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it's not everyday that you find a saying on a card that you can actually relate to 100% :) i think it's just because i'm weird (in a okay way) :D
I think I'm that blue one leaning to the side. I'm bright and blue with other bright and yellow friends. We're all trying to be happy but it ain't floating.
For @wombat37's Twitter #sundaypics, this week curated by @JohnRands_TMTL.
The theme? "A photo relating to your life now that your younger self would never have expected" As a Twitter-based project it's a bit difficult to sum up in 160 characters...
As you have probably noticed my picture is of my nurses' uniform top, as my current profession is probably the biggest change in my life over the past few years. My grandfather was a bit of a pioneer in the computer world, nothing famous, just working hard on getting UNIX to talk to printers and the like and this instilled in me an interest in the technical side of life. Following courses at school and college I found I rather liked electrical installation work, you know, wiring and the like. Good bit of conduit bending, always getting the screwheads level (I still tut when I see this not done - no pride in their work!). This lead to me doing BTEC courses in electrical stuff and then higher engineering qualifications. What with one thing and another I ended up going to the University of Surrey and leaving with fond memories and a BEng (Hons) AUS - probably a bit more than required for your electrician.
However, there's always a 'however', about the time I finished uni and went travelling my grandfather fell ill. He had cancer and over 9 months or so he deteriorated and eventually died. I mention this only as I feel it was the catalyst that prompted my change of career. As an engineering student on a course with loads of boys I hung out with a lot of nurses and as my grandfather grew frailer I felt sad that I couldn't do more for him - I didn't even know how to help him sit up in bed without pain! I discussed this occasionally with a friend, but not too much as I'm a funny bugger.
My grandfather passed I entered my first job in engineering and did OK, nothing amazing, just OK. I stuck at it for 5 years until eventually events at work and an opportunity to travel again made handing in my notice the right thing to do - when I returned I decided to go back to uni to add three more letters after my name - RNA.
Anyhoo, so that's that. I started off wanting to be an electrician, switched to engineering and have ended up a nurse. All because of a few little things. But they all add up.
kt.
A few more furnitures and accessory for my Rolleiflex 3.5F (see below for details relate d to the camera) with a couple of old-fashioned carbon-zinc 22.5V batteries from China to test the Rolleiflash with FP1b bulbs and a close-up accessory Rolleinar 1 (1 diopter) in the correct bayonet dimension (RII) suitable for the Rolleiflex 3.5F with Zeiss Planar lens or Schneider-Kreuznach Xenotar 1:3.5 f=75mm.
There are 3 different filter bayonet sizes on the Rolleiflex (RI, RII, and RIII) and one should check that both optical pieces are of the correct same dimension before buying. The Rolleinar 1 permit the focusing of the Rolleiflex between 1m and 0.47m instead of the normal minimum focusing distance of 0.9m. The parallax for Heidosmat viewing lens is corrected with an integrated prism that should correctly positioned with a red dot directed up. The Rolleinar came with its original Rollei Francke & Heidecke branded leather case.
The Rolleiflash type-2 is the original one that came with the camera. It mounts to the viewing lens bayonet and is also of the correct type RII. Rolleiflashes exist also in other bayonet dimension. At now, I just tested the circuity continuation with the battery in place and also with a flash bulb mounted. When pressing the test button a small light flashes on the control window. Next step will to fire a bulb...
April 22, 2025
69004 Lyon
France
About the camera :
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in an exceptional state of conservation.
The Rolleiflex 3.5F is the model-3, or "K4F",that Rollei-Werke Franke & Heidecke produced in 50.000 units in Germany from Nov.1960 to Dec. 1964. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication.
Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I will not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China.
This is the my ninth sexyletterart — Relator. I was inspired by the song Relator (artist — Scarlett Johansson & Pete Yorn). I have based in my work on the font Lady Rene. Designed by Laura Varsky.
This product relates to the product evolution that was discussed in lectures. Ever since cell phones have come used in people's daily lives there has always been one major flaw: every phone had a different charger. Long ago one may have thought that the smart thing for cellphone manufactures to do would be to make a requirement that a certain set of cell phones would have to have a certain port for a charger. It has taken many years, but now cell phone designers are finally getting to the point of making universal adapters for their phones. I hope that eventually all cell phone chargers resemble this one. This charger allows for the phone to be charged by a wall outlet by use of the USB port at the bottom of the main part of the charger. The beauty of this is that because the charger uses USB, that same wire can be used to connect the cell phone to the computer. Conversely, if a friend has the same kind of wire, they can also connect it to the main charger in order to charge their phone.
Artscape Gibraltar Point, Artscape Gibraltar Point, Toronto Island, August 2013 (photo by Johannes Zits) Island, August 2013
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [3/3].
This relates to my Yell.com blog.
It is here:
www.yell.com/gardens/blog/author/jamesalexandersinclair/
I have another one here:
Image from 'A Lytell Geste of Robin Hode, with other ancient & modern ballads and songs relating to this celebrated yeoman. To which is prefixed his history and character, grounded upon other documents than those made use of by ... “Mister Ritson.” Edited by J. M. Gutch', 001726444
Author: HOOD, Robin.
Volume: 01
Page: 343
Year: 1847
Place: London
Publisher: Longman, Brown, Green & Longmans
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The Panel numbers (or Pier and Face) quoted at the end of each entry relate to the panels dedicated to the Regiment served with. In some instances where a casualty is recorded as attached to another Regiment, his name may alternatively appear within their Regimental Panel (or Pier and Face). Please refer to the on-site Memorial Register Introduction to determine the alternative panel numbers (or Pier and Face) if you do not find the name within the quoted Panels (or Pier and Face).
On 1 July 1916, supported by a French attack to the south, thirteen divisions of Commonwealth forces launched an offensive on a line from north of Gommecourt to Maricourt. Despite a preliminary bombardment lasting seven days, the German defences were barely touched and the attack met unexpectedly fierce resistance. Losses were catastrophic and with only minimal advances on the southern flank, the initial attack was a failure. In the following weeks, huge resources of manpower and equipment were deployed in an attempt to exploit the modest successes of the first day. However, the German Army resisted tenaciously and repeated attacks and counter attacks meant a major battle for every village, copse and farmhouse gained. At the end of September, Thiepval was finally captured. The village had been an original objective of 1 July. Attacks north and east continued throughout October and into November in increasingly difficult weather conditions. The Battle of the Somme finally ended on 18 November with the onset of winter.
In the spring of 1917, the German forces fell back to their newly prepared defences, the Hindenburg Line, and there were no further significant engagements in the Somme sector until the Germans mounted their major offensive in March 1918.
The Thiepval Memorial, the Memorial to the Missing of the Somme, bears the names of more than 72,000 officers and men of the United Kingdom and South African forces who died in the Somme sector before 20 March 1918 and have no known grave. Over 90% of those commemorated died between July and November 1916. The memorial also serves as an Anglo-French Battle Memorial in recognition of the joint nature of the 1916 offensive and a small cemetery containing equal numbers of Commonwealth and French graves lies at the foot of the memorial.
The memorial, designed by Sir Edwin Lutyens, was built between 1928 and 1932 and unveiled by the Prince of Wales, in the presence of the President of France, on 1 August 1932 (originally scheduled for 16 May but due to the death of French President Doumer the ceremony was postponed until August).
The dead of other Commonwealth countries, who died on the Somme and have no known graves, are commemorated on national memorials elsewhere.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. A. Maiuri ] "Ruins of Pompeii Disintegrating..." The N. Y. Times, Nov. 16, 1955. p. 55 [1/2].
All the names relate to The Great War of 1914 – 18. One serviceman served on HMS Bulwark and one was assigned to the Canadian Expeditionary Force, others to the KSLI, Royal Welsh Fusiliers (or 'Welch' and 'Fuzilieers'), Montgomeryshire Yeomanry, Royal Engineers, South Lancashire Regiment, Coldstream Guards and The North Staffordshire Regiment.
Llandrinio is a village near Llanymynech in Powys. Heading south east from Llandrinio towards Crew Green and Shrewsbury, on the right before you come to the bridge over the River Severn, you'll see the Parish Church of St Trinio, St Peter and St Paul.
The Church is “.....a single-chambered structure, retaining architectural features from the Norman period through to the 20th Century. Internally, it has a couple of fragments from one or more early medieval slabs. Supposedly built in the 6th century....”
When you read about the history of the church and village, note the variations in spelling over the years, Trinio, Trunio and Llandrinio, Llantneio and Landrineaw.
For service times and for more information, please see........
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). "Prof. A. Maiuri - Roman Herculaneum Rises from Its Mud." Nov. 29, 1931. p. XX6. [2/3].
This relates to the topic of humanistic therapy. We became more self aware and accepting of ourselves versus our unconscious thoughts of covid and what if we catch it from a patient that we were working with. We were able to openly talk to each other about whatever was going on in our lives and everyone listened openly. There was no judgment, no-one giving advice, or someone directing our conversation. Everyone just listened to the other and accepted them for who they are with empathy. This increases diversity in Psychology because my friends and I are all of mixed Asian races on a boat in Kauai, Hawaii.
A collection of objects that relate to the true story of a woman poisoned by her ballgown.
In London 1862 a woman attended a ball wearing a green tarletane dress. The fabric had been coloured by mizing copper arsenate with starch and painting it onto cotton.
As the woman danced she swirled arsenic particles into the air, she developed a terrible headache and left early, pleading exhaustion. Once she arrived home she vomited and collapsed. By the next morning she was dead.
Lazercut and hand etched acrylic with handpainted fabric,ribbon and lace, press moulded porcelain and polyester resin stopper.
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
Things i relate to
27.02.08
Marsden Bay
18-55mm Nikkor
Nikon D50
Aperture: f25
ISO: 200
shot in raw in aperture Priority Mode
Relate your content to theirs
- Relate structure
- Relate vocabulary
- Relate context
It is possible!
- Reciprocal Research Network
- Straight fromCMS
Lee Iverson
IMG_0127
Postcard
The Fay Thomas Collection includes family archives relating to the Thomas family. Moses Thomas (1825-1878) was a significant figure in the history of the area now known as the City of Whittlesea, Victoria, Australia. Thomas and Ann and their family lived at "Mayfield", Mernda, Victoria.
Miss Lily Thomas (1871-1946), Thomas and Ann’s fourth daughter lived there all her life. She collected postcards which her family and friends sent her on a very regular basis. It was an easy and enjoyable way to keep in touch. Production of postcards blossomed in the late 19th and early 20th centuries. Lily’s collection encompasses the so-called Golden Age (1890-1915) with many postmarked 1906-1907. Some were sent to other members of the family.
The collection document the natural landscape as well as the built environment—buildings, gardens, parks, and tourist sites. Topographical Postcards showing street scenes and general views from Australian and international locations, some of which are artistic views. Popular postcard manufacturers such as Tuck’s Postcards are included in the collection.
Decorative cards, many embellished with floral motives (as a nod to the receiver Lily?) and embossing. Greeting cards are common for Christmas, New Year, Easter and of course birthdays.
Regular senders can be identified from Kyneton and the Great Ocean Road area, Victoria and there is a siginifant collection from Scotland (but not sent from there).
YPRL hold digital copies of the Papers of the Moses Thomas Family held at State Library Victoria
Copyright for these images is Public domain but a credit to the Fay Thomas Collection and YPRL would be appreciated.
Enquiries: Yarra Plenty Regional Library
My father, left, and a relative, right, whose name I may have forgotten, and whose relation to me may have slipped my mind, but who stuck in my head enough for me to remember that she was very nice. Also, 82 years old (and she doesn't look a day over 65!)
This relates to my inquiry because I am using light to create various melancholy pictures to answer the question "How might different types of light convey emotion to one viewing the photo?"
I used a flashlight and a water bottle to take this photo because the water bottle made the light softer than paper would. I put the bottle in front of the flashlight, and pointed it at the model. I then upped the contrast, texture, and clarity in photoshop.
This is a Portfolio relate to DC Comic and movie , Restore a role of Batman: Arkaham Asylum.
Harley Quinn/
I created this group of photos in China, an abandoned hospital building, to restore the role of a business works.
The creative process used in the camera, flash, soft umbrella, color film, reflectors, tripods and other props. Thank model Asa, and to help this group of photos I took several support staff.
This group of photos to show the audience a great reduction in the original crazy clown female offenders, if you know cosplay, understand Batman, then this will not be unfamiliar. I think this group of photos into a lot of photography after shooting, restore the role of a work that conveys the role of personality and the whole atmosphere of the original, is a group of the more successful works.
Most "modern" roadsigns relating to junctions now give some indication of priority. There are, however, still a few around that do not. Whilst, in general, I have no interest in modern signs, I am aware of the increasing rarity of signs that do not indicate priority. Thus, I shall post odd examples as I find them. This one is near Uppertown in Derbyshire, and really is as "drunk" as it appears to be - photographed through my car windscreen.
This relates to the adjacent shipping container photo. Testing out my brand new Lumix FZ200 camera. Shot in RAW RW2. Post processed using Adobe Lightroom 5.
This is our good friend Moritz. We've travelled together a number of times and everywhere he visits he takes time every day to do a sketch. It's one of the ways he relates and gets comfortable and learns about a new place. Some of us discover a place by walking the streets, dining, buying artifacts, he sketches.
Your employees using an AI time tracker for the first time
clockk.com/memes/surprised-koala-meme-time-tracking-autom...
The Problems relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as reported in Foreign Press (1904-2002). "£1.8m project to restore ruins of Pompeii." The Times, Nov 11, 1977, p. 7.
The Problems Relating to the Management & Excavations of the Archaeological Ruins of Herculaneum / Pompeii as Reported in Foreign Press (1904-2002). [Prof. Amedeo Maiuri -] "Pompeii Splendors - New Excavations." Feb. 22, 1953. p. ITS45. [1/2].
Photo from installation
Sydney Cohn
BFA Photography 24
The older I get, the more the definition of home confuses me. Some say it relates to a physical location, some may say "home is where the heart is." But no matter where I am, I always long for another place.
In my childhood home, I often feel like a washed-up stranger.
The memories that belong there are different versions of me. My apartment in Providence still feels too uncertain and scary. I've spent the last few years in and out of extended stays at residential treatment centers and psychiatric hospitals. My time spent in those environments is, for better or for worse, an integral part of the that I am now.
At this point, I've spent multiple stays over multiple months, in multiple different states in locked units and facilities. As difficult as treatment is at the start, slowly the resistance turns to comfort and the outside world seems scarier and scarier to return to. Inside, everything is taken care of for you; the only you really need to focus on is getting better. People give you love and attention and care for you in a way that I don't experience in day-to-day life. As much discomfort and pain, you go through in treatment, there is also an ease of the environment that is unavailable anywhere else, and irreplaceable.
My adult life has been heavily dictated by my mental illness and the treatment stays that have come as a result. My life has taken a very untraditional path, one that I could have never predicted for myself. I often feel alone in what I have experienced, and rarely find anyone who can relate or understand the post-treatment mindset.
Sometimes I am saddened by my craving for an institutionalized life. But I have to remember that at the end of the day, it makes sense.
This series of photographic self portraits is my attempt to understand and illustrate for others a strange, but true paradox for those with mental illness and in facilities that treat them: I will always say, leaving treatment is harder than checking yourself in.
I'm a boss ass bitch, bitch, bitch 💄🎓 💁 💵 #InspirationalQuotes #GirlQuotes #Quotes #TeenageLife #LifeQuotes #BeautifulQuotes #RelationshipQuotes #SuccessQuotes #DontGiveUp #PositiveQuotes #TeenQuotes #WomenQuotes #Follow4follow #Adult #Love #Forever #LDR #LongDistanceRelationship #S4S #Relateable #Allgirls #Repost #beyonce #nickiminaj #nofuckingchill #goodnight - _relate.quotess