hong Kong Standards and Testing Centre (2015.04.27)
"Sustainability can relate to the memory and preservation of the traditional craftsmanship and in 1.26, we see an extremely innovative way of preserving a craft that might be seen as obsolete by most. Janet Echelman has been inspired by the traditional craftsmanship of fish net weaving and lace making in the construct of her urban sculptures and has re-intepreted the technique to new heights through the technology that she had utilised, allowing all to appreciate traditional crafts in a new form.
In the piece for i Light Marina Bay 2014, Janet Echelman’s luminous 1.26 sculpture will suspend over the floating platform. The form and content has been drawn from observing Earth’s interconnected systems. Echelman used laboratory research from NASA and NOAA which documented the effects of the 2010 earthquake in Chile — the historic shock resulted in the shortening of the earth’s day by 1.26 microseconds, which became the influence for the installation’s name. The colorful volumetric piece takes the shape of a tsunami sweeping across the ocean. In her studio, she generated a three-dimensional model of the tsunami that resulted from Chile’s earthquake, then used software to create an outline of the rendering’s highest amplitude area, realising the silhouette as a sculptural form. The material underscores connectivity — Echelman’s work utilises Honeywell Spectra fibre, a material that is 15 times stronger than steel by weight. The knotted mesh can withstand high winds, but is engineered specifically to imitate the intricacy of handmade lace.
This piece not only reminds us of today’s ever changing face of the earth and the effects natural disasters have on people, but it is also a piece that highlights the courageousness of the survivors and the interconnected populations who are fighting against these effects of climate change in today’s context."
Source: livinghistories.newcastle.edu.au/nodes/view/31458
See photo at www.flickr.com/photos/uon/19134025181/
The image was scanned by Cultural Collections at the University of Newcastle, Australia and has been published simultaneously on the Coalfields Heritage Group's and the University of Newcastle's Flickr sites.
Please contact The Coalfields Heritage Group if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Pompeii - Excavations and Restorations 1910 - 1961." POMPEIVIVA - SSBANeP 2010.
Fonte / source: POMPEIVIVA - "Pompeii - Excavations and Restorations 1910 - 1961." POMPEIVIVA - SSBANeP 2010.
Untitled - 1963
Robert Rauschenberg (1925 - 2008)
Medium - Oil, graphite, and screen print on canvas
“Painting relates to both art and life...I try to act in that gap between the two.”
-Robert Rauschenberg
Rauschenberg and fellow artist Jasper Johns incorporated commonplace images and materials into their work, as seen here in the inclusion of a Coca-Cola sign. These two artists, who shared an intimate personal and artistic relationship, paved the way for the development of Pop Art in the 1960s.
Confronted with a large, sign-filled, silkscreened photograph and hints of readable language, one cannot help but search Rauschenberg’s untitled picture for meaning. Yet the sheer number and variety of marks and symbols in the image frustrates this endeavor, leading us down a series of interpretive dead ends. Ultimately, the work is about the effort of searching for meaning rather than communicating a specific meaning itself.
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This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.
This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.
Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.
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"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.
Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."
en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art
crystalbridges.org/nature-trails/
...
Gov. Neil Abercrombie signs ten criminal justice-related measures (Acts 112 to 121) addressing sex abuse, prostitution, crimes against children, violation of privacy, domestic violence, property crime, human trafficking, parking violations and law enforcement misconduct.
Clemant Voule, Relator Especial das Nações Unidas sobre os Direitos à Liberdade de Reunião Pacífica e de Associação, compareceu a evento no Centro de Artes da Maré, com organizações e coletivos para formalização de relatório. | Foto: Douglas Lopes
El Relator Rodrigo Escobar Gil tras la conferencia de prensa ofrecida después de la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
El Relator Rodrigo Escobar Gil ofrece una conferencia de prensa tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
立法會跟進香港國際機場三跑道系統相關事宜小組委員會視察三跑道系統項目填海工程
立法会跟进香港国际机场三跑道系统相关事宜小组委员会视察三跑道系统项目填海工程
LegCo Subcommittee to Follow Up Issues Relating to Three-runway System at HK International Airport observes three-runway system reclamation works (2017.05.05)
This image relates to my question "Can you tell a person's sexuality by their clothes?" because it is of a woman saying that the man is gay because he is wearing a tighter pink shirt and has his hair fixed neatly. This directly relates to my project because it shoes how people view men (in this case) that wear the color pink in their wardrobe and in this case the woman views him as being gay. And with the look on her face she does not seem to happy about it, she seems concerned that he is gay or the fact that he is wearing a "gay" shirt in public. I wanted to focus on this question because I have been given looks like this and wondered why, just to find out that is was because of how I was dressed. People nowadays are more comfortable with people being gay, but this project is also an examination of people's comfort with homosexuality.
Image from '[Connecticut Historical Collections, containing a general collection of interesting facts ... relating to the history and antiquities of every town in Connecticut, with geographical descriptions ... Second edition. [With plates.]]', 000194795
Author: BARBER, John Warner.
Page: 339
Year: 1856
Place: New Haven
Publisher: Durrie & Peck
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
PM Dr Ngirente presented before Rwanda parliament, Government of Rwanda achievements relating to ICT in the knowledge-based economy | Kigali, 2 December 2019
Possibly relating to the Gale Bros' who operated throughout the Shire of Whittlesea stone crushing and operated blasting operations at a quarry in Humevale. They carried out road repairs in the form of reforming and gravelling works for the Whittlesea Shire. Volcanic bluestone was quarried thoughout the area and used for buildling construction and road surfacing.
In addition local stone was used for dry stone wall construction.
Unknown location and date.
Fay Thomas Collection
Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Permission to use or share this image is granted provided the orignal URL link is provided along with the image and an acknowledgement to Yarra Plenty Regional Library.
Enquiries: Yarra Plenty Regional Library
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
This slide is a red tinted plate depicting an illustration of an explosion of a large swirling red mass from surface of the sun.
Inscription Details: Handwritten in black ink at top of plate, 'Eruption in Sun'. Handwritten in blue ink in lower left corner of plate, 'U aux'. Handwritten in blue ink in lower right corner of plate, 'CLW Aug'22'. Handwritten in blue ink on right side of plate, '(Ideal)'. VERSO Handwritten in blue ink on left side of plate, 'Negative specially Treated.'.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 236020|PH-1984-1-LS78-4-13
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033196